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Posted by Deb Shaw

Artist Reception invitation from Porch.

Artist Reception invitation from Porch.

Jan Clouse has had one of her paintings juried into the annual Valentine’s show at Porch. The artist reception is Saturday, February 8th, from 4 – 7 pm. If you can’t make the reception, stop by anytime in February to see the show. Jan had a fun time with her painting.

Porch is located at 3823 Santa Claus Lane in Carpinteria, California. Phone number is 805.684.0300. Hours: Monday – Saturday, 9:30 – 5:30, Sunday 11 – 4.

Congrats Jan!

by Leslie Walker and Deb Shaw

Salvia spathacea, Hummingbird Sage, watercolor by Joan Keesey, © 2013, all rights reserved.

Salvia spathacea, Hummingbird Sage, watercolor by Joan Keesey, © 2013, all rights reserved.

The Theodore Payne Foundation will be hosting an opening reception for the exhibition “The Botanical Artists Guild of Southern California, The Art and Science of Native Plants” on
January 11, 2014
2:00 pm – 4:30 pm

The exhibition is open for viewing from January 11 – March 15.

This juried exhibition was created by the Theodore Payne Foundation (TPF) in recognition of the Botanical Artists Guild of Southern California (BAGSC) and the continuing importance of botanical art in the service of both science and art, knowledge and beauty. Jurors were: Olga Eysymott: Artist and teacher; founder of BAGSC; Bart O’Brien: Director Special Projects, Rancho Santa Ana Botanic Garden; Co-author of “California Native Plants for the Garden”; and John Wickham: Past president of the board, Theodore Payne Foundation; native plant gardener.

The exhibition consists of 23 artworks by 14 BAGSC artists, including: Nina Antze, Diane Daly, Estelle DeRidder, Clara Josephs, Joan Keesey, Patricia A. Mark, Arillyn Moran-Lawrence, Lesley Randall, Mitsuko Schultz, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Gayle Uyehara, and Jude Wiesenfeld.

The show encompasses a range of styles and media: from scientific illustration to plant portraits. Works effectively use pen and ink, watercolor on paper and vellum, colored pencil on paper and film, and mixed media to depict California native plants — many with their pollinators.

The Theodore Payne Foundation for Wild Flowers & Native Plants is located at 10459 Tuxford Street, Sun Vally, CA 91352. Hours are Tuesday – Saturday. 8:30 – 4:30. The Theodore Payne Foundation is closed Sundays and Mondays. For information, call (818) 768-1802 during business hours.

by Deb Shaw

"Waterlily Garden," pastel by Morgan Alexandra Kari, © 2013.

“Waterlily Garden,” pastel by Morgan Alexandra Kari, © 2013.

BAGSC member Morgan Alexandra Kari is exhibiting in Step Up for Pastels 2013 on the mezzanine of Gallery 113, November 4 – 30, 3013. All participating artists are members of The Pastel Society of the Gold Coast. The closing reception will be held November 30, 2013 from 3:00 pm to 5:00 pm.

Gallery 113 is located in the La Arcada Courtyard, 1114 State Street, Santa Barbara, California 93101, 805.965.6611. Gallery hours are Monday – Saturday, 11:00 am – 5:00 pm, and Sunday, 1:00 pm – 5:00 pm.

Congratulations Morgan!

by Deb Shaw

Begonia, watercolor by Gloria Whea-Fun Teng, © 2013

Begonia, snapshot of watercolor by Gloria Whea-Fun Teng, © 2013

BAGSC member Gloria Whea-Fun Teng has an exhibition at the Long Beach Main Library from November 1, 2013 through December 22, 2013.

Gloria has started painting in oils, and has still life paintings and landscape watercolors on display in addition to her botanical art and Chinese brush paintings.

The Long Beach Main Library is located at 101 Pacific Avenue, Long Beach, California 90822. Hours are Tuesday, 12:00 noon – 8:00 pm; Wednesday, 12:00 noon – 6:00 pm; Thursday, 12:00 noon – 7:00 pm; and Friday and Saturday, 10:00 am – 5:00 pm. The Library is closed Sunday and Monday.

Congratulations Gloria!

Snapshot of Chinese Brush Painting by Gloria Whea-Fun Teng, © 2013

Snapshot of Chinese Brush Painting by Gloria Whea-Fun Teng, © 2013

by Deb Shaw

BAGSC member Tania Norris has generously donated 41 rare books from her personal collection to The Getty Research Institute (GRI)

Tania has been collecting these books individually for the past 13 years from booksellers in the United States, the United Kingdom, Europe and Australia. The collection provides the opportunity to study and compare the contributions of natural science and the visual display of scientific and botanical illustration from the sixteenth through the nineteenth centuries.

"Chrysanth," Crispijn van de Passe, 1614 From Crispijn van de Passe, Hortus floridus (Arnhem, 1614) The Getty Research Institute, 2898-803 Donated by Tania Norris

“Chrysanth,” Crispijn van de Passe, 1614
From Crispijn van de Passe, Hortus floridus (Arnhem, 1614)
The Getty Research Institute, 2898-803
Donated by Tania Norris

Two important works include Crispin Van de Passe’s Hortus Floridus, published in 1614, and Johann Christoph Volkamer’s Nürnbergische Hesperides, published in 1708. The  Hortus Floridus is believed to be the first illustrated book to illustrate plants using magnifying lenses. Johann Christoph Volkamer’s Nürnbergische Hesperides is a fascinating documentation of the introduction of Italian citrus to Germany, as well as the revolution in urban planning and the design of parks.

The collection also includes a copy of Maria Sibylla Merian’s Derde en laatste deel der Rupsen Begin (Birth of the Butterfly), published in 1717, the first book to depict insect metamorphosis. The volume is believed to be one of the few surviving copies that was hand-colored by Merian’s daughter. Tania’s donation will have a companion in the GRI vaults: Merian’s stunning Metamorphosis of the Insects of Surinam (1719), the self-published book which documented the her explorations and documentation of the wildlife of the South American jungles. BAGSC members will remember the Metamorphosis fondly, as it was featured prominently in the Getty Museum’s exhibition, Merian and Daughters in 2008, which celebrated the extraordinary contributions of Maria Sibylla Merian and her daughters.

“The Getty Research Institute is deeply honored to receive the donation of the Tania Norris Collection of Rare Botanical Books from one of the founding members of our GRI Council. This gift promises to open novel paths to explore the complex historical intersections between science and art,” said Marcia Reed chief curator at the Getty Research Institute. “Tania’s passionate interests and her collecting instincts have created a very generous gift which has also served to raise the profile of an important subject with strong relevance for researchers who use our special collections.”

David Brafman, curator of rare books at the GRI, said “The Norris Collection offers inestimable rewards for scholars researching global botanical trade and the ensuing stimulus of cultural exchange to the trend of collecting curiosities spawned in Renaissance and Baroque European culture. Other books in the collection document the codependent progress of technologies in the history of medicine, pharmacology, and the color and textile industries from the sixteenth to nineteenth centuries. No less important are the opportunities to study the complex artistic relationship between physiognomy and ‘naturalism’ in visual representation, as well as developments in urban planning and landscape architecture. Ms. Norris’ generous donation enhances significantly GRI’s existing collections in such subjects and promises to transform the way art historians examine the past in the future.”

The Norris Collection will also provide insights in ongoing research in landscape- and still-life painting, as well as recipes and global trade in color and pigments.

Tania was a founding member of the Getty Research Institute Collections Council, and also serves on the J. Paul Getty Museum Disegno Drawing Council and Paintings Conservation Council. “It was one of the proudest moments of my life when the Getty Research Institute accepted my books for their library. I never collected expecting anyone else to think my books of interest, “ she said. “But now at the GRI, anyone can view them; some have been or will soon be in exhibitions and programs. More importantly, they will be preserved for generations to come.” She added, “You don’t need much money, just passion to collect and you just never know what treasures you may have.”

by Deb Shaw

Coast Live Oak, Quercus agrifolia, Jan Clouse, © 2013, all rights reserved.

Coast Live Oak, Quercus agrifolia, Jan Clouse, © 2013, all rights reserved.

 

BAGSC member Jan Clouse has had two paintings accepted into the Palm Loft Gallery open invitation juried show, “Make Hay While the Sun Shines.”

The exhibition runs from June 22 through August 11, 2013. The Palm Loft Gallery focuses on original works of art by established and emerging artists, and is located at 410 Palm Avenue, Loft A-1, Carpinteria, California, 93013. The Gallery is open Friday to Sunday, 11 to 6, also by appointment by calling (805) 684-9700.

Rose Hips, Jan Clouse, © 2013, all rights reserved.

Rose Hips, Jan Clouse, © 2013, all rights reserved.

by Deb Shaw

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

Lesley Randall’s Aristolochia gigantea has been accepted into the 14th annual exhibition for the Hunt Institute for Botanical Documentation.

Lesley became interested in botanical illustration while a landscape architecture student at Cornell University. Working at a botanical garden in Hawaii, she found the plants fascinating to draw, and started illustrating professionally after moving to Davis, California in 1986. Lesley won first prize in the 2007 Margaret Flockton Award for Excellence in Botanical Illustration from the Royal Botanic Garden in Sydney, Australia. The award was created to recognize excellence of botanical illustrations in scientific publications and commemorates the contributions Margaret Flockton made to Australian scientific botanical art.

The Hunt established the International Exhibition in 1964 with the hope of supporting and encouraging contemporary botanical artists. Every three years, the International Exhibition features the works of talented botanical artists from around the world. The Hunt Institute for Botanical Documentation will host the 14th International Exhibition of Botanical Art and Illustration in Fall 2013 in conjunction with the annual ASBA conference, September 26 – 28. The exhibition is open to all botanical fine artists and illustrators working in any medium on paper or vellum whose work has achieved a standard of excellence and who have not yet been represented in the Hunt Institute’s series of International Exhibitions.

by Deb Shaw

Elaine Searle, "Rhubarb" (Rheum rhabarbarum), watercolor, © 2013, all rights reserved

Elaine Searle, “Rhubarb” (Rheum rhabarbarum), watercolor, © 2013, all rights reserved

Elaine Searle‘s “Rhubarb” (Rheum rhabarbarum), and Joan Keesey‘s “Hummingbird Sage” (Salvia spathacea), were both accepted into the 16th Annual International American Society of Botanical Artists at The Horticultural Society of New York.

Congratulations to both of you!

 

Joan Keesey, "Hummingbird Sage" (Salvia spathacea), watercolor, © 2013, all rights reserved

Joan Keesey, “Hummingbird Sage” (Salvia spathacea), watercolor, © 2013, all rights reserved

by Deb Shaw

BAGSC members Akiko Enokido and Mitsuko Schultz have been accepted into the 16th Annual International American Society of Botanical Artists at The Horticultural Society of New York.  Congratulations to both of you!

Akiko Enokido, Chrysanthemum morifolium "Kokka Seija

Akiko Enokido, Chrysanthemum morifolium “Kokka Seija”
© 2013
Watercolor, 11″ x 16″

Akiko wrote about her painting:
Since ancient times, Cherry blossoms in Spring and Chrysanthemum in Fall are both loved by the Japanese people. The chrysanthemum enthusiasts put a lot of effort to make straight stems and big beautiful flowers on each of the stems.

Flower exhibitions are held all over Japan during the season. We not only enjoy them for viewing but also for their taste in salads or tea.

I found this particular one in my neighborhood. The flower is not good shaped to show in exhibitions, but I was fascinated by its energy to grow. This will be a memorable piece. My first painting in Japan.

 

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

Mitsuko wrote about her painting:
This is my first time to be accepted to the ASBA Horticulture show and I am so happy and excited. I have been studying watercolor with Akiko Enokido since July 2011 and she helped me immensely and has given me a lot of encouragement.

While painting this sycamore piece, Akiko continued to offer advice and encouragement even though she had returned to Japan. Thank goodness for email!

by Deb Shaw

Sunflower, pen and ink by Tania Norris, © 2012, all rights reserved.

Sunflower, pen and ink by Tania Norris, © 2012, all rights reserved.

In October, 2012, when we posted the “Stipple, then Tipple” article about Anita Walsmit Sachs’ BAGSC class, we also posted a request for additional artwork as students completed their drawings. (See https://dbshaw.wordpress.com/wp-admin/post.php?post=1448&action=edit for the original article.)

Joan Keesey emailed Tania Norris’ pen and ink beautiful Sunflower from the class. Thank you Joan and Tania for sharing a wonderful drawing!

by Deb Shaw

We’ve added several new categories to the blog: one of them is a Kudos! section, to announce great things that happen to our members.

Kudos to BAGSC members Margaret Best and Akiko Enokido: both were selected to exhibit in the 15th Annual International exhibition for the American Society of Botanical Artists at The Horticultural Society of New York. And both sold their paintings in the show! Congrats!

Do you have an announcement, or would like to say Kudos! to another BAGSC member? If so, send your information to Deb Shaw, and she’ll make sure it’s posted.

by Margaret Best

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

It is with great pleasure that we share the wonderful news that BAGSC member Deborah Shaw has had one of her recent graphite and watercolour works on vellum accepted into the Hunt Institute’s International Exhibition in 2013.

About 11 years ago, shortly after I met Deborah at a class in Arizona, she showed me a graphite study of a white phalaenopsis orchid. Having enjoyed teaching and using graphite myself for a number of years, I recognized that Deborah had exceptional skills in this medium. I was struck by her mastery of perhaps the best continuous tone I had ever seen! The ultimate control required in the smoothest of value changes was evident throughout the piece. The work also displayed a keen awareness of the finest of edges and tiniest of details. Needless to say, I gushed about it and I clearly never forgot it.

Business and family commitments, as well as generosity of heart to fellow artists, have been obstacles to Deborah being able to focus fully on her own art. More recently she has managed to carve out time for her botanical art. She has begun exploration of a surface uniquely suited to her touch and intense awareness of texture – vellum. Vellum has brought it all together for Deborah. What has been so exciting to witness is how she has achieved a marriage of skills in a truly magical way on a surface that challenges even the most experienced artists.

Everybody is very proud of your well-deserved selection in the next Hunt Institute exhibition!

January 2026
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