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by Akiko Enokido and Deb Shaw

The Horticultural Society of New York (Hort) is hosting a guided walkthrough of the 14th Annual International Juried Botanical Art Exhibition. Open only to members of the Hort and the American Society of Botanical Artists, the guided walkthrough provides a look at the show through the eyes of the jurors before the show closes on Wednesday, November 23rd. Forty-one artwork were selected from a field of 200 submissions by jurors Patricia Jonas, Kathie Miranda, and Derek Norman, by artists from the US, UK, Japan, Australia, Brazil, and Canada.

Images from the show can be seen on the ASBA’s Blog Posting. Catalogs from this show, as well as other ASBA exhibitions can be ordered through Tania Marien at ArtPlantae.

The walk through is from 1:00 pm to 2:00 pm. Admission is free, although walk through is open to Hort and ASBA members only. Light refreshments will be served. RSVP to Chris Murtha at the Hort.

The announcement from the Hort for the walk through came with a photo of the opening, showing Akiko Enokido’s and Deb Shaw’s entries in the show. The photo is also part of the opening page slide show on the Hort website (without the labels of course). What fun!

Opening of NY Hort Show

Photograph from the opening of the New York Hort show, © 2011, The NY Hort.

by Deb Shaw

Artwork from the Open Studio Invitation by Sally Jacobs, Sue Frank and Jack Shultz

Artwork from the Open Studio Invitation by Sally Jacobs, Sue Frank and Jack Shultz

BAGSC member Sally Jacobs, along with Sue Frank and Jack Shultz will be having a Studio Show and Open House on Saturday, November 5 from 12 – 4 pm and Sunday, November 6 from 12 – 4 pm. Original paintings, prints, glass art and holiday gifts (2012 calendars, notepads, notecards and more!) will be displayed and for sale.

Download a pdf invitation (StudioShow_EmailBlast_2011_10_06__12h48) and map, and bring friends!

by Deb Shaw

Alison Denning and Carmen Lindsay Exhibition Announcement

Alison Denning and Carmen Lindsay Exhibition Announcement

BAGSC members Alison Denning and Carmen Lindsay will be in a show entitled “Two Friends, 2 Expressions” at the Claremont Community Foundation in Claremont, California. The show runs from October 31 through November 28.

An artists’ reception will  be held Friday, November 4, 2011 from 5:30 – 7:30 pm.

The gallery hours are Monday through Friday, from 9 am – 4 pm.

Claremont Community Foundation
205 Yale Avenue
Claremont, California 91711
909.398.1060

Congratulations Alison and Carmen!

by Deb Shaw

BAGSC Member Janice Sharp (and BAGSC’s good friend Jill) will be exhibiting in the Annual Art Festival, a group show at the Creative Arts Group, Friday, November 11 – Sunday, November 13. The Festival includes sale of work by more than 70 professional artists, artist demonstrations and a student sale on Friday and Saturday.  Paintings, drawings, ceramics and jewelry will be on display and for sale, including baskets and jewelry by Janice and Jill.

Opening night reception: Friday, November 11, 7 – 9 pm
Show continues: Saturday, November 12, 10 am – 5 pm and Sunday, November 13, 10 am – 3 pm

The Creative Arts Group is located at 108 North Baldwin Avenue in Sierra Madre, 91024. Take the 210 freeway to the Baldwin Avenue exit; than go north 1 mile. The phone number for the gallery is 626.355.8350. Congrats Janice and Jill!

by Deb Shaw

Image of PDF for Margaret Best Tuscany TripBAGSC member Margaret Best, in conjunction with Quench Trip Design, will be teaching a botanical art workshop in Tuscany, in Spring 2012 (April/May). Participants will stay in a restored medieval village, drawing or painting some of the seasonal displays of flowers such as red poppies, Azaleas, wisteria or the native blue iris. Or, artists may choose to depict the local fruit and vegetable offerings such as the asparagus, strawberries, fennel or peas to be found in the market place. This workshop has been designed for artists at every level.

Margaret will teach in a stunning historical indoor/outdoor studio setting. The trip also features an expert Italian-speaking cultural guide on a memorable eight-night visit to Italy.

Outside the studio, participants will visit an organic kitchen garden and join the owner for a sumptuous gourmet meal. They also will be able to experience the authentic Chianti region by mingling with the local residents and visiting boutique wine estates to sip their vintages, and savour the culture of Rome and Siena.

Please read the PDF, MargaretBestItaly, for more details, e-mail Quench Trip Design, or call them at 416 366 2777 to hear more information on how to book. Those booking before October 7th will receive Euro 150 per person off the program cost.

by Leslie Walker (posted by Deb Shaw)

At the last BAGSC meeting at Alison’s, we passed around a “get well” card for Marilyn. Here’s the thank you she posted on my facebook page:

Hi Leslie, I would like to thank the group for the thoughtful card and caring comments. All of you are so special and each get-well wish was greatly appreciated. I am improving and looking forward to only good things in the future. Hope to see you soon and have a wonderful trip to Boston. Fondly, Marilyn Parrino

Get well from all of us, and hope to see you soon!

Morgan painting in her studio

Morgan painting in her studio

The seventh annual San Fernando Valley Artist Studio Tour will be held Saturday and Sunday October 1 from 10:00 a.m. to 5:00 p.m. BAGSC member Morgan Kari will be among the 30 artists participating in the studio tour, presenting her beautiful new studio and teaching school.

Morgan’s art studio, formerly a farm building for processing walnuts grown on the property, consists of five rooms, including an art library of more than 2000 art and photography books, a trundle bed for naps or for guests, a computer and business room, a framing and mat cutting facility, and a lecture and refreshment room. There is also a teaching school for four students that was once the farm’s tool room, and ceilings that are 18 feet high, with skylights that open. North lighting filters through shuttered windows and each room is filled with music from a central sound system.

Morgan’s 900 square foot studio is located in the back garden, surrounded by flowers and numerous fruiting trees, arbors, dogs, birdbaths and flagstone patios for painting outside.

The studio interior is decorated in art deco and Chinese style with a black floor. Special thought was given to the art furniture, storage, lighting, and presentations.

Morgan’s paintings are realistically rendered still life, portraits, and botanicals in watercolor, oil, pastel, silverpoint, and colored pencil.

For more information, contact:
Valley Artists Studio Tour
818-469-3380
or Morgan.

by Leslie Walker/Margaret Best (published by Deb Shaw)

Rosa canina, Rose Hips, watercolor, © 2010, Margaret Best, all rights reserved.

Rosa canina, Rose Hips, watercolor, © 2010, Margaret Best, all rights reserved.

Why does a botanical artist need to know anything about brown when there are stunning pink, purple, or blue flowers to paint? Aren’t brown botanical subjects dead, dried up or dull? And then there are all those oxides, umbers and siennas, “burnt” and “raw”. What do these names mean and why can’t you just mix browns from other colours?  Just how important can they be in a world that demands eye-popping, saturated hues?

To find out the answer to all of these questions and so much more, join us at Margaret Best’s upcoming class titled the The Fruits that Fall or Form in Fall. This 3-day workshop is designed to give you a meaningful opportunity to explore the range of available watercolor earth pigments. You will discover the warmth and richness of color that they can bring to your work when you know how to use them. Their multitude of useful applications will surprise you!

The timing of this class has been specifically planned for you to utilize your earth color  discoveries effectively in the drawing and painting of a choice of seasonally available subject matter. You will need your preferred supply of paper and paints but the earth pigments for testing and color matching will be provided.

This class will be held December 2, 3 and 4, 2011 from 10 am – 4:30 pm in the Oak Room, under the Peacock Cafe, at the Los Angeles County Arboretum and Botanic Garden, 301 North Baldwin Avenue, Arcadia, CA 91007.

The cost is $275 for BAGSC members or $300 for non-members. A $50 non-refundable deposit is required to reserve your space, with balance due November 1, 2011. Please mail checks to Leslie Walker, made out to BAGSC, with an indication that the check is for Margaret’s class. Questions? Please call or email Leslie.

 

by Deb Shaw

The annual juried exhibition of the ASBA/Horticultural Society of New York opens on September 21, 2011, and runs through November 23, 2011 at The Horticultural Society of New York.

Erythrina sp., Coral Tree Seeds.

Erythrina sp., Coral Tree Seeds, graphite and watercolor on veilum, © 2010, Deborah Shaw, all rights reserved.

Forty works were selected from a field of 199 entries, by jurors Patricia Jonas, Kathie Miranda and Derek Norman. Artists from the US, Australia, Brazil, Canada, Japan, and the UK are in the show, including BAGSC members Akiko Enokido and Deborah Shaw.

An artists’ reception will be held from 6 – 8 pm on September 21 at The Horticultural Society of New York, 148 W. 37th Street, 13th Floor, New York, New York. A catalog has been published, and can be ordered through Tania Marien at Art Plantae Books (see BAGSC News blog article below).

by Deb Shaw

Our beloved ArtPlantae Books, by Tania Marien, is now the official source for purchasing ASBA Catalogs; including catalogs of past exhibitions. A portion of each sale will be donated to the American Society of Botanical Artists (ASBA) to support their mission and goals of promoting public awareness of contemporary botanical art, to honoring its traditions, and to furthering its development.

For fastest service and easiest ordering, use your credit card at the ArtPlantae Books website, click on “ASBA Exhibition Catalogs” and complete the order form. Catalogs can also be purchased by check by sending an order form and check, including shipping and handling and sales tax (if applicable), made out  to ArtPlantae Books at:
5225 Canyon Crest Drive, Suite 71-127
Riverside, California 92507

ASBA Losing Paradise Catalog

Cover of the ASBA's, "Losing Paradise?" catalog

ASBA members ordering through the ArtPlantae Books website can enjoy a special discount on the Losing Paradise? Endangered Plants Here and Around the World catalog. Regularly $29.95, the Losing Paradise? catalog can be purchased through ArtPlantae Books for $25.00. See the last page of your latest issue of the ASBA journal, The Botanical Artist for the special checkout code, or contact Tania Marien.

After a successful show in New York, Losing Paradise? Endangered Plants Here and Around the World, opened at the the Shirley Sherwood Gallery of Botanical Art at the Royal Botanical Gardens, Kew, UK on June 25, 2011.  This exhibition at Kew is an integral component of a larger exhibition called Plants in Peril that will be on view at the gallery until Sunday, October 16, 2011.

The Losing Paradise? exhibition features 44 works of original art depicting threatened and endangered plants from North & South America, Europe, Asia, Africa and Australia. The exhibition catalog was produced by the American Society of Botanical Artists and features the artwork that appeared in the original exhibition in New York, as well as information about each plant. The catalog also includes essays by leading plant scientists and conservationists. Learn more about the Losing Paradise? exhibition on the blog at www.asbalosingparadise.blogspot.com.

by Deb Shaw

BAGSC member Tania Marien, ArtPlantae, will be teaching “Learning through Natural Science Illustration: Tree Life Cycle” at the Environmental Nature Center (ENC) in Newport Beach, CA on Saturday, October 8, 2011 from 10 – 11 am.

Children ages 5 and 6 (and their parents) will learn what happens to a tree after it falls to the ground during a reading of “A Log’s Life”, by Wendy Pfeffer. They will then learn about the amazing paper sculptures used to illustrate the book, created by artist and natural science illustrator Robin Brickman, before creating their own paper sculptures of Fall leaves.

Fee: $12 per child, ages 5 – 6. Art supplies will be provided. Call the ENC at 949.645.8489 to reserve a space, or email Lori Whalen at the ENC. Reservations are required. The ENC is located at: 1601 16th Street, Newport Beach, CA 92663.

by Deb Shaw

Tania Marien, ArtPlantae will teach a children’s nature art class through Back to Natives on Saturday, 23 July, 2011, from 10 am – 11 am at the Santiago Creek Nature Center, 600 E. Memory Lane, in Santa Ana, CA.

Part of the “Learning through Natural Science Illustration” series, Tania will introduce children to natural science illustration through the book, “A Seed is Sleepy.” The class will take a short hike, and learn how Back to Natives collects seeds for habitat restoration. The young naturalists will then use colored pencils to design and illustrate a seed packet, and receive native plant seeds to plant at home. The class will cover plants, how they grow, and why they are important.

The class is for children ages 5 & 6, and costs $10.75 per child. Children must be accompanied by an adult at all times. To register, email Back to Natives that you will be coming to the class, fill out the City+of+Santa+Ana+Registration+Form-1 and bring it with you with payment to the class the day of the event.

by Deb Shaw

Morgan Kari will be teaching “Amazing Colored Pencils” at the Manhattan Beach Creative Center Tuesday nights July 5-August 9, from 7:00-9:30 p.m. The cost is  $140 for residents of Manhattan Beach, and $154 for nonresidents.

Registration is available online. There are still spaces available. If you need help with registration, call (310) 802-5448. A supply list is available by calling (310) 802-5448.

Students will be introduced to colored pencil and exciting techniques, including odorless turpentine blending, embossing, frisket erasing, burnishing, and optical blending. This class will further students’ knowledge of composition, form, value, color, line, paper selection and lightfast color pencils. The class will be held in the Performing Arts Room at the Creative Arts Center, at 1560 Manhattan Beach Blvd., Manhattan Beach, CA 9026.

By Jesselyn Cyr

When I saw the announcement for Margaret Best’s “Color and Composition” workshop in Bermuda at the end of May I thought, “This is what I really need.” I checked my calendar and made the arrangements right away. I learned happily that Leslie Walker was scheduled to attend as well. This four day workshop took place in the Bermuda Society of the Arts (BSOA) gallery in the City Hall in Bermuda—an excellent central location with good light. The class was just the right size so we could work comfortably. The group’s skills were wide but most of us had good experience. It was a great chance to meet new painting friends.

Introduction and Goals from Margaret Best

Beautiful specimens available for students to paint.

Beautiful specimens available for students to paint.

While we reviewed the goals, the class was inspired by the plant specimens presented from an array of Bermuda plants that had been collected for the workshop. Bermuda is very beautiful and the local plant specimens ranged from plumeria, dates, ginger, passion flowers, agapanthus and more. After we each selected our specimens and while we started drawing, Margaret taught her ambitious subjects “Colour and Composition.” We started by discussing the palette of botanical watercolors that had been selected for the class—primarily transparent colors and most (but not all) of them from M. Graham.

Chroma and Value

The subject of how to test our watercolors for chroma was discussed and we reviewed the difference in chroma with various pigments such as yellows vs. blues. We started the process of color matching and value. Many of us had brought our color tests from previous classes so that we would have a starting place for color matching of our specimens. Then we tested our paper. Most of us used Arches 140# HP. Bermuda’s high humidity meant that our colors dried slower when we applied our watercolors to paper. Leslie and I were used to a faster drying process so we enjoyed time to move our paint.

Composition and Painting

Classroom in Bermuda.

Classroom in Bermuda.

We spent quite a bit of time drawing which was very helpful to understanding the specimens. Then the time came for Composition. Margaret offered a good fast course in various Composition styles while we traced our specimens. Since our class was in the Bermuda gallery we had the advantage of using many of the paintings in the gallery to look at composition techniques. One technique I used was to trace my drawings so that I could organize the right composition for my project.

Bermuda and Goodbye

Soon it was time for the class to end and look at our work. We all worked hard but no one’s goal was to finish, only developing new skills. We had all made excellent progress. Bermuda and this class had offered me a unique relaxed setting and workshop in which to learn. In the beginning I had said, “This is what I really need.”  It was true. Then I headed home to LA with a new level of confidence.

by Deb Shaw

Tania Marien, ArtPlantae will be teaching a children’s nature class presented by Back to Natives on Saturday, 25 June from 10 am to 11 am at the Santiago Creek Nature Center, 600 E. Memory Lane, in Santa Ana.

The class is part of the series, “Learning through Natural Science Illustration: Mother Monarch” and will introduce children ages five and six to natural science and illustration through Mindy Lighthipe’s book, “Mother Monarch”. Children will become more aware of butterflies and insects and the important role they often play as pollinators. In a hands-on nature-themed art project using paper sculpture and gouache, each child will create a beautiful butterfly life cycleand learn about plants, how they grow, and why plants are relevant to our lives.

The cost is $10.75/child. Children must be accompanied by a parent or guardian at all times. Space is limited. To register, send an email to Back to Natives Restoration to reserve your spot and fill out the City+of+Santa+Ana+Registration+Form, which can be brought with payment the day of class.

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