by Deb Shaw

BAGSC member, Cristina Baltayian will teach a class in “Using Colored Pencils in Botanical Art” at the Los Angeles Arboretum. The class will focus on techniques, composition and color mixing.  All levels of experience are welcome.

Students can sign up for September classes or October classes, or both!

Tuesdays, September 6, 13, 20, 27 – Oak Room (except for September 13)

Tuesdays, October 4, 11, 18, 25 – (Oak Room (except for October 4)

10 am-2 pm (includes one-half hour for lunch)

Los Angeles Arboretum & Botanic Garden
301 North Baldwin Ave, Arcadia, CA 91007
626-821-3222

Cristina Baltayian, Instructor

$225 Arboretum members/$245 non-members per month

To register, contact Jill Berry, via email, phone: 26.821.4624, or fax: 626.821.4642. A materials list will be sent to all registrants. Space is limited, so be sure to register soon.

Cristina Baltayian has a background in drawing (graphite, charcoal, pen and ink), two-dimensional design, watercolor, and colored pencils. Her work has been shown at Filoli, the Los Angeles Arboretum and Chapman University.  She is a member of the American Society of Botanical Artists and The Botanical Guild of Southern California.

by Deb Shaw

Tania Marien, ArtPlantae will teach a children’s nature art class through Back to Natives on Saturday, 23 July, 2011, from 10 am – 11 am at the Santiago Creek Nature Center, 600 E. Memory Lane, in Santa Ana, CA.

Part of the “Learning through Natural Science Illustration” series, Tania will introduce children to natural science illustration through the book, “A Seed is Sleepy.” The class will take a short hike, and learn how Back to Natives collects seeds for habitat restoration. The young naturalists will then use colored pencils to design and illustrate a seed packet, and receive native plant seeds to plant at home. The class will cover plants, how they grow, and why they are important.

The class is for children ages 5 & 6, and costs $10.75 per child. Children must be accompanied by an adult at all times. To register, email Back to Natives that you will be coming to the class, fill out the City+of+Santa+Ana+Registration+Form-1 and bring it with you with payment to the class the day of the event.

by Deb Shaw

Morgan Kari will be teaching “Amazing Colored Pencils” at the Manhattan Beach Creative Center Tuesday nights July 5-August 9, from 7:00-9:30 p.m. The cost is  $140 for residents of Manhattan Beach, and $154 for nonresidents.

Registration is available online. There are still spaces available. If you need help with registration, call (310) 802-5448. A supply list is available by calling (310) 802-5448.

Students will be introduced to colored pencil and exciting techniques, including odorless turpentine blending, embossing, frisket erasing, burnishing, and optical blending. This class will further students’ knowledge of composition, form, value, color, line, paper selection and lightfast color pencils. The class will be held in the Performing Arts Room at the Creative Arts Center, at 1560 Manhattan Beach Blvd., Manhattan Beach, CA 9026.

by Jody Williams, ASBA Public Relations Chair, via Leslie Walker

What began in 2006 with a preliminary call for entries to the membership of the American Society of Botanical Artists is culminating in the final showing of Losing Paradise? Endangered Plants Here and Around the World, a botanical art exhibition in the Shirley Sherwood Gallery of Botanical Art at the Royal Botanical Gardens, Kew, UK. The exhibition opens Saturday, June 25 as part of a broader exhibition Plants in Peril which will be on view at the gallery until Sunday, October 16.

The exhibition opened at the Missouri Botanical Garden October 5, 2009 with an address by world renowned botanist and then President of the Garden, Dr. Peter Raven. It traveled to the Chicago Botanic Garden in January, The New York Botanical Garden in May, and concluded its originally planned tour of the United States at the National Museum of Natural History at the Smithsonian Institute in Washington, D.C. Then thanks in part to the efforts of Dr. Sherwood, a strong supporter of Losing Paradise? over the years, the Royal Botanical Gardens, Kew, UK was added to the schedule, the first International venue for an ASBA exhibition.

A catalog of the exhibition including images of the artwork and stories of each plant and the artists that depicted them as well as essays by leading plant scientists and conservationists is available for sale from the ASBA. A blog site showing artwork from the exhibition with excerpts from the catalog and hundreds of links to resources about the plants, conservation efforts, the artists, and other organizations is accessible online. A video interview with professional illustrator Alice Tangerini, images of herbarium specimens of the plants, and downloadable lesson plans based on the exhibition are available online from the Smithsonian Institute. See the links below:

ASBA Exhibition Website

Information about the exhibition at Kew

Information about the American Society of Botanical Artists

Exhibition Catalog

Smithsonian Exhibition Webpage

Smithsonian Lesson Plans

By Jesselyn Cyr

When I saw the announcement for Margaret Best’s “Color and Composition” workshop in Bermuda at the end of May I thought, “This is what I really need.” I checked my calendar and made the arrangements right away. I learned happily that Leslie Walker was scheduled to attend as well. This four day workshop took place in the Bermuda Society of the Arts (BSOA) gallery in the City Hall in Bermuda—an excellent central location with good light. The class was just the right size so we could work comfortably. The group’s skills were wide but most of us had good experience. It was a great chance to meet new painting friends.

Introduction and Goals from Margaret Best

Beautiful specimens available for students to paint.

Beautiful specimens available for students to paint.

While we reviewed the goals, the class was inspired by the plant specimens presented from an array of Bermuda plants that had been collected for the workshop. Bermuda is very beautiful and the local plant specimens ranged from plumeria, dates, ginger, passion flowers, agapanthus and more. After we each selected our specimens and while we started drawing, Margaret taught her ambitious subjects “Colour and Composition.” We started by discussing the palette of botanical watercolors that had been selected for the class—primarily transparent colors and most (but not all) of them from M. Graham.

Chroma and Value

The subject of how to test our watercolors for chroma was discussed and we reviewed the difference in chroma with various pigments such as yellows vs. blues. We started the process of color matching and value. Many of us had brought our color tests from previous classes so that we would have a starting place for color matching of our specimens. Then we tested our paper. Most of us used Arches 140# HP. Bermuda’s high humidity meant that our colors dried slower when we applied our watercolors to paper. Leslie and I were used to a faster drying process so we enjoyed time to move our paint.

Composition and Painting

Classroom in Bermuda.

Classroom in Bermuda.

We spent quite a bit of time drawing which was very helpful to understanding the specimens. Then the time came for Composition. Margaret offered a good fast course in various Composition styles while we traced our specimens. Since our class was in the Bermuda gallery we had the advantage of using many of the paintings in the gallery to look at composition techniques. One technique I used was to trace my drawings so that I could organize the right composition for my project.

Bermuda and Goodbye

Soon it was time for the class to end and look at our work. We all worked hard but no one’s goal was to finish, only developing new skills. We had all made excellent progress. Bermuda and this class had offered me a unique relaxed setting and workshop in which to learn. In the beginning I had said, “This is what I really need.”  It was true. Then I headed home to LA with a new level of confidence.

by Deb Shaw

Tania Marien, ArtPlantae will be teaching a children’s nature class presented by Back to Natives on Saturday, 25 June from 10 am to 11 am at the Santiago Creek Nature Center, 600 E. Memory Lane, in Santa Ana.

The class is part of the series, “Learning through Natural Science Illustration: Mother Monarch” and will introduce children ages five and six to natural science and illustration through Mindy Lighthipe’s book, “Mother Monarch”. Children will become more aware of butterflies and insects and the important role they often play as pollinators. In a hands-on nature-themed art project using paper sculpture and gouache, each child will create a beautiful butterfly life cycleand learn about plants, how they grow, and why plants are relevant to our lives.

The cost is $10.75/child. Children must be accompanied by a parent or guardian at all times. Space is limited. To register, send an email to Back to Natives Restoration to reserve your spot and fill out the City+of+Santa+Ana+Registration+Form, which can be brought with payment the day of class.

by Deb Shaw

Buddha’s Hand, Citrus medica var. sarcodactylus, watercolor by Akiko Enokido, © 2011, all rights reserved.

Buddha’s Hand, Citrus medica var. sarcodactylus, watercolor by Akiko Enokido, © 2011, all rights reserved.

The Awards for the Filoli Botanical Art Exhibition have been chosen, and Akiko’s painting, Buddha’s Hand, Citrus medica var. sarcodactylus has been awarded the Juror’s Award. This award was chosen by the Art Exhibition jurors, Kristin Jakob and Susan Fisher for distinction  in botanical art representation.  The Award will be given at the Reception on June 30.  Congratulations Akiko!

by Sue Kuuskmae

There are still a few openings left for Mike Sibley’s “Drawing From Line To Life Workshop”; a 3-Day Graphite Pencil Workshop focusing on botanical subjects, June 24 – 26 at the Torrance Airport Zamperini Field meeting room. The cost for the workshop is $385 and there is a full description of the class on his website. All materials will be provided. Sign up on Mike Sibley’s website, or contact Suzanne Kuuskmae.

by Bonnie Born Ash

Susan Frei Nathan, lecturing at the Huntington.

Susan Frei Nathan, lecturing at the Huntington. Photo by Leslie Walker.

Susan Frei Nathan, ASBA Board Member and gallery owner specializing in contemporary botanical art, presented a workshop to BAGSC members on Thursday morning, April 28 at the Huntington Library. She summarized her career working with antique and contemporary botanical prints, watercolors, and drawings. In 2002 she established Susan Frei Nathan Fine Works on Paper, which represents botanical artists, offers consultation for private and corporate collections, and provides professional services including appraisals and expertise on conservation. Susan reviewed the current market values for botanical art and cited examples of sales prices for antique and contemporary botanical art.

She advises artists who are new to botanical art begin with small works and hone their skills. As technical ability improves, artists may challenge themselves to larger, more complex works. She recommends that artists choose subjects for which they have a passion, consider a “specialty,” and create a series of works of the same subject, all with the intention of developing a “body of work.”

With the intention of selling work, Susan advises artists to focus on regional plant life, the most popular subjects to collectors. Artists need to be aware of conservation issues in their choice of materials, and provide detailed descriptions for their mixed media works. She recommends that works on paper be handled with care – use cotton gloves. In finding the right gallery to represent your work, familiarize yourself with the galleries in the community that represent natural history related work. To exhibit your work publicly, consider ASBA juried exhibitions, the New York Botanical Garden, The Hunt Institute International Exhibition of Botanical Art and Illustration, and check Susan’s website for additional links.

As Curator for the Sutton Collection, Susan described the development of the collection and discussed the exhibition at the Hunt Institute, Botanicals:  Environmental Expressions in Art, the Alisa and Isaac M. Sutton Collection. We were delighted to each receive a copy of the exhibition catalogue at the conclusion of Susan’s presentation. The workshop was followed by individual meetings with artists in half-hour sessions to discuss technique, composition, color and subject matter.

by Akiko Enokido and Deb Shaw

Akiko Enokido and her family attended the opening of the Green Currency show at the New York Botanical Gardens, where Akiko exhibited her Pomegranate, Punica granatum. Although the days were hazy and a little cold, they enjoyed their trip to New York, where the sun came out in the afternoon and the artists were treated to a tram tour of the New York Botanical Garden. Cherry Blossoms and Magnolias were in full bloom, and the daffodils were strikingly beautiful against the green fields.

The opening of the Exhibition was so well attended (and crowded!) it was difficult to even move, let alone see all the artwork! The artwork was all painted to a very high standard, and Akiko reports learning a lot from the exhibited work.

In the first juried show in the United States, the gold medal went to Beverly Allen; the silver to Asuka Hishiki (unfortunately, she could not come to New York), and the bronze went to Ingrid Finnan. Karen Kluglein’s Corn was listed in the Botanical Garden’s collection. Beverly Allen’s coconut was huge, with dyanamic composition and elegant color. Karen and Ingrid got also honorable mention award for their other work in the show.

Dr. Shirley Shirwood and Akiko Enokdo at the NYBG and ASBA "Green Currency" opening.

Dr. Shirley Shirwood and Akiko Enokdo at the NYBG and ASBA "Green Currency" opening.

Dr. Shirley Sherwood attended the opening and Robin Jess introduced her to Akiko! (Thanks, Robin!) She spoke about the exhibition, and how wonderful of all the works are. Carol Woodin and the ASBA would like to bring this exhibition to other cities if the artists agree on a plan.

The Green Currency Exhibition has been so successful, it has been extended through August 21. For updates on the exhibition visit http://www.asbagreencurrency.blogspot.com.

An audio tour for the show is now available online.  It is very easy to access and use. The audio tours can be accessed from the NYBG Audio Tours page, where you can hear each of the artists talk about the subject of their painting in their own words. (You’ll hear Akiko’s daughter doing a wonderful job reading Akiko’s piece.)  The exhibition was linked to the NYBG; visitors can listen to the artists’ audio from their cell phones, and plants growing in the gardens that appear in the exhibit have been identified with special signage.

by Leslie Walker

Join us for our quarterly meeting on May 21, 2011 at Norma’s house. RSVP to Norma and let her know what you will be bringing for our usual potluck lunch.

Coffee at 9:30 am
Meeting begins promptly at 10:00 am

AGENDA
I. Welcome
II. President’s Report
III. Secretary’s Report
IV. Treasurer’s Report
V.Membership Report
VI. Old Business
·     Rancho Los Alamitos – Botanical Cards at gift shop
·     Water Miser workshop
·     Meet with Elaine Searle
·     “A Brush with Blue” – Margaret Best
·     Susan Frei-Nathan Workshop

VII. New Business
·     Calligraphy Class
·     “Browns and Pods” –  Margaret Best
·     Next Meeting will be Saturday, September  24, 2011 at Allison’s
·    Other business

Break for lunch

Program:  The Brush Lady – Judy Coyle
Judy will be bringing a carload of wonderful brushes for sale. Bring cash and/or your checkbook.

Also be sure to bring your latest work to show the group.

See you there!!

By Cristina Baltayian

Eight of us BAGSC ladies got together with Margaret Best in Sally Jacobs light-filled, beautiful studio in Los Angeles. Our goal was to learn all about the color blue:

  • How many varieties of blue (green shade, red shade. Indigo anyone? Or maybe cobalt? Is cerulean the bad-guy blue in the botanical palette, or does it have any redeeming qualities?);
  • What’s the difference between Winson-Newton Ultramarine and M. Graham Ultramarine?;
  • And what’s the scoop on reds? Which pairings make the best purples? The best greens?

Working hard in Margaret's class.

Along the way, Margaret, being Margaret, taught us a lot more than how to use blues in botanicals. We learned about matching colors for the automotive industry, and how we can apply some of the same principles in our own color matching. How the light in Bermuda can give a plumbago a different shade of blue than a plumbago in L.A; we had a contest, and won a prize. I could go on and on.

The mood was positive, we were excited about learning so much about a color that can be so daunting to a botanical artist, and we had a wonderful time.

From left to right: Carmen, Cristina, Norma, Jesslyn, Margaret and Bonnie.

I only  wish I could have taken Margaret’s other classes on colors. But maybe I’ll have to wait  for her book…

by Deb Shaw

BAGSC member, Tania Marien, of ArtPlantae, will teach a natural science illustration class this Saturday, 7 May, from 10 am – 11 am at the Santiago Creek Nature Center, 600 E. Memory Lane, in Santa Ana. Presented by Back to Natives, this class will introduce children to natural science illustrator Marianne Wallace and her America’s series of books. The class will create a nature-themed art project, and learn about plants, how they grow, and why they are important in our lives.

The class is designed specially for children ages 5 and 6 for $10.75/child. Children must be accompanied by a parent or guardian at all times. Register for the class by emailing Back to Natives, then click on the following link: (City+of+Santa+Ana+Registration+Form) to download the registration form. Fill out the form and bring it with you with payment to the class.

Santiago Park Nature Center is located at 600 E. Memory Lane, Santa Ana, 92706, between Main Street and the 22 Freeway in north Santa Ana.

Bring your children or grandchildren and see you there!

by Deb Shaw

Wild Rose Coin in Box

Wild Rose Coin by Margaret Best, in packaging, courtesy of the Royal Canadian Mint. (click image to enlarge)

BAGSC member, Margaret Best, was given a rare honor last year; she was commissioned by the Royal Canadian Mint to paint an Alberta wild rose, Rosa acicularis, to be reproduced on a new Canadian 20 dollar coin. The collectible coin is being released May 2, and can be purchased online from the Royal Canadian Mint.

The silver coin is unusual, in that it is reproduced in full color, and contains three genuine Swarovski crystals. A limited run of 10,000 coins will be produced.

Margaret was one of three artists selected to submit designs. She submitted two designs, and her Alberta Wild Rose was chosen for the coin.

Once the design was chosen, it was vetted by a botanist, and Margaret had one month to complete the painting. Unfortunately, the flower was not in bloom at the time, but luckily Margaret had painted the flower before, and was quite familiar with it.

Coin front

Front of the Alberta Wild Rose Coin by Margaret Best, courtesy of the Royal Canadian Mint. (click image to enlarge)

Her contract with the Royal Canadian Mint meant that she had to keep the coin and the painting a secret, but, now that it has been announced there has been a flurry of publicity surrounding the coin’s release. An interview with Margaret on the CBC radio show “Alberta@Noon” was aired on Wednesday, 27 April. (Click the link to hear the podcast. Margaret’s interview is at the end of the program. Once you click the link, start the podcast and then move the slider to right above the sound symbol to skip to Margaret’s interview.) The radio interview was followed by a story in the Calgary Herald, and many phone calls. Tania Marien also covered the story on her blog, ArtPlantae Today.

Back side of Wild Rose coin

Back side of Wild Rose coin, courtesy of the Royal Canadian Mint. (click image to enlarge)

Margaret’s next venture is a one-person show in Bermuda, Bermuda Botanica. For more details on her Bermuda show and classes, see the prior article in the blog.

Congratulations Margaret!

by Gilly Shaeffer

Gilly will have 4-6 paintings in the upcoming “Fifteen Graces” Exhibition at the Fremont Gallery during the month of May.

Address:
812 Fremont Avenue
South Pasadena, CA 91030

Opening Reception:
Sunday, May 1, 2011, 3:00-6:00 p.m.

Hope to see you there!  (Download the attached PDF flyer for more details: 3Artists.)

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