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by Jude Wiesenfeld, posted by Deb Shaw

Ginseng, watercolor on vellum. Denise Walser-Kolar, © 2017, all rights reserved.

Ginseng, watercolor on vellum. Denise Walser-Kolar, © 2017, all rights reserved.

Denise Walser-Kolar will be teaching the first BAGSC-sponsored workshop of 2018, entitled Roots and Leaves on Vellum or Watercolor Paper.

This workshop will focus on drawing and painting roots and leaves, starting with exercises observing and drawing roots and leaves. The balance of the workshop will concentrate on painting several small leaf studies. Students may work on either vellum or paper. Vellum will be available to purchase from instructor; students wishing to work on paper will bring their preferred materials.

The class also will cover mixing greens, creating dark shadow colors, and mixing light delicate colors necessary for painting roots. Denise is known for her thorough demonstrations, discussion of materials and techniques, hands-on time for developing skills, and lots of individual attention and feedback.

The workshop will be held at:
The Huntington Library, Art Collections and Botanical Gardens,
Botanical Education Center, Allied Technical Lab
Wednesday – Friday, February 7 – 9, 2018
9:30 am – 4:00 pm
The Huntington is located at: 1151 Oxford Road, San Marino, CA 91108.

The cost for BAGSC Members is $300; non-members may also attend for $350. Maximum Registration: 16 students.

To register: Send a check in the full amount, made out to BAGSC, with Denise Walser-Kolar on the subject line. Please mail the check to: BAGSC, PO Box 50166, Pasadena, California 91115.

Bring your lunch, or purchase lunch at any of the cafés on The Huntington grounds.

Questions about the Workshop? Contact the BAGSC Education Chair.

More information, materials list and map are available on the BAGSC website.

About the instructor

Denise Walser-Kolar began her journey into Botanical art in 2003, after receiving a botanical art class from her parents as a birthday gift. She has a degree in Graphic Design and Illustration from the College of Visual Arts in Saint Paul, Minnesota. Denise teaches botanical art workshops across the country and currently works for the American Society of Botanical Artists as the Annual Meeting & Program Coordinator. She received the Diane Bouchier Artist Award for Excellence in Botanical Art in 2015 and received a Silver-Gilt medal from the Royal Horticultural Society in 2011 for her paintings of the hazelnuts of Badgersett Research Farm. Her work is held in the permanent collection of the Hunt institute for Botanical Documentation.

by Deb Shaw

The American Society of Botanical Artists (ASBA) has announced the selected artists for Botanical Art Worldwide: America’s Flora, a groundbreaking collaboration between botanical artists, organizations, and institutions around the world.

This worldwide exhibition and its events will call attention to the importance of conserving our planet’s botanical diversity. Each participating country will provide digital slide shows of up to forty works, to be compiled with all other countries’ images and shown at each venues during the run of each exhibition. Opening events, lectures, demonstrations, webinars, workshops and other events will be held (with some shared online), so visitors can learn more about contemporary botanical art and the earth’s floristic regions and botanical wealth.

For the US exhibition, the jurors were: Susan T. Fisher, Botanical Artist and Educator; Patricia Jonas, Author and Editor; William McLaughlin, Plant Curator, US Botanic Garden; and, Susan Pell, Ph.D, Science and Public Programs Manager, US Botanic Garden. The jurors selected 46 artworks from more than 200 submissions, including artwork by BAGSC members Mitsuko Schultz, Gilly Shaeffer, and Deborah Shaw. A complete list of artists can be seen on the ASBA website. All artworks feature native plants of the US, and images will be available on the ASBA website once the exhibition opens.

The ASBA, in collaboration with the United States Botanic Garden in Washington, D.C., will present the juried exhibition of plants from around the United States, staged in the U.S. Botanic Garden’s gallery space. After remaining on view at the U.S. Botanic Garden through October 2018, the exhibition will then travel through the end of 2019. Similar exhibitions will be held in more than twenty other countries.

A Worldwide Day of Botanical Art will be held on May 18, 2018, with events held for 24 hours, following the sun from venue to venue.

Participating countries include: Australia, Bermuda, Brazil, Canada,  China, Costa Rica, France, Germany, Indonesia, Ireland, Italy, Japan, Korea, Mexico, Netherlands, New Zealand, Russia, Scotland, South Africa, Thailand, the United Kingdom and the United States. Several other countries are in the planning stages and will be announced.

Some goals of the exhibition include:

  • Presenting a unified message about the ability to link people with plants through botanical art.
  • Acknowledging and building upon the increasing connections between botanical artists worldwide.
  • Increasing appreciation and understanding of the world’s plant diversity and its interconnectedness.
  • Raising awareness about the worldwide movement in botanical art.
  • To engage in a project to document some of the wild plant species of the world.

Click here for Botanical Art Worldwide Exhibition Info and Participating Countries  Be sure to return to the ASBA website to see updates about the artists and the exhibitions.

Congrats to all the participating artists, organizations, and institutions from around the world!

Click any of the images below to see an enlarged image with artwork information.

from the Los Angeles County Arboretum Education Dept., posted by Deb Shaw

Cristina Baltayian will resume classes in botanical art starting in January, 2108. These classes will be exploring color pencil, graphite, pen and ink, and watercolor on various papers, vellum and other surfaces. The emphasis will be on plant observation, drawing, composition, color theory and matching, and medium techniques.

Four (4) Tuesdays per session per month                                                                        
10:00am-2:00pm (including lunch break) / Oak Room

January            9, 16, 23, 30
February          6, 13, 20, 27
March             6, 13, 20, 27
April                3, 10, 17, 24
May                 1, 8, 15, 22
June                 5, 12, 19, 26

$275 Arboretum members per month / $295 non-members per month (includes Arboretum Admission)

To Register please call the Education Department at 626.821.4623.

The Los Angeles County Arboretum and Botanic Garden is located at 301 North Baldwin Ave, Arcadia, CA 91007.

by Gilly Shaeffer, posted by Deb Shaw

The Califfornia Native Plant Society (CNPS) 2018 Conservation Conference will take place February 1 – 3, 2018 at the LAX Marriott in Los Angeles. This event, which takes place once every three years, is an important opportunity to bring together the best minds in the field to share research, gather inspiration, and collaborate on new ways to protect California’s precious natural resources.

This year, CNPS expects more than 1,000 attendees, including consulting biologists, agency staff, researchers, students, conservationists, and environmental professionals. The Conference will feature inspiring keynote speakers, two days of pre-conference workshops and field trips, more than 300 presenters across 24 sessions, a special student session, networking events, and art, poetry, music and photography exhibits!

To attend the conference and see the exhibits, register online by January 14.

BAGSC members in the CNPS exhibition include:
Ellie  Yun-Hui Tu
Kim Garrison Means
Nina  Antze
Donald  Davidson
Estelle DeRidder
Susan Jackson
Joan Keesey
Lee McCaffree
Olga Ryabtsova
Mitsuko Schultz
Gilly Shaeffer
Janice Sharp
Deborah Shaw
Jude Wiesenfeld

Additional artists include:
Aaron  Arthur
Marie Brennan
Valerie Cohen
Erica Cordero
Tamren  Dong
Justina Freel
Maria Cecilia Freeman
Lesley Goren
Nicole  Hempel
Erin E. Hunter
Asisa Madian
Mark  Nunez
Melissa Orozco
Patricia M. Palavecino
Rita Sabbagh
Diego Tamayo
Cara Wilco

Additionally, BAGSC Members Olga Ryabtsova and Gilly Shaeffer will be teaching two botanical art workshops, open to conference attendees and the public. Read more about the workshops in a previous story on the blog.

Congratulations to all the participating artists!

by Deb Shaw

The Third New York Botanical Garden Triennial, Out of the Woods: Celebrating Trees in Public Gardens is on display at the The New York Botanical Garden, in Bronx, New York from November 18, 2017 – April 22, 2018. Information about the exhibition, including images of all the artworks is on the ASBA website.

Forty-four artworks were selected from more than two hundred submissions, depicting one of the planet’s most important and beautiful resources: trees. Each of these subjects have been found in botanical gardens and arboreta throughout the United States and around the world.

Artists have been working on this project for the past three years, not only capturing images of trees, but also drawing attention to the institutions that shelter them: botanical gardens and arboreta. A central goal of the exhibition is to highlight the role of botanical gardens and arboreta in the research/scholarship they provide, as well as their education and outreach to the public.

The artists respond aesthetically to these inspiring subjects, and have depicted everything from seedpods to branches and bark to an entire forest floor. Each artist has written a statement about their artwork; artists’ statements can be read on the ASBA website.

Jurors for the exhibition were:

  • Joanna Groarke, Director of Public Engagement and Library Exhibitions Curator, The New York Botanical Garden
  • Todd Forrest, Arthur Ross VP for Horticulture and Living Collections, The New York Botanical Garden
  • Robin A. Jess, Past Executive Director, ASBA
  • Barbara Macklowe, Photographer, former Principal, Macklowe Gallery

Congratulations go to all artists participating, including BAGSC artists Akiko EnokidoDeborah FriedmanAsuka HishikiOlga Ryabtsova, and Mitsuko Schultz. (Clicking on the names of the artists goes to their artist’s statement page on the ASBA website; click on any of the images below to see them enlarged in a slide show format, with artist and painting information.)

Congratulations to the award-winners:

Gold Medal:
Asuka Hishiki, Black Pine Half-Cascade Style Bonsai, Pinus nigra
Omiya Bonsai Art Museum, Saitama, Japan
Oil on Paper

Silver Medal:
Lucy Martin
Bigleaf Maple with Inky-Cap Mushrooms, Acer macrophyllum, Coprinellus sp., University of California Botanical Garden, Berkeley, CA, Gouache on Paper

Bronze Medal:
Ingrid Finnan
Snake Branch Spruce, Picea abies ‘Virgata’, The New York Botanical Garden, Bronx, NY, Oil on Paper

Honorable mentions:
Beverly Allen
New Guinea Dinner Plate Fig, Ficus dammaropsis, The Royal Botanic Garden Sydney, Sydney, Australia, Watercolor on paper

Alexandra Negoita Vulcu
Bigleaf Magnolia, Magnolia macrophylla, Hortus Conclusus, Stone Ridge, NY, Watercolor and acrylic ink on paper

Barbara Oozeerally
Stone Oak, Lithocarpus pachyphyllus, Caerhays Estate, Gorran, St. Austell, England, Watercolor on paper

Beverly Fink
Tree Aloe, Aloe thraskii, Marie Selby Botanical Gardens, Sarasota, FL, Watercolor on paper

As with previous New York Triennial exhibitions, Out of the Woods will be traveling after the closing date at The New York Botanical Gardens, including coming to The Huntington Library, Art Collections and Botanical Gardens in May, 2018. Watch for future postings of lectures and other activities at The Huntington that will occur around the exhibition. BAGSC Members also will host a concurrent exhibition of local artists around the same theme at the Brody Botanical Education Center at The Huntington.

The current traveling schedule includes: The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA, May 19 – August 27, 2018; Foundry Art Centre (in time for the next ASBA conference), St. Charles, MO, October 5 – December 28, 2018; Tucson Botanical Gardens, Tucson, AZ, January 25 – April 13, 2019; Minnesota Landscape Arboretum, Chaska, MN, May 9 – August 13, 2019.

Front cover of exhibition catalog, featuring Leiden’s 300-year Old Liriodendron tulipifera, by © Esmée Winkel, watercolor on paper.

Front cover of exhibition catalog, featuring Leiden’s 300-year Old Liriodendron tulipifera, by © Esmée Winkel, watercolor on paper.

Exhibition catalogs may be purchased on the ASBA website for $12.00 ($10.80 for NYBG members). The full-color, 60-page catalog features all of the artwork in the exhibition as well as essays illuminating the pivotal importance of living collections in the conservation of the planet’s trees, and the continued significance of botanical art in the 21st century.

 

by Janice Sharp and contributing authors Teri Kuwahara, Kathlyn Powell, Beth Stone, and Leslie Walker, posted by Deb Shaw

Estelle DeRidder receiving her award. Photo by Kathlyn Powell, © 2017.

Estelle DeRidder receiving her award. Photo by Kathlyn Powell, © 2017.

The City of Torrance Cultural Arts Commission awarded Estelle DeRidder an Excellence in Arts Award on October 21, 2017, in Visual Arts & Design for her extraordinary work in botanical art for the Madrona Marsh and for bringing-the-outdoors-in with her murals on the walls of the city’s Madrona Marsh Interpretive Center.

Each year the City honors individuals Excellence in Arts Awards in four categories: Dance, Music, Visual Arts & Design, Drama & Theater Arts. Two memorial awards are given as well, named in honor of two distinguished citizens: the Dr. Tom Rische Arts Education Award and the (former Mayor) Katy Geissert Award.

Educational napkin at the award ceremony, with artwork by Estelle DeRidder. Photo by Leslie Walker, © 2017.

Educational napkin at the award ceremony, with artwork by Estelle DeRidder. Photo by Leslie Walker, © 2017.

BAGSC members Teri Kuwahara, Kathlyn (Kat) Powell, Janice Sharp, Beth Stone, and Leslie Walker, and Estelle’s family were on hand to see Estelle accept the award. The City put together a beautiful video about Estelle and the mural project at the Madrona Marsh Nature Preserve. The video was beautifully done and very impressive. BAGSC is planning to show it at our BAGSC Holiday Party on December 9 if possible, so members who weren’t able to attend the ceremony can see it.

After the awards presentation, Kat, Janice and Beth went over to Madrona Marsh to see the progress on Estelle’s mural. (Click on the images below to see them enlarged.)

Leslie Walker (L) and Estelle DeRidder (R). Photo by Teri Kuwahara, © 2017.

Leslie Walker (L) and Estelle DeRidder (R). Photo by Teri Kuwahara, © 2017.

Estelle was awarded a grant from ASBA in 2012 for her Madrona Marsh project. At the 2017 ASBA Conference in San Francisco this past October, ASBA Grants Committee Chairperson Myra Sourkes opened the Grants Presentation with a presentation of Estelle’s work and her accomplishments, with a hearty congratulations from all ASBA members in attendance.

And more Madrona Marsh coverage to come!

Unfortunately, Estelle won’t be able to join us at the BAGSC Holiday Party: a local television station will be interviewing her about the mural on Saturday, December 9. We will find out when the interview will be aired and on which station as soon as possible, and let everyone know.

(Click on the images below to see them enlarged.)

Congratulations, and well-deserved Estelle!

 

by Gilly Shaeffer, posted by Deb Shaw

Cork Oak Tree, watercolor on paper, Gilly Shaeffer, © 2017, all rights reserved.

Cork Oak Tree, watercolor on paper, Gilly Shaeffer, © 2017, all rights reserved.

I am participating in the Arroyo Arts Collective 25th Annual Discovery Tour on Sunday, November 19, 2017. This is a self-guided tour of artists homes and studios in Northeast Los Angeles. It is a one day event that goes from 9:30 a.m. to 5:00 p.m. I will have my botanical paintings and prints on display and my long time friend, Bob Layport, landscape oil painter, will be showing his paintings at my home. We would love to have you stop by to see our display. Hope you will come.

To find out more about this free art tour, please go to ArroyoArtsCollective.org or if you would just like to come to see the display at my home, just email me.

About the Arroyo Arts Collective Annual Discovery Tour

The Arroyo Arts Collective is a grassroots, community-based organization of artists, poets, musicians, performers, craftspersons and supporters of the creative community in Northeast Los Angeles. After twenty five years, the ground breaking Arroyo Arts Collective Annual Discovery Tour is going out with a bang. Our last Tour will be Sunday, November 19, 2017 from 9:30 a.m. to 5:00 p.m. and admission is free.

The Arroyo Arts Collective (AAC) invites the entire Northeast Los Angeles (NELA) community to visit the homes and studios of the artists who make up the 2017 Discovery Tour!

More information can be found on the Arroyo Arts Collective website.

by Gilly Shaeffer, posted by Deb Shaw

As part of BAGSC’s 20th Anniversary Celebration, we wished to start a scholarship fund to reach out to promising artists and foster their development as botanical artists. Congratulations to Irina Stolyarova, Natasha Zueva and botanical painting students from Russia! We warmly welcome Irina and Natasha as new members to our Botanical Artists Guild of Southern California (BAGSC) group.

Irina and Natasha were chosen by a committee headed by their teacher, Alexander Viazmensky (Sasha) to receive scholarships offered by BAGSC. Each scholarship includes a two-year membership to the American Society of Botanical Artists (ASBA) and BAGSC starting in 2018, plus a $100 gift.

Irina Stolyarova lives in St. Petersburg. She graduated from St. Petersburg State University of Culture and Arts as a librarian and bibliographer. She works as an economist/accountant. Irina has attended classes in botanical painting with Sasha since 2016.

She is also in her second year as an evening student in academic drawing classes at the Ilya Repin St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture, and has participated in several botanical painting exhibitions since 2016. (Note: please click any of the thumbnail images below to see a larger slide show.)

Natasha Zueva has a degree in Sociology and Art History. She has been a student of Sasha’s for about three years. She has exhibited her paintings in two shows that were held for Sasha’s students. (Note: please click any of the thumbnail images below to see a larger slide show.)

A warm welcome to BAGSC and ASBA!

by Beth Stone, posted by Deb Shaw

Martin Allen’s Techniques Showcase at the 2017 San Francisco ASBA Conference was a great introduction for the class he subsequently taught locally for BAGSC, October 24 – 26, at The Los Angeles Arboretum.

Martin’s method is to work directly from photographs. He takes great care to stage the photos for dramatic lighting and for color accuracy to the point where paint colors can be directly matched to the colors on a printed photo. Although Martin jokes about his limited pallet there is a wisdom to it. He promotes mixing small quantities of the desired color to create a more realistic appearance.

Painting from John Pastoriza-Piñol's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from John Pastoriza Piñol’s BAGSC workshop, 2017. The shiny, reflective areas are masking fluid that has yet to be removed. © 2017 Beth Stone.

My biggest take-away from Martin was the notion of placing “mostly the right color in mostly the right place” from the very beginning. Here are three examples of my paintings from classes within the past year. Hint: both of the Orchid specimens had deep red to nearly black areas.

I call the one from mid-point of John Pastoriza Pinol’s class “my pretty pony” , the other is my first attempt at vellum from Carol Woodin’s class. I eventually finished each of these about two months later.

Painting from Carol Woodin's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from Carol Woodin’s BAGSC workshop, 2017. © 2017 Beth Stone.

Contrast these to the depth of tone achieved on this dandelion bud (~15x) in Martin Allen’s workshop.

The more classes I take, the more convinced I am that there is no right or wrong method. To me the secret is to keep an open mind and amass a tool kit of knowledge that can be applied where it suits the subject matter.

Painting from Martin Allen's BAGSC workshop, 2017. © 2017 Beth Stone.

Painting from Martin Allen’s BAGSC workshop, 2017. © 2017 Beth Stone.

by Teri Kuwahara, posted by Deb Shaw

The City of Torrance Cultural Arts Commission has announced their 2017 Excellence in Arts Awards.

The City honors individuals each year in four categories: Dance, Music, Visual Arts & Design, Drama & Theater Arts and two memorial awards named in honor of two distinguished citizens: the Dr. Tom Rische Arts Education Award and the (former Mayor) Katy Geissert Award.

Estelle DeRidder adding details to the mural. Photo by Leslie Walker, © 2017.

Estelle DeRidder adding details to the mural. Photo by Leslie Walker, © 2017.

This year, BAGSC member Estelle DeRidder will be honored with the Visual Arts & Design Award, no doubt for her tireless work at the city’s Madrona Marsh Interpretive Center.

Award Ceremony Details:
Saturday, October 21, 2017
2:00 p.m.
Torrance Cultural Arts Center
Toyota Meeting Hall
3330 Civic Center Drive
Torrance, CA

Light refreshments
Please RSVP to secure seating 310-618-2376

Congratulations Estelle!

by Deb Shaw

Artwork from the "Visual Voyages" exhibition at The Huntington Library, Art Collections and Botanical Gardens.  José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).

Artwork from the “Visual Voyages” exhibition at The Huntington Library, Art Collections and Botanical Gardens.
José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).

Join BAGSC and The Huntington Library, Art Collections, and Botanical Gardens for an innovative seminar, held in conjunction with The Huntington’s exhibition “Visual Voyages,” part of the Getty’s Pacific Standard Time: LA/LA initiative.

BAGSC and The Huntington are co-sponsoring this exciting weekend in November, and are experimenting with a new seminar format. Participants can register for one or more (or all) of the seminar components. BAGSC members have first options on spaces. Each of the seminar components are open to BAGSC Members, their guest(s), and the public. Individual prices are listed with each description; the price for the complete seminar package is listed below.

See full details about the seminar on BAGSC’s website, along with information about how to register for some or all of the events described below.

Friday, November 3
Wine and cheese reception: 4:00 pm – 5:00 pm
Join us for a private exhibition tour and discussion of “Visual Voyages” led by Lugene Bruno and Alice Tangerini: 5:00 pm – 7 pm. This seminar will be a discussion of the artwork of images of Latin American Nature in the exhibition and will compare and contrast the works to contemporary botanical art.
BAGSC Members: $50/person
Non-members: $60/person
Limited to a maximum of 30 participants

Saturday, November 4
Round Table Discussion and Tour of “In Pursuit of Flora: 18th-Century: Botanical Drawings from The Huntington’s Art Collections.” Go from Latin America in the Boone Gallery Friday evening to British artists in the Huntington Art Gallery — Works on Paper room. “In Pursuit of Flora” pulls work from The Huntington’s collection to reveal 18th-century European appreciation for the beauty of the natural world. Lugene Bruno and Alice Tangerini will lead a tour of this exhibition and discussion of the artwork, as it compares to the “Visual Voyages” exhibition and contemporary botanical art.
9:30 am – noon
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 30 participants

A practical (and fun!) demonstration of pressing and preserving plants for future drawing and painting, and secret recipes for “restoring” preserved samples to use for drawing and painting. Learn how to press plants to preserve specimens for future drawing and painting, as well as how to “bring them back” to view for drawing and painting.
Alice Tangerini: 1:00 pm – 4:00 pm.
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 30 participants

Individual Portfolio Reviews. Lugene Bruno will provide private portfolio critiques by appointment, one-half hour each: 1:00 pm – 4:00 pm. Reviews will be scheduled on a first-come, first-served basis for the best time possible for your schedule, and for Lugene’s.
BAGSC Members: $50/person (not available to non-members)

Gymnanthemum koekemoerae, © 2017 Alice Tangerini.

Gymnanthemum koekemoerae, © 2017 Alice Tangerini.

Sunday, November 5
Botanical Scientific Illustration Workshop. Pencil and watercolor on film, Alice Tangerini: 10:00 am – 2:15 pm. A hands-on workshop using pressed, “revived” and live specimens. Workshop will break for lunch. Lunch will not be provided; please bring your own, or feel free to purchase lunch at one of The Huntington’s cafés. Please be advised that the cafés can be crowded on the weekends.
BAGSC Members: $30/person
Non-members: $35/person
Limited to a maximum of 16 participants
Please note: the workshop costs above do not include materials. BAGSC will purchase some of the materials in bulk to save money for participants; we will post materials costs as soon as possible.

Individual Portfolio Reviews. Lugene Bruno will provide private portfolio critiques by appointment, one-half hour each: 10:00 am – 2:00 pm. Reviews will be scheduled on a first-come, first-served basis for the best time possible for your schedule, and for Lugene’s. Please only request an appointment within the allotted time frame; we may not be able to accommodate other times due to other scheduled seminar activities.
BAGSC Members: $50/person, (not available to non-members)

Dudleya rigida Rose, Crassulaceae, watercolor on paper by Frederick A. Walpole (1861–1904), 1897, 35.5 x 25.5 cm, on indefinite loan from the Smithsonian Institution, Hunt Institute for Botanical Documentation accession no. 4304.

Dudleya rigida Rose, Crassulaceae, watercolor on paper by Frederick A. Walpole (1861–1904), 1897, 35.5 x 25.5 cm, on indefinite loan from the Smithsonian Institution, Hunt Institute for Botanical Documentation accession no. 4304.

“Hidden Treasures: The rediscovery of art treasures in our collections” Public Lecture with Alice Tangerini, Smithsonian Institution and Lugene Bruno, Hunt Institute for Botanical Documentation, Carnegie Mellon: 3:00 pm – 4:00 pm in Rothenberg Hall.
Lugene Bruno and Alice Tangerini will present an illustrated lecture on missing artworks that were rediscovered in and curated for their museum collections. These art pieces represent historical events and important discoveries or were created for publications in the realm of science and art. They may have been stored in places where their presence was not easily detected; sometimes amongst old boxes of artifacts, in the files of herbarium specimens or even catalogued as another kind of object. Artists such as Frederick Walpole (1861–1904), Paulus Roetter (1806–1894), Isaac Sprague (1811–1895) and Mary Emily Eaton (1873–1961) portrayed each plant subject with aesthetic beauty and scientific accuracy. Walpole divided his time between Washington D.C. for the USDA and field trips to the Northwest as far as Alaska, during which time he made field drawings, watercolors and exquisite ink drawings that resemble fine line engravings. His talent was extinguished at 43 when he died of typhoid while working in California. Isaac Sprague, a self-taught artist, and one-time assistant to John James Audubon, was one of the most prolific illustrators of the 19th century and, from his home in Massachusetts, he drew in pencil and ink illustrations for published descriptions of native floras and plants collected during exploring expeditions and railroad surveys by some of the most important botanists of the period. Paulus Roetter, an émigré from Germany went on to create some of the finest drawings of the cactus family while accompanying the botanist George Engelmann on one of the government boundary surveys in the Southwest from 1853–1854. Engelmann named the cactus Cereus roetteri in honor of this artist’s skill. Mary Emily Eaton contributed drawings and watercolors for a four-volume opus, Britton’s The Cactaceae (1919–1923), while working as a scientific illustrator for the New York Botanical Garden. She lost her job during the depression and returned to England where she exhibited her work over the years. Each artwork has a storied past, and the history and the images of the artist’s field studies and finished drawings and paintings that were rediscovered in the collections will be featured in this presentation. By curating, cataloging and imaging these art works the Smithsonian Institution and the Hunt Institute preserve for the future a part of American history.
BAGSC Members: FREE
Non-members: FREE
Maximum of 250 participants

The Works

Want to participate in the entire weekend? Sign up for “The Works!” Complete Seminar Cost (everything included, except individual portfolio reviews)
BAGSC Members: $150
Non-Members: $175

Questions? Contact the BAGSC Education Chair.

About the Instructors

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA.

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA.

Lugene Bruno, Curator of Art & Senior Research Scholar at the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA. Since 1996, Lugene Bruno has held a position at the Hunt Institute for Botanical Documentation where she has immersed herself in the collection. She is responsible for all activities of the Art Department, including the curation of the art collection and twice-yearly exhibitions in the Institute’s gallery (most notably the triennial International Exhibition of Botanical Art & Illustration). She designs the exhibitions and companion catalogues; provides talks and tours related to collection items on site and at botanical conferences; responds to research requests; and makes available for study selections of the art collection to visiting scholars, students and artists. She is an honorary member of several botanical art and florilegia societies in the United States and abroad. Bruno is also a practicing artist working with the concepts of gestural abstraction and employing the mediums of photography and graphite drawing.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.

Alice Tangerini, Staff Illustrator and Curator of the Botanical Art Collection at the National Museum of Natural History, Smithsonian Institution in Washington, DC.  As a Staff Illustrator for the Botany Department at the National Museum of Natural History, Smithsonian Institution, Alice Tangerini has been specializing in drawing plants in pen and ink and graphite since 1972 and now her illustration media includes digital color.She has illustrated at least 1000 species of plants appearing in scientific periodicals, floras, and botanical and nature books. Most of her subjects are based on the Department’s extensive collection of over 4 million herbarium specimens.Alice also teaches classes in illustration techniques, presents lectures on botanical illustration and juries shows in botanical gardens and in academic institutions.She has exhibited her botanical artwork in numerous shows connected with the botanical and scientific illustration societies of which she is also a member. Her responsibilities in the department also include managing and curating an extensive collection of botanical illustrations, both historical and contemporary, which are available for viewing on the Department of Botany website.

by Deb Shaw

"Every Berry", watercolor, © 2017, Martin J. Allen.

“Every Berry”, watercolor, © 2017, Martin J. Allen.

Following the 2017 ASBA Conference in Northern California, Martin J. Allen will arrive in Southern California to teach a BAGSC-sponsored workshop, entitled Larger than Life
Tuesday – Thursday, October 24, 25 & 26, 2017
9:30 am – 3:30 pm each day
Los Angeles County Arboretum and Botanic Garden, Oak Room

Cost, BAGSC Members: $250
Non-Members: $275
Maximum Registration: 16 students

There are still a few seats available in Martin’s workshop. If you were unable to get into his workshops at the ASBA conference, now is your chance to enjoy a focused workshop with Martin, close to home.

Registration deadline is Tuesday, October 10, 2017. Please see the BAGSC website for details about how to register, materials list, and other workshop information. Questions? Contact the BAGSC Education Chair.

Workshop Description

This three-day workshop with Martin Allen looks at how to take digital reference photographs and use them to enlarge small parts of plants to create an exciting new image. Martin will cover how to take useful photographs and the practical challenges of translating that photograph into a realistic image on paper using a straight-forward painting technique.

About the Instructor

Martin J. Allen

Martin J. Allen

(Please read the full text about Martin Allen on the BAGSC website.) I began painting plants in the autumn of 1992 whilst recovering from illness, studying with Colin Swinton. What was intended initially as therapy, quickly turned into a serious interest.

In early 1995 my first Royal Horticultural Society (RHS) exhibit was awarded a Gold medal (the second in 1997 also gained Gold) and in the same year RHS Enterprises Limited commissioned three autumn flower designs as part of their Collectors’ Plate Series. Awards at The Society of Botanical Artists’ exhibitions followed in 1996 and 1998.

I became a member of the then newly formed Chelsea Physic Garden Florilegium Society in 1995, taking part in their 1999 RHS Gold medal group exhibit, becoming a Fellow in 2000 and regularly writing articles on botanical art for their newsletter. I am now honoured to be an Emeritus Fellow.

I am represented in America by Susan Frei Nathan, Fine Works on Paper, and Forum Botanische Kunst in Germany.

by Janice Sharp, posted by Deb Shaw

The exhibition wall faces the stairway in the Brody Botanical Center. The BAGSC logo is a permanent sign, and information about BAGSC and ASBA is available as a handout. Photo by Janice Sharp, © 2017.

The exhibition wall faces the stairway in the Brody Botanical Center. The BAGSC logo is a permanent sign, and information about BAGSC and ASBA is available as a handout. Photo by Janice Sharp, © 2017.

BAGSC’s latest exhibit at The Huntington Library, Art Collections and Botanical Gardens, “Inspired by Latin America,” is now open in the Brody Botanical Center.

The art was hung on September 5, 2017, and the show will run through to January 15, 2018. Eleven paintings by eight BAGSC artists are featured in the exhibition, including Melanie Campbell-Carter, Sally Jacobs, Arillyn Moran-Lawrence, Kathly Powell, Olga Ryabtsova, Mitsuko Schultz, Janice Sharp, and Deborah Shaw.

Janice Sharp and Andrew Mitchell review the plans for the exhibition layout. Photo by Beth Stone, © 2017.

Janice Sharp and Andrew Mitchell review the plans for the exhibition layout. Photo by Beth Stone, © 2017.

We thank The Huntington for providing the beautiful new signage identifying the artwork on the wall as belonging to the “Botanical Artists Guild of Southern California.” The plexi banner will be a permanent feature of the display. We have also added a container to dispense handouts. For this exhibit, the handout lists the artists and their paintings, with information about BAGSC and ASBA on the back. We also thank Andrew Mitchell for his patience with us in hanging the artwork.

The next Huntington exhibition, beginning in January, will be “Bonsai’s of the Huntington.”

By Janice Sharp and Beth Stone, posted by Deb Shaw

On September 6 – 8, 2017, Marjorie Leggitt taught at BAGSC-sponsored workshop entitled “Fresh Art: Pencil and Paint in the Garden” at The Huntington Library, Art Collections and Botanical Gardens. Marj expertly led us on a scary path down the road of fast drawing and minimal supplies.

This class presented a unique opportunity to escape the classroom and venture out into the gardens. We were all grateful that it was cooler than previous weeks, so we enjoyed being outside.

It was great, challenging and yes, frustrating, to use quick techniques: modified blind contour drawing; big wet brushes and simple pallets. Each designed to shift our focus away from the tools and back to observation of our subject. We came away with good tips which we can apply to making thoughtful studies or even initial drawings for a full botanical rendering.

Click on any one of the circles to see the images in a slide show format:

By Gilly Shaeffer, posted by Deb Shaw

Matt Ritter talking with Diane Nelson Daly about her watercolor of Bauhinia x blakeana, Hong Kong Orchid Tree.

Matt Ritter talking with Diane Nelson Daly about her watercolor of Bauhinia x blakeana, Hong Kong Orchid Tree.

The Botanical Artists Guild of Southern California (BAGSC) celebrated its 20th Anniversary on August 26, 2017 with a three-event program held at the Los Angeles County Arboretum and Botanic Garden. The late afternoon program started in the Arboretum Library with a tour of our current exhibition, Illustrating the Urban Forest: 20 Years of Botanical Art. Following a welcome from LA Arboretum Librarian Susan Eubank and BAGSC President Janice Sharp, our guest speaker, Matt Ritter, led the exhibit tour and called on several BAGSC artists to join him in discussing their paintings.

From the exhibition, BAGSC members and guests went to Ayres Hall at the Arboretum for Matt’s keynote presentation on the trees of Southern California. We were grateful to have Matt, a botanist, tree expert and very engaging speaker, share his knowledge of trees and take us on a tour of the urban forest. His presentation shed light on many issues that affect trees in our Southern California environment, as well as focusing on those that do well in our climate, neighborhoods, streets and parks.

BAGSC member Terri Munroe played beautiful harp music to accompany our dinner on the Peacock Café patio.

BAGSC member Terri Munroe played beautiful harp music to accompany our dinner on the Peacock Café patio.

After Matt’s presentation, BAGSC members and guests meandered over to the Peacock Café patio. As members and guests arrived on the patio, we were welcomed by heavenly harp music by BAGSC member, Terri Munroe, and a magnificent view of the setting sun casting a golden light over our dinner celebration. Members and guests checked out a table display of our 20-year history in photographs, past BAGSC newsletters and other memorabilia from group events.

Before beginning a delicious dinner, we heard a few words from a letter sent by Olga Eysymontt about the beginnings of our group, and listened to fun reminiscences of early times in BAGSC by Leslie Walker (a former BAGSC president). Janice Sharp (current BAGSC president) spoke about what the group is doing now and our plans for the future, including exhibitions, workshops and collaborations with various public gardens in Southern California.

An elegant and delicious dinner on the patio of the Peacock Café.

An elegant and delicious dinner on the patio of the Peacock Café.

Later during the dinner program, I had the pleasure of expressing the group’s deepest appreciation on behalf of BAGSC members to three members who have made outstanding contributions to our group over the years.

The first person to be mentioned was Tania Marien. She was responsible for starting our BAGSC newsletter, and was editor for a number of years. Her selfless spirit and dedication to botanical art found further expression when she became one of the main organizers for the American Society of Botanical Artists (ASBA) 2008 Annual Conference which was held at The Huntington Library, Art Collections and Botanical Gardens in San Marino, California. In 2015, Tania played a major role again as a key organizer of the ASBA “Weird, Wild & Wonderful” Symposium which also was held at The Huntington. Her tireless efforts have increased awareness about plants and botanical art in Southern California and around the world.

We are also grateful for the contributions made by Deborah Shaw to furthering people’s awareness of botanical art and the role of our BAGSC organization. Deb has been instrumental in helping our group become acquainted with current digital technologies. Some of her accomplishments include creating the BAGSC Blog and the beautiful BAGSC website. She has been an extraordinary force in keeping our membership well informed about BAGSC events and ASBA events. She was also a key organizer of the ASBA Annual Conference of 2008 and the ASBA “Weird, Wild & Wonderful” Symposium of 2015. It is hard to imagine how Deb manages to keep our group well informed while also creating paintings that draw great admiration.

And last but not least, our Tania Norris deserves a big thank you for outstanding contributions she has made to BAGSC and botanical art. Tania helped to get the “ball rolling” which led to the 2008 ASBA Annual Conference being held at the The Huntington. She helped in many ways to make the first ASBA Conference held in LA a big success. Tania was also a key organizer for the 2015 ASBA “Weird, Wild & Wonderful” Symposium held at The Huntington. Her selfless efforts have helped to lay the foundation for a special collaboration between BAGSC and The Huntington Brody Botanical Center. Her love for botanical art and her generous support have helped in establishing Los Angeles as a great place for this art form to thrive.

A big and heartfelt thank you to the many others who also have contributed to BAGSC and botanical art over the last 20 years. The truth is, we could not have reached this 20-year milestone without everyone’s contributions and support, too numerous to name.

We could not have had this lovely event without the help of BAGSC member, Jan Clouse and her husband, Charles, who designed the printed post cards and invitations for this 20th celebration. Additional thanks go to Cristina Baltayian for designing and creating the floral centerpieces for the tables. Thank you to Terri Munroe, for volunteering to play music for the dinner, which added a special magic to our evening. And, of course, a heartfelt thank you to Susan Eubank and the LA Arboretum—one of our first botanical homes and an avid supporter of BAGSC, plants, and botanical art.

Most importantly, thank you to all our dedicated members and supporters for all you have done during this 20-year period to make us the strong and vibrant group we are today. We gratefully look forward to the next 20 years.

P.S. from BAGSC members: A big thank you to Gilly Shaeffer, who served as BAGSC President for many years, and volunteered to chair our 20th Anniversary Celebration committee.

Click any of the circles to see the slide show and the captions:

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