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by Janice Sharp, posted by Deb Shaw

Artwork hanging above the card catalog in the Arboretum Library. Artists are: (L to R) Diane Nelson Daly, Deborah Shaw, and Estelle DeRidder. Photo by Janice Sharp, © 2017.

Artwork hanging above the card catalog in the Arboretum Library. Artists are: (L to R) Diane Nelson Daly, Deborah Shaw, and Estelle DeRidder. Photo by Janice Sharp, © 2017.

Illustrating the Urban Forest: 20 Years of Botanical Art, is now open at the Los Angeles County Arboretum & Botanic Garden. The exhibition, featuring Southern Californian urban trees, is now hanging in the Arboretum’s library and includes 29 artworks by 17 BAGSC artists. The exhibition is being held in conjunction with BAGSC’s 20th anniversary celebration.

Photo by Janice Sharp, © 2017.

Photo by Janice Sharp, © 2017.

BAGSC artists in the exhibition include: Diane Nelson Daly, Estelle DeRidder, Cynthia Jackson, Susan Jackson, Clara Josephs, Suzanne Kuuskmae, Patricia A. Mark, Arillyn Moran-Lawrence, Terri Munroe, Marilyn Anne Parino, Veronica Raymond, Olga Ryabtsova, Mitsuko Schultz, Gilly Shaeffer, Janice Sharp, Deborah Shaw, and Jude Wiesenfeld.

Illustrating the Urban Forest: 20 Years of Botanical Art will run from July 6, 2017 to September 28, 2017.

A collage of artwork in the exhibition in The Arboretum Library. Photo collage by Janice Sharp, © 2017.

A collage of artwork in the exhibition in The Arboretum Library. Photo collage by Janice Sharp, © 2017.

 

 

 

 

 

 

 

 

 

 

 

Join BAGSC members for our 20th Anniversary Celebration at The Arboretum

On Saturday, August 26, BAGSC will celebrate their 20th Anniversary. The program for the celebration will be:

4:00 – 4:45 p.m.
“Illustrating the Urban Forest: 20 Years of Botanical Art” Exhibition by BAGSC Members • Tour of the exhibition includes light refreshments and comments by the artists and Matt Ritter, our guest speaker.

5:00 – 5:45 p.m.
Presentation by Matt Ritter, botanist and author of A Californian’s Guide to the Trees Among Us

6:00 – 8:00 p.m.
Buffet Dinner • Highlights of BAGSC’s 20-year history

BAGSC members and their guests are invited to the programs and the dinner for $60 per person. Admission to The Arboretum is free; please see the Visitor’s Center attendant for free admission to the Arboretum Gardens for BAGSC guests.

Please email Gilly Shaeffer to RSVP with your name, phone number and the number in your party. Gilly will send an email reply to let you know where to send your check, payable to BAGSC, by August 15.

Los Angeles County Arboretum members and others who would like to attend only the exhibition tour and Matt Ritter presentation (but not the dinner) are welcome to join us for that part of the program. Arboretum members are $10; non-members are $15, payable at the door. There is no additional charge for Arboretum admission.

The 2017 Summer/Fall issue of The Arboretum's magazine has a page featuring the upcoming exhibitions in The Arboretum's library.

The 2017 Summer/Fall issue of The Arboretum’s magazine has a page featuring the upcoming exhibitions in The Arboretum’s library.

The Urban Forest exhibition can be seen with admission to The Arboretum during regular business hours in The Arboretum’s Library. There are no additional charges. The Arboretum is located at: 301 North Baldwin Avenue, Arcadia CA 91007-2697.

by Nancy Beckham, posted by Deb Shaw

Artwork on postcard: Slipper Orchid Maudiae, © 2017, Kathy Morgan

Artwork on postcard: Slipper Orchid Maudiae, © 2017, Kathy Morgan

The Botanical Art and Illustration Class of the Los Angeles County Arboretum is proud to announce their Second ARTboretum Art show, an annual art exhibit and sale to be held Friday April 28 through Sunday, April 30 from 10 am – 4:30 pm, and 10:00 am until 2:00 pm on Sunday. Last year’s first event was an amazing success, with more than 60 works of framed art available for purchase, demonstrations, a reception, and sales of beautiful cards and prints of the artists work. More than 700 people attended this three-day event.

ARTboretum is back this year, with exciting hands-on demonstrations so the public can experience the thrill of drawing and painting plants. Framed or unframed originals and fine art giclées, cards and prints of the work will be available for purchase just before Mothers’ Day. The artists will be on hand to welcome the public and to share their knowledge and love of their art. A reception for the artists will be held on Saturday, April 29 from 1 – 3 pm in the Oak Room.

The LA County Arboretum and Botanic Garden is located at 301 North Baldwin Avenue in Arcadia. Hope to see you at this exciting event in April.

by Gilly Shaeffer, posted by Deb Shaw

Save-the-date postcard, designed by Jan and Chas Clouse, featuring Gilly Shaeffer's watercolor of a California native walnut, © 2017.

Save-the-date postcard, designed by Jan and Chas Clouse, featuring Gilly Shaeffer’s watercolor of a California native walnut, © 2017.

The Botanical Artists Guild of Southern California (BAGSC) is celebrating its 20th Anniversary this year. Mark your calendars–on August 26, 2017, the Guild will be having a gala celebration in honor of our Anniversary.

Since its inception in 1997, our group has grown, changed and keeps getting better. So, we have good reason to celebrate. Members continue to develop their botanical art skills through classes and workshops, and, as a result of this dedication and hard work, we have more and more opportunities to show our art. Through outreach, exhibition and educational activities, BAGSC has increased southern Californian’s awareness and appreciation for this art form.

We have many activities planned in honor of our 20-year milestone.

The Los Angeles Arboretum Library, one of our earliest supporters, will be hosting a BAGSC exhibition, entitled “Illustrating the Urban Forest: 20 Years of Botanical Art”. The exhibition will feature trees that grow in Mediterranean climates. Opening in early July, 2017, the exhibition will run until the end of September.

On August 26 we will hold a 20th Anniversary Celebration at the Los Angeles Arboretum:

4:00 – Artists will lead a tour of the exhibition and discuss the art.

5:00 – A special presentation will be given by Matt Ritter, author of A Californian’s Guide to Trees Among Us. Matt is a professor at Cal Poly, San Luis Obispo, a tree expert and a photographer. This promises to be a delightful and informative presentation.

6:00 – The Anniversary Dinner will be held at the Peacock Café Patio at sunset. Olga Eysymontt, long time botanical art instructor, will share memories of BAGSC beginnings and how botanical art got started in Los Angeles. And there will be opportunities for all to connect with old friends and meet new ones.

Invitations to this special event will be available soon. The suggested donation for attending is $60.

Keep your eyes open for invitations and more information. Entries for the exhibition at the LA Arboretum Library, “Illustrating the Urban Forest: 20 Years of Botanical Art” are due May 12, 2017. The “Call for Entries” can be found on the BAGSC website Exhibitions page and in the Members Only section. Questions on the exhibition? Please contact Janice Sharp. Questions about the 20th Anniversary Celebration? Please contact Gilly Shaeffer.

bagsc20thCMYKWe are looking forward to sharing a beautiful afternoon and evening with members, friends, family, special guests from the Los Angeles botanical gardens community and more. We hope all will join us for this magical anniversary celebration.

 

by Deb Shaw

The Los Angeles County Arboretum and Botanic Garden has announced the schedule for Cristina Baltayian’s Botanical Art and Illustration classes.

Each session meets four (4) Tuesdays per month, from 10 am – 2 pm (includes lunch break) in the Oak Room:

January          10, 17, 24, 31
February        7, 14, 21, 28
March             7, 14, 21, 28
April               4, 11, 18, 25
May                 2,   9, 16, 23
June                6, 13, 20, 27

Cost: $275 Arboretum members per month; $295 non-members per month (includes Arboretum Admission)

To Register please call the Education Department at 626.821.4623 or pay at the class.

These classes explore color pencil, graphite, pen and ink, and watercolor on various papers, vellum and other surfaces. The emphasis is on plant observation, drawing, composition, color theory and matching, and medium techniques. In conjunction with the Botanical Artists Guild of Southern California, students will be studying and portraying many of the Arboretum plant introductions from the last 50 years. The goal is to build a collection of paintings that will celebrate and document the invaluable contribution of the Los Angeles Arboretum to the state of California.

The Los Angeles County Arboretum and Botanic Garden is located at 301 North Baldwin Ave, Arcadia, CA 91007, 626.821.3222.

by Ted Tegart, Education Manager, LA Arboretum, and Deb Shaw

93341e17-7042-4d54-98fc-3154362a8b38Jerry Turney is back for his final Tree ID class of the Fall at the Los Angeles County Arboretum and Botanic Garden with a new set of 20 trees.

Tree Identification
Dr. Jerrold Turney, Instructor

Saturday: December 3, 2016
10 am – 12 noon
$25 Members / $35 Non-Members (includes Arboretum admission)
To Register please call the Education Department at 626.821.4623 or pay at the class

Do you know the trees of Southern California? We have one of the most diverse urban forests in the USA. This final two hour lecture will cover 15-20 tree species followed by a walk in the Arboretum to see the trees that were covered during the lecture.

Dr. Jerrold Turney, plant pathologist and certified arborist, will teach you to identify trees, their growth habit, their native country, how they should be cared for, any common diseases or insect pests that attack them, and the best place in your garden to plant them.

The Los Angeles County Arboretum and Botanic Garden is located at: 301 North Baldwin Ave, Arcadia, CA 91007.

About the instructor
Dr. Turney has served as the curator of the camellia gardens at the Huntington Library and Botanic Gardens, a research horticulturist at the Los Angeles County Arboretum, and is currently the plant pathologist for the Department of Agricultural Commissioner/Weights and Measures for the County of Los Angeles.

by Jude Wiesenfeld and Deb Shaw

Kathie Miranda, Strelitzia spp., Bird of Paradise, colored pencil on film. © 2016.

Kathie Miranda, Strelitzia spp., Bird of Paradise, colored pencil on film. © 2016.

Kathie Miranda had been slated to give a workshop at the Weird, Wild & Wonderful Symposium at The Huntington, but unfortunately couldn’t make it due to a sudden family emergency. BAGSC is pleased to announce that Kathie will be coming to Southern California to teach Colored Pencil on Film at the Los Angeles County Arboretum and Botanic Garden in January, 2017:

Tuesday, January 24 – Thursday, January 26, 2017
9:30 am – 3:30 pm each day
Los Angeles County Arboretum and Botanic Garden, Bamboo Room and Oak Room
Maximum Registration: 16 students

Cost, BAGSC Members: $300
Non-Members: $330

BAGSC Special Discount: receive 10% off

BAGSC is offering a special discount for Kathie’s workshop:

  • New BAGSC members receive a 10% discount for a total cost of $270
  • Current BAGSC members registering for the workshop BEFORE December 12, 2016 receive a 10% discount for a total cost of $270

Mylar is a wonderful media for colored pencil, and allows the artist to work on both sides of the film. Visit the new BAGSC website to view the full workshop description, costs, directions, and information, and to download a PDF materials list: http://bagsc.org/index.php/classes/kathie-miranda

Kathie’s Weird, Wild & Wonderful Symposium workshop filled immediately, so don’t delay on this opportunity to learn Kathie’s techniques and to receive a substantial discount!

About the Instructor

Kathie Miranda is an award-winning artist, juror and educator of botanical art. She teaches at The Art Students League, NYC and the New York Botanical Garden. She is an active member of the Connecticut Watercolor Society and the Colored Pencil Society of America.

by Cordelia Donnelly, posted by Deb Shaw

On June 4, 2016, BAGSC members had the wonderful opportunity to tour Cordelia’s garden, home and view her artwork. It was an enlightening meeting, and one that has generated a lot of discussion about our connections to place and garden, water conservation, design and aesthetics. Pacific Horticulture magazine published an article by Cordelia in their fall, 2016 issue, entitled, “My Horticultural Odyssey: An interdisciplinary approach to designing my garden“. This link goes to the full article, with images of the garden (a few of which are reproduced below).

Cordelia wrote the following for BAGSC News publication. Thank you for your work and inspiration! —Deb Shaw

Standing stones in the completed front garden are reclaimed Kansas fence posts, pieces of ancient ocean limestone bed, used to mark farm boundaries in a prairie ecosystem lacking trees.Photo © 2016, Cordelia Donnelly.

Standing stones in the completed front garden are reclaimed Kansas fence posts, pieces of ancient ocean limestone bed, used to mark farm boundaries in a prairie ecosystem lacking trees. Photo © 2016, Cordelia Donnelly.

Water scarcity is shifting the paradigm of how to live and garden in Southern California. I completed my first garden renovation in San Marino in 2011 in order to close the building permit for a 1926 Spanish house renovation on a plot of land measuring 57 by 119 feet. A childhood of extensive blue water sailing across the South Pacific with my family prepared me well for these land-based adventures in engineering, science, law, code compliance, community design review, culture, horticulture, garden aesthetics, craftsmanship, and storytelling. Water was finite onboard our boat, and this set the stage for my interest in water conservation, reclamation and recycling. My garden teaches continuously and its story is still unfolding to my wonderment, to 1,200 visitors and counting.

I was educated in liberal arts in the true sense: fine art, applied design, education, ecology, land and water management, and writing. Work in these fields helped me recognize the potential significance of this interdisciplinary garden voyage. It is said that writing is thinking. Now I have learned very well that gardening is thinking. My garden design involved ideas about craftsmanship, where form follows function. I prioritized this garden design around water use, including capturing and redirecting water, and gradually practicing deep and infrequent watering as plants’ root systems get established. A site condition, such as the pronounced slope in the front yard, lends itself very well to growing Proteas and Banksias.

The chemistry of water enables life. Life in its diversity has adapted on Earth to different states and forms of water. Yet, we live in a remarkable age of science when it is theorized with high probability that the most common form of precipitation in our universe does not exist as water, but as diamonds, raining down on planets such as Saturn and Jupiter. While concepts of valence, polarity, surface tension, and cohesion describe atomic and molecular attributes of water, they also describe the human condition. We are One—with Water!

Plants, cyanobacteria, and algae, too, have special relationships with not only water, but also with light and darkness, in oxygenic processes to manufacture chemical energy. Science has discerned how these organisms have customized their methods of photosynthesis, for example, to explain why Agaves using CAM (Crassulacean Acid Metabolism) reactions are so well adapted to desert climates. To give an idea of the atmospheric scale significance of oxygenic processes, it is estimated that if such oxygen-giving processes by these life forms were to halt, the oxygen in Earth’s atmosphere might run out in a few thousand years. Discoveries are unfolding about significant anoxygenic processes found in various bacteria, which rely on chemical conversions in water, without sunlight but with other kinds of radiation, since the visible spectrum is only one type of light. The diversity and virtuosity of these mechanisms suggest that other planets in our universe may indeed contain very strong forms of Life.

Recently, Dr. Dianne Newman at Caltech has discovered, in the new field of molecular geomicrobiology she created, that bacteria in ocean sediments photosynthesize using iron instead of water. It is appropriate to be awed by intricacies of today’s science, which are uncovering some of the most ancient survival mechanisms on Earth, and spurring innovations in medicine by attending to how natural systems work. Furthermore, she has applied geoscience to solving a problem of chronic medical infections in humans. Dr. Newman has found that in a chronic infection such as cystic fibrosis, Pseudomonas aeruginosa (a long studied bacterium) produces pherazines which promote biofilm development in the lungs, inhibiting pathways for antibiotics to clear such infections. Logically understanding that the growth of P. aeruginosa is controlled in nature by a natural mechanism, she then searched for and found both P. aeruginosa and a coevolved bacterium, just in the soil outside her lab!  This coevolved bacterium produces an enzyme which is able to degrade pherazines produced by P. aeruginosa, thereby rendering a chronic infection by P. aeruginosa more treatable by antibiotics. Human therapies for chronic infections based on her research will be available in a decade! It is time to bring our awe back to our gardens and to think of native plants as forms of technology—which are already adapted for our current climate conditions.

This garden project required extensive research. Attending a course taught by Lili Singer at Theodore Payne convinced me to rip out the conventional grass lawn as a first step. Ruth Shellhorn’s climate appropriate landscape design in 1982 for my parents’ home had also influenced my thinking about the potential for this garden project. My mother gave me Thomas Church’s Your Private World. San Marino’s Planning Department supported my renovation ideas, for which I am grateful. Government entities play a primary role in implementing sustainability, and California has made major changes to its Building Codes, which will soon become much stricter. But tensions certainly exist because of the need for change, and certain laws soon may apply sustainability mandates to all homeowners, not just to those renovations and new construction.

Antique wrought iron gates and several cloud form cast metal panels from a disassembled Chinese pavilion in Bel Air were found on Craigslist and repurposed in the finished landscape as gates and wall pieces. Photo © 2016, Cordelia Donnelly.

Antique wrought iron gates and several cloud form cast metal panels from a disassembled Chinese pavilion in Bel Air were found on Craigslist and repurposed in the finished landscape as gates and wall pieces. Photo © 2016, Cordelia Donnelly.

My project demonstrated to San Marino how garden beauty can be created using concepts of sustainability. I did not pour cement in the front yard garden because cemented hardscape is viewed as unsustainable—and thus also avoided design review. Concrete for my house renovation was poured only where required by Building Codes. As a foundation for steps leading into the garden from the street, green-treated wood beams are skewered into the slope by steel rods, a method used for building steps on hiking trails in US National Parks. The next layers use Stabiligrid tile, clad with copper as the riser material, hardwood planks for treads, finished by quartzite pavers set in sand. A liquid acrylic polymer was used to harden the sand while also providing permeability.

In the spirit of sustainable recycling, I tried where possible to reclaim assorted left-over or salvaged materials from craigslist to use in this project. The antique terra cotta riser tiles in the backyard are from France, by way of a tile setter who had completed a project in Malibu, and advertised his extra tiles on craigslist. Luckily, I also bought a pair of antique wrought iron Chinese gates and several Chinese cloud form cast metal panels, from a contractor who had disassembled a Chinese pavilion in Bel Air and listed these materials on craigslist.

I felt a solidarity with my Chinese neighbors, who supported me from the very beginning. I decided to align my aesthetic values for this project to honor the rich heritage of Chinese gardening. Chinese landscape design’s majestic history brings together Confucian, Daoist, and Buddhist influences. The spiritual depth appeals as much as the aesthetics, and the interdisciplinary wisdom thrills. This path of mastery involves concurrent mastery of poetry, calligraphy, and landscape painting—understanding the influences each of these disciplines has on the others, thus making a garden a living vignette of nature’s lyrical beauty. I fell in love with the idea of views in a Chinese garden unfurling gradually to the viewer, much like the scrolls of a Chinese landscape painting. The viewer takes a journey through such a garden in order to enjoy the different vantage points.

One of my goals in renovating the house was to make the house relate directly to the garden, and this new relationship can be enjoyed through a series of large windows, including the very large arched window in the living room, and three different sets of glass sliding doors looking out onto different garden views. As the sun travels throughout the day, the house itself becomes the garden sundial. I intuitively planned my garden design for the passage of light across the various spaces, influenced by my years of landscape painting. I sought consciously to unify the values of the green colors of plants in order to allow texture and temperature to operate to the eye—this is a strategic lesson from painting applied to gardening.

Another major influence on my thinking was the Mediterranean Garden Society/Pacific Horticulture 2010 Symposium at the Los Angeles Arboretum. This Symposium’s speakers, the local garden tours, the gorgeous Australian plants grown by Jo O’Connell, and conversations with people about gardens changed my life, within the already transformative context of researching Chinese gardens. These experiences convinced me to install drip irrigation for the entire garden. “Woolly Pockets” I saw at the Symposium helped me create vertical gardens on walls and balconies, and further online searches led me to “Smart Pots,” made of recycled plastic bottles, to use as larger containers. I decided to use Australian native plants for my garden upon seeing their poetic textures, remembering them from my childhood, recognizing their symbolic otherness, and their significance to plant evolution and the geologic history of our planet. These plants evoke ideas held in the Dreamtime: origin stories of creation, ancestral voices, relationships between humans and nature, and spiritual quests toward Oneness.

A dry stream bed, using native granite rocks rescued from the basement excavation, invokes the memory of water in this native landscape. Inspired by Jeffrey Bale’s colored pebbles, I used polished coral pebbles in the bottom of the stream bed as a color contrast to the pea gravel on the garden paths. When it rains, the dry stream becomes very colorful. I planned the stream bed to cross the front garden approach, in an informal X, as in X marks the spot on a treasure map. Here, too, is the satisfying idea that one must cross over the stream on the journey to the front door. This spring I was very pleased to take my mom on a driving tour to see eight neighboring gardens installed since I completed this one, in which the homeowners chose a similar theme of dry stream bed crossing the front path approach in an informal X. As an artist and designer, I think asymmetry plays a very important role in leading one’s eye through a composition, whether in a painting or in a garden. The front garden was made more mountainous by adding soil to match the slope of the neighbor’s garden, as allowed by the Grading and Drainage Permit. The aim was to create a relationship between mountain and water, and to honor the spiritual significance of this relationship as articulated by Confucius. Another practical goal was to raise the soil level because hedge height can be measured from the higher soil level, and furthermore, because specimen plants can be grown here without a height limit to cushion the front yard garden from the busy street.

A sound sculpture in the front garden activates with rain. Water is harvested from gutters on the house and garage and pumped into the sculpture before draining through a perforated drainage grid. Photo © 2016, Cordelia Donnelly.

A sound sculpture in the front garden activates with rain. Water is harvested from gutters on the house and garage and pumped into the sculpture before draining through a perforated drainage grid. Photo © 2016, Cordelia Donnelly.

An integrated drainage system, the first of its kind to be permitted in my city, orders this garden universe. My sister gave me Brad Lancaster’s Rainwater Harvesting for Drylands and Beyond, which I used to do the engineering to secure a Grading and Drainage Permit. This plot of land is blessed with incredibly advantageous riverine geology, once part of extensive orange groves, and a slope of 4-1/2 feet from the backyard to the front yard. She encouraged me to add a unique water feature to the drainage system, and reaching beyond exhaustion, I resolved to think carefully about this. So, I designed a “sound sculpture” in the dry stream bed. Rainwater flows passively from house and garage gutters, collects in an underground basin and is pumped up into the sound sculpture. Sufficient rain creates the sound of rushing water in the sound sculpture. Then this water drains passively underneath the entire front garden through a perforated drainage grid. A key feature of the sound sculpture is that it only works when it is raining. Another aspect of its design was to stack a series of quartzite flagstones on top of the sound sculpture basin, to create a Goldsworthy-like nest form in order to hide the brownish rain gutter water from view.

Permeable gravel surfaces finished with StabiliGrid tiles hold gravel in place and provide ADA-compliant wheelchair accessibility for the driveway and garden. Photo © 2016, Cordelia Donnelly.

Permeable gravel surfaces finished with StabiliGrid tiles hold gravel in place and provide ADA-compliant wheelchair accessibility for the driveway and garden. Photo © 2016, Cordelia Donnelly.

The permeable gravel driveway was finished with Stabiligrid tiles to hold the gravel in place. The Stabiligrid tiles filled with gravel also give the driveway and garden ADA-compliant wheelchair accessibility. Indeed, less concrete used in my whole garden renovation allows greater permeability: there is no runoff from the property. An outdoor soaking tub stands dry and covered, relies on zero chemicals, and is tied into the drainage system. A backyard pond is designed with an herbaceous border and contains chemically treated water. This pond drains itself separately from the drainage system, and is designed to drain passively into a deep french drain. Integrated drainage systems have been built since ancient times across diverse civilizations, and at different levels of complexity and cost. Even if we are not building drainage for an extensive palace, such as that found at Knossos on Crete, and at Machu Picchu in Peru, we need to do whatever we can to save water. These ideas are ancient, but feel new to our suburban gardening culture.

Recently, I installed an Australian-designed, gravity-fed, gray water drip system. I specified an Aqua2Use gravity filter with IrriGray drip components, which is distributed by WaterRenu.com in the USA. My system satisfies CA Building Codes and involves no modification of existing plumbing. It allows upstairs bathtubs to drain into the garden, via manual siphon into heat-proof Pex pipe going through the exterior wall. This drainage into my garden is encouraged provided that only low-sodium, pH neutral, bio-degradable soap is used (Dr. Bronner’s). To avoiding over-watering with supplementary water, this system sends water to general front garden beds, instead of to specific plants, and serves the major purpose of allowing this water to infiltrate back into the land.

Reflecting upon this garden odyssey, these journeys within journeys, I realize I have honored not only great cultural and aesthetic traditions, but also those of my ancestors. My great grandfather and grandfather developed diverse industrial uses of diatomaceous earth, an ingredient in the cactus mix I use for planting. I also have honored my parents:  my mother, a teacher, and my father, a builder-developer in Pasadena, California. This garden honors a growing global awareness about the need for sustainable water use and climate appropriate plants in every garden.

It is a miracle to witness how beauty transforms awareness, invites conversation, and inspires!

NOTE: BAGSC News previously published a plant list from Cordelia’s beautiful garden. Click on the words “plant list” in the previous sentence to view it, along with some pictures from the tour.

by Ted Tegart, posted by Deb Shaw

Trees at the LA Arboretum. © 2016, LA Arboretum.

Trees at the LA Arboretum. © 2016, LA Arboretum.

Dr. Jerrold Turney is back at the Los Angeles County Arboretum & Botanic Garden for his second Tree Identification class of the Fall. Dr. Turney has a completely new set of 20 trees to cover this
Saturday, November 5, 2016
10 am – 12 noon
$25 Members / $35 Non-Members (includes Arboretum admission)
To Register please call the Education Department at 626.821.4623 or pay at the class.

Southern California has one of the most diverse urban forests in the United States. This class will cover about 20 different trees on each of three Saturdays for a total of 60 trees. Each two hour lecture will cover 15-20 tree species followed by a walk in the Arboretum to see the trees that were covered during the lecture. Register for one or both remaining classes.

Jerry Turney, plant pathologist and certified arborist, will teach tree identification, their growth habit, their native country, how they should be cared for, any common diseases or insect pests that attack them, and the best place in the garden to plant them.

The last class will be held Saturday, December 3, 2016.

Questions? Contact LA Arboretum Education Manager Ted Tegart via email or by calling 626.821.4624. The LA Arboretum is located at: 301 North Baldwin Ave, Arcadia, CA 91007, 626.821.3222.

Dr. Turney has served as the curator of the camellia gardens at the Huntington Library and Botanic Gardens, a research horticulturist at the Los Angeles County Arboretum, and is currently the plant pathologist for the Department of Agricultural Commissioner/Weights and Measures for the County of Los Angeles. 

by Susan Eubank, posted by Deb Shaw

Peacock! Plant! The Los Angeles County Arboretum & Botanic Garden is hosting an Open Art Exhibits Call at an:
Artists’ Open House at the Gallery in the Arboretum Library 
Saturday, January 14, 2016, 1-4 p.m., and
Saturday, January 28, 2016, 1-4 p.m.

Logo for the Los Angeles County Arboretum & Botanic Gardens.

Logo for the Los Angeles County Arboretum & Botanic Garden.

There’s a new art space in town and the Arboretum Library is looking for artists. This open house is to encourage artists of all media to view the newly renovated Arboretum Library exhibit space and the Arboretum grounds for inspiration. Details of exhibit requirements will be discussed at the open house.

The first exhibition will run March 1 – June 30, 2017 and will use the word “Peacock” as the inspirational word for the exhibition. All media will be considered.

The second exhibition will be from October 1 – December 30, 2017 and will use plants as the theme. All media will be considered.

Deadline for art submissions for both shows is February 11, 2017. Proposals to exhibit should include at least three (3) digital scans or images of the proposed art, no larger than a total of 9 MB, submitted via email to Susan Eubank. A jury of art and plant professionals will choose the exhibiting artists and artworks. Artists will be notified by February 15, 2017. Solo shows or collaborative groups will be preferred.

Past exhibits in the Arboretum Library include: Karen Hochman Brown’s Kaleidoscopes, the Botanical Artists Guild of Southern California, and a Multicultural Weaving Exhibit. The Library contains a comprehensive collection of resources on gardening, botany, California native plants, and environmental issues as these subjects relate to the plants native to and planted in Southern California. This includes books, e-books, magazines, government documents, pamphlets, and audio-visual materials.

Light refreshments will be provided. Please RSVP to the Arboretum Librarian, Susan Eubank, by email, or by calling 626-821-3213 to attend the open house or to ask questions about this open exhibit call. BAGSC members may contact Janice Sharp with questions or comments; Janice is BAGSC’s liaison with the LA Arboretum.

The LA Arboretum is located at: 301 North Baldwin Ave, Arcadia, CA 91007, 626.821.3222.

by Deb Shaw

Cristina Baltayian will continue her monthly series of botanical art classes at the LA Arboretum through the Fall:

4 Tuesdays per session per month
10am – 2pm (includes lunch break) / Oak Room

The Fall session dates are:
October 4, 11, 18, 25
November 1, 8, 15, 22
December 6, 13, 20, 27

Costs are $275 for Arboretum members per month / $295 non-members per month (includes Arboretum Admission).

To register, please call the LA Arboretum Education Department at 626.821.4623 or pay at the class.

These classes will explore color pencil, graphite, pen and ink, and watercolor on various papers, vellum and other surfaces. The emphasis will be on plant observation, drawing, composition, color theory and matching, and medium techniques. In conjunction with the Botanical Artists Guild of Southern California, students will be studying and portraying many of the Arboretum plant introductions from the last 50 years. The goal is to build a collection of paintings that will celebrate and document the invaluable contribution of the Los Angeles Arboretum to the state of California.

The LA Arboretum is located at: 301 North Baldwin Ave, Arcadia, CA 91007.

by Beth Stone, posted by Deb Shaw

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

It’s time to register for BAGSC Founder and Member Olga Eysymont’s next series at the Los Angeles County Arboretum and Botanic Garden. Registration is through the Otis website. Here’s the link: http://www.otis.edu/ce-course?crs=828

Don’t worry that the class description on the Otis website reads the same as Olga’s previous sessions. Olga says “For my returning students, I will be giving them other projects to work on.”

New students will explore the subject of plant families, with the goal of demonstrating both correct representation of the specimen, as well as a good compositional design. An emphasis on correct placement of light on form will be emphasized, in order to produce an authentic and realistic illustration.

“Botanical Illustration: Plant Studies,” in graphite, will meet for six Sundays, from 9:30 am – 3:30 pm, beginning Sunday, September 18, 2016,  and then on the following five Sundays: October 2, October 16, October 30, November 6 and November 20.

Registration

Register online through Otis College of Art and Design Continuing Education. All classes will be held at the Los Angeles County Arboretum and Botanic Garden. The course is non-credit, although certificate and credit options are available for additional cost.

The Los Angeles County Arboretum and Botanic Garden is located at: 301 North Baldwin Ave, Arcadia, CA 91007.

Workshop Discounts

A $50 discount on the course registration is available until August 21. Senior discounts also are available; check with Otis to see if they can be used in combination with the early registration discount.

Class Materials:

14″ x 17” Strathmore Drawing Pad Series 400, Medium or equivalent. (You may use another brand, but please, no sketch or recycled paper.

14” x 17” Medium Weight Tracing Paper (any brand)

Drafting Pencil with Holder and Sharpener

HB and 2B leads (at least 2 each)

Eraser Stick

Erasing Shield

Drafting Brush

Mars Drafting Dots (masking tape)

Portable Task Light (Ott-Lite)

(Vis a Vis wet erase fine point marker, Clip, 8″ x 10″ Plexi and 8″ x 10″ format supplied by teacher for $10.00)

by Bonnie Born Ash, photos by Janice Sharp, posted by Deb Shaw

On Saturday afternoon, July 16, 2016, a festive opening reception for “Capturing the Arboretum: the Art of Botanical Illustration” was held in the newly renovated Arboretum Library. Participating BAGSC artists were Cristina Baltayian, Bonnie Born Ash, Diane Nelson Daly, Estelle DeRidder, Nancy Grubb, Cynthia Jackson, Arillyn Moran-Lawrence, Marilyn Parrino, Mitsuko Schultz, Janice Sharp, Deborah Shaw, and Beth Stone.

Artists and guests enjoyed viewing twenty-three fine works of art depicting plants of the Arboretum. Individual works were enhanced by comments from Jurors James Henrich, Arboretum’s Curator of Living Collections; Arboretum Librarian Susan Eubank; and Olga Eysymontt, Botanical Art Teacher. In addition, artwork signage gives the specific location in the reference library to find additional information on each plant illustrated.

Throughout the reception, Estelle DeRidder and Mitsuko Schultz demonstrated botanical art techniques. Additional artist demonstrations are planned in the Library on two Saturdays, August 27 and September 24. The exhibition continues through December 29. Many thanks to our jurors, volunteers, and congratulations to all participating artists!

Library Location
The Arboretum Library is located within The Arboretum. Go straight through the double doors on the left (east) of the entrance rotunda.

Library Hours
Tuesday-Friday 8:30 am to 5:30 pm
Saturday 8:30 am to 5:00 pm
Sunday 12:00 pm to 4:00 pm

Susan Eubank, Librarian
Phone: (626)821-3213
Fax: (626)445-1217

The Los Angeles County Arboretum and Botanic Garden is located at 301 North Baldwin Ave, Arcadia, CA 91007.

Click on an image below to enlarge and view through a slide show format.

This notice of the Art Show appeared in the latest issue of the Arboretum Newsletter. Artwork by Diane Daly, © 2016, all rights reserved.

This notice of the Art Show appeared in the latest issue of the Arboretum Newsletter. Artwork by Diane Daly, © 2016, all rights reserved.

by Janice Sharp, posted by Deb Shaw

The Botanical Artists Guild of Southern California will present an exhibit of their work depicting Arboretum trees and flowers from July 16 to December 29 in the Arboretum Library at the Los Angeles County Arboretum and Botanic Garden. Meet the artists featured in Capturing the Arboretum: The Art of Botanical Illustration at a reception:

Saturday, July 16, 2016
1 pm – 3 pm in the Arboretum Library

Members of the local chapter of the American Society of Botanical Artists will demonstrate botanical art techniques including graphite, colored pencil and watercolor in the Library on two Saturdays, August 27 and September 24. Prints and cards will be sold during demonstrations, with a portion of the proceeds to benefit the Los Angeles Arboretum.

The Guild promotes public awareness of this artistic tradition.

BAGSC artists participating in The Art of Botanical Illustration include: Bonnie Born Ash, Cristina Baltayian, Diane Nelson Daly, Estelle DeRidder, Nancy Grubb, Cynthia Jackson, Arillyn Moran-Lawrence, Marilyn Parrino, Mitsuko Schultz, Janice Sharp, Deborah Shaw, and Beth Stone. Congrats to all!

The Los Angeles County Arboretum and Botanic Garden is located at: 301 North Baldwin Ave, Arcadia, CA 91007, 626.821.3222.

The Arboretum Library is located within The Arboretum. Go straight through the double doors on the left (east) of the entrance rotunda.

Library Hours are from:
Tuesday-Friday 8:30 am to 5:30 pm
Saturday 8:30 am to 5:00 pm
Sunday 12:00 pm to 4:00 pm

by Olga Eysymont and Beth Stone, posted by Deb Shaw

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

BAGSC Founder and Member Olga Eysymont will begin her next six-week graphite pencil workshop this coming Sunday, June 12, 2016 at the Los Angeles County Arboretum and Botanic Garden. Entitled “Botanical Illustration: Plant Studies,” this workshop will explore the subject of plant families, with the goal of demonstrating both correct representation of the specimen, as well as a good compositional design. An emphasis on correct placement of light on form will be emphasized, in order to produce an authentic and realistic illustration.

The fundamental necessary skills to accomplish this begins with a 3-step process:

  1. contour drawing on tracing paper,
  2. compositional layout and value studies of the specimens on tracing paper, and, finally,
  3. a transfer of the tracing onto drawing paper for a final rendering.

Students will be expected to bring all of their own plant material after the first class.

“Botanical Illustration: Plant Studies,” in graphite, will meet for six Sundays, from 9:30 am – 3:30 pm, beginning Sunday, June 12, 2016. Sundays: 6/12, 6/19, 6/26, 7/10, 7/24, and 8/7.

Registration

Register online through Otis College of Art and Design Continuing Education. All classes will be held at the Los Angeles County Arboretum and Botanic Garden. The non-credit course (#25440) is $435 plus fees of $25 registration, $14 insurance and 2.75% on-line convenience, for a total of $487. Certificate and Credit options are also available for additional cost.

The linked page also has an option (see lower left) to register offline (PDF), if preferred. This PDF form includes email, FAX and phone registration information.

The Los Angeles County Arboretum and Botanic Garden is located at: 301 North Baldwin Ave, Arcadia, CA 91007.

Workshop Outline

Session 1: Apples or Pears

Session 2: Nuts or Seeds and Pods

Session 3: Root Vegetables

Session 4: Leafy Greens or Herbs

Session 5: Mushrooms

Session 6: Succulents

Class Materials:

14″ x 17” Strathmore Drawing Pad Series 400, Medium or equivalent. (You may use another brand, but please, no sketch or recycled paper.

14” x 17” Medium Weight Tracing Paper (any brand)

Drafting Pencil with Holder and Sharpener

HB and 2B leads (at least 2 each)

Eraser Stick

Erasing Shield

Drafting Brush

Mars Drafting Dots (masking tape)

Portable Task Light (Ott-Lite)

(Vis a Vis wet erase fine point marker, Clip, 8″ x 10″ Plexi and 8″ x 10″ format supplied by teacher for $10.00)

by Janice Sharp, posted by Deb Shaw

Download a PDF of plant introductions by the Los Angeles Arboretum, beginning in 1957.

Download a PDF of plant introductions by the Los Angeles Arboretum, beginning in 1957 by clicking the link in the article.

Starting in 1957 and continuing through to the present, The Arboretum has been responsible for the introduction of plants from around the world to Southern California. Many of these plants are now indispensable elements in our Southern California Gardens.

Download a list of 116 plants that have been introduced by The Arboretum by clicking this link: Arboretum Plant Introductions. Of course, this list of plant introductions doesn’t even come close to identifying all the plants in the Garden, but BAGSC members may find it useful for creating artwork for the upcoming exhibition at The Los Angeles County Arboretum and Botanic Gardens newly renovated library, “Capturing the Arboretum: The Art of Botanical Illustration”

This list was originally posted in our blog article some years ago about the Arboretum note card project. It contains the currant names of the introduced plants, the year of introduction, and the accession number. The form also includes whether the plant is from a cutting (“C”), a seed (“S”), a graft (“G”) or a scion (“Scion”). Plants in bold type and underlined happen to be favorites of Richard Schulhof, CEO of the Arboretum.

In addition to the plant listing is a list of botanical names, common names and where the plants are found around the world.

Google map of the locations of Arboretum introductions

When you first click on the link in the story to the Google map of the locations of Arboretum introductions, this is what you’ll see; a list of all the plants with their locations as dots on the map. Click on “Satellite” view in the upper right corner of the map to see the information displayed over a photographic map.

If you want to find any of these plants while at the Arboretum, we have a link to a Google map of the locations of Arboretum introductions throughout the Arboretum grounds (thank you Frank!) which also was previously published on the BAGSC Blog in conjunction with the note card project.

This data is about nine years old, so some plants from the list may be missing from the maps, and vice versa, but it’s a start to the treasure hunt. When you open the site, click on “satellite” view and zoom in to see the paths and roads in the Arboretum to use as landmarks, and to find your way around.

"Satellite" view of the Google map of the locations of Arboretum introductions.

“Satellite” view of the Google map of the locations of Arboretum introductions. Keep zooming in to see the paths, roads and landmarks in the Arboretum grounds.

Questions? Contact Janice Sharp.

Happy painting!

"Satellite" view of the Google map of the locations of Arboretum introductions with plant information.

Click on the red pin marker next to a plant name you’re interested in, and the plant information will pop up on the map where the plant is located. Or, click on any red marker pin on the map, and the plant information will pop up there, too.

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