You are currently browsing the tag archive for the ‘Botanical Artists Guild of Southern California’ tag.

by Jude Wiesenfeld, posted by Deb Shaw

Ginseng, watercolor on vellum. Denise Walser-Kolar, © 2017, all rights reserved.

Ginseng, watercolor on vellum. Denise Walser-Kolar, © 2017, all rights reserved.

Denise Walser-Kolar will be teaching the first BAGSC-sponsored workshop of 2018, entitled Roots and Leaves on Vellum or Watercolor Paper.

This workshop will focus on drawing and painting roots and leaves, starting with exercises observing and drawing roots and leaves. The balance of the workshop will concentrate on painting several small leaf studies. Students may work on either vellum or paper. Vellum will be available to purchase from instructor; students wishing to work on paper will bring their preferred materials.

The class also will cover mixing greens, creating dark shadow colors, and mixing light delicate colors necessary for painting roots. Denise is known for her thorough demonstrations, discussion of materials and techniques, hands-on time for developing skills, and lots of individual attention and feedback.

The workshop will be held at:
The Huntington Library, Art Collections and Botanical Gardens,
Botanical Education Center, Allied Technical Lab
Wednesday – Friday, February 7 – 9, 2018
9:30 am – 4:00 pm
The Huntington is located at: 1151 Oxford Road, San Marino, CA 91108.

The cost for BAGSC Members is $300; non-members may also attend for $350. Maximum Registration: 16 students.

To register: Send a check in the full amount, made out to BAGSC, with Denise Walser-Kolar on the subject line. Please mail the check to: BAGSC, PO Box 50166, Pasadena, California 91115.

Bring your lunch, or purchase lunch at any of the cafés on The Huntington grounds.

Questions about the Workshop? Contact the BAGSC Education Chair.

More information, materials list and map are available on the BAGSC website.

About the instructor

Denise Walser-Kolar began her journey into Botanical art in 2003, after receiving a botanical art class from her parents as a birthday gift. She has a degree in Graphic Design and Illustration from the College of Visual Arts in Saint Paul, Minnesota. Denise teaches botanical art workshops across the country and currently works for the American Society of Botanical Artists as the Annual Meeting & Program Coordinator. She received the Diane Bouchier Artist Award for Excellence in Botanical Art in 2015 and received a Silver-Gilt medal from the Royal Horticultural Society in 2011 for her paintings of the hazelnuts of Badgersett Research Farm. Her work is held in the permanent collection of the Hunt institute for Botanical Documentation.

by Teri Kuwahara and Deb Shaw

Photo from the Friends of Madrona Marsh website. Photo credits: Tracy Drake, Mark Comon, Mike Griffiths and Suzan Hubert.

Photo from the Friends of Madrona Marsh website. Photo credits: Tracy Drake, Mark Comon, Mike Griffiths and Suzan Hubert.

Congratulations to the City of Torrance and the Madrona Marsh, winner of the Rose Parade’s Mayor Award for the most outstanding float submitted by a city!

“Making a Difference” was the theme for the 128th Rose Parade. Gary Senise was The Grand Marshal—the actor is best known for his portrayal as Lt. Dan in “Forrest Gump,” as well as his ongoing work with veterans. Tournament of Roses’ Judges awarded twenty-four floats with official honors in a variety of categories.

The Madrona Marsh Preserve makes a difference in the City of Torrance. The Marsh was highlighted in this year’s Tournament of Roses float, “Protecting Nature… The Madrona Marsh Preserve“.

The Torrance Rose Float Association Committee selected the theme from designs submitted by Torrance high school students during their annual design contest earlier this year.

Come see the Madrona Marsh Preserve at the next BAGSC meeting
Come get a first-hand look at the Marsh that inspired the float!

Our first BAGSC quarterly meeting of 2018 will be a special day. On Saturday, January 13, 2018, we will be meeting at the Madrona Marsh, in the Nature Center to see the amazing mural created by our member Estelle DeRidder. Estelle was recently honored by the City of Torrance for her work. She will talk to us about her ongoing work at the Madrona Marsh, from her initial project and grant from the ASBA, to the process she is using to create this record of plant and animal life at the marsh.

Following Estelle’s presentation and a brief break for a BYO sack lunch, we will head across the street for a guided tour of the marsh and an open-ended time to sketch.

Read about Estelle’s work and the awards from the City of Torrance Arts Commission in other articles on the BAGSC Blog.

Coffee will be at 9:30, followed by our business meeting before our program begins. Please plan to wear walking shoes, hat and weather appropriate clothes, bring your sack lunch (coffee, tea and water available), and your sketching supplies, including a small stool if you would like.

RSVP to Clara Josephs or email her with any questions.

Guests are welcome!

The Madrona Marsh Preserve is located at 3201 Plaza del Amo, Torrance, CA 90503.

by Jude Wiesenfeld, posted by Deb Shaw

If you were looking forward to taking botanical art classes in 2018, here is the preliminary line up:

Denise Walser-KolarRoots and Leaves on Vellum or Watercolor Paper
February 7 – 9, 2018
The Huntington Library, Art Collections, and Botanical Gardens
$300 members/$350 non-members
 
Carrie DiCostanzo, Introduction to Creating Botanical Paintings with Impact using Gouache
Dates to be decided: April 11 –13 OR April 18 – 20, 2018
Location to be decided   
$300 members/$350 non-members
Lesley RandallPen and Ink Drawing of the Aristolochiaceae including a Botanical Talk
May 10 – 12, 2018
Oak Room, Los Angeles County Arboretum 
$300 members/$350 non-members
 
Robert McNeil, subject to be announced
October 3 – 5, 2018
The Huntington Library, Art Collections, and Botanical Gardens
$300 members/$350 non-members
The workshops above have been posted on the BAGSC website under ‘Classes’; and on the calendar on the BAGSC ‘Members Only’ website page. Stay tuned for more information on the website, on this blog, and in email blasts to BAGSC members. Additional workshops, lectures, field trips and meeting programs will be announced soon.

by Deb Shaw

The 20th Annual International Exhibition by American Society of Botanical Artists and The Horticultural Society of New York was on display from November 09 – December 21, 2017 at The New York Design Center. Congratulations to all ASBA artists who participated, including BAGSC members Asuka Hishiki, Joan Keessey, Lesley Randall, Olga Ryabtsova, and Mitsuko Schultz.

Forty-six works from more than 200 submissions were chosen, including artists from the United States, Australia, France, Germany, Japan, Slovenia, and the United Kingdom. Jurors were: Susan Fraser, Director, Mertz Library, The New York Botanical Garden; David Horak, Curator of the Aquatic House, Brooklyn Botanic Garden; and, Esther Klahne, Botanical Artist.

The New York Design Center hosted the 20th Anniversary exhibition and reception.

If you weren’t able to see the exhibition or the opening in person, you can still view the artwork online on the ASBA website, as well as read statements about their work from each of the artists.

Congratulations to the award winners (artist’s names listed below are linked directly to their statement page):
Mariko Ikeda (Screw Pine), The Hort’s Best in Show Award, $500
Annie Patterson (Cardoon Seedhead), ASBA Eleanor Wunderlich Award of $500
Monika deVries Gohlke (‘Blackcurrant Swirl’ Datura), Helen Gray Garber Award of $500
Martha Kemp (Ornamental Gourd 2), Brooklyn Botanic Garden Award for Print or Drawing of $250
Linda Medved Lufkin (Sunflower x 2), Richmond and Lili Bates Award for Excellence of $300

In recognition of an Artist by a Fellow Artist
Honorable Mentions (4):
Olga Ryabtsova (Bird of Paradise)
Liz Shippam (Merryweather Damsons)
Mitsuko Schultz (Pink Peony)
Tammy McEntee (Shenot Crown of Thorns Gourd)

Click any of the images below to see an enlarged image and a slide show of BAGSC members in the exhibition. Congrats to all!

by Gilly Shaeffer, posted by Deb Shaw

There are many workshops to be held before the California Native Plant Society 2018 conference begins on Tuesday, January 30, through Wednesday, January 31, at the LAX Marriott.

There will be two botanical art workshops given by BAGSC members:
Gilly Shaeffer will teach “Introduction to Botanical Art Techniques”
Tuesday, January 30, from 1:00 pm to 4:30 pm.

Olga Ryabtsova will teach “Black & White Drawing Techniques in Botanical Illustration”
Wednesday, January 31, from 8:30 am to 4:30 pm

See complete information about these two workshops below.

Deadline to register January 14, 2018. To Register, go to https://conference.cnps.org/registration/

Introduction to Botanical Art Techniques
Tuesday, January 30, 1:00 PM-4:30 PM
Instructor: Gilly Shaeffer, Botanical Artists Guild of Southern California, American Society of Botanical Artists
Registration: $50 Attending the Conference / $70 Not Attending the Conference

Matilija Poppy, Gilly Shaeffer, watercolor on paper, © 2017.

Matilija Poppy, Gilly Shaeffer, watercolor on paper, © 2017.

Botanical art starts with a good drawing. Through demonstrations and hands-on practice, participants will learn ways to create line drawings of plants. We will focus on the need for close observation when creating botanical art. Class will begin with an overview of the materials used to create botanical art and how they are used, including pencils, drawing paper, erasers, magnifiers, watercolor brushes, paints, and watercolor paper. Next participants will be introduced to shading from light to dark to create three dimensional forms. Exercises will further participants’ understanding of form through creation of their own three dimensional forms. An introduction to the importance of a light source in drawing plant forms will be included. Class will conclude with time to sketch from natural forms so that class participants can apply the concepts presented during the class to their actual plant drawings.

This workshop is designed for people who have an interest in learning more about how to draw and eventually paint plants, and will be taught at a beginner level.

Participants will receive a list of reference books for the beginning study of drawing. Handouts will be provided covering basic points made in the class which will include exercises that can be done at home. A variety of books that are highly recommended in the study of botanical illustration and watercolor will be available to look at during class, as well as recent exhibition catalogues.

Please plan to bring (more details will be provided to registered participants—the cost for these materials should be around $15 for those who do not yet own them):

  • Strathmore drawing paper pad 400 Series
  • Graphite drawing pencils 2H, HB, and 2B
  • Cretacolor brand kneaded eraser

Gilly Shaeffer’ s lifelong interest in art and love of nature drew her to the study of botanical art. Her work has been selected to appear in juried exhibitions at museums, galleries, and gardens throughout the United States. She has taught Botanical Illustration and Watercolor at Virginia Robinson Gardens and Otis College of Art and Design in Los Angeles. She also teaches Botanical Art Techniques at her home studio on Mount Washlngton in Los Angeles.

Black & White Drawing Techniques in Botanical Illustration
Wednesday, January 31, 8:30 am – 4:30 pm
Instructor: Olga Ryabtsova, Botanical Artist; Exhibition Chair of the Botanical Artists Guild of Southern California, American Society of Botanical Artists
Registration: $95 Attending the Conference / $125 Not Attending the Conference

Matilija Poppy seed pod, Olga Ryabtsova, watercolor on paper, © 2017.

Matilija Poppy seed pod, Olga Ryabtsova, watercolor on paper, © 2017.

This workshop will focus on black and white drawing techniques. We will review the materials required, and participants will learn about the perception of light, shadow, and contrast in drawing with a graphite pencil, metalpoint, pen and ink. Drawing with all mentioned materials will be demonstrated. Patricipants will draw a sketch from a living plant or fruit or a provided photo with graphite, and start an original work with matalpoint.

This worshop is open to anyone interested in botanical art and drawing techniques. All skill levels are welcome (beginner, intermediate, advanced artists who are interested in metalpoint).

Preliminary list of supplies that participants will need to bring (more details will be provided before the workshop):

  • Graphite pencils 2H, HB, 2B, 4B
  • Sharpener
  • Sketch paper
  • Tracing paper
  • Drawing paper
  • Eraser
  • Board to support paper and tape to hold it
  • Metalpoint wire and holder
  • Portable light lamp (optional)

Olga Ryabtsova was born in Russia, in the town of Dubna about 80 miles north of Moscow. After school, she moved to Moscow to study graphic design and illustration at the Moscow University of Graphic Arts, where she obtained a Master’s Degree. She worked as an Art Director for advertising agencies, and as a photojournalist and commercial photographer. After moving to California in 2015, Olga became fascinated with the native plants of Southern California, the botanical gardens in the area, and botanical art. She works in many different techniques, including watercolor, oil, etching, silverpoint and ceramic. Additionally, Olga teaches drawing to children and conducts workshops for adults.

by Janice Sharp and contributing authors Teri Kuwahara, Kathlyn Powell, Beth Stone, and Leslie Walker, posted by Deb Shaw

Estelle DeRidder receiving her award. Photo by Kathlyn Powell, © 2017.

Estelle DeRidder receiving her award. Photo by Kathlyn Powell, © 2017.

The City of Torrance Cultural Arts Commission awarded Estelle DeRidder an Excellence in Arts Award on October 21, 2017, in Visual Arts & Design for her extraordinary work in botanical art for the Madrona Marsh and for bringing-the-outdoors-in with her murals on the walls of the city’s Madrona Marsh Interpretive Center.

Each year the City honors individuals Excellence in Arts Awards in four categories: Dance, Music, Visual Arts & Design, Drama & Theater Arts. Two memorial awards are given as well, named in honor of two distinguished citizens: the Dr. Tom Rische Arts Education Award and the (former Mayor) Katy Geissert Award.

Educational napkin at the award ceremony, with artwork by Estelle DeRidder. Photo by Leslie Walker, © 2017.

Educational napkin at the award ceremony, with artwork by Estelle DeRidder. Photo by Leslie Walker, © 2017.

BAGSC members Teri Kuwahara, Kathlyn (Kat) Powell, Janice Sharp, Beth Stone, and Leslie Walker, and Estelle’s family were on hand to see Estelle accept the award. The City put together a beautiful video about Estelle and the mural project at the Madrona Marsh Nature Preserve. The video was beautifully done and very impressive. BAGSC is planning to show it at our BAGSC Holiday Party on December 9 if possible, so members who weren’t able to attend the ceremony can see it.

After the awards presentation, Kat, Janice and Beth went over to Madrona Marsh to see the progress on Estelle’s mural. (Click on the images below to see them enlarged.)

Leslie Walker (L) and Estelle DeRidder (R). Photo by Teri Kuwahara, © 2017.

Leslie Walker (L) and Estelle DeRidder (R). Photo by Teri Kuwahara, © 2017.

Estelle was awarded a grant from ASBA in 2012 for her Madrona Marsh project. At the 2017 ASBA Conference in San Francisco this past October, ASBA Grants Committee Chairperson Myra Sourkes opened the Grants Presentation with a presentation of Estelle’s work and her accomplishments, with a hearty congratulations from all ASBA members in attendance.

And more Madrona Marsh coverage to come!

Unfortunately, Estelle won’t be able to join us at the BAGSC Holiday Party: a local television station will be interviewing her about the mural on Saturday, December 9. We will find out when the interview will be aired and on which station as soon as possible, and let everyone know.

(Click on the images below to see them enlarged.)

Congratulations, and well-deserved Estelle!

 

by Gilly Shaeffer, posted by Deb Shaw

As part of BAGSC’s 20th Anniversary Celebration, we wished to start a scholarship fund to reach out to promising artists and foster their development as botanical artists. Congratulations to Irina Stolyarova, Natasha Zueva and botanical painting students from Russia! We warmly welcome Irina and Natasha as new members to our Botanical Artists Guild of Southern California (BAGSC) group.

Irina and Natasha were chosen by a committee headed by their teacher, Alexander Viazmensky (Sasha) to receive scholarships offered by BAGSC. Each scholarship includes a two-year membership to the American Society of Botanical Artists (ASBA) and BAGSC starting in 2018, plus a $100 gift.

Irina Stolyarova lives in St. Petersburg. She graduated from St. Petersburg State University of Culture and Arts as a librarian and bibliographer. She works as an economist/accountant. Irina has attended classes in botanical painting with Sasha since 2016.

She is also in her second year as an evening student in academic drawing classes at the Ilya Repin St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture, and has participated in several botanical painting exhibitions since 2016. (Note: please click any of the thumbnail images below to see a larger slide show.)

Natasha Zueva has a degree in Sociology and Art History. She has been a student of Sasha’s for about three years. She has exhibited her paintings in two shows that were held for Sasha’s students. (Note: please click any of the thumbnail images below to see a larger slide show.)

A warm welcome to BAGSC and ASBA!

by Janice Sharp, posted by Deb Shaw

BAGSC’s Ficus Exhibition at The San Diego Botanic Garden’s Ecke Hall opened on Thursday, November 2, 2017.

In addition to written posters describing the morphology of the Ficus species, leaf rubbings, ink prints, sketches and color studies complement the educational component of the exhibition. © 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

In addition to written posters describing the morphology of the Ficus species, leaf rubbings, ink prints, sketches and color studies complement the educational component of the exhibition. © 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

Nineteen Ficus artworks, by 11 artists, are featured in the exhibition. A wonderful diversity of techniques have been used by the artists. In addition to the “traditional” watercolor, colored pencil and graphite there are leaf ink prints, graphite leaf rubbings, linoleum cut hand colored prints and tape-mounted fig wasps. Three written posters describing the Ficus species, their fertilization and biology provide an educational component to the exhibition.

Thank you Cristina Baltayian, Cynthia Jackson, Susan Jackson, Arillyn Moran-Lawrence, Lesley Randall, Robyn Reilman, Olga Ryabtsova, Janice Sharp, Deborah Shaw, Beth Stone, and Anna Suprunenko for your participation and for making the show a success.

© 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

© 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

The show closes November 30 so make your plans to visit The San Diego Botanic Garden. The San Diego Botanic Garden is located at 230 Quail Gardens Drive, Encinitas, CA 92024.

Janice Sharp placing labels throughout the exhibit. Photo by Olga Ryabtsova, © 2017.

Janice Sharp placing labels throughout the exhibit. Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

Janice Sharp (left) and Lesley Randall (right) hang Olga Ryabtsova's painting of a Jackfruit. Photo by Olga Ryabtsova, © 2017.

Janice Sharp (left) and Lesley Randall (right) hang Olga Ryabtsova’s painting of a Jackfruit. Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

© 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

© 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

Photo by Olga Ryabtsova, © 2017.

by Beth Stone, posted by Deb Shaw

Martin Allen’s Techniques Showcase at the 2017 San Francisco ASBA Conference was a great introduction for the class he subsequently taught locally for BAGSC, October 24 – 26, at The Los Angeles Arboretum.

Martin’s method is to work directly from photographs. He takes great care to stage the photos for dramatic lighting and for color accuracy to the point where paint colors can be directly matched to the colors on a printed photo. Although Martin jokes about his limited pallet there is a wisdom to it. He promotes mixing small quantities of the desired color to create a more realistic appearance.

Painting from John Pastoriza-Piñol's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from John Pastoriza Piñol’s BAGSC workshop, 2017. The shiny, reflective areas are masking fluid that has yet to be removed. © 2017 Beth Stone.

My biggest take-away from Martin was the notion of placing “mostly the right color in mostly the right place” from the very beginning. Here are three examples of my paintings from classes within the past year. Hint: both of the Orchid specimens had deep red to nearly black areas.

I call the one from mid-point of John Pastoriza Pinol’s class “my pretty pony” , the other is my first attempt at vellum from Carol Woodin’s class. I eventually finished each of these about two months later.

Painting from Carol Woodin's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from Carol Woodin’s BAGSC workshop, 2017. © 2017 Beth Stone.

Contrast these to the depth of tone achieved on this dandelion bud (~15x) in Martin Allen’s workshop.

The more classes I take, the more convinced I am that there is no right or wrong method. To me the secret is to keep an open mind and amass a tool kit of knowledge that can be applied where it suits the subject matter.

Painting from Martin Allen's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from Martin Allen’s BAGSC workshop, 2017. © 2017 Beth Stone.

by Deb Shaw

Artwork from the "Visual Voyages" exhibition at The Huntington Library, Art Collections and Botanical Gardens.  José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).

Artwork from the “Visual Voyages” exhibition at The Huntington Library, Art Collections and Botanical Gardens.
José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).

Join BAGSC and The Huntington Library, Art Collections, and Botanical Gardens for an innovative seminar, held in conjunction with The Huntington’s exhibition “Visual Voyages,” part of the Getty’s Pacific Standard Time: LA/LA initiative.

BAGSC and The Huntington are co-sponsoring this exciting weekend in November, and are experimenting with a new seminar format. Participants can register for one or more (or all) of the seminar components. BAGSC members have first options on spaces. Each of the seminar components are open to BAGSC Members, their guest(s), and the public. Individual prices are listed with each description; the price for the complete seminar package is listed below.

See full details about the seminar on BAGSC’s website, along with information about how to register for some or all of the events described below.

Friday, November 3
Wine and cheese reception: 4:00 pm – 5:00 pm
Join us for a private exhibition tour and discussion of “Visual Voyages” led by Lugene Bruno and Alice Tangerini: 5:00 pm – 7 pm. This seminar will be a discussion of the artwork of images of Latin American Nature in the exhibition and will compare and contrast the works to contemporary botanical art.
BAGSC Members: $50/person
Non-members: $60/person
Limited to a maximum of 30 participants

Saturday, November 4
Round Table Discussion and Tour of “In Pursuit of Flora: 18th-Century: Botanical Drawings from The Huntington’s Art Collections.” Go from Latin America in the Boone Gallery Friday evening to British artists in the Huntington Art Gallery — Works on Paper room. “In Pursuit of Flora” pulls work from The Huntington’s collection to reveal 18th-century European appreciation for the beauty of the natural world. Lugene Bruno and Alice Tangerini will lead a tour of this exhibition and discussion of the artwork, as it compares to the “Visual Voyages” exhibition and contemporary botanical art.
9:30 am – noon
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 30 participants

A practical (and fun!) demonstration of pressing and preserving plants for future drawing and painting, and secret recipes for “restoring” preserved samples to use for drawing and painting. Learn how to press plants to preserve specimens for future drawing and painting, as well as how to “bring them back” to view for drawing and painting.
Alice Tangerini: 1:00 pm – 4:00 pm.
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 30 participants

Individual Portfolio Reviews. Lugene Bruno will provide private portfolio critiques by appointment, one-half hour each: 1:00 pm – 4:00 pm. Reviews will be scheduled on a first-come, first-served basis for the best time possible for your schedule, and for Lugene’s.
BAGSC Members: $50/person (not available to non-members)

Gymnanthemum koekemoerae, © 2017 Alice Tangerini.

Gymnanthemum koekemoerae, © 2017 Alice Tangerini.

Sunday, November 5
Botanical Scientific Illustration Workshop. Pencil and watercolor on film, Alice Tangerini: 10:00 am – 2:15 pm. A hands-on workshop using pressed, “revived” and live specimens. Workshop will break for lunch. Lunch will not be provided; please bring your own, or feel free to purchase lunch at one of The Huntington’s cafés. Please be advised that the cafés can be crowded on the weekends.
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 16 participants
Please note: the workshop costs above do not include materials. BAGSC will purchase some of the materials in bulk to save money for participants; we will post materials costs as soon as possible.

Individual Portfolio Reviews. Lugene Bruno will provide private portfolio critiques by appointment, one-half hour each: 10:00 am – 2:00 pm. Reviews will be scheduled on a first-come, first-served basis for the best time possible for your schedule, and for Lugene’s. Please only request an appointment within the allotted time frame; we may not be able to accommodate other times due to other scheduled seminar activities.
BAGSC Members: $50/person, (not available to non-members)

Dudleya rigida Rose, Crassulaceae, watercolor on paper by Frederick A. Walpole (1861–1904), 1897, 35.5 x 25.5 cm, on indefinite loan from the Smithsonian Institution, Hunt Institute for Botanical Documentation accession no. 4304.

Dudleya rigida Rose, Crassulaceae, watercolor on paper by Frederick A. Walpole (1861–1904), 1897, 35.5 x 25.5 cm, on indefinite loan from the Smithsonian Institution, Hunt Institute for Botanical Documentation accession no. 4304.

“Hidden Treasures: The rediscovery of art treasures in our collections” Public Lecture with Alice Tangerini, Smithsonian Institution and Lugene Bruno, Hunt Institute for Botanical Documentation, Carnegie Mellon: 3:00 pm – 4:00 pm in Rothenberg Hall.
Lugene Bruno and Alice Tangerini will present an illustrated lecture on missing artworks that were rediscovered in and curated for their museum collections. These art pieces represent historical events and important discoveries or were created for publications in the realm of science and art. They may have been stored in places where their presence was not easily detected; sometimes amongst old boxes of artifacts, in the files of herbarium specimens or even catalogued as another kind of object. Artists such as Frederick Walpole (1861–1904), Paulus Roetter (1806–1894), Isaac Sprague (1811–1895) and Mary Emily Eaton (1873–1961) portrayed each plant subject with aesthetic beauty and scientific accuracy. Walpole divided his time between Washington D.C. for the USDA and field trips to the Northwest as far as Alaska, during which time he made field drawings, watercolors and exquisite ink drawings that resemble fine line engravings. His talent was extinguished at 43 when he died of typhoid while working in California. Isaac Sprague, a self-taught artist, and one-time assistant to John James Audubon, was one of the most prolific illustrators of the 19th century and, from his home in Massachusetts, he drew in pencil and ink illustrations for published descriptions of native floras and plants collected during exploring expeditions and railroad surveys by some of the most important botanists of the period. Paulus Roetter, an émigré from Germany went on to create some of the finest drawings of the cactus family while accompanying the botanist George Engelmann on one of the government boundary surveys in the Southwest from 1853–1854. Engelmann named the cactus Cereus roetteri in honor of this artist’s skill. Mary Emily Eaton contributed drawings and watercolors for a four-volume opus, Britton’s The Cactaceae (1919–1923), while working as a scientific illustrator for the New York Botanical Garden. She lost her job during the depression and returned to England where she exhibited her work over the years. Each artwork has a storied past, and the history and the images of the artist’s field studies and finished drawings and paintings that were rediscovered in the collections will be featured in this presentation. By curating, cataloging and imaging these art works the Smithsonian Institution and the Hunt Institute preserve for the future a part of American history.
BAGSC Members: FREE
Non-members: FREE
Maximum of 250 participants

The Works

Want to participate in the entire weekend? Sign up for “The Works!” Complete Seminar Cost (everything included, except individual portfolio reviews)
BAGSC Members: $150
Non-Members: $175

Questions? Contact the BAGSC Education Chair.

About the Instructors

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA.

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA.

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA. Since 1996, Lugene Bruno has held a position at the Hunt Institute for Botanical Documentation where she has immersed herself in the collection. She is responsible for all activities of the Art Department, including the curation of the art collection and twice-yearly exhibitions in the Institute’s gallery (most notably the triennial International Exhibition of Botanical Art & Illustration). She designs the exhibitions and companion catalogues; provides talks and tours related to collection items on site and at botanical conferences; responds to research requests; and makes available for study selections of the art collection to visiting scholars, students and artists. She is an honorary member of several botanical art and florilegia societies in the United States and abroad. Bruno is also a practicing artist working with the concepts of gestural abstraction and employing the mediums of photography and graphite drawing.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.  As a Staff Illustrator for the Botany Department at the National Museum of Natural History, Smithsonian Institution, Alice Tangerini has been specializing in drawing plants in pen and ink and graphite since 1972 and now her illustration media includes digital color.She has illustrated at least 1000 species of plants appearing in scientific periodicals, floras, and botanical and nature books. Most of her subjects are based on the Department’s extensive collection of over 4 million herbarium specimens.Alice also teaches classes in illustration techniques, presents lectures on botanical illustration and juries shows in botanical gardens and in academic institutions.She has exhibited her botanical artwork in numerous shows connected with the botanical and scientific illustration societies of which she is also a member. Her responsibilities in the department also include managing and curating an extensive collection of botanical illustrations, both historical and contemporary, which are available for viewing on the Department of Botany website.

by Deb Shaw

"Every Berry", watercolor, © 2017, Martin J. Allen.

“Every Berry”, watercolor, © 2017, Martin J. Allen.

Following the 2017 ASBA Conference in Northern California, Martin J. Allen will arrive in Southern California to teach a BAGSC-sponsored workshop, entitled Larger than Life
Tuesday – Thursday, October 24, 25 & 26, 2017
9:30 am – 3:30 pm each day
Los Angeles County Arboretum and Botanic Garden, Oak Room

Cost, BAGSC Members: $250
Non-Members: $275
Maximum Registration: 16 students

There are still a few seats available in Martin’s workshop. If you were unable to get into his workshops at the ASBA conference, now is your chance to enjoy a focused workshop with Martin, close to home.

Registration deadline is Tuesday, October 10, 2017. Please see the BAGSC website for details about how to register, materials list, and other workshop information. Questions? Contact the BAGSC Education Chair.

Workshop Description

This three-day workshop with Martin Allen looks at how to take digital reference photographs and use them to enlarge small parts of plants to create an exciting new image. Martin will cover how to take useful photographs and the practical challenges of translating that photograph into a realistic image on paper using a straight-forward painting technique.

About the Instructor

Martin J. Allen

Martin J. Allen

(Please read the full text about Martin Allen on the BAGSC website.) I began painting plants in the autumn of 1992 whilst recovering from illness, studying with Colin Swinton. What was intended initially as therapy, quickly turned into a serious interest.

In early 1995 my first Royal Horticultural Society (RHS) exhibit was awarded a Gold medal (the second in 1997 also gained Gold) and in the same year RHS Enterprises Limited commissioned three autumn flower designs as part of their Collectors’ Plate Series. Awards at The Society of Botanical Artists’ exhibitions followed in 1996 and 1998.

I became a member of the then newly formed Chelsea Physic Garden Florilegium Society in 1995, taking part in their 1999 RHS Gold medal group exhibit, becoming a Fellow in 2000 and regularly writing articles on botanical art for their newsletter. I am now honoured to be an Emeritus Fellow.

I am represented in America by Susan Frei Nathan, Fine Works on Paper, and Forum Botanische Kunst in Germany.

by Deb Shaw

The BAGSC September quarterly meeting will be held on
Saturday, September 23, 2017

at The Huntington Library, Art Collections and Botanical Gardens, in the Brody Botanical Center Auditorium (downstairs).

Arrive about 9:30 am to chat, settle in and view the BAGSC 20th Anniversary history that was on display at the celebration at the Los Angeles County Arboretum on August 26. The meeting portion of the program will begin promptly at 10 am and will cover upcoming classes, workshops, exhibitions and member news.

Bring your current and latest works and sketchbooks to share. Bring lunch and eat in the Auditorium at the desks or in the Atrium area outside the Auditorium. Feel free to purchase lunch at any of The Huntington’s cafés, although lines can be long during the weekend. Eating is not allowed on The Huntington grounds except in designated areas,

At 12:30 pm, Deborah Shaw will give a presentation entitled “Mushrooms in Djibouti: Protecting Traditional Botanical Art in an Increasingly Digital World.”

This is an important presentation that not only will cover scary horror stories and how to protect your artwork, but also will highlight solutions, tools and resources, and fun apps to try on your tablet or smart phone. Extensive handouts will be given out with resources lists, websites and digital Photoshop recipes to follow at home. Technical jargon will be kept to a minimum, and I haven’t had anyone fall asleep during this lecture yet!

The goal of the presentation is to keep everyone safe on the web AND get everyone prepped for filling out our BAGSC website gallery and creating or refining your own digital presence. Added bonus: get a quick view of the BAGSC website and blog so you can use those resources too!

Do you have a “computer-savvy” helper you prefer to have do the digital work while you paint? (Very smart of you.) Bring them along; there is no charge and all are welcome.

After the presentation, there are lots of things to do. Deb will hang around, answer questions, and take in images for the BAGSC Website Gallery. See the BAGSC exhibition wall upstairs, “Inspired by Latin America.” View the wonderful exhibition in the Florilegium room and then head over to the new, spectacular “Visual Voyages” exhibition in the Boone Gallery at The Huntington. Bring your art supplies and draw/paint Bonsais in preparation for the upcoming exhibition, “Bonsais of The Huntington.”

Have topics for the agenda? Please email Sally Jacobs.

Please RSVP.
We will need to have passes for everyone and want to be sure to have enough handouts. Please email Clara Josephs to let her know you will be attending the meeting. As always, carpooling is encouraged.

This email duplicates some of the information in the Members Only area of the BAGSC website, and will be posted to the blog. A map, parking instructions and details about what to bring if you would like your artwork to be posted to the BAGSC gallery are on the BAGSC website in the Members Only section, on the BAGSC Quarterly Meetings page.

Hope to see you there!

by Janice Sharp, posted by Deb Shaw

The exhibition wall faces the stairway in the Brody Botanical Center. The BAGSC logo is a permanent sign, and information about BAGSC and ASBA is available as a handout. Photo by Janice Sharp, © 2017.

The exhibition wall faces the stairway in the Brody Botanical Center. The BAGSC logo is a permanent sign, and information about BAGSC and ASBA is available as a handout. Photo by Janice Sharp, © 2017.

BAGSC’s latest exhibit at The Huntington Library, Art Collections and Botanical Gardens, “Inspired by Latin America,” is now open in the Brody Botanical Center.

The art was hung on September 5, 2017, and the show will run through to January 15, 2018. Eleven paintings by eight BAGSC artists are featured in the exhibition, including Melanie Campbell-Carter, Sally Jacobs, Arillyn Moran-Lawrence, Kathly Powell, Olga Ryabtsova, Mitsuko Schultz, Janice Sharp, and Deborah Shaw.

Janice Sharp and Andrew Mitchell review the plans for the exhibition layout. Photo by Beth Stone, © 2017.

Janice Sharp and Andrew Mitchell review the plans for the exhibition layout. Photo by Beth Stone, © 2017.

We thank The Huntington for providing the beautiful new signage identifying the artwork on the wall as belonging to the “Botanical Artists Guild of Southern California.” The plexi banner will be a permanent feature of the display. We have also added a container to dispense handouts. For this exhibit, the handout lists the artists and their paintings, with information about BAGSC and ASBA on the back. We also thank Andrew Mitchell for his patience with us in hanging the artwork.

The next Huntington exhibition, beginning in January, will be “Bonsai’s of the Huntington.”

By Janice Sharp and Beth Stone, posted by Deb Shaw

On September 6 – 8, 2017, Marjorie Leggitt taught at BAGSC-sponsored workshop entitled “Fresh Art: Pencil and Paint in the Garden” at The Huntington Library, Art Collections and Botanical Gardens. Marj expertly led us on a scary path down the road of fast drawing and minimal supplies.

This class presented a unique opportunity to escape the classroom and venture out into the gardens. We were all grateful that it was cooler than previous weeks, so we enjoyed being outside.

It was great, challenging and yes, frustrating, to use quick techniques: modified blind contour drawing; big wet brushes and simple pallets. Each designed to shift our focus away from the tools and back to observation of our subject. We came away with good tips which we can apply to making thoughtful studies or even initial drawings for a full botanical rendering.

Click on any one of the circles to see the images in a slide show format:

By Gilly Shaeffer, posted by Deb Shaw

Matt Ritter talking with Diane Nelson Daly about her watercolor of Bauhinia x blakeana, Hong Kong Orchid Tree.

Matt Ritter talking with Diane Nelson Daly about her watercolor of Bauhinia x blakeana, Hong Kong Orchid Tree.

The Botanical Artists Guild of Southern California (BAGSC) celebrated its 20th Anniversary on August 26, 2017 with a three-event program held at the Los Angeles County Arboretum and Botanic Garden. The late afternoon program started in the Arboretum Library with a tour of our current exhibition, Illustrating the Urban Forest: 20 Years of Botanical Art. Following a welcome from LA Arboretum Librarian Susan Eubank and BAGSC President Janice Sharp, our guest speaker, Matt Ritter, led the exhibit tour and called on several BAGSC artists to join him in discussing their paintings.

From the exhibition, BAGSC members and guests went to Ayres Hall at the Arboretum for Matt’s keynote presentation on the trees of Southern California. We were grateful to have Matt, a botanist, tree expert and very engaging speaker, share his knowledge of trees and take us on a tour of the urban forest. His presentation shed light on many issues that affect trees in our Southern California environment, as well as focusing on those that do well in our climate, neighborhoods, streets and parks.

BAGSC member Terri Munroe played beautiful harp music to accompany our dinner on the Peacock Café patio.

BAGSC member Terri Munroe played beautiful harp music to accompany our dinner on the Peacock Café patio.

After Matt’s presentation, BAGSC members and guests meandered over to the Peacock Café patio. As members and guests arrived on the patio, we were welcomed by heavenly harp music by BAGSC member, Terri Munroe, and a magnificent view of the setting sun casting a golden light over our dinner celebration. Members and guests checked out a table display of our 20-year history in photographs, past BAGSC newsletters and other memorabilia from group events.

Before beginning a delicious dinner, we heard a few words from a letter sent by Olga Eysymontt about the beginnings of our group, and listened to fun reminiscences of early times in BAGSC by Leslie Walker (a former BAGSC president). Janice Sharp (current BAGSC president) spoke about what the group is doing now and our plans for the future, including exhibitions, workshops and collaborations with various public gardens in Southern California.

An elegant and delicious dinner on the patio of the Peacock Café.

An elegant and delicious dinner on the patio of the Peacock Café.

Later during the dinner program, I had the pleasure of expressing the group’s deepest appreciation on behalf of BAGSC members to three members who have made outstanding contributions to our group over the years.

The first person to be mentioned was Tania Marien. She was responsible for starting our BAGSC newsletter, and was editor for a number of years. Her selfless spirit and dedication to botanical art found further expression when she became one of the main organizers for the American Society of Botanical Artists (ASBA) 2008 Annual Conference which was held at The Huntington Library, Art Collections and Botanical Gardens in San Marino, California. In 2015, Tania played a major role again as a key organizer of the ASBA “Weird, Wild & Wonderful” Symposium which also was held at The Huntington. Her tireless efforts have increased awareness about plants and botanical art in Southern California and around the world.

We are also grateful for the contributions made by Deborah Shaw to furthering people’s awareness of botanical art and the role of our BAGSC organization. Deb has been instrumental in helping our group become acquainted with current digital technologies. Some of her accomplishments include creating the BAGSC Blog and the beautiful BAGSC website. She has been an extraordinary force in keeping our membership well informed about BAGSC events and ASBA events. She was also a key organizer of the ASBA Annual Conference of 2008 and the ASBA “Weird, Wild & Wonderful” Symposium of 2015. It is hard to imagine how Deb manages to keep our group well informed while also creating paintings that draw great admiration.

And last but not least, our Tania Norris deserves a big thank you for outstanding contributions she has made to BAGSC and botanical art. Tania helped to get the “ball rolling” which led to the 2008 ASBA Annual Conference being held at the The Huntington. She helped in many ways to make the first ASBA Conference held in LA a big success. Tania was also a key organizer for the 2015 ASBA “Weird, Wild & Wonderful” Symposium held at The Huntington. Her selfless efforts have helped to lay the foundation for a special collaboration between BAGSC and The Huntington Brody Botanical Center. Her love for botanical art and her generous support have helped in establishing Los Angeles as a great place for this art form to thrive.

A big and heartfelt thank you to the many others who also have contributed to BAGSC and botanical art over the last 20 years. The truth is, we could not have reached this 20-year milestone without everyone’s contributions and support, too numerous to name.

We could not have had this lovely event without the help of BAGSC member, Jan Clouse and her husband, Charles, who designed the printed post cards and invitations for this 20th celebration. Additional thanks go to Cristina Baltayian for designing and creating the floral centerpieces for the tables. Thank you to Terri Munroe, for volunteering to play music for the dinner, which added a special magic to our evening. And, of course, a heartfelt thank you to Susan Eubank and the LA Arboretum—one of our first botanical homes and an avid supporter of BAGSC, plants, and botanical art.

Most importantly, thank you to all our dedicated members and supporters for all you have done during this 20-year period to make us the strong and vibrant group we are today. We gratefully look forward to the next 20 years.

P.S. from BAGSC members: A big thank you to Gilly Shaeffer, who served as BAGSC President for many years, and volunteered to chair our 20th Anniversary Celebration committee.

Click any of the circles to see the slide show and the captions:

%d bloggers like this: