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by Jude Wiesenfeld, posted by Deb Shaw

Tacoma stans 'Yellow elder’, watercolor by Jude Wiesenfeld on 140 lb. Arches 11” x 14”, © 2018. Completed July 2018.

Tacoma stans ‘Yellow elder’, watercolor by Jude Wiesenfeld on 140 lb. Arches 11” x 14”, © 2018. Completed July 2018.

It’s not too early to start planning for next year!

Join BAGSC member Jude Wiesenfeld for her three-day Botanical Art Workshop: Watercolor on Paper, at the Desert Art Center in Palm Springs, California, January 25, 26, and 27, 2019. The cost for the three-day workshop is $200US.

This workshop will be an introduction to botanical art for everyone with some prior experience with watercolor. All participants will begin a painting while learning about the history of botanical art, basic plant and leaf shapes, creating studies and notes about a subject, and masking and composition.

Nandina domestica, Nandina, Sacred Bamboo, by Jude Wiesenfeld. Watercolor on 140 lb. Arches, 18.5" X 15”, © 2017.

Nandina domestica, Sacred Bamboo, by Jude Wiesenfeld. Watercolor on 140 lb. Arches, 18.5″ X 15”, © 2017.

This is not a BAGSC-sponsored workshop—enrollment is directly through the instructor. To enroll: email Jude Wiesenfeld and send a $50 non-refundable deposit (address will be supplied upon sign-up) by January 18, 2019 to reserve your spot. Payment balance will be collected the first day of the workshop.

Caesalpinia pulcherrima 'Pride of Barbados' by Jude Wiesenfeld. Watercolor on Kelmscott Vellum, 9" X 12", Completed March 2018.

Caesalpinia pulcherrima ‘Pride of Barbados’ by Jude Wiesenfeld. Watercolor on Kelmscott Vellum, 9″ X 12″, Completed March 2018.

The materials list is available on the workshop flyer, downloadable here.

The Desert Art Center is located at: 550 N. Palm Canyon Dr., Palm Springs, CA 92262, 760 323-7973. Directions and hours can be found on their website.

by Deb Shaw

Kokia drynarioides, Hau hele 'ula. Lesley B Randall, color pencil and graphite on cold press illustration board. Scale 1:1 and various for enlarged details, © 2015, all rights reserved.

Kokia drynarioides, Hau hele ‘ula. Lesley B Randall, color pencil and graphite on cold press illustration board. Scale 1:1 and various for enlarged details, © 2015, all rights reserved.

BAGSC’s exhibition “Totally Tropical,” opens Saturday, November 3, 2018, at the San Diego Botanic Garden (SDBG) in the Ecke Building. “Totally Tropical” celebrates the opening of the San Diego Botanical Garden’s tropical conservatory this past summer.

Seventeen BAGSC members are exhibiting 32 paintings of plants that grow in tropical climates in this non-juried exhibition. Originals and archival giclée prints will be shown. Artists include Natalia Alatortseva, Margaret Best, Melanie Campbell-Carter, Diane Nelson Daly, Catherine Dellor, Steve Hampson, Janice Sharp Hoiberg, Mary Jansen, Suz Landay, Arillyn Moran-Lawrence, Terri Munroe, Marilyn Anne Parrino, Lesley B Randall, Veronica Raymond, Kirsten Rindal, Deborah B Shaw, and Leslie Walker.

A casual reception will be held from 2:30 to 5:00 pm, Saturday, November 3, to celebrate the opening!

Exhibition DATES: 
November 3 – November 30, 2018


Exhibition installation: 
November 3, 2018, from 11 am – 2 pm

Potluck Reception: 
November 3, 2018, from 2:30 – 5 pm

Some of the artwork is for sale; ten percent of all sales will be donated to support SDBG.

Nepenthes ventricosa Blanco, watercolor on paper, Kirsten Rindall. scalle 1:1, © 2017, all rights reserved.

Nepenthes ventricosa Blanco, watercolor on paper, Kirsten Rindall. Scale 1:1, © 2017, all rights reserved.

As usual for SDBG exhibitions, BAGSC will install the exhibition the same day as the opening. All BAGSC members are welcome to come join in the installation, assist with the hanging, and see the amazing gardens. BAGSC members, friends, family, SDBG staff and the public are all welcome to join us for the opening reception.

The San Diego Botanic Garden is located at 230 Quail Gardens Drive, Encinitas, CA 92024. The garden covers approximately 35 acres; hours, admission, and information can be found on their website.

Looking forward to seeing everyone there!

by Jan Rasmussen, posted by Deb Shaw

Flyer for "Drawing Nature" exhibition in Long Beach, California.

Flyer for “Drawing Nature” exhibition in Long Beach, California.

“Drawing Nature,” an exhibition of artwork created in Nina Antze’s colored pencil classes at the El Dorado Nature Center will close on October 31, 2018.

Come see colored pencil drawings by 15 artists of native and non-native plants.

The exhibition can be seen at 7550 E. Spring Street, Long Beach, California 90815. The Museum hours are Tuesday–Sunday, 8:30 am–4pm. Vehicle parking fees range from $5–$8, depending on the day; directions and general information can be found here. A portion of the sales proceeds supports the Friends of El Dorado Nature Center.

 

by Cristina Baltayian, posted by Deb Shaw
Cristina Baltayian’s botanical art workshops at the Los Angeles Arboretum & Botanic Garden begin again  October 2, 2018. These classes will explore colored pencils, watercolors, watercolor pencils, graphite, and some of us are exploring gouache, colored backgrounds, and more.

Regular classes will meet on Tuesdays. Registration is available on a monthly basis. Additional month-long sessions will meet in November and December, although there will be only three classes in December due to the holidays.

10am-2pm (includes lunch break) / Oak Room
$275 Arboretum members per month / $295 non-members per month (includes Arboretum Admission)

October           2, 9, 16, 23
November       6, 13, 20, 27
December       4, 11, 18 (only 3 classes – $205/$225)

Register online on the Arboretum website (scroll down to find “Botanical Art & Illustration” with links to the monthly registration).

Questions? Please call the Arboretum Education Department at 626.821.4623.

The Arboretum is located at: 301 North Baldwin Ave, Arcadia, CA 91007.

by Deb Shaw

Midnight (Eastern Daylight Time), August 31, 2018 is the last day to register for the American Society of Botanical Artists 24th Annual Meeting & Conference in St. Louis!!

Come spend time with fellow botanical artists, take workshops, and attend lectures. Spend quality time at the Missouri Botanical Garden, one of the world’s top botanical gardens. Founded in 1859, the Missouri Botanical Garden is the nation’s oldest continuously-operating botanical garden and a National Historic Landmark.

The Foundry Art Centre in St. Charles, Missouri will host “Out of the Woods: Celebrating Trees in Public Gardens, the Third New York Botanical Garden Triennial” exhibition of botanical art along with a companion, adjunct exhibition “Out on a Limb.” A reception for conference attendees will be held Thursday, October 11, and will also feature the slideshow of artwork from the 25-country Botanical Art Worldwide exhibitions.

To register, look at the descriptions and information on the ASBA website. Then go to the Conference Registration website to register. Scroll down on the registration site to see openings remaining in various workshops and presentations. There are a lot of openings left in wonderful workshops!

If you’ve already registered but would like to add a class, contact the conference registrar to request the additions to your registration.

by Deb Shaw

Signage with artwork by Esmée Winkel, Leiden's 300-Year-Old Tulip Tree in Autumn (2016), Liriodendron tulipifera. Hortus Botanicus Leiden, Leiden, The Netherlands. Watercolor on paper. © Esmée Winkel. Courtesy of the American Society of Botanical Artists and the New York Botanical Garden.

Signage with artwork by Esmée Winkel, Leiden’s 300-Year-Old Tulip Tree in Autumn (2016), Liriodendron tulipifera. Hortus Botanicus Leiden, Leiden, The Netherlands. Watercolor on paper. © Esmée Winkel. Courtesy of the American Society of Botanical Artists and the New York Botanical Garden.

The Los Angeles Times joined The Huntington Library, Art Collections, and Botanical Gardens and BAGSC in letting everyone know that the “Out of the Woods” exhibition will be coming to a close soon. See the article: http://www.latimes.com/home/la-hm-out-of-the-woods-20180822-story.html?outputType=amp

Make it a day at The Huntington: see “Out of the Woods,” organized by The New York Botanical Garden and the American Society of Botanical Artists, and “Amazing Trees,” the adjunct exhibition by BAGSC members in the Brody Botanical Center, Flora Legium Gallery. Then pop next door to the Rose Hills Foundation Conservatory for Botanical Science to see the blooming Corpse Flowers!

The exhibition closes Monday, August 27, 2018. The traveling exhibition will then go to the Foundry Art Centre in St. Charles, MO where it will be on display October 5 – December 28, 2018, including during the American Society of Botanical Artists annual meeting and conference.

In the beginning of next year, the exhibit will travel to the Tucson Botanical Gardens, Tucson, AZ, January 25 – April 13, 2019, and then on to the Minnesota Landscape Arboretum, Chaska, MN, May 9 – August 13, 2019.

by Deb Shaw

Li'l Stinky decided not to bloom after all, but provided a wonderful dissection opportunity! The Huntington team and the public got to see what's inside!

Li’l Stinky decided not to bloom after all, but provided a wonderful dissection opportunity! The Huntington team and the public got to see what’s inside!

We were all disappointed when Li’l Stinker, Amorphophallus titanum, or “Corpse Flower” failed to bloom last week at The Huntington Library, Art Collections, and Botanical Gardens. The failed bloom, however, gave Jim Folsom, John Trager, and Brandon Tam the opportunity to dissect the bloom on Facebook Live to create an herbarium sheet (watch the dissection here on Facebook Live.

Then, lo and behold, not one but THREE more Corpse Flowers stepped up to the plate. Quickly dubbed the #TitanTriplets! All three plants, “Stink,” “Stank,” and “Stunk,” #CorpseFlowers can be seen in the Rose Hills Foundation Conservatory for Botanical Science at The Huntington, along with a corm and a plant with a leaf. Daily updates, photos, and FAQs are being shared on The Huntington’s website.

“Stink” suddenly decided to bloom today! See it during public hours: 10 am – 5 pm. The two other #CorpseFlowers, “Stank,” and “Stunk” look like they have a few more days to go. But who knows…they might change their minds and bloom any time.

For more stinky resources (from The Huntington) #StinkyatTheH:

The Corpse Flower inspires creativity. Lindsay Brennan made (delicious!) Corpse Flower Cake Pops and brought them to Jim Folsom's Orchid Lecture for BAGSC members.

The Corpse Flower inspires creativity. Lindsay Brennan made (delicious!) Corpse Flower Cake Pops and brought them to Jim Folsom’s Orchid Lecture for BAGSC members.

The bloom (and smell) only lasts a day or so. If you’re coming to The Huntington this weekend to see and smell, be sure to stop by the Brody Botanical Center, Flora-Legium Gallery to see “Out of the Woods: Celebrating Trees in Public Gardens,” The Third New York Botanical Garden Triennial, American Society of Botanical Artists, and “Amazing Trees,” the adjunct exhibition by the Botanical Artist Guild of Southern California (BAGSC). BAGSC artists will be on hand all weekend with drop in family activities and botanical art demonstrations. The exhibitions go through to August 27, 2018.

Another view of the chocolate Corpse Flower Cake Pops.

Another view of the chocolate Corpse Flower Cake Pops.

Deborah Shaw (L) and Tania Norris (R) took a few minutes to sketch Li'l Stinky.

Deborah Shaw (L) and Tania Norris (R) took a few minutes to sketch Li’l Stinky.

BAGSC member Tania Norris with her Li'l Stinky sketch.

BAGSC member Tania Norris with her Li’l Stinky sketch.

by Deb Shaw

The wonderful botanical art exhibitions at The Huntington Library, Art Collections, and Botanical Gardens Brody Botanical Center are in their final month of display.

Out of the Woods: Celebrating Trees in Public Gardens, The Third New York Botanical Garden Triennial and American Society of Botanical Artists will be on display until August 27, 2018, along with BAGSC’s adjunct exhibition “Amazing Trees.”  BAGSC members will continue to have drop-in family botanical art activities and botanical art demonstrations every Saturday and Sunday through that time as well.

These exhibitions have been a whirlwind of wonderful opportunities. A few highlights have included:

, a volunteer author in the office of communications and marketing at The Huntington introduced the exhibition with an article in “Verso,” The Blog for The Huntington Library, Art Collections, and Botanical Gardens. Read the article here.

Deborah Friedman was interviewed and videotaped by Aric Allen, Video Producer, The Huntington Library, Art Collections, and Botanical Gardens about her development of her painting of the California Sycamore, Platanus racemosa in “Out of the Woods.” See the insightful video interview on YouTube here.

Steve Hindle, Interim President of The Huntington, "President's Message: The Gentle Giants Among Us," July/August "Calendar."

Steve Hindle, Interim President of The Huntington, “President’s Message: The Gentle Giants Among Us,” July/August “Calendar.” Read a PDF of the Message: huntington-pres-ltr-OOTW

“Out of the Woods” has been featured in all kinds of publicity and outreach from The Huntington, including the “President’s Message: The Gentle Giants Among Us,” by Interim President Steve Hindle in the July/August issue of The Huntington’s “Calendar.”

BAGSC participated in a Huntington open house and reception for The Huntington Fellows on Tuesday evening, May 22, 2018. BAGSC members Catherine Dellor, Estelle DeRidder, Suz Landay, Patricia Mark, Veronica Raymond, Olga Ryabstova, Gilly Shaeffer, Deborah Shaw, and Jude Wiesenfeld demonstrated at the well-attended reception. BAGSC members Susan Bartow, Teri Kuwahara, Tania Norris, Mitsuko Schultz, Beth Stone, and Leslie Walker attended too. Concurrent with the botanical art demonstrations that evening in the Ahmanson at the Brody Botanical Center, the ASBA Worldwide exhibitions were on display on the large screen, including the US exhibition (currently on display at the US Botanic Gardens) and exhibitions from 24 other countries. (See information about the ASBA Worldwide exhibition here. Information about the participating countries in the botanical art Worldwide Exhibition can be found here. Be sure to see the gallery slideshows and instructions on ordering exhibition catalogs from the US and other countries.)

Click on any of the images below to see in slide show with captions.

The calm before the crowds: (L) BAGSC member Tania Norris and Robert Hori ready the tables for the drop-in family botanical art activities.

The calm before the crowds: (L) BAGSC member Tania Norris and Robert Hori ready the tables for the drop-in family botanical art activities.

BAGSC members have provided drop-in family botanical art activities every weekend throughout the summer, including leaf-rubbings; botanical art demonstrations;  a segment in cooperation with The Huntington’s education department for their “avocado day,” and lots more! Additionally, BAGSC members have been on hand to answer questions from the public about botanical art and artworks in the exhibitions. It has been wonderful (and inspiring) to find many visitors to the exhibitions who have not only returned to see them multiple times, but have brought others to see them as well.

BAGSC members also used the weekend demonstration opportunities to paint orchids generously supplied from The Huntington’s collection by Brandon Tam, orchid collection specialist at The Huntington. Look for these paintings and drawings in our next exhibition at The Huntington in the fall, entitled “Diversity of Orchids.”

In early June, BAGSC members had the good fortune to be able to have Carol Woodin, ASBA Exhibition Chair at our quarterly meeting. Carol was in Southern California presenting at the American Public Gardens Association Conference with Devin Dotson from the US Botanic Gardens. Carol spoke to BAGSC members about painting orchids, followed by an audience-requested tour through the “Out of the Woods” exhibition. Click on any of the images below to see an enlarged slide show of the images with captions.

On Sunday, July 29, 2018, The Huntington hosted a stellar reception for the exhibitions for around 70 BAGSC members, family, friends and guests. Click on any of the images below to see a slideshow and read the captions.

Esmee van Winkel’s painting of Leiden’s 300-Year-Old Tulip Tree in Autumn, Liriodendron tulipifera, Hortus Botanicus Leiden, Leiden, The Netherlands has graced all the signage, large and small, and the printed marketing materials produced by The Huntington. The signage is everywhere throughout the campus. Click on any of the images below for a small sampling, and to read the captions.

"Out of Woods" catalogs on display in The Huntington Store, along with a selection of notecards by BAGSC members in the "Out of the Woods" exhibition. Five of the six cards are shown here; The Huntington Store sometimes has them all together, other times they are grouped with like subject areas in the store.

“Out of Woods” catalogs on display in The Huntington Store, along with a selection of notecards by BAGSC members in the “Out of the Woods” exhibition. Five of the six cards are shown here; The Huntington Store sometimes has them all together, other times they are grouped with like subject areas in the store.

“Out of the Woods” exhibition catalogs are on sale in The Huntington Store for $12.00 US. The Store also is carrying a limited edition of notecards with artwork by BAGSC members in the “Out of the Woods” exhibition, including Margaret Best (Screw-Pine, Pandanus utilis, Bermuda Arboretum, Bermuda), Akiko Enokido (Swamp Cypress, Taxodium distichum, Kobe Municipal Arboretum, Kobe, Japan), Deborah Friedman (California Sycamore, Platanus racemosa, detail from original, The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California), Asuka Hishiki (Black Pine Half-cascade Style Bonsai, Pinus nigra, The Omiya Bonsai Art Museum, Saitama, Japan), Olga Ryabstova (Roxburgh Fig, Ficus auriculata, The San Diego Botanic Garden, Encinitas, California), and Mitsuko Schultz (Sweet Gum, Liquidambar styraciflua, ‘Burgundy’, Los Angeles County Arboretum and Botanic Garden, Arcadia, California).

Asuka Hishiki's notecard in The Huntington Store on display in the Bonsai area of the Store.

Asuka Hishiki’s notecard in The Huntington Store on display in the Bonsai area of the Store.

A heartfelt thank you is due to too many to list here, but a special thank you to The Huntington’s Jim Folsom, Robert Hori, Danielle Rudeen, Melanie Thorpe and Andrew Mitchell, along with The Huntington’s Exhibition, Communications, Video, Education, Store and Graphics departments. Another special thank you to the BAGSC artists in “Out of the Woods,” who generously supported our test into The Huntington Store, and to all the other members who worked to make these exhibitions a success. And, last but not least, a heartfelt thank you to Tania Norris for all her work on the exhibition and coordinating the weekend botanical art activities.

by Jude Wiesenfeld, posted by Deb Shaw

Lesley Randall with one Aristolochia gigantea flower. Photo by Jude Wiesenfeld, © 2018.

Lesley Randall with one Aristolochia gigantea flower. Photo by Jude Wiesenfeld, © 2018.

Lesley Randall’s workshop, held at the LA County Arboretum and Botanic Garden in Acadia, was very informative, focusing on Aristolochiaceae, commonly known as the Dutchman’s Pipe Family of plants. Lesley began the workshop with a lecture on the origin of the Aristolochiaceae. They first appeared about 30 million years ago, when most of us were barely starting our careers!

We examined, both in hand and through our microscopes, the distinguishing characteristics to look for while drawing. Lesley encouraged us to write down measurements and notes on the specimens for future clarification in our drawings and to include for illustration work.

Aristolochea gigantea seed pod. Photo by Jude Wiesenfeld, © 2018.

Aristolochea gigantea seed pod. Photo by Jude Wiesenfeld, © 2018.

It was fascinating to see how the different techniques (stippling vs. lines) gave a variety of results. Sometimes a broken line worked better than an unbroken one! Lesley supplied great examples of this in handouts.

The final drawings are started with an outline and then the details are added with stippling. It is important to stipple with a purpose: i.e., namely to clarify a characteristic, show shape, create depth and/or show color pattern. Also, Lesley stressed how important it is to keep your paper, hands and workspace CLEAN.

Lesley encouraged us to research other artists’ work to learn about technique and mentioned Bobbi Angell as someone to study.

Two books recommended by Lesley Randall: "Botany in a Day: The Patterns Method of Plant Identification" by Thomas J. Elpel, ISBN-13: 978-1892784353, ISBN-10: 1892784351; and, "Guide to Flowering Plant Families" by Wendy B. Zomlefer, ISBN13: 9780807844700, ISBN-10: 0807844705. Photo by Jude Wiesenfeld, © 2018.

Two books recommended by Lesley Randall: “Botany in a Day: The Patterns Method of Plant Identification” by Thomas J. Elpel, ISBN-13: 978-1892784353, ISBN-10: 1892784351; and, “Guide to Flowering Plant Families” by Wendy B. Zomlefer, ISBN13: 9780807844700, ISBN-10: 0807844705. Photo by Jude Wiesenfeld, © 2018.

Lesley was a fantastic teacher and very generous with us all. I hope she will consider other workshops in the future.

[NOTE: click on any of the thumbnails above to view the images larger, in a slide show format.]

by Melanie Campbell-Carter, posted by Deb Shaw

Aloe broomii hybrid, Melanie Campbell-Carter, © 2018. Image protected by Digimarc.

Aloe broomii hybrid, Melanie Campbell-Carter, watercolor on paper, © 2018. Image protected by Digimarc.

BAGSC member Melanie Campbell-Carter is returning to Texas wearing her Botanical Artist hat! As fellow members know, in 2014 Melanie relocated to Southern California from Texas to study botanical art.

Melanie was thrilled to see an article in the March 2018 issue of The Botanical Artist about a new ASBA Circle in north Texas. The Circle’s first juried exhibition, Botanical Art: Flowers, Fruit and Fungi, will take place June 14 – August 9, 2018, at the Botanical Research Institute of Texas (BRIT) in Fort Worth.

Now living and painting full-time in Tucson, Melanie will be exhibiting two new paintings in Fort Worth, Aloe broomii hybrid and Caesalpinia pulcherrima.

Contact Denis Benjamin for more information about the Botanical Art Collective (BAC) in Texas, or if you would like to join. BAC also has a public Facebook page: https://www.facebook.com/groups/1502598476445397/.

Caesalpinia pulcherrima, Melanie Campbell-Carter, © 2018. Image protected by Digimarc.

Caesalpinia pulcherrima, Melanie Campbell-Carter, watercolor on paper, © 2018. Image protected by Digimarc.

by Leslie Walker and Deb Shaw

Leslie Walker delivering her Hechtia argentea to the World Bromeliad Conference. The painting is wrapped in bubble wrap. Photo by Robert Kopfstein, © 2018.

Leslie Walker delivering her Hechtia argentea to the World Bromeliad Conference. The painting is enclosed in a plastic bag. Photo by Robert Kopfstein, © 2018.

BAGSC member Leslie Walker delivered her commissioned graphite drawing of Hechtia argentea to be shown at the World Bromeliad Conference 2018. This year’s conference was held in San Diego, May 29 – June 3, 2018.

The Hechtia argentea is endemic to Mexico. This Bromeliad has a thick stem, really almost a trunk covered with the remains of old leaves, similar to the appearance of a palm tree skirt. The leaves are covered with tiny white scales, hence the name, “argentea” which means “silvery.”

The plant specimen had many more leaves; the challenge of drawing the Hechtia was editing out which leaves to draw, in order to be both true to the plant and yet make it understandable to view.

The artwork was on display during the World Bromeliad Conference.

Hechtia argentea by Leslie Walker, © 2018. Partial image (cropped) of artwork, taken with an iPad.

Hechtia argentea by Leslie Walker, © 2018. Partial image (cropped) of artwork, photo taken with an iPad.

by Patricia A. Mark and Deb Shaw

Olga Eysymontt will be teaching two botanical art workshops this summer at the Los Angeles County Arboretum and Botanic Gardens (LA Arboretum) through the Extension Program at Otis College of Art and Design.

The first is a two-day drawing and painting workshop, “Heirloom Tomatoes in Watercolor/Colored Pencil. The focus for this workshop will be techniques for conveying the perception of light and shadow, mixing color and continuous tone. Prior experience in drawing botanical subject matter is helpful. A supply list is on the Otis workshop registration site (included on the link below):
Heirloom Tomatoes in Watercolor/Colored Pencil
Saturday, July 7, and Sunday, July 8, 2018
9:30 am – 3:30 pm
Science Lab Classroom
Cost: $185
LA Arboretum & Botanic Garden (link to map)

The second two-day drawing and painting workshop, “Eggplants in Watercolor/Colored Pencil,” will be held in August. This workshop also will cover the techniques for conveying light and shadow, mixing color, and continuous tone. Changing the subject matter from tomatoes to a variety of eggplants allows exploration of different techniques and effects. A supply list is on the Otis workshop registration site (included on the link below):
Eggplants in Watercolor/Colored Pencil
Saturday, August 18, and Sunday, August 19, 2018
9:30 am – 3:30 pm
Oak Room
Cost: $185
LA Arboretum & Botanic Garden (link to map)

Both workshops will be held indoors at the LA Arboretum. Class details will be sent to registrants. There are still a few seats remaining. Take one or both classes!

Questions? Call Otis Extension at 310-665-6850, or email extension@otis.edu

by Janice Sharp, posted by Deb Shaw

Please be aware that when you deliver artwork to a local BAGSC exhibition, the BAGSC members who are hanging the exhibition will be collecting everything together and transporting artwork to the exhibition location. This is usually done by one or two people who will be carrying the art into the location.

Mitsuko Schultz's packing box showing the interior box and artwork. Photo by Janice Sharp, © 2018.

Mitsuko Schultz’s packing box showing the interior box and artwork. Photo by Janice Sharp, © 2018.

To do this efficiently—and safely for the artwork—it is best to have all the art in portfolios with good carrying handles, clearly labeled with the artist’s name and contact information.

Facilities where we hang art often do not have convenient places to pack and unpack art. Therefore, delivery in a portfolio allows the art to be simply slipped out of the portfolio or slipped back in.

Art in the portfolio can be protected with Foam-Core or cardboard. Plexiglass is notorious for scratching easily. Foam-Core or cardboard across the front that does not touch the surface of the plexi will help protect it. Please see the sample photos of Mitsuko Schultz‘s portfolio to the left which contains an interior box made of cardboard to support and protect the framed artwork.

The box is sufficiently wide to accept at least two pieces of art. An additional sheet of cardboard could be used between the frames if two were inserted into the box. This kind of a system makes it extremely easy (and safe) to unpack and repack art.

Mitsuko Schultz's packing portfolio showing the interior box and artwork. Photo by Janice Sharp, © 2018.

Mitsuko Schultz’s packing portfolio showing the interior box and artwork. Photo by Janice Sharp, © 2018.

We ask that all BAGSC members exhibiting use a similar system to make it easy for those who are hanging and taking down exhibitions.

Of course it is expected that people mailing art will do so in a suitable mailing container instead of a portfolio!

 

We thank everyone for their attention to these important details.

by Suzanne Kuuskmae, posted by Deb Shaw

Suzanne Kuuskmae will be starting private botanical drawing/painting lessons next week in her expanded studio area. Destination: Art also has a beautiful exhibit, Spring Fling, on view this month, Thursdays – Saturdays, from 11am – 5pm, and Sundays, 12pm – 4pm.

Destination: Art hosts workshops in the gallery. On May 8, 2018 there will be a meeting and afternoon paint-in for the Paletteers Art Group. Information about classes, workshops and exhibit space for individuals or groups of artists is available on the Destination: Art website: Destination-art.net

Destination: Art is located at 1815 West 213th Street, #135, Torrance, California 90501. Check it out!

 

by Deb Shaw

Deborah Shaw will be having a one-person exhibition at Chez Shaw Gallery—no relation 🙂

Entitled “Botanical Portraits,” the exhibition will run from  May 12 – July 31, 2018. Deborah’s watercolors and graphite drawings feature California native plants as well as other fascinating specimens of the plant kingdom.

The opening is May 12, 2018 from 6 – 9 pm, and is open to the public. Visiting the Gallery on other days is by appointment only, 562-708-3803. Chez Shaw Gallery is located at 1836 Nipomo Avenue, Long Beach, California 90815.

Opuntia spp., Fruit, Prickly Pear “Tunas,” Watercolor on calfskin vellum, © 2016, Deborah Shaw, dbshawstudios.com Digital image protected by Digimarc.

Opuntia spp., Fruit, Prickly Pear “Tunas,” Watercolor on calfskin vellum, © 2016, Deborah Shaw. Digital image protected by Digimarc.

 

 

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