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by Sally Jacobs, posted by Deb Shaw
The Hollywood Farmers Market asked me to set up a booth this coming Sunday, December 3, 2017. I’ll have prints, calendars, cards, and scarves for sale — all make great gifts for the holidays.
It’s such a fun market: great produce, music, spirit. I shop there every Sunday.
by Janice Sharp and contributing authors Teri Kuwahara, Kathlyn Powell, Beth Stone, and Leslie Walker, posted by Deb Shaw
The City of Torrance Cultural Arts Commission awarded Estelle DeRidder an Excellence in Arts Award on October 21, 2017, in Visual Arts & Design for her extraordinary work in botanical art for the Madrona Marsh and for bringing-the-outdoors-in with her murals on the walls of the city’s Madrona Marsh Interpretive Center.
Each year the City honors individuals Excellence in Arts Awards in four categories: Dance, Music, Visual Arts & Design, Drama & Theater Arts. Two memorial awards are given as well, named in honor of two distinguished citizens: the Dr. Tom Rische Arts Education Award and the (former Mayor) Katy Geissert Award.

Educational napkin at the award ceremony, with artwork by Estelle DeRidder. Photo by Leslie Walker, © 2017.
BAGSC members Teri Kuwahara, Kathlyn (Kat) Powell, Janice Sharp, Beth Stone, and Leslie Walker, and Estelle’s family were on hand to see Estelle accept the award. The City put together a beautiful video about Estelle and the mural project at the Madrona Marsh Nature Preserve. The video was beautifully done and very impressive. BAGSC is planning to show it at our BAGSC Holiday Party on December 9 if possible, so members who weren’t able to attend the ceremony can see it.
After the awards presentation, Kat, Janice and Beth went over to Madrona Marsh to see the progress on Estelle’s mural. (Click on the images below to see them enlarged.)
- After the awards ceremony, BAGSC members went over to look at the mural. Photos by Beth Stone, © 2017.
- Mural by Estelle DeRidder. Photo by Beth Stone, © 2017.
- Mural by Estelle DeRidder. Photo by Beth Stone, © 2017.
Estelle was awarded a grant from ASBA in 2012 for her Madrona Marsh project. At the 2017 ASBA Conference in San Francisco this past October, ASBA Grants Committee Chairperson Myra Sourkes opened the Grants Presentation with a presentation of Estelle’s work and her accomplishments, with a hearty congratulations from all ASBA members in attendance.
And more Madrona Marsh coverage to come!
Unfortunately, Estelle won’t be able to join us at the BAGSC Holiday Party: a local television station will be interviewing her about the mural on Saturday, December 9. We will find out when the interview will be aired and on which station as soon as possible, and let everyone know.
(Click on the images below to see them enlarged.)
Congratulations, and well-deserved Estelle!
- City of Torrance Arts Commission with Estelle DeRidder (second from right). Photo by Leslie Walker,
- Estelle’s family came to the award ceremony. Photo by Leslie Walker, © 2017.
- Estelle’s family came to the award ceremony. Photo by Leslie Walker, © 2017.
by Lee McCaffree and Nina Antze, posted by Deb Shaw
Celebrate the abundance of spring flowers on display in Filoli’s magnificent historic gardens in Woodside, California for the 20th Annual Botanical Art Exhibition. The beautiful and extraordinarily accurate plant portraits by international and local artists will be on display in one of the West Coast’s most prominent botanical art exhibitions.
The exhibition “A Palette of Flowers” will be on display February 23 – May 20, 2018. This theme celebrates the abundance of spring flowers on display in the magnificent historic gardens at Filoli, and will tie into other programs at Filoli during the dramatic Spring blooming season.
Botanical artists are invited to submit their work through January 14, 2018. The Call for Entries and submissions will be handled through onlinejuriedshows.com. A PDF of the exhibition Prospectus and Call for Entries can also be downloaded here: 18893Filoli 2018 Botanical-DOWNLOADABLE
About Filoli:
Located in Woodside, CA, Filoli boasts a 654-acre property featuring a 54,000+ square foot Georgian revival style mansion turned living museum, 16 acres of exquisite English Renaissance gardens, a 6.8 acre Gentlemen’s Orchard, and a nature preserve with over 7 miles of hiking trails. Established as a private residence in 1917, Filoli was opened to the public in 1976 as a 501(c)(3) nonprofit organization and site of the National Trust for Historic Preservation. Filoli is dedicated to the preservation, interpretation, and stewardship of the cultural traditions and natural history of this country estate for public education and enjoyment. It is open Tuesday through Sunday, 10:00 am to 5:00 pm.
by Gilly Shaeffer, posted by Deb Shaw
I am participating in the Arroyo Arts Collective 25th Annual Discovery Tour on Sunday, November 19, 2017. This is a self-guided tour of artists homes and studios in Northeast Los Angeles. It is a one day event that goes from 9:30 a.m. to 5:00 p.m. I will have my botanical paintings and prints on display and my long time friend, Bob Layport, landscape oil painter, will be showing his paintings at my home. We would love to have you stop by to see our display. Hope you will come.
To find out more about this free art tour, please go to ArroyoArtsCollective.org or if you would just like to come to see the display at my home, just email me.
About the Arroyo Arts Collective Annual Discovery Tour
The Arroyo Arts Collective is a grassroots, community-based organization of artists, poets, musicians, performers, craftspersons and supporters of the creative community in Northeast Los Angeles. After twenty five years, the ground breaking Arroyo Arts Collective Annual Discovery Tour is going out with a bang. Our last Tour will be Sunday, November 19, 2017 from 9:30 a.m. to 5:00 p.m. and admission is free.
The Arroyo Arts Collective (AAC) invites the entire Northeast Los Angeles (NELA) community to visit the homes and studios of the artists who make up the 2017 Discovery Tour!
More information can be found on the Arroyo Arts Collective website.
by Gilly Shaeffer, posted by Deb Shaw
As part of BAGSC’s 20th Anniversary Celebration, we wished to start a scholarship fund to reach out to promising artists and foster their development as botanical artists. Congratulations to Irina Stolyarova, Natasha Zueva and botanical painting students from Russia! We warmly welcome Irina and Natasha as new members to our Botanical Artists Guild of Southern California (BAGSC) group.
Irina and Natasha were chosen by a committee headed by their teacher, Alexander Viazmensky (Sasha) to receive scholarships offered by BAGSC. Each scholarship includes a two-year membership to the American Society of Botanical Artists (ASBA) and BAGSC starting in 2018, plus a $100 gift.
Irina Stolyarova lives in St. Petersburg. She graduated from St. Petersburg State University of Culture and Arts as a librarian and bibliographer. She works as an economist/accountant. Irina has attended classes in botanical painting with Sasha since 2016.
She is also in her second year as an evening student in academic drawing classes at the Ilya Repin St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture, and has participated in several botanical painting exhibitions since 2016. (Note: please click any of the thumbnail images below to see a larger slide show.)
- Cactus, Irina Stolyarova, © 2017, all rights reserved.
- Hydrangea, Irina Stolyarova, © 2017, all rights reserved.
- Pomegranate, Irina Stolyarova, © 2017, all rights reserved.
Natasha Zueva has a degree in Sociology and Art History. She has been a student of Sasha’s for about three years. She has exhibited her paintings in two shows that were held for Sasha’s students. (Note: please click any of the thumbnail images below to see a larger slide show.)
- Rose Hips, Natasha Zueva, © 2017, all rights reserved.
- Peonies, Natasha Zueva, © 2017, all rights reserved.
- Cotton, Natasha Zueva, © 2017, all rights reserved.
A warm welcome to BAGSC and ASBA!
by Janice Sharp, posted by Deb Shaw
BAGSC’s Ficus Exhibition at The San Diego Botanic Garden’s Ecke Hall opened on Thursday, November 2, 2017.

In addition to written posters describing the morphology of the Ficus species, leaf rubbings, ink prints, sketches and color studies complement the educational component of the exhibition. © 2017, Janice Sharp. Photo by Olga Ryabtsova, © 2017.
Nineteen Ficus artworks, by 11 artists, are featured in the exhibition. A wonderful diversity of techniques have been used by the artists. In addition to the “traditional” watercolor, colored pencil and graphite there are leaf ink prints, graphite leaf rubbings, linoleum cut hand colored prints and tape-mounted fig wasps. Three written posters describing the Ficus species, their fertilization and biology provide an educational component to the exhibition.
Thank you Cristina Baltayian, Cynthia Jackson, Susan Jackson, Arillyn Moran-Lawrence, Lesley Randall, Robyn Reilman, Olga Ryabtsova, Janice Sharp, Deborah Shaw, Beth Stone, and Anna Suprunenko for your participation and for making the show a success.
The show closes November 30 so make your plans to visit The San Diego Botanic Garden. The San Diego Botanic Garden is located at 230 Quail Gardens Drive, Encinitas, CA 92024.
by Beth Stone, posted by Deb Shaw
Martin Allen’s Techniques Showcase at the 2017 San Francisco ASBA Conference was a great introduction for the class he subsequently taught locally for BAGSC, October 24 – 26, at The Los Angeles Arboretum.
Martin’s method is to work directly from photographs. He takes great care to stage the photos for dramatic lighting and for color accuracy to the point where paint colors can be directly matched to the colors on a printed photo. Although Martin jokes about his limited pallet there is a wisdom to it. He promotes mixing small quantities of the desired color to create a more realistic appearance.

Painting from John Pastoriza Piñol’s BAGSC workshop, 2017. The shiny, reflective areas are masking fluid that has yet to be removed. © 2017 Beth Stone.
My biggest take-away from Martin was the notion of placing “mostly the right color in mostly the right place” from the very beginning. Here are three examples of my paintings from classes within the past year. Hint: both of the Orchid specimens had deep red to nearly black areas.
I call the one from mid-point of John Pastoriza Pinol’s class “my pretty pony” , the other is my first attempt at vellum from Carol Woodin’s class. I eventually finished each of these about two months later.
Contrast these to the depth of tone achieved on this dandelion bud (~15x) in Martin Allen’s workshop.
The more classes I take, the more convinced I am that there is no right or wrong method. To me the secret is to keep an open mind and amass a tool kit of knowledge that can be applied where it suits the subject matter.