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by Beth Stone, posted by Deb Shaw
Martin Allen’s Techniques Showcase at the 2017 San Francisco ASBA Conference was a great introduction for the class he subsequently taught locally for BAGSC, October 24 – 26, at The Los Angeles Arboretum.
Martin’s method is to work directly from photographs. He takes great care to stage the photos for dramatic lighting and for color accuracy to the point where paint colors can be directly matched to the colors on a printed photo. Although Martin jokes about his limited pallet there is a wisdom to it. He promotes mixing small quantities of the desired color to create a more realistic appearance.

Painting from John Pastoriza Piñol’s BAGSC workshop, 2017. The shiny, reflective areas are masking fluid that has yet to be removed. © 2017 Beth Stone.
My biggest take-away from Martin was the notion of placing “mostly the right color in mostly the right place” from the very beginning. Here are three examples of my paintings from classes within the past year. Hint: both of the Orchid specimens had deep red to nearly black areas.
I call the one from mid-point of John Pastoriza Pinol’s class “my pretty pony” , the other is my first attempt at vellum from Carol Woodin’s class. I eventually finished each of these about two months later.
Contrast these to the depth of tone achieved on this dandelion bud (~15x) in Martin Allen’s workshop.
The more classes I take, the more convinced I am that there is no right or wrong method. To me the secret is to keep an open mind and amass a tool kit of knowledge that can be applied where it suits the subject matter.
by Deb Shaw
Carol Woodin will be teaching a workshop entitled “Painting Orchids in Watercolor on Vellum” at The Huntington Library, Art Collections and Botanical Gardens, June 2, 3 and 4, 2017, from 9:30 am – 4:00pm each day. There are still some spaces available in this coveted workshop, with subject specimens specially selected from The Huntington’s prized Orchid collection.
In addition to teaching about painting on vellum, and all about orchids, Carol will demonstrate how to select, cut and stretch vellum over a board.
The cost to BAGSC Members for the three-day workshop is $250; the cost for Non-Members is $275. Payment should be received by BAGSC by Saturday, May 27. Participating artists can provide their own vellum for the workshop, or can purchase a piece from the instructor, who will provide a 10” x 13” piece of vellum for $50, payable at the workshop.
Details about the workshop, enrollment, directions and a materials list can be found on the BAGSC website.
See you there!
by Deb Shaw
In San Francisco? Arader Galleries is currently exhibiting Outside In: Contemporary Natural History Artworks, from September 9 – October 12, 2016. Original artworks are on display by seven ASBA artists, including Francesca Anderson, Jean Emmons, Monika de Vries Gohlke, Ingrid Finnan, Asuka Hishiki, Catherine Watters and Carol Woodin.
An article by ArtPlantae has information about each artist, with links to their websites.
In addition to the exhibition, Outside In, Arader Galleries will also feature the Highgrove Florilegium at the same time. Both volumes of the Florilegium will be on display, capturing HRH The Prince of Wales’ celebrated garden at Highgrove in 124 paintings by contemporary botanical artists from around the world.