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by Beth Stone
The LA Times dubbed the weather WEIRD, while plant lovers call it WONDERFUL!!
Symposium week is finally here! There are two great workshops underway — Mieko Ishikawa and Elaine Searle, and attendees are getting a preview as the Banta Hall displays are being assembled.
By Akiko Enokido and Deb Shaw
Akiko Enokido, Camellia japonica ‘Kingyoba tsubaki’, common name, Goldfish Camellia. Watercolor on vellum, © 2014, all rights reserved.
In addition to previous postings about BAGSC members’ acceptances, BAGSC member Akiko Enokido was also accepted into the 18th Annual International Show of the American Society of Botanical Artists (ASBA) at The Horticultural Society of New York.
Akiko sent this information about her painting:
The camellia cultivation started in 17th century in Japan. Goldfish Camellia is one of the old species. Most of the flowers are single layer, pink or white. But the foliage is appropriate to its name, and you can see the tip of the foliage split into three to five segments, which looks like a fishtail.
The leaves are unusually shaped and each leaf is different, showing different expressions and movement. These are really odd but lovely, even when they’re not in bloom. I picked one of the enchanting branch with leaves that looked like many fishes swimming and jumping.
Congratulations to Akiko and to all BAGSC members in the exhibition!
by Beth Stone
Are you planning to enter BAGSC ‘s very own adjunct exhibition to “Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition, Botanical Illustrations of Remarkable Plants” which is coming to The Huntington’s Brody Botanical Center?
Let’s all take advantage of this truly Wonderful opportunity. First time BAGSC exhibitors are encouraged to enter! Can YOU contribute at least one artwork? (limit is 3 artworks per member)
We have an important deadline, here’s how you can help:
Please email the complete botanical name of your subject matter no later than this coming Wednesday, May 27, 2015 to Beth Stone. Don’t worry, this does not obligate you to submit those works.
by Jan Clouse, posted by Deb Shaw
View of Masseria Montenapoleone, photo by Charles Clouse, © 2015, all rights reserved.
By tourist industry standards, Puglia is undiscovered territory. Situated down at the heel of Italy’s geographical boot, facing east to the Adriatic Sea, it is generally ignored in favor of the High Renaissance attractions of Rome, Florence, or Siena, the style consciousness of Milan and Venice or the casual flair of Naples.
Nevertheless, with its own earthy appeal and cultural heritage of pre-historic, medieval and Byzantine sights, Puglia can be irresistible for visitors ready to hike, bike, or drive through its bountiful landscape. It supplies the largest portion of Italy’s olive oil from its ancient trees, and its typical cucina povera depends heavily on delicious seafood, fresh, seasonal vegetables and the famous Pugliese hearth bread.
The olive groves and almond orchards, the rugged coastline and lush meadows filled with wild flora are a painter’s paradise. And this, in particular, was the attraction for Margaret Best’s latest botanical painting workshop/travel excursion. Five botanic artists (Ana Brito, Jan Clouse, Jane Maycock, Carole Schumacher and Leslie Walker) along with one husband/guitarist (Charles Clouse) and a guide (Kiloran McRae) joined Margaret for an 8-day immersion in art, food and visits to this land that time forgot.
Artists’ studio at Masseria Montenapoleone, (featuring from L to R) Jane Maycock, Carole Schumaker, and BAGSC members Leslie Walker, Margaret Best and Ana Brito, photo by Jan Clouse, © 2015, all rights reserved.
The workshop was based at the rustically elegant agriturismo farm, Masseria Montenapoleone, which besides most comfortable accommodations, provided us with a large airy studio, well lit by walls of windows. At the opposite end of the room from the studio space was a huge fireplace right behind the table where we gathered for fabulous lunches and dinners.
We were introduced to the Masseria by our host, Guiliano Monteneve, who gave us a leisurely tour of the property with the assumption that along the way each of us could find an appealing botanical specimen to paint. Across the path from the main cluster of buildings was an almond orchard interspersed with fava bean rows, further on were olive trees, some many hundreds of years old, a meadow of wildflowers, a path leading to a pre-historic grotto, and everywhere unique indigenous blooms.
Leslie Walker found a beautiful Polygala myrtifolia to paint. Photo credit: Leslie Walker, 2015, all rights reserved.
Besides the ubiquitous red poppies scattered across the springtime fields, there were small pale lavender wild irises, a dark red orchid, a nameless neon blue ground cover, and furry borage everywhere–including on our dinner plates. Most of us spotted several possible specimens on the walkabout, and by the following morning in the studio everyone was ready to draw. As we settled in, each of us had a large table of our own, plenty of space to spread out, and our drawing pencils sharpened.
Margaret got us started on our first day with a meditation to bring us into the time and spirit for art. As always at her workshops, she had a spiral bound syllabus of information and instructions; this one appropriately titled “Postcards from Puglia.” Ahead of time she had emailed us a few instructions, among them was to rule off several “postcard-sized” formats on our favorite paper to help us compose our paintings, and to bring a few finished pieces with us. Personally I found the “ready format” a real help in focusing and cropping the blooming Acacia branch I had chosen, though my “postcard” turned out to be a double-wide affair. I was productive enough, though, to complete two additional postcards of dried acorns gathered on one of our field trips.
A montage of Leslie Walker’s subject: (clockwise from upper left) Polygala myrtifolia, dissection sheet; Leslie’s finished painting; Leslie concentrating on her subject. Photo(s) courtesy of Leslie Walker, 2015, all rights reserved.
We settled in to a comfortable routine. My husband, Charlie, played guitar to start us off on a couple of mornings, and then shifted to the back of the room or outdoors on the patio where Leslie was working, for her own private concert. Our quiet concentration was broken around eleven each morning when Michele, our personal waiter, laid out a couple of plates of sweets and took our coffee, tea and cappuccino orders.
Long, very productive days in the studio were a gift of undistracted time to draw, paint, and ask my mentor for advice, just when I needed it most. One of the real treats of the week was that Margaret could guide each of us in proportion to our skills and needs as both colored pencil and watercolor artists.
Interspersed with art time, were some extraordinary sights and experiences—an evening visit to the seaside town of Polignano a Mare, another to the rampart city of Ostuni with a dramatic view of the Adriatic. One morning we toured the Giardini di Pomona, where Paolo Belloni is dedicated to sustaining traditional fruit tree species, including over 350 varieties of figs. Another day we shopped the weekly farmer’s market in Locorotondo, buying assigned ingredients for a dinner to be prepared by celebrity chef Tiziano Mita, and finished the morning with a tour of the UNESCO World Heritage town of Alberobello, known for its concentration of curious conically shaped stone houses called trulli.
Hanging the Exhibition with Alessandra and Giuliano, photo by Jan Clouse, © 2015, all rights reserved.
The workshop week ended, not with a routine sharing of work within the group, but with an elegantly mounted evening exhibition that our host Guiliano had envisioned even before we arrived. Here we met a large gathering of neighbors, friends, and folks who had shown us the wonders of Puglia during the previous week. Guiliano and his family had ingeniously transformed our studio into an art gallery, with suspended panels that featured each artist’s bio, personal quotes and work, including the pieces we had brought with us. And the masseria’s chef, Antonio, prepared an incredible array of antipasti and desserts for a very social and international group of about 75 guests.
The “Vernissage,” Gallery opening exhibition, photo by Jan Clouse, © 2015, all rights reserved.
Altogether the week was an energizing and inspiring introduction to a botanically rich yet otherwise little-noticed part of Europe. Guidebooks should definitely make note for Puglia: “painters welcome.”
Leslie Walker, Carole Schumaker, Ana Brito, Kiloran McRae, Jan Clouse, Charles Clouse, Jane Maycock, Margaret Best, photo courtesy of Masseria Montenapoleone, © 2015, all rights reserved.
by John Keesey, posted by Deb Shaw
“Dutchman’s Pipevine with Pipevine Swallowtail Butterflies” (Aristolochia californica with Battus philenor), watercolor by Joan Keesey, © 2015, all rights reserved.
A watercolor painting of “Dutchman’s Pipevine with Pipevine Swallowtail Butterflies” (Aristolochia californica with Battus philenor) by BAGSC member Joan Keesey has been accepted into the 18th Annual International Show of the American Society of Botanical Artists (ASBA) at the HORT Gallery of The Horticultural Society of New York in mid-town Manhattan, September through November 2015. This seems fitting to me, because Joan first saw these butterflies and their caterpillars on pipevine during our first hike along Big Chico Creek in Upper Bidwell Park, Chico, a few years ago. In January 2015 we moved to Chico, and have discovered Pipevine and its inhabitants on our very own property. Recently two caterpillars (black with orange spikes) have each formed a chrysalis (what is the plural?) in a jar in our kitchen, and then soon emerged as beautiful Pipevine butterflies (black + iridescent blue with orange spots)! Truly miraculous!
The stress of moving was mitigated somewhat by learning that Joan’s “Hummingbird Sage” (Salvia spathacea) watercolor painting had been awarded First Place at the Botanical Art Exhibition of the California Native Plant Society’s 2015 Conservation Conference in San Jose, California, in January 2015. Then in March 2015, Joan’s watercolor painting of Matilija Poppy (Romneya coulteri) won the Roth Award “for distinction with an emphasis on traditional botanical art presentation” at the 17th Annual Botanical Art Exhibition at Filoli in Woodside, California.
Whooeee!!! Is it any wonder that I am proud of her? Thanks for letting me toot her horn!
from Deb: Congratulations Joan!
by Beth Stone
The call for entries has been sent (see email from Deb Shaw dated 5/5/15) for BAGSC ‘s very own adjunct exhibition to “Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition, Botanical Illustrations of Remarkable Plants” coming to The Huntington’s Brody Botanical Center.
BAGSC members of all experience levels are encouraged to enter at least one artwork (limit is 3 artworks per member). To date we have a list of nearly 50 subjects from 25 artists, we’re expecting many more.
Botanical oddities and curiosities could be those found locally, in natural surroundings or a botanical garden. If you’re looking for more inspiration, Dick Rauh, PhD offered ideas to artists on potentially pertinent plants: http://asba-art.org/article/weird-wild-and-wonderful-suggested-subjects. We’d like to include as many different species as possible.
So…what visually unusual, bizarre, beautiful (or not) subject have you chosen?
We have an important deadline, here’s how you can help:
Please email the complete botanical name of your choices ASAP but no later than Wednesday, May 27, 2015 to Beth Stone. Don’t worry, this does not obligate you to submit those works.
The cut-off date is when we will submit our “list of plant subjects” as best we know it to The Huntington so they can start planning on signage, related plants from the Garden, microscopes and more, linking our artworks to The Huntington’s vast plant collection in creative, and no doubt “wonderful”, ways.
by Janice Sharp and Beth Stone
Gilly Shaeffer demonstrating her watercolor technique. Gilly Shaeffer demonstrating her watercolor technique. Photo credit: Brad King (SCCS President).
In January of 2015 BAGSC staged a show entitled A Passion for Camellias in Van de Kamp Hall at Descanso Gardens. The exhibit was an exciting addition to the first Camellia flower show of the 2015 show season. BAGSC members were on hand all that weekend to answer questions and to provide demonstrations.
At the request of Descanso Gardens, 11 art works from the initial display of 20 have been re-hung in the historic and beautifully restored Boddy House where they are expected to remain well into 2016. Art works were selected to represent as many contributing artists as possible. The area where the botanicals are hanging invites close observation, along the interior hallway leading to and spilling into the kitchen.
You’ll want to set aside some time to bring friends and family to visit Descanso Gardens and see this lovely display in person. For an orientation to the Boddy House, please refer to the Descanso Gardens web site: https://www.descansogardens.org/explore/boddy-house
Artist Tania Norris chatting with Camellia enthusiast Hiromi Sato.
While you’re there, be sure to stop into the Sturt Haaga Gallery to see California Light opening May 3rd:
https://www.descansogardens.org/explore/upcoming-exhibition/
Many thanks to David Brown, Susan Armstrong and Cris Martinez of Descanso Gardens for welcoming BAGSC’s Passion for Camellias to the Boddy House.
Watercolor of C. japonica ‘Berenice Boddy’ by Clara Josephs, © 2015, all rights reserved.
Camellia Botanicals in Descanso’s Boddy House.
by Beth Stone and Deb Shaw
Solanum lycopersicum, Heirloom Tomato, Watercolor on paper, © Asuka Hishiki
BAGSC will be holding an adjunct exhibition to “Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition, Botanical Illustrations of Remarkable Plants” in Banta Hall at The Huntington’s Brody Botanical Center.
The theme of this exhibition will focus on botanical specimens of plants compatible with the theme of the New York exhibition, “Weird, Wild & Wonderful.” Curated by the ASBA and originally opening in New York in 2014, “Weird, Wild & Wonderful” will open June 13 and continue through August 23 in The Huntington’s Brody Botanical Center, Flori-Legium Room, San Marino, California. The exhibition will be open to the public Saturdays and Sundays during the summer, plus additional times during workshops and the Symposium. The exhibition also will be open to the public August 1 – 9 along with the BAGSC “Weird, Wild & Wonderful” adjunct exhibition.
BAGSC artists are invited to seek visually unusual plants and create works of art that celebrate the bizarre, yet beautiful flora of the world. Botanical oddities and curiosities could be those found locally, in natural surroundings or a botanical garden. Dick Rauh, PhD offered ideas to artists on potentially pertinent plants: http://asba-art.org/article/weird-wild-and-wonderful-suggested-subjects.
The “Call for Entries” packet will be sent out via email blast to members soon. Members will be able to enter up to three works. It is our hope to include at least one art work from each and every BAGSC member. So whether you are an experienced exhibitor or you have not yet entered a show, please read the call for entries when you receive it and get to work on your entry now! Framing will be “artists’ choice.”
Some deadlines to mark on your calendar:
- ASAP: We will be coordinating with BAGSC artists and The Huntington to include as many different species as possible. Please let us know what you have, are painting, or are considering painting. Please email the complete botanical name of your choices ASAP to Beth Stone. Don’t worry, this does not obligate you to submit those works.
- Wednesday, May 27, 2015: This date is the absolute deadline for getting your list emailed to Beth Stone of what you have, are painting, or are considering painting. We will submit our “list of plant subjects” as best we know it to The Huntington so they can start planning on signage, related plants from the Garden, microscopes and more to go with our exhibition.
- Wednesday, July 1, 2015: July 1 is the deadline for digital submissions, entry fee and complete entry forms.
Questions about the exhibition? Contact Bonnie Born Ash or Beth Stone.
Need some Weird, Wild & Wonderful inspiration?
Kathy Musial, The Huntington’s curator of living collections, and Huntington horticultural staff will give BAGSC members a private tour of the greenhouses and gardens to talk about their own favorite weird, wild and wonderful plants. This is a great opportunity to get ideas and ask a botanist questions about plants you are painting.
May 8, 2015
10 am; The tour begins at 10 am sharp, so please plan to arrive earlier so you are ready. The tour will leave whether or not you are there.
The Huntington
You must RSVP with Beth Stone to attend. The Huntington will have stickers for us, so there will be no entry fee. The new café is open at The Huntington if you would like to purchase lunch after the plant tour. Details about where, when to meet up and more will be sent out later. You are welcome to spend the day at The Huntington.
Happy painting!
by Deb Shaw
Promotional for Roger’s Gardens “Day of Art,” Sunday, March 1 features a painting in progress that BAGSC member Clara Josephs was working on during the last year’s “Day of Art” at Roger’s.
Due to the much-needed rain, Roger’s Garden’s “Day of Art” has been postponed until Sunday, April 26th. Sorry for any inconvenience.
The same free workshop and demonstrations schedule will be held; everything should be the same except the weather. The end of April should promise a beautiful Spring day, with little chance of rain.
In the meantime, we welcome the water!!
by Deb Shaw
Promotional for Roger’s Gardens “Day of Art,” Sunday, March 1 features a painting in progress that BAGSC member Clara Josephs was working on during the last year’s “Day of Art” at Roger’s.
Roger’s Garden is proud to present their 3rd Annual “Day of Art,” Sunday, March 1 from 10 AM – 4 PM. (In case of rain, this event will be cancelled until further notice.) For the event schedule, visit the Roger’s Gardens’ Art Gallery page.
This Springtime event attracts 50 invited plein air and botanical artists painting and drawing in the Gardens for the day. A painting by each of the participating artists will be on display and available to the public for purchase. This year Roger’s will be judging the 50 original artworks with awards and recognitions.
Open to the public at no charge, all visitors will have the opportunity to participate in scheduled workshops and demonstrations.
BAGSC members Diane Daly, Clara Josephs, Patricia Mark and Deborah Shaw will be participating in the event, and BAGSC will have an information table about botanical art, our group, and our upcoming events and plans. Deborah, Clara, and Diane will be teaching a free “Drawing in your garden” introductory botanical art workshop from 2 pm to 3 pm on that afternoon. The workshop is free and open to the public, no art experience required. Roger’s Gardens will supply basic drawing materials, or participants can bring additional supplies.
Roger’s Gardens is located at 2301 San Joaquin Hills Rd., Corona Del Mar, CA 92625, 949.640.5800.
by Deb Shaw
Erythrina caffra, Coral Tree, original watercolor by Joan Keesey, © 2015, all rights reserved.
The Botanical Artists Guild of Southern California (BAGSC), in conjunction with Dr. Jennifer Funk and students from the School of Earth and Environmental Sciences at Chapman University, will be opening an exhibition of botanical art entitled “An Illuminating Look at Legumes.”
Held in conjunction with the 10th Anniversary of the Chapman University Leatherby Libraries, the exhibition explores the large, economically important plant family Fabaceae or Leguminosae, commonly known as legumes, peas, or beans.
Exhibit dates:
Thursday, February 19 – Wednesday, March 25, 2015
Artists’ Reception and Demonstrations:
Wednesday, February 25, 2015
5:30 p.m.
Doy and Dee Henley Reading Room
Leatherby Libraries, 2nd Floor, Chapman University
One University Drive, Orange, California 92866
Legumes are the third largest flowering plant family on earth, after orchids (Orchidaceae) and daisies (Asteraceae). They are incredibly diverse, ranging from huge trees, twining, vigorous vines to small delicate annuals and even a few aquatic plants. They grow all over the world, except in Antarctica and the high Arctic.
Many legumes have a unique ability to fix atmospheric nitrogen through their root nodules, and, in doing so can replenish our soils and colonize barren areas.
Accompanied by interesting descriptions of the plants by Dr. Funk, her students and BAGSC members, the artists have depicted members of this family that are important agriculturally; thrive in desert and semi-arid environments; are weedy and invasive; and grow as trees.
Artists include: Cristina Baltayian, Melanie Campbell-Carter, Diane Daly, Estelle DeRidder, Cynthia F. Jackson, Clara Josephs, Joan Keesey, Suzanne Kuuskmae, Patricia A. Mark, Arillyn Moran-Lawrence, Terri Munroe, Alyse Ochniak, Robyn Reilman, Mitsuko Schultz, Janice Sharp, Deborah B. Shaw, and Jude Wiesenfeld.
This exhibition has been sponsored by BAGSC, Chapman University Leatherby Libraries, and Chapman University Schmid College of Science and Technology.
For exhibit hours please visit: www.chapman.edu/library/info/hours.html
Visitor parking near the Leatherby Libraries is available for $2.00 – $3.00 and may be purchased from the permit dispenser. For more detailed parking information, fees, maps and directions to Chapman University, please visit: www.chapman.edu/map
By Beth Stone and Janice Sharp
The BAGSC information and sales table, with some of the Camellia botanical artwork.
The Camellia Societies of Southern California (Kern County, Pacific, Southern California and San Diego Camellia Societies) held their first Camellia show of the 2015 season at Descanso Gardens on January 17 and 18, 2015. As part of the show, members of BAGSC were invited to hang “Camellia” art works. Ten artists, Diane Daly, Estelle DeRidder, Clara Josephs, Joan Keesey, Suzanne Kuuskmae, Patricia Mark, Mitsuko Schultz, Gilly Shaeffer, Janice Sharp, and Beth Stone submitted a combined total of 20 artworks.
The craftsman style elegance of Descanso’s Van de Kamp Hall filled with beautiful Camellia blooms was a beautiful setting for botanical artwork.
The craftsman style elegance of Descanso’s Van de Kamp Hall filled with table after table covered with wildly diverse Camellia blooms was a beautiful setting for botanicals. The art of our members was well received by Camellia flower exhibitors and the public alike as a refreshing addition to the floral display.
Descanso Gardens was also enthusiastic to use the art to complement the current Camellia blooming season and has agreed to hang all 20 painting in the Boddy House where they will remain on display for the next several months.
In addition to participating in the botanical art exhibition, Beth Stone won five prizes for her outstanding Camellia flowers.
In addition, Beth participated in the Camellia show where she won five prizes for her outstanding Camellia flowers.
Many thanks to David Brown and Susan Armstrong of Descanso Gardens and George Harrison and Tom Gilfoy of the Pacific Camellia Society for making this collaboration with BAGSC possible.
Thanks also to Clara Josephs for encouraging this project from the beginning and to Deb Shaw for creating the publicity flier and attending to multiple necessary details. Thank you to Gilly Shaeffer for demonstrating watercolor techniques during the exhibit and to Melanie Cambell-Carter, Diane Daly, Clara Josephs, Patricia Mark, Tania Norris, Veronica Raymond and Mitsuko Schultz for volunteering to set-up, staff and take down the exhibit.
by Deb Shaw and Diane Daly
Caesalpinia pulcherrima, Red Bird of Paradise, or Mexican Bird of Paradise, watercolor by Diane Daly, © 2013, all rights reserved.
We’re updating our list of who is painting which Legumes for the Chapman University Exhibition in the Leatherby Libraries. [Just updated New Year’s Day — keep ’em coming and Happy New Year!]
The Legumes Exhibition follows closely on the heels of the Camellia Show at Descanso! (Each year, January seems to get busier and busier for BAGSC members!) Don’t forget that the entry forms for the Legume Exhibition are due the same day, Friday, January 16, 2015 that the Camellia Show will be staged and hung. Entry forms should be emailed or mailed, on or before that date to Diane Daly.
The list below are the Legume subjects BAGSC members have painted, are painting, or are thinking about painting. Don’t panic if you see something you’ve painted (or are thinking of painting) on the following list. This is only a preliminary list, and it’s always fun to see the same subject painted by different people. If you haven’t sent your subject to Diane Daly, please do so. We will be using our subject list to develop educational outreach materials with Dr. Jennifer Funk’s students.
- Cristina Baltayian: Coral Tree, Papago Beans, Tamarind Pods
- Melanie Campbell-Carter: Snail Vine (Viga caracalla)
- Diane Daly: Mexican Bird of Paradise (Caesalpinia pulcherrima), Calliandra Eriophylla
- Cynthia Jackson: Knife Acacia (Acacia cultriformis)
- Clara Josephs: Desert False Indigo with Dogface Butterfly, Carob Tree
- Joan Keesey: Wisteria, Coral Tree, Lupine
- Suzanne Kuuskmae: Lupine, Wisteria, Vicia sativa
- Pat Mark: Hyacinth Bean
- Arillyn Moran-Lawrence: Shelling Pea, Green Arrow, Pisum sativum (Heirloom), plus hopefully one more
- Robyn Reilman, Acacia Stenophylla
- Mitsuko Schultz: Sweet Pea (Lathyrus odoratus)
- Janice Sharp: Western Redbud (Cercis occidentalis), Sweet Pea (Lathyrus odoratus), and Australian native
Wistera Hardenbergia violacea - Deborah Shaw: Castanospermum australe (if it gets done!), Acacia seed pod (Wattle Bush)
- Patty VanOsterhoudt: Desert Museum x Parkinsidium Parkinsonia x Cercidium (Palo Verde)
- Leslie Walker: Delonix regia
Need inspiration for your artwork? (There’s still time!) See some of Dr. Funk’s suggestions in our prior BAGSC News Blog article.
by Beth Stone, posted by Deb Shaw
Camellia japonica ‘Guilio Nuccio’ with Camellia japonica ‘Horkan’ and Camellia wabisuke ‘Sukiya’, watercolor by Beth Stone, © 2104, all rights reserved.
The winter months are Camellia show season. This year, BAGSC members will have a Camellia Painting Exhibition at Descanso Gardens, Saturday, January 17 and Sunday, January 18, 2015.
The BAGSC Camellia Painting Exhibit will take place in Van de Kamp Hall, just inside the main entrance, in conjunction with the first Camellia flower show of the 2015 season. Camellia shows are exhibitions of hundreds of individual Camellia blooms presented for judging by amateur Camellia growers. Blooms are placed into classes based upon Camellia Species and characteristics such as nominal bloom size and culture conditions.
Each show has about 25 individual classes. Each class is judged by one of several teams of three judges. The teams select first place blooms of each cultivar entered in the class. They also choose multiple first place blooms from each class that merit further judging. All judges present, typically about 20, then vote for the top blooms in each class, evaluating the first place cultivars against one another. The ballots are tallied and a 1st, 2nd and 3rd place from each class is determined. Winners may choose crystal “trophies” or may accumulate points throughout the show season, which are then converted into a gift certificate redeemable at Nuccio’s Nurseries.
Camellia Grand Prix, by Janice Sharp, colored pencil, © 2014, all rights reserved.
Southern California has a consortium of five different Camellia Societies which conduct Camellia flower shows nearly every weekend from mid-January to mid-March each year in locations ranging from Bakersfield to San Diego. The January 17 and 18, 2015 exhibition at Descanso is the Pacific Camellia Society’s 50th annual show.
The Camellia Painting Exhibit and Flower Show will be open to the public:
Saturday January 17, 2015 1:00 PM (pending completion of the flower show judging) to 4:30 PM
Sunday January 18, 2015 9:00 AM to 4:30 PM
Admission to the Camellia Painting Exhibit and Flower Show is included with admission to Descanso Gardens. General admission is $9. Seniors 65 and over and students are admitted for $6. Children (5 to 12 years) are $4. Descanso members and children under five are admitted for free. There is ample parking at Descanso and you can also get a quick, easy and tasty lunch at their café.
Descanso Gardens is located near the intersection of the 210 and 2 freeways at 1418 Descanso Drive, La Cañada Flintridge, California, 91011. It is a 20-minute drive from downtown Los Angeles, depending on traffic.
Allow time on your visit to Descanso Gardens to take a walk through the Camellia Forest and visit the Camellia room in the Boddy House. You may also want to explore the newly opened natural Oak Woodland.
Minato-no-haru Camellia, by Clara Josephs, watercolor, © 2014, all rights reserved.
More information about the Camellia Societies and Camellia culture can be found at http://www.socalcamellias.org.
Nuccio’s Nurseries will also have an exhibit in Van de Kamp hall for the duration of this show which will be packed with examples of everything currently blooming in their Nursery. If you haven’t been to Nuccio’s, you owe it to yourself to see one of Southern California’s nursery treasures. Everything Camellia and Azalea can be found at Nuccio’s.
Want to volunteer to help with the Camellia Exhibition?
BAGSC volunteers are needed to help
- Stage and hang the show on Friday, January 16, 2015.
- Stay with the exhibit all weekend while it is open to the public on Saturday and Sunday, January 17 and 18, 2015. BAGSC volunteers supporting the exhibit will provide information to the public about BAGSC and our art form and will handle any sales. [There will also be at least one Camellia Society volunteer on hand at all times while the exhibit is open to talk with the public about the Camellias on display.] All BAGSC members are invited to volunteer and help support the show; you may volunteer regardless of whether or not you have work in the exhibition.
- Help with taking down and packing up the exhibit on Sunday, January 18, 2015.
An email blast went out to all BAGSC members with a call for volunteers. If you’re interested in volunteering, please contact Beth Stone.
See you there!
BAGSC News 