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Andrew Mitchell (left) and Janice Sharp (right) mark the wall for hanging the paintings.

Andrew Mitchell (left) and Janice Sharp (right) mark the wall for hanging the paintings.

by Janice Sharp and Deb Shaw

The first art exhibition by the Botanical Artist Guild of Southern California in the Brody Botanical Center at The Huntington Library, Art Collections, and Botanical Gardens has been hung… and it is beautiful!

This show, Inspired by California, features plants that are both indigenous to California as well as plants that have become synonymous with California.

Janice Sharp hanging one of the selected artworks.

Janice Sharp hanging one of the selected artworks.

Thirteen of the entrants were selected for hanging. We congratulate Diane Nelson Daly, Estelle DeRidder, Patricia Mark, Terri Munroe, Gilly Schaffer, Deborah Shaw, Mitsuko Schultz, Janice Sharp, Beth Stone, Ellie Tu and Jude Wiesenfeld on their outstanding submissions.

We thank The Huntington for the exhibit space, Jim Folsom for the inspiration that resulted in the exhibition, Robert Hori for the inception and logistics, Andrew Mitchell for the designing and hanging of the exhibit and Melanie Thorpe for all the details.

Andrew Mitchell with final exhibition display.

Andrew Mitchell with final exhibition display.

Inspired by California will run from June 1, 2017 to August 15, 2017.  Current and future exhibitions in the Brody Botanical Center will coincide with events and seasons at The Huntington.

In September, Inspired by Latin America will take the place of the current exhibition. Inspired by Latin America will shown from September 1, 2017 to January 15, 2018. BAGSC member entries will be due no later than August 1, 2017. See the “Call for Entries” page in the “Members Only” section of the BAGSC website for further details.

Inspired by California can be seen with admission to The Huntington during regular business hours. There are no additional charges. The exhibition is in the main lobby area of the Brody Botanical Center. The Huntington is located at: 1151 Oxford Road, San Marino, CA 91108.

"Inspired by California" by the Botanical Artists Guild of Southern California, in the Brody Botanical Center at The Huntington.

“Inspired by California” by the Botanical Artists Guild of Southern California, in the Brody Botanical Center at The Huntington. Signage about the paintings and information about BAGSC was added after this photo was taken.

posted by Deb Shaw

http://www.bagsc.org/index.php/exhibitions

Descanso Gardens had perfect specimens of California native plants on the demonstration tables, with the botanical and common names on tags.

The most recent of BAGSC’s ongoing exhibitions at the Descanso Gardens opened on Friday May 19, 20017. The theme of the show is California Natives.

On the May 20 and 21 weekend, BAGSC held botanical art demonstrations in the Boddy House in conjunction with the exhibition opening and the Rose Festival at Descanso. Thank you Estelle DeRidder, Mitsuko Schultz and Janice Sharp for demonstrating botanical art and talking with the public.

Upon arrival at the Body House the demonstration artists were presented with fresh-cut California native flowers in vases on our cloth-covered tables. Each flower had a tag printed with its common name as well as its botanical name. Each was a perfect example of the species.

The continuous stream of visitors to the Boddy House were very enthusiastic about the art and the Native Plants on the table.

Docents at the Boddy House were very excited and complementary about our art and enjoyed seeing the change over of art. (They keep tabs on the exhibitions.)

The BAGSC sign at the beginning of the exhibition gives information about our organization and mission.

The BAGSC sign at the beginning of the exhibition gives information about our organization and mission.

The Boddy House at Descanso Gardens is open daily (except Mondays) from 10 am to 4 pm (the gardens are open daily 9-5).

The California Native Plants show runs until May 2018. The next BAGSC Descanso Garden show theme will be Plants from a Japanese Garden and will run from March, 2018 to March, 2019. Entries are due no later than February 12, 2018. Visit the BAGSC Exhibitions page for more details.

Happy painting.

Hanging along wall in the Boddy House at Descanso Gardens.

Hanging along wall in the Boddy House at Descanso Gardens.

by Arillyn Moran-Lawrence, posted by Deb Shaw

Website for "Ko; An Ethnobotanical Guide to Hawaiian Sugarcane Varieties," by Noa Kekuewa Lincoln, PhD., © 2016, University of Hawai'i, Manoa, all rights reserved.

Website for “Ko; An Ethnobotanical Guide to Hawaiian Sugarcane Varieties,” by Noa Kekuewa Lincoln, PhD., © 2016, University of Hawai’i, Manoa, all rights reserved.

Arillyn Moran-Lawrence, will have a pen and ink drawing of Hawaiian Sugar Cane in the forthcoming book Ko; An Ethnobotanical Guide to Hawaiian Sugarcane Varieties. The book will be published by University of Hawaii Press, a nonprofit scholarly publisher.

The author is Noa Kekuewa Lincoln, PhD, Assistant Professor at the University of Hawai’i, Manoa.

About the author of “Ko; An Ethnobotanical Guide to Hawaiian Sugarcane Varieties”
Dr. Noa Kekuewa Lincoln is of native Hawaiian, German, and Japanese decent, born in Kealakekua on Hawai‘i Island. He received his BS in Environmental Engineering from Yale University, and his PhD in Environment and Resources from Stanford University, where his work focused on traditional agricultural development pathways and management strategies. His postdoctoral work examined traditional values and practices of ecosystems for food in Aotearoa. Noa has worked in marine and terrestrial ecosystem restoration and conservation around the Pacific, and has coupled these efforts with cultural and environmental education and community engagement. He has worked on traditional Hawaiian ethnobotany and agriculture and has implemented projects facilitated through a variety of partnerships with community organizations. He is recognized as an emerging expert in Hawaiian crops and cropping systems. His primary interests are in combining traditional and modern knowledge of land management to evaluate social utility, rather than economic, contributions. He is currently a research fellow with Ngai Tahu Research Centre at the University of Canterbury and an Assistant Professor at the University of Hawai‘i at Mānoa with a focus on Indigenous Crops and Cropping Systems.

by Joan Keesey and Deb Shaw

Eschscholzia californica, California Poppies, watercolor, © Joan Keesey, 2016, all rights reserved.

Eschscholzia californica, California Poppies, watercolor, © Joan Keesey, 2016, all rights reserved.

Joan Keesey will be exhibiting her botanical watercolors at the Theodore Payne Foundation for Wild Flowers and Native Plants from Saturday, January 21, through Saturday, April 22, 2017.

The exhibition will focus on California native plants blooming in and around the Theodore Payne Foundation and in the Santa Monica Mountains.

Everyone is invited to the opening reception for the exhibition, on Saturday, January 21, 2017, from 1 – 3 pm.

The Theodore Payne Foundation is located at 10459 Tuxford Street, Sun Valley, California 91352, 818.768.1802. Hours are Tuesday – Saturday, 8:30 am – 4:30 pm. Theodore Payne is closed Sunday and Monday each week. On-leash dogs are welcome. There is no admission fee.

tpf_single%c2%ad_logoTheodore Payne will be hosting their annual native Winter Plant Sale Thursday – Saturday, January 26 – 28, from 8:30 am – 4:30 pm all three days. Everyone will receive discounts for all three days, plus receive expert advice from Theodore Payne staff and volunteers. Members receive 15 percent off plants, seed and Theodore Payne wear all day. Non-members receive 10 percent off plants, seed and Theodore Payne wear after 11:00 am. Not yet a member? Join at the door! Shop early for best selection.

Bring your own boxes and wagons, see the art exhibition and purchase native California plants.

by Estelle DeRidder and Deb Shaw

Invitation for Estelle DeRidder's Madrona Marsh Nature Center Exhibition, © 2016, Estelle DeRidder.

Invitation for Estelle DeRidder’s Madrona Marsh Nature Center Exhibition, © 2016, Estelle DeRidder.

In 2012, BAGSC member Estelle DeRidder was awarded an education grant from the American Society of Botanical Artists (ASBA) to use in creating reusable plant identification cards featuring California native plant illustrations from the Madrona Marsh Preserve in Torrence, California.

Information about Estelle’s project was presented at the ASBA Annual Meeting and Conference in Denver, Colorado during the ASBA Grant Presentations, October 17, 2014.

Estelle is now exhibiting the complete project at the Madrona Marsh Nature Center. Titled The Flashcard Project: Flora of the Madrona Marsh III, the exhibition runs from December 6, 2016 through January 20, 2017. There will be an opening reception Sunday, December 18, 2016
1:00 – 4:00 pm.

The public is invited and welcome.

The Nature Center at the Madrona Marsh Preserve is located at: 3201 Plaza del Amo, Torrance, CA 90505. Phone: (310) 32-MARSH. The Madrona March is open Tuesday – Sunday, 10 am – 5 pm.

If you are interested in applying for an ASBA grant, please apply by August 1, 2017 (open to ASBA members only). Information and the application can be found on the ASBA’s Grant page on their website.

by Asuka Hishiki, posted by Deb Shaw

Flora Japonica opened mid-September, 2016 at the Royal Botanic Gardens, Kew, in London. Before the opening, I personally felt very overwhelmed and was worried about how we would be received. It turned out GREAT! The people at the Kew were so nice and friendly. When Dr. Shirley Sherwood congratulated us at the opening speech, I felt so honored to be a part of the celebrated show.

There is so much to tell about the exhibition. There are, however, so many good writings about the show already available. Instead of summarizing those good reads, I thought I would make a list of the links for you to visit. Meanwhile, I would love to share my thoughts on several specific artworks. This are just my opinions and maybe rather boring ones at that, but I hope you enjoy walking with me through the show.

I have mentioned that these are just my opinions. Keep in mind, my bold statement is this: I think that most Japanese endemic plants are rather unflattering. Meaning that they are not obviously gorgeous like roses, tulips or tropical plants. Maybe this is the case not only with Japanese native plants; perhaps many endemic plants appear very humble looking. Well, really? It could be because these plants are not looked at properly.

Idesia polycarpa, watercolor on paper, © 2016, Akiko Enokido.

Idesia polycarpa, watercolor on paper, © 2016, Akiko Enokido.

Take a look at the watercolor Idesia polycarpa by Akiko Enokido. I think the actual plant (not her painting!) is very modest looking. Its male and female flowers are especially small and plain. However, if you look at it up-close as Akiko did, it is obvious that the flower clusters are very gorgeous! Akiko successfully converted the modest look of the plant into a dynamic figure using her vivid and strong color. The beauty is sometimes there in front of us, but it doesn’t reveal itself until we open our eyes properly. I think as artists we have the wonderful power to help open the secret door, clearing the smoke that hides nature’s beauty.

Speaking of color, I thought many of the artists’ subjects held a very clean but pastel color. I wondered how they achieved their shades. On first look, I thought perhaps the artwork was done in color pencil, but no, it was watercolor. In some parts, I saw tiny, tiny brush strokes. Instead of washing those stitches out, the artists kept them, floating them onto white paper, like a Georges Seurat painting. I couldn’t get an answer about this technique from my fellow artists, so I will tell you when I find out.

Magnolia obovata, watercolor on paper, © 2016, Mieko Konishi.

Magnolia obovata, watercolor on paper, © 2016, Mieko Konishi.

You may have the same question I have: how to portray something huge like a whole tree, or a plant like Magnolia obovata, which has leaves that grow up to 45 cm long and 25 cm wide? Two fantastic artists had the answers for me in this show.

The way Mieko Konishi portrayed Magnolia obovata was awesome! She positioned a main flower right up the center, and from it huge leaves spread in all directions. The leaves are cropped off in the middle. Only the two front leaves show almost the complete leaf shape, but even these leaves are cropped off at the tips. This is a huge painting already, but Mieko uses cropping and composition to indicate that the plant is too big to fit the paper. Her image reminded me the surprise I had when I picked up a Magnolia obovata leaf from the ground. I knew it was big, but seeing the actual leaf and holding it gave me additional amazement.

Pinus x densithunbergii, watercolor on paper, © 2016, Masumi Yamanaka.

Pinus x densithunbergii, watercolor on paper, © 2016, Masumi Yamanaka.

The other example is done by Masumi Yamanaka. Unfortunately, I couldn’t see her Pinus x densithunbergii in person. It was planed to be exhibited at the Japanese embassy in London a few weeks after I visited. This tree is known as the “Miracle Pine”, which survived the devastating tsunami that accompanied the Great East Japan Earthquake in March 2011 and somehow remained standing, even though the entire 70,000-tree pine forest along the beach was uprooted.

I had a privilege, however, to visit her studio in Kew Garden where she works with other official botanical illustrators of Kew. I could go on and on about the visit, but I would like to go back to her tree painting. I wondered how she created the tree painting without the actual tree in front of her. I watched her short documentary about the painting. Yes, she had many many references of the tree. Yes, she visited the actual tree and made the color samples at the site. But if she had had only those references, the tree would not be portrayed as accurately as it is in her artwork. What her painting contains is her experience and knowledge as a botanical illustrator. She has studied hundreds and thousands of plants with her keen observation and has painted them. This wisdom is laid on underneath the image.

I think the time we spend on a painting is not only spent on that specific artwork, but the knowledge we gain remains and accumulates in us as wisdom.

When I walked in the Kew garden and bumped into one of the trees Yamanaka had portrayed, I had a warm sensation as if I had just run into someone I knew.

Lastly, I couldn’t pass up telling you about what I do not know how to explain. Confusing, yes.

Cercidiphyllum magnificum, watercolor on paper, © 2016, Mieko Ishikawa

Cercidiphyllum magnificum, watercolor on paper, © 2016, Mieko Ishikawa.

I just had a “wow” when I saw Mieko Ishikawa’s Cercidiphyllum magnificum. The plant itself is again, very humble looking at first glance. Yet it grabbed my attention immediately. What captured me the most is the perfection of the drawing, The leaves look soft and slightly rounded, and the male and female flowers are delicate, yet lively. It is extremely realistic, yet informative. Even though she includes many details in various sizes and different angles, everything fits fantastically into one frame. In her illustration, I think that Art and Science meets in a precise middle point and keep a golden balance. Well, to be honest with you, I have no background nor knowledge of the science of botany, so I may have no idea what I am talking about. There are just so many things in this one painting to gaze at, to be amazed by, to learn, and questions to pose and think about.

“Good artists copy; great artists steal.” This is a famous quote by Picasso. I simply wish he also told us how to steal it.


The Flora Japonica exhibition is open from 17 September 2016 to 5 March 2017, 10 am to 5:30 pm in the Shirley Sherwood Gallery of Botanical Art at the Royal Botanic Garden, Kew, London, UK. Price is included with entry to the Gardens.

This exhibition includes about one hundred Japanese wild, native, endemic plants, portrayed by 36 of the most eminent contemporary Japanese botanical artists. The exhibition also features historic drawings and paintings by some of Japan’s most revered botanists and artists such as Dr. Tomitaro Makino (1863-1957), Sessai Hattori and Chikusai Kato (Edo period artists 1603-1868).

Additionally, works from Kew’s Illustration and Economic Botany collections also are on display, including an early Japanese botanical illustration, Honzō Zufu by Kanen Iwasaki (1786–1842), an illustrated encyclopaedia of medicinal plants from 1828, and Japanese wood panels by Chikusai Kato (1878), which are made from the wood and framed with the bark of the trees that they depict.

Royal Botanic Gardens, Kew is located at: Kew, Richmond TW9 3AB, United Kingdom, +44 20 8332 5655.

Find information about Flora Japonica on Kew’s website.
Two press releases about the exhibition can be found here, and here.

Purchase the Flora Japonica catalogue.

Read the DAIWA Foundation article about the exhibition.

Read about the Flora Japonica exhibition on Asuka’s website and view Asuka’s artworks and exhibitions.

by Deb Shaw

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

The 14th International Exhibition of Botanical Art and Illustration by The Hunt Institute for Botanical Documentation has been traveling around the United States for the past two years. Its final stop is at the Petaluma Arts Center in Petaluma, California, for a botanical art exhibition entitled Floribunda, which will run from October 16, 2016 through December 11, 2016.

Floribunda is a celebration of all things floral, featuring the 36 artists from nine countries in The 14th Hunt exhibition, including BAGSC members Leslie Randall and Deborah Shaw. Additionally, the Petaluma Arts Center will feature the work of Aimee Baldwin, Evan Kolker and Randy Strong—three Bay Area artists who create three-dimensional representations of flowers.

 

“This exhibition is designed as a source of inspiration and an invitation to see the natural world around us in distinct ways, to illuminate the relationship between art and science,” explained Petaluma Arts Center Exhibitions Manager Kim Chigi. “With Botany as one of the sciences, we are excited about the juxtaposition of traditional botanical illustration with the contemporary three-dimensional creations, working in tandem, to explore the connections between the creativity of both artist and nature.”

The Petaluma Arts Center will host a series of events related to the exhibition, including artists’ talks, studio workshops, and botanical art demonstrations:

  • Saturday, November 5: Botanical Art Demonstrations with BAGSC member Nina Antze, and Martha Kemp, Lucy Martin and Vi Strain, 1:00 pm, FREE
  • Thursday, November 10: Artists’ Talk with Evan Kolker and Randy Strong, 7:00 pm; doors open at 6:30 pm.
  • Sunday, November 12 -13: Watercolor Botanical Workshop with Amber Turner
Nina Antze, Martha Kemp, Lucy Martin and Vi Strain, will demonstrate botanical art in a variety of media starting at 1:00 pm on Saturday, November 5, 2016. The demonstrations are free.

Nina Antze, Martha Kemp, Lucy Martin and Vi Strain, will demonstrate botanical art in a variety of media starting at 1:00 pm on Saturday, November 5, 2016. The demonstrations are free.

Details and ticket information can be found on the Events page on the Petaluma Arts Center’s website. To arrange for group visits or school tours, email or call Kim at (707) 762-5600 x104.

Following the 14th International Exhibition at the Hunt, the travel exhibition went to the Southern Alleghenies Museum of Art—Loretto and was on display from October 18 through December 6, 2014. The exhibition then traveled to the Fellows Riverside Gardens in Youngstown, Ohio where it was on display until January 10, 2016.

The Petaluma Arts Center is located in the historic train depot at 230 Lakeville St, Petaluma, California, 94952. Gallery Hours are: Thursday through Monday, 11 am-5 pm. The gallery is closed Tuesday, Wednesday and holidays.

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

Admission to the Petaluma Arts Center is $5 for general admission and $4 for seniors. Students, teachers, military, and PAC members are free.

by Sally Jacobs, posted by Deb Shaw

E-invite for Sally Jacobs exhibition, Larger than Life at TAG Gallery.

E-invite for Sally Jacobs exhibition, Larger than Life at TAG Gallery.

Sally Jacobs will be giving an “Artists’ Panel” for her exhibition, Larger than Life this Saturday, October 8, 2016 at 3:00 pm at the TAG Gallery in Bergamot Station Arts Center. It’s a great way to see the show and hear about her approach, technique, and more.

The Los Angeles Times gave the show a great review! See the LA Times review of Larger than Life here: http://www.latimes.com/home/la-hm-sally-jacobs-20160926-snap-story.html

The gallery is located at:
TAG Gallery
Bergamot Station Arts Center
2525 Michigan Ave., D3, Santa Monica, CA 90404
310.829.9556
Contact: gallery@taggallery.net  |  http://www.taggallery.net

by Estelle DeRidder, posted by Deb Shaw

As part of the 9th California Island Symposium, the Island Art Exhibition now moves from the Ventura Beach Marriott to the Santa Barbara Botanic Garden.

The public is invited to the opening reception of the Island Art Exhibition at the Pritzlaff Conservation Center at the Santa Barbara Botanic Garden on October 11 from 6 – 7:30 pm. Guests will be able to enjoy the art and views of the Channel Islands. Light appetizers and refreshments will be served. The event is free, but registration is required. The exhibition will be on display at the Garden from October 11 through November 6, 2016.

Plantanus racemosa, California Sycamore, Watercolor by Mitsuko Schultz, © 2016, all rights reserved.

Plantanus racemosa, California Sycamore, Watercolor by Mitsuko Schultz, © 2016, all rights reserved.

First place went to an acrylic painting by Marcia Burtt that depicts Prisoners Harbor on Santa Cruz Island. Nicole Strasburg won second place with a gouache etching of Scorpion Valley on Santa Cruz Island. Third place winner Estelle DeRidder used colored pencil to illustrate a native Toyon. An honorable mention was awarded to Mitsuko Schultz for her watercolor of a California Sycamore.

Registration and information for the opening reception at the Santa Barbara Botanic Garden is available on their website.

About the Island Art Exhibition:
The Island Art Exhibition explores creative practices at the intersection of art and science as a component of the California Islands Symposium. The Islands Symposia have been held every five years since 1965, and present recent work in all disciplines of natural, environmental, and cultural science on the California Islands, which include all of the islets, rocks, and islands off the Pacific coast of California and Baja California, Mexico. This juried art exhibition encourages a greater understanding and appreciation of the unique California Islands. The display features original paintings, watercolors, and pen and ink drawings that reflect the beauty of the islands.

About the Santa Barbara Botanic Garden:
The Santa Barbara Botanic Garden is a 78-acre nonprofit educational and scientific institution that conserves California’s native plants through gardens, research, education, and sustainable practices. The Garden was founded in 1926 and is one of the nation’s oldest botanical gardens focused exclusively on native plants.

by Deb Shaw

Hylocereus undatus pitahayas, Pitaya or Dragon Fruit, watercolor by Diane Nelson Daly, © 2016. The dragon fruit is the fruit of a cactus species indigenous to the Americas. The fruit is sweet and crunchy with a flavor that is a cross between kiwi and pear.

Hylocereus undatus pitahayas, Pitaya or Dragon Fruit, watercolor by Diane Nelson Daly, © 2016. The dragon fruit is the fruit of a cactus species indigenous to the Americas. The fruit is sweet and crunchy with a flavor that is a cross between kiwi and pear.

Cornucopia, a botanical art exhibition of all things edible by the Botanical Artists Guild of Southern California (BAGSC) will open Friday, September 23 in the Ecke Building at the San Diego Botanic Garden (SDBG). The exhibit runs from September 23 – November 18, and includes 47 artworks by 21 BAGSC artists, illustrating the diverse plants that people use all over the world for food, drink and flavorings. The paintings are accompanied by descriptions, stories or recipes written by the artists.

Broccoli, watercolor by Asuka Hishiki, © 2016.

Broccoli, watercolor by Asuka Hishiki, © 2016.

The opening reception will be Friday, September 23, from 3:30 pm – 6:30 pm.  The public is invited; the exhibition is free with paid admission or membership.

Artists in the exhibition include: Bonnie Born Ash, Nancy Beckham, Jan Clouse, Diane Nelson Daly, Estelle DeRidder, Asuka Hishiki, Cynthia Jackson, Susan Jackson, Clara Josephs, Teresa Kuwahara, Patricia A. Mark, Arillyn Moran-Lawrence, Kathy Morgan, Terri Munroe, Alyse Ochniak, Mitsuko Schultz, Janice Sharp, Deborah Shaw, Ellie Yun-Hui Tu, Leslie Walker, Jude Wiesenfeld.

Rosa californica, California Rose, watercolor by Estelle DeRidder, © 2016.

Rosa californica, California Rose, watercolor by Estelle DeRidder, © 2016.

The San Diego Botanic Garden is located at 230 Quail Gardens Drive, Encinitas, California 92024, 760.436.3036. Directions can be found on the SDBG website. Download the postcard invitation featuring a watercolor by Teresa Kuwahara: cornucopia-invitation-postcard.

 

by Deb Shaw

Open Parrot Tulip, oil on paper, © 2016, Ingrid Finnan.

Open Parrot Tulip, oil on paper, © 2016, Ingrid Finnan.

In San Francisco? Arader Galleries is currently exhibiting Outside In: Contemporary Natural History Artworks, from September 9 – October 12, 2016. Original artworks are on display by seven ASBA artists, including Francesca Anderson, Jean Emmons, Monika de Vries Gohlke, Ingrid Finnan, Asuka Hishiki, Catherine Watters and Carol Woodin.

An article by ArtPlantae has information about each artist, with links to their websites.

In addition to the exhibition, Outside In, Arader Galleries will also feature the Highgrove Florilegium at the same time. Both volumes of the Florilegium will be on display, capturing HRH The Prince of Wales’ celebrated garden at Highgrove in 124 paintings by contemporary botanical artists from around the world.

by TAG Gallery and Sally Jacobs, posted by Deb Shaw

Savoy Cabbage, graphite, by Sally Jacobs, © 2016.

Savoy Cabbage, graphite, by Sally Jacobs, © 2016.

BAGSC member Sally Jacobs has an upcoming exhibition of watercolor paintings and graphite drawings entitled “Larger Than Life.” The exhibition at the TAG Gallery in the Bergamot Station Art Center runs from September 27 – October 22, 2016

Opening Reception: Saturday, October 1, 2016 from 5 – 8 pm

Artist Panel: Saturday, October 8, 2016, 3 pm

The following is from the press release, sent out by TAG:

Sally was inspired by the rich arrays of produce and flora found in Los Angeles’ farmers markets. Jacobs zooms in, portraying flowers, vegetables, and fruit with dramatic precision. Jacobs transforms a vegetable we choose for nourishment or a flower for decoration by aiming higher, rendering it’s unique structure eye-catching and explicit, causing the viewer to catch their breath in wonder.

Jacobs uses watercolor or pencil in a unique, graduated way, masterfully capturing the minutest details of her subjects’ anatomy while staying true to the whole. She delves deep into a plant’s structure to reveal striking patterns and colors that seize one’s attention and imagination.

Bok choy, watercolor, by Sally Jacobs, © 2016.

Bok choy, watercolor, by Sally Jacobs, © 2016.

Jacobs is a contemporary botanical artist who has exhibited in numerous juried shows in New York and San Francisco, and at museums in New York, Minneapolis and Phoenix. She was an award winner at the Brand 37 Works on Paper exhibit and is one of the artists included in “Todays Botanical Artists,” a publication of well-regarded nature artists.

About TAG Gallery
Established in 1993 as a not-for-profit corporation, TAG Gallery is a member-owned community of forty artists. Through the physical gallery in Santa Monica’s landmark Bergamot Station as well as lectures from exhibiting and visiting artists, TAG Gallery has become a valuable resource for launching the careers of both emerging and mid-career artists based in the greater Los Angeles area. For more information about TAG Gallery, please visit http://www.taggallery.net. Questions about the exhibition? Please contact Rakeem Cunningham, (310) 829-9556, gallery@taggallery.net

TAG is located at 2525 Michigan Ave., D3, in the Bergamot Station Art Center, Santa Monica, CA 90404, 310. 829.9556.

by Estelle De Ridder, posted by Deb Shaw

The California Islands Symposia have been held more or less, every five years since 1965, to share up-to-date information about the management, scientific research, work in all disciplines of natural and cultural science and general well-being of the California islands.

The 9th California Island Symposium for 2016 is being held at the Marriott Hotel, Ventura, California. One of the less scientific and more entertaining presentations of this symposium will be the Art Exhibit that has been advertised for more than six months. The three jurors worked hard and with diligence to put together a coherent show that will present the Channel Islands to the public in an inviting and interesting manner. After the symposium, the exhibit will be moved to the Santa Barbara Botanic Gardens, where it will be on display for another three weeks.

The Channel Islands of California comprise eight islands located in the Pacific Ocean off the Southern California coast. Five of the islands and the surrounding waters are part of Channel Islands National Park and the Channel Islands National Marine Sanctuary.

The Park is supported by many partners who share the protection of the history and prehistory, the cultural and biological diversity as well as protecting vital habitat for marine, terrestrial plant and animal species.

Public appreciation through education, interpretation and research is widely promoted.

Isolation over many thousands of years has developed unique animals, plants and archeological resources found ONLY on these islands and makes is possible for visitors to experience the western coast of the North America as it used to be.

Visitation has increased dramatically over the years, and with contracted concessionaires, the numbers show how the interest in the islands have grown:
1963   = 1,200
2014   =   342,000

Malva assurgentiflora, the Island Mallow, Mission Mallow, Royal Mallow, Island Tree Mallow. © 2016, Estelle De Ridder. Malva Rosa is a species of flowering plant in the mallow family. It is endemic to California, where it is native only to the Channel Islands. It can also be found growing as an escapee from cultivation in coastal mainland California. This illustration was done on drafting film and paper with watercolor and colored pencil.

Malva assurgentiflora, the Island Mallow, Mission Mallow, Royal Mallow, Island Tree Mallow. © 2016, Estelle De Ridder, all rights reserved. Watercolor and colored pencil on drafting film and paper.

Flora on the Channel Islands include a unique subspecies of pine, oak and island tree mallow.

Santa Rosa Island holds two groves of the endemic to the island, Torrey pine subspecies Pinus torreyana var. insularis. Torrey pines are the United States’ rarest pine species. The islands also house many rare and endangered species of plants, including the island barberry, the island rush rose, and the Santa Cruz Island lace pod. Giant kelp forests surround the islands and act as a source of nutrition and protection for other animals.

BAGSC members Estelle De Ridder, Mitsuko Schultz and Ellie Tu are participating in the exhibition.

Estelle has illustrated two species: Malva assurgentiflora and Heteromeles abtutifolia.

Malva assurgentiflora, the Island Mallow, Mission Mallow, Royal Mallow, Island Tree Mallow, Malva Rosa is a species of flowering plant in the mallow family. It grows into a strikingly architectural shrub/small tree with beautiful white bark.

It is endemic to California, where it is native only to the Channel Islands. It can also be found growing as an escapee from cultivation in coastal mainland California.

Estelle’s painting of Heteromeles abtutifolia was done on paper with watercolor and colored pencil. Heteromeles abtutifolia, Toyon berry, grows on the north-facing coastal bluffs of Santa Cruz Island. It grows on all the other islands, except Santa Barbara island, and was planted on San Nicolas.

Plantanus racemosa, California Sycamore, Watercolor by Mitsuko Schultz, © 2016, all rights reserved.

Plantanus racemosa, California Sycamore, Watercolor by Mitsuko Schultz, © 2016, all rights reserved.

Mitsuko Schultz had her Platanus racemosa, California Sycamore accepted to the exhibition.

Ellie Tu has three pieces in the exhibition: Dudleya greenei, Coreopsis, and Leptosyne gigantea Kellogg.

Leptosyne gigantea Kellogg (formerly Coreopsis gigantea), Giant Coreopsis is a strikingly strange plant. It grows on dunes, rocky cliffs and exposed slopes, and has a fleshy trunk and branches. It can reach heights of eight feet with a five inch trunk. It is deciduous and dormant in the dry season, taking on an other worldly appearance when visitors hike through a large stand of them. In spring, however, masses of bright yellow blooms put on quite a show.

Ceanothus arboreus, Feltleaf Ceanothus, or Island Ceanothus. Watercolor, © 2016, Ellie Tu, all rights reserved.

Ceanothus arboreus, Feltleaf Ceanothus, or Island Ceanothus. Watercolor, © 2016, Ellie Tu, all rights reserved.

Leptosyne gigantea Kellogg, (formerly Coreopsis gigantea), Giant Coreopsis, Ellie Tu, colored pencil, © 2016, all rights reserved.

Leptosyne gigantea Kellogg, (formerly Coreopsis gigantea), Giant Coreopsis, Ellie Tu, colored pencil, © 2016, all rights reserved.

Dudleya greenei, watercolor by Ellie Tu, © 2016, all rights reserved. This plant grows in the Channel Islands National Park.

Dudleya greenei, watercolor by Ellie Tu, © 2016, all rights reserved. This plant grows in the Channel Islands National Park.

by Deb Shaw

Prunus dulcis, Almond, watercolor by Margaret Best, © 2016, all rights reserved.

Prunus dulcis, Almond, watercolor by Margaret Best, © 2016, all rights reserved.

BAGSC members Margaret Best, Akiko Enokido, Asuka Hishiki, Mitsuko Schultz, and Deborah Shaw have been accepted into the 19th Annual International American Society of Botanical Artists (ASBA) and The Horticultural Society of New York.

Jurors Susan Fraser (Director, Mertz Library,The New York Botanical Garden), David Horak (Curator of the Aquatic House, Brooklyn Botanic Garden), and Catherine Watters  (Botanical Artist) chose 48 artworks from 258 submissions. Works in the exhibition include artists from the United States, Australia, Brazil, Canada, Japan, the Netherlands, and the United Kingdom.

Camellia japonica 'Hakuho', Heirloom Camellia "Hakuho', Akiko Enokido, © 2015, watercolor on vellum.

Camellia japonica ‘Hakuho’, Heirloom Camellia ‘Hakuho’ ‘White Phoenix’, watercolor on vellum by Akiko Enokido, © 2015, all rights reserved.

This year’s exhibition is in a new venue: it will be hosted by the New York Design Center and installed in their bright, airy, contemporary gallery space, 1stDibs, on the tenth floor. The Horticultural Society of New York, New York Design Center, and ASBA are designing special outreach events and programs, to be announced in September.

The opening reception will take place on Thursday evening, November 3, 2016 and will be on display through December 30, 2016. The catalog of artwork images will be posted on ASBA’s website the day of the opening. A full-color catalog will be published and available on ASBA’s website, as well as at the 1stDibs Gallery and at The Horticultural Society of New York. For further information please contact ASBA’s Exhibitions Director.

1stDibs is located on the 10th Floor of The New York Design Center, 200 Lexington Avenue, New York, New York, 10018. Gallery Hours are 9:30 – 5:30 Monday – Friday.

Solanum lycopersicm, Dancing Duo 34-A, Portrait of an Heirloom Tomato, watercolor by Asuka Hishiki, © 2016, all rights reserved.

Solanum lycopersicm, Dancing Duo 34-A, Portrait of an Heirloom Tomato, watercolor by Asuka Hishiki, © 2016, all rights reserved.

Hibiscus rosa-sinensis, Hibiscus, watercolor by Mitsuko Schultz, © 2016, all rights reserved.

Hibiscus rosa-sinensis, Hibiscus, watercolor by Mitsuko Schultz, © 2016, all rights reserved.

Opuntia spp. Fruit, Tunas or Prickly Pear Cactus Fruit, watercolor on vellum by Deborah Shaw, © 2016, all rights reserved.

Opuntia spp. Fruit, Tunas or Prickly Pear Cactus Fruit, watercolor on vellum by Deborah Shaw, © 2016, all rights reserved.

by Bonnie Born Ash, photos by Janice Sharp, posted by Deb Shaw

On Saturday afternoon, July 16, 2016, a festive opening reception for “Capturing the Arboretum: the Art of Botanical Illustration” was held in the newly renovated Arboretum Library. Participating BAGSC artists were Cristina Baltayian, Bonnie Born Ash, Diane Nelson Daly, Estelle DeRidder, Nancy Grubb, Cynthia Jackson, Arillyn Moran-Lawrence, Marilyn Parrino, Mitsuko Schultz, Janice Sharp, Deborah Shaw, and Beth Stone.

Artists and guests enjoyed viewing twenty-three fine works of art depicting plants of the Arboretum. Individual works were enhanced by comments from Jurors James Henrich, Arboretum’s Curator of Living Collections; Arboretum Librarian Susan Eubank; and Olga Eysymontt, Botanical Art Teacher. In addition, artwork signage gives the specific location in the reference library to find additional information on each plant illustrated.

Throughout the reception, Estelle DeRidder and Mitsuko Schultz demonstrated botanical art techniques. Additional artist demonstrations are planned in the Library on two Saturdays, August 27 and September 24. The exhibition continues through December 29. Many thanks to our jurors, volunteers, and congratulations to all participating artists!

Library Location
The Arboretum Library is located within The Arboretum. Go straight through the double doors on the left (east) of the entrance rotunda.

Library Hours
Tuesday-Friday 8:30 am to 5:30 pm
Saturday 8:30 am to 5:00 pm
Sunday 12:00 pm to 4:00 pm

Susan Eubank, Librarian
Phone: (626)821-3213
Fax: (626)445-1217

The Los Angeles County Arboretum and Botanic Garden is located at 301 North Baldwin Ave, Arcadia, CA 91007.

Click on an image below to enlarge and view through a slide show format.

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