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by Lee McCaffree and Lesley Randall, posted by Deb Shaw
Aristolochia californica, California Pipevine, watercolor by Lee McCaffree, © 2016, all rights reserved. This painting by Lee was part of the “Weird, Wild & Wonderful” exhibition.
BAGSC member Lee McCaffree will be teaching two botanical art classes in March: one about how to finish a painting; the other about how to critique a work of art (and self-critique your own).
Both classes will be held at the Los Angeles Arboretum, from 9:30 am – 3:30 pm. Each of these important subjects will be conducted in a friendly, supportive, congenial atmosphere. Participants can take one class or both!
Cost:
One class: BAGSC members, $100.00/non-members, $120.00Both classes: BAGSC members, $200.00/non-members, $240.00
Maximum number of participants (in each class): 15
Saturday, March 19, 2016
A Painting! What Do You See?
We will investigate ways to critique a work of art. Personal experience shapes what we see. By using different techniques to view paintings the observer will have more ways to analyze with objective eyes. We will use many published works as well as class members’ works to practice these methods. Topics will include subject matter, botanical accuracy, painting skills, light source, color, form and compositional structure, balance and space. We will work cooperatively by sharing ideas to make this a positive experience for each artist to learn about their own work. Class time will include individual opportunities for making improvements on work in progress.
Materials list:
- Copies of 2 paintings (not yours) that you like
- 2 paintings (of yours), unfinished or finished, to share in critiques
- Tracing paper
- Your usual art supplies for your paintings, any media
Sunday, March 20, 2016
Completing a Painting
How do you know your art work is finished? Sometimes it is just a feeling that the painting is finished or something isn’t quite right. Good observation helps one see if a painting needs improvement, whether it is nearly finished or in progress. It is important to keep a freshness and avoid overworking. The artist needs to be objective in looking at their images. We will work with each other to see our work through another’s eye. Questions to consider will include: Where is my focal point? Do I have enough value change? Do the plant parts have volume and perspective? Are they botanically correct? Where has the paint or pencil gone astray either on my plant edges or in the negative space?
Class members will apply these observations to their paintings along with techniques in completing details such as dry brush, washes or corrections. This will include ways to change or clean up places to make your painting details more realistic. After identifying ways to finish your painting(s), there will be time in class to work on these details.
We will complete the process by discussing labeling. We will look at ways to present your piece with mats and frames depending on your intended goal for display.
Please bring the following materials:
- 1 or 2 paintings that you want to finish
- Usual art supplies in your media choice, including a magnifier
- Tracing paper
To Register:
Send checks, made out to BAGSC, in full, to BAGSC Treasurer Janice Sharp. Cancellations up to two weeks before the class date will be charged a $30.00 cancellation fee.
Bring your lunch, or purchase lunch at the Peacock Café, on the Arboretum grounds.
The Los Angeles County Arboretum and Botanic Garden is located at: 301 North Baldwin Ave, Arcadia, CA 91007.
About the instructor:
Lee McCaffree
Lee McCaffree is a botanical illustrator in watercolor. She shares the coordination and implementation of the Filoli Botanical Art Certificate Program and is a primary instructor. She served on the Board of Directors of The American Society of Botanical Artists. She gives regular private classes in the Bay area and instructed at the ASBA Annual meetings and the UC Berkeley Botanical Garden. She supports botanical artists by participating in coordinating teams for art exhibits and jurying.
She began her career in London, England studying under Christabel King of Kew Gardens. She received Medals for showing her “Pinus” series and “Plants in Peril” series at the Royal Horticultural Society exhibitions in London. Her works are in the permanent collections of the Royal Botanic Gardens at Kew Collection, London, the Filoli Florilegium and Hunt Institute of Botanical Documentation; Lee won Best of Show at the Northwest ASBA Exhibition in Portland, OR. Her showings include juried exhibitions at Contemporary Art Center, MOMA-New York; Longwood Gardens; Hunt Institute, Pittsburgh; Seattle Science Center; Flinn Gallery Greenwich, CT; Horticultural Society of New York; Missouri, Chicago, Denver and UC Berkeley Botanical Gardens; Strybing Arboretum, CA; Arizona Desert Museum, New York State Museum; Johnson & Johnson Headquarters; Oakland Museum; Loveland Museum (Colorado); Filoli exhibits and Florilegium; Northern California Society of Botanical Artist’s Alcatraz Florilegium and other venues. She created the poster for the California Native Plant Sale for the East Bay for ten years. Her work is published in Curtis’s Botanical Magazine, England and Today’s Botanical Artist. Her work was included in “Losing Paradise”, an exhibit of endangered species illustrations which traveled throughout the U.S and to the Shirley Sherwood Gallery at Kew Gardens, London. Currently, she is exhibiting in the Weird, Wild and Wonderful Traveling Exhibit from the New York Botanical Gardens.
Lee’s work concentrates on native plants which she hopes will increase their visibility and use in public and private landscaping. Her skill as a botanical artist allows her to focus her creativity on the finest details of each plant she paints. Her enthusiasm inspires her students to develop their own skills and enjoy the creative process.
by Suzanne Kuuskmae, posted by Deb Shaw
Albrecht Dürer, Two seated lions, 1521, silverpoint on paper prepared with a light tone, located in Kupferstichkabinett Berlin. Downloaded from Wikimedia Commons: this work is in the public domain in the United States and in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less.
Silverpoint has been used by artists to draw since the late Gothic/early Renaissance; a silverpoint drawing is made by drawing with a sharpened silver (or copper or gold!) stylus (thick wire) across a prepared surface. Some well-known artists who worked in silverpoint include Jan van Eyck, Leonardo da Vinci, and Albrecht Dürer.
Destination: Art in Torrance will hold a silverpoint workshop taught by Morgan Kari on Saturday, March 5, from 10 am – 3:00 pm, NEW REVISED DATE: Saturday, April 23, 9:30 – 3:00. Tuition is $60 with a supplies charge of $35. Morgan will bring supplies and know-how!; you will supply the drawing and watercolor paper.
The supplies from the workshop should last a long time after the workshop while you enjoy painting in silverpoint. In addition to showing silverpoint technique, Morgan also will demonstrate the use of black paper to enhance the silver etching and create a different look. It is a fit for botanical artists: all you need is the outline of your drawing, which can be a plant or flower you have already done, or a new one. The drawing outline is traced in dark pen, placed under the prepared paper on a light box, and drawn using the same silverpoint strokes that will be covered during the workshop. Using a light box is a big help! If you have a portable lightbox, please bring it to the workshop. We also will have two at the studio to use.
Questions, or to register, email Suzanne Kuuskmae or call her as listed in the BAGSC roster.
Destination: Art is located at 1815 W. 213th Street, #135, Torrance, CA 90501, (310) 742-3192, right next to the Bubble Bath Car Wash.
by Anita Walsmit Sachs and Deb Shaw
Tulip Parade, watercolor by Anita Walsmit Sachs, © 2016, all rights reserved.
Back by popular demand, Anita Walsmit Sachs will be offering a 5-day botanical drawing and painting workshop, “Hortus atelier” in cooperation with The Hortus botanicus, Leiden, in 2016.
The Hortus atelier program
The purpose of a botanical illustration is primarily a scientifically accurate drawing. The artistic input is reflected in the sensitivity in which the subject is displayed and in the composition.
PROGRAM: from April 11 to April 15, 2015, Course number 3 E C.2016.02 E
First day, the class starts at 10, with coffee and presentation, who is who and info, followed by a guided walk through the garden.
Lunch 12.00 – 12.30
Afternoon 12.30 – 15.45 Instruction about the subject to draw. Pencil drawing, including light and dark values.
Second day, instruction about material, paper, paint and colour mixing and composition.
Third day, transferring the drawing to the watercolour paper and painting.
Fourth and fifth days, continuing the process. Every day there will be a discussion about the progress of the drawing. The education is individually focused to gain an optimal result.
Costs
The fee will be € 395,00 including morning coffee, brasserie lunch and afternoon drinks. Information about payment will follow after subscription as well as information about lodging possibilities. A small optional assignment will be given before the course starts. Sign ups for the class are through Anita directly via email.
About the Hortus
The Hortus botanicus Leiden is a green oasis in the center of Leiden.
The Hortus botanicus Leiden is the oldest botanical garden in the Netherlands and one of the oldest in the world. It is located in the historical center of Leiden. Sitting behind the academy building of the Leiden University, the garden is a green oasis with a large collection of plants native to Southeast and East Asia, Southern Europe and South Africa. The Hortus is a haven within the city center, a historical monument and a meeting place full of character.
People go to the Hortus to relax, enjoy the seasons or to learn more about the diversity of the plant kingdom.
In 1590 the Hortus was founded by the University of Leiden. In 1594 Carolus Clusius (1526-1609) turned it into a medicinal herb garden. But Clusius introduced the tulip and many other plants like tobacco and potato to the Hortus. These flowers and plants became known throughout Western Europe.
Many famous international scientists such as Clusius, Boerhaave, Linnaeus and Einstein were connected to the Hortus botanicus in Leiden.
The Hortus botanicus Leiden is the oldest botanical garden in the Netherlands, and one of the oldest in the world.
In the 19th century, the German physician Philipp Franz von Siebold (1796-1866) brought hundreds of plant species with him from Japan to the Netherlands and 15 of these original introductions can still be found in the Hortus today.
About the Artist
Anita Walsmit Sachs in her studio.
Anita initially trained in fashion design at the Royal Academy of fine Arts in The Hague. Fifteen years ago she became a scientific illustator at the National Herbarium of Leiden University, now Museum Naturalis. She has won two RHS Gold medals and a second prize medal at the RBG show in Sydney, Australia. Anita has participated in the Highgrove Florilegium of HRH Prince Charles, the Transylvanian Florilegium of HRH Prince Charles, and the Sydney Florilegium. She is passionate about painting and teaching.
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