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by Deb Shaw
The Paper Farm exhibition has been seen by more than 1,800 first grade students in Orange County including schools from Buena Park, Garden Grove, Irvine, Newport-Mesa, Santa Ana, and Tustin Unified. Both students and teachers have been inspired by the artwork and installation.
Unfortunately, The Great Park had to cancel the opening reception on Sunday, May 4, due to maintenance repairs in the Artists Studios. The building will continue to stay closed to the public until May 31, 2014.
After several days of brainstorming, the staff was able to schedule and move the Paper Farm exhibition to the Irvine Fine Arts Center. The Paper Farm exhibition will be featured in the main gallery from June 14 until July 12, 2014 with a special opening reception on Saturday, June 14 from 1-3pm. The Great Park is reprinting marketing collateral and will post updated information to the website soon, but here are the basics:
Exhibition: Paper Farm: Works on Paper
Exhibition Dates: Saturday, June 14 – Saturday, July 12, 2014
Opening Reception: Saturday, June 14, 1-3pm
Venue: Irvine Fine Arts Center, 14321 Yale Ave, Irvine, CA 92604
Hours:
Monday – Thursday, 10am-9pm
Friday, 10am-5pm
Saturday, 9am-5pm
Sunday, closed
The Irvine Fine Arts Center has extended hours and a wonderful space. The Great Park would like to apologize if these changes have caused any inconvenience.
by Deb Shaw
The New York Botanical Garden/ASBA Second Triennial Exhibition entitled “Weird, Wild & Wonderful” announced the medal winners for the show. The Gold medal went to Asuka Hishiki for her watercolor of Eutrema japonica (Wasabi Root); silver was awarded to Beverly Allen for Taca integrifolia (White Bat Flower); and Julia Trickey took the bronze for her Polystichum sp. (Fern Crozier).
The awards jury included: Shirley Sherwood, D. Phil, Caroline A. Wamsler, Ph.D., and Jean Emmons, who met on April 16 to select the medal recipients.
See the ASBA website and The New York Botanical Garden website for more about the exhibition. Catalogs can be ordered through ArtPlantae. Be sure to include your ASBA member discount code at checkout.
Congratulations to all!
by Deb Shaw
The American Society of Botanical Artist’s (ASBA) contemporary botanical art show, entitled “Weird, Wild, & Wonderful” will open on Wednesday, April 16, 2014 in the Arthur and Janet Ross Gallery at The New York Botanical Garden (NYBG). The exhibition will be on display to the public from April 19 – September 21, 2014, and admission is included in any all-garden pass.
The Second New York Botanical Garden Triennial invited artists to seek visually unusual plants and create works of art that celebrate the bizarre, yet beautiful flora of the world.
Jurors Lugene Bruno, Curator of Art, Hunt Institute; Jean Emmons, Botanical Artist; and Marc Hachadourian, Manager of the Nolen Greenhouses, NYBG, pored over the 240 entries, selecting 46 artworks by 45 artists from the United States, Australia, Canada, India, Japan and the United Kingdom. Shirley Sherwood, D. Phil, Caroline A. Wamsler, Ph.D., and Jean Emmons form the Awards Jury, which will meet on April 16 to select recipients of The New York Botanical Garden Gold, Silver, and Bronze Medals. Recipients of The New York Botanical Garden Medals will be presented by NYBG CEO Gregory Long at the opening reception.
More information about the exhibition, including the complete list of accepted artists can be found on the ASBA website. The exhibition catalog is available in The New York Botanical Garden’s shop in the garden, or online from ArtPlantae. ASBA members receive a discount on the catalog.
Five BAGSC members had works accepted into the “Weird, Wild, & Wonderful” exhibition: Margaret Best, Akiko Enokio, Joan Keesey, Lisa Pompelli, and Deborah Shaw.
Margaret Best had her watercolor of Tillandsia bulbosa accepted. Margaret wrote that she wanted to send thanks to Leslie Walker, Debbie Friedman and Deborah Shaw for helping her access Jeffrey Kent’s incredible Bromeliad collection near San Diego, where she discovered this remarkable specimen. This was one of the few paintings of Margaret’s that was not destroyed in the Calgary flood last June, which makes the painting as weird, wild, and wonderful as the subject matter.
Akiko Enokido, Tacca chantrieri, watercolor. © 2014, all rights reserved.
Akiko Enokido painted Tacca chantrieri, also known as “Cat Whiskers” or the “Bat Flower” in watercolor. She writes that it is named after the long bracts that emanate from the flower scape. This flowering plant is part of the yam family, Dioscoreaceae, which grows in the tropical forest of Yunnan Province, China, India, and East Asia. In such places, the roots are used as food. She found this mysterious plant at The Kyoto Uji-city Botanical Garden in Japan, blooming inside the green house in mid-June. She says, “I was just fascinated by the shape and the process in which the “cat” developed.”
Joan Keesey, Sarcodes sanguinea, watercolor. © 2014, all rights reserved.
Joan Keesey painted a watercolor of Sarcodes sanguinea, the Snow Plant. The Snow Plant, native to Western North America, and found from Oregon through California into Baja California, and is one of the first plants to appear in the Sierra Nevada in early spring just after the snow has melted. Because the landscape is still wintery and bleak, the Snow Plant is a real treat to find. The brilliant red color is quite shocking and unexpected. The botanical name, Sarcodes sanguinea, means bloody flesh. A really good fresh plant can look almost manufactured like a toy made out of bright red, red-orange, or rose-colored plastic.
Joan writes that the Snow Plant is a member of the Heath Family (Ericaceae) and a mycotrophic (fungus eating) plant. It is unable to photosynthesize and is a parasitic plant that derives sustenance from mycorrhizal fungi that attach to the roots of trees. The Snow Plant does not, however, kill the fungi. They have a symbiotic relationship; the Snow Plant provides fixed carbon to the fungus, and in return the fungus provides mineral nutrients, water, and protection from pathogens. The Snow Plant takes advantage of this mutualism by tapping into the network and stealing sugars from the tree, the photosynthetic partner, by way of the fungus.
Lisa Pompelli, Scadoxus puniceus, watercolor, © 2014, all rights reserved.
Lisa Pompelli painted Scadoxus puniceus, an African Blood Lily, in watercolor. She stated, “I look forward to seeing this strange flower appear in my garden each year and I hope to get seeds from it someday. This is the first time I have entered one of my botanicals in an ASBA show, and I am thrilled to be included.”
Deborah Shaw, Pisolithus tinctorius, watercolor. © 2014, all rights reserved.
Deborah Shaw painted a watercolor of Pisolithus tinctorius, also know as the Dog Turd Fungus, Dead Man’s Foot, or Dyemaker’s Puffball. Pisolithus tinctorius is frequently described in the literature as the least attractive of all fungi. P. tinctorius starts out as a ball shape when young, but then grows into bizarre monstrous shapes like stumps or giant molars. It is an ectomycorrhizal fungus that gets its nutrition in a mutualistic association with tree roots—an association that helps trees access scarce nutrients such as nitrogen and phosphate. It inhabits poor and disturbed soils, can withstand drought, high temperatures in the summer, acidic soils and soils contaminated with heavy metals and mine tailings. It is so beneficial to tree growth it is widely used in reforestation projects.
Congratulations to all! Weird, Wild & Wonderful promises to be an exciting show!
by Patricia Van Osterhoudt
(left to right) Lori Fields, Arillyn Moran-Lawrence, Cristina Baltayian, and Gayle Uyehara gather around Lee McCaffree (seated) while she demonstrates a masking fluid technique. Photo by Clara Josephs, © 2013.
Hairs, dots, indentations! It’s enough to make the hairs on your neck stand up and salute! Who can count the hairs on a lime green Icelandic Poppy stem or the odd shaped rectangles on a peanut shell, and more importantly, why would one want to? This is the question all botanical artists wrestle with in the process of drawing and painting from nature, and it is one Lee McCaffree skillfully guided fourteen artists through in a two-day workshop on November 9 – 10, 2013 at the Environmental Nature Center (ENC) in Newport Beach. The classroom is in a LEED Platinum building at the ENC; the space is light and airy, perfect for botanical painting.
Through Lee’s expertise as an artist and teacher, we were encouraged to experiment with several specimens including peanuts, dry grasses, pussy willows, and various types of bumpy leaves. We began with careful observations and then did tracings for form, shape, and texture. From these we did graphite drawings as a reference point to come back to often during the actual painting. Lee continually stressed the importance of an accurate drawing for a successful painting. In the painting process we mixed color and did washes staying within the lines of the pencil lead, which all built up to texture. Many of the artists used color pencils as well. Most importantly, Lee encouraged everyone to move along rather than dally over any one particular part so we could “get the feel” for various types of texture. That nudge kept us all going!
Throughout the workshop, Lee consistently demonstrated the techniques she wished us to attempt. During the demos, she made comments such as the “importance of letting each layer of paint dry so that after several layers the light from other colors could shine through.” Later as we painted and drew, she consistently came around to each student giving constructive and creative comments that helped us move to a new and improved place. As she circled back to see our progress, she made very encouraging comments such as, “Great, see how much better that shading looks now!” As we worked side-by-side with our attention focused completely on the subject at hand (peanuts in the shell), Cristina Baltayian looked up and quietly stated, “We are the Peanut Gallery!”
In our final critique, as each artist laid her many paintings and drawings on the end of each table, Lee asked, “What did you like and not like about creating your art?” Overall, we had a general feeling that we were encouraged to try new and more challenging subjects having learned the techniques for how to get there. I always think of the botanical workshops as “a booster shot,” and I certainly got that from Lee!
A special thank you goes out to Leslie Walker, Deb Shaw, Clara Josephs, and Diane Daly for organizing this fantastic workshop!!
by Deb Shaw
Getty signage and flyer announcing the “Artist-at-Work Demonstration: Botanical Drawing,” © 2013 J. Paul Getty. Used with permission.
BAGSC members will be participating in a wonderful opportunity at the Getty this summer. To complement the Getty‘s “Gardens of the Renaissance,” BAGSC members will be demonstrating botanical art in a variety of media at the Artist-at-Work Demonstration: Botanical Drawing.
Join us in the Central Garden as we demonstrate the materials and techniques used to render plants and flowers. Learn about the botany of fruits, vegetables, and spices, and how explorations in the New World changed dinner tables around Europe. See the “Gardens of the Renaissance” exhibition, and explore Renaissance gardens and their stories (from scandalous to virtuous) in this beautiful exhibition of illuminated manuscripts. Meet botanical artists, ask questions, and get close to the action as you learn about materials and techniques seen in works of art on display at the Getty Center.
This is a free, drop-in program:
Sunday, July 7 & 21, and
August 4 & 11, 2013
12:30–2:30 p.m.
Participating BAGSC artists (on various days) include: Tania Marien, Deborah Shaw, Linda Erickson, Cristina Baltayian, Patty Van Ousterhoudt, Suzanne Kuuskmae, Jan Clouse, Arillyn Moran-Lawrence, Akiko Enokido, Lori Vreeke, Estelle DeRidder, Tania Norris, Alyse Ochniak, Leslie Walker, and Patricia Mark.
by Joan Keesey
Common Poppy, photo by John Keesey, © 2013
Consider the “campi fiori,”
Arrayed in their natural glory.
Their existence is brief
Unless an artistic thief
Memorializes their story.
John Keesey, June 2013
Preci, Umbria, photo by John Keesey, © 2013
John and I just returned from Umbria, Italy, where I took Elaine Searle’s Botanical Art Class. We stayed for eight days at a resort, Il Collaccio, in the mountains near the walled hill town of Preci and adjacent to the Monti Sibillini National Park. The views of the mountains and valleys were beautiful; the fields were filled with wildflowers: red poppies, small wild orchids, fringed hyacinths, buttercups, and many flowers that I had never seen before.
The Studio, photo J. Keesey, © 2013
We were a group of 13 including Elaine: four Americans including Deborah Friedman and myself from BAGSC, six women from Britain, three ladies from Finland, Japan, and Trinidad respectively. We stayed in a lovely stone building in which the studio was also located. Il Collaccio provided all of our meals. They were very good, especially the lunches which were interesting, varied and served outside if the weather permitted.
Lunch at Il Collaccio, photo by J. Keesey, © 2013
There was no assigned subject. We could paint wildflowers, vegetables from the local market, or roses growing on the wall of our building. I chose to paint the poppies and a small orchid called the Bee Orchid.
Elaine gave a demonstration every morning on one of the selected subjects. We worked from 9:30 am until 1:00 pm when lunch was served. After lunch Elaine was available in the studio if we wished to continue painting, or we could take the afternoon off for a hike in the hills or a visit to one of the many Umbrian hill towns.
On one of the days we had a group outing to Spello, another beautiful walled town, and Fabriano where we were given a tour of the Fabriano Museum. Fabriano not only makes high quality art paper, they also make the paper for the Euro. We were shown how paper was originally made by hand in the 16th century and their extensive collection of watermarks. At the end of the tour we all made a piece of paper.
Making Paper at the Fabriano Museum, photo by J. Keesey, © 2013
It was a great trip—an opportunity to see a really beautiful part of Italy, to meet new and interesting people, and to concentrate on drawing and painting without the many distractions and obligations of daily life.
Bee Orchid, Ophrys apifera, watercolor by Joan Keesey, © 2013, all rights reserved.
Common Poppy, Papaver rhoras, watercolor by Joan Keesey, © 2013, all rights reserved.
By Joan Keesey; Photography by John Keesey, posted by Deb Shaw
The Sunken Garden at Filoli. Photo by John Keesey.
On Thursday, April 18th, John and I attended the Artist’s Reception at Filoli. We spent the morning checking out the exhibit and looking at the garden, always beautiful, but sensational in the spring. The garden is a series of “garden rooms” similar to the Hidcote Gardens in England; each room is surrounded by a hedge of shrubs or trees and usually contains a fountain or pool. Each “garden room” has a color scheme. I spoke with one of the volunteer gardeners who said that the colors change with the seasons and from year to year, but each year there is a master plan. The first garden you see is the sunken garden. This year it is cobalt blue and white columbine, cerulean blue forget-me-nots, and hansa yellow tulips. The wisterias that climb up the brick walls of the Georgian style house were all in bloom and spectacular.
There were also many bushes with a very small, quinacridone red azalea that was quite stunning. It was a perfect day.
Quinacridone Red Azaleas at Filoli. Photo by John Keesey.
There were 64 works of botanical art by 50 artists including the two jurors, Carol Hamilton and Susan Fisher. The Botanical Artists Guild of Southern California (BAGSC) was very well represented with seven artworks by five artists—Alison Denning, Joan Keesey, Sue Kuuskmae, Mitsuko Schulz, and Deborah Shaw.
We went back for the Artists’ Reception at 5:00 pm. It is always very pleasant with wine, very nice appetizers, and the opportunity to meet other botanical artists. Carrie DiCostanzo won the 2013 Roth Award for distinction with an emphasis on traditional botanical art presentation with a beautiful picture of “Ponderosa Pine” (Pinus ponderosa). Maria Cecilia Freeman won the Juror’s Award with an exquisite picture of “Tan Oak” (Notholithocarpus densiflorus), and Ingrid Finnan won the Horticulture Aware with a delicate picture of “Dandelion” (Taraxacum offivinale).
“Aesculus californica,” California Buckeye, watercolor by Joan Keesey, © 2013, all rights reserved.
“Aesculus californica,” California Buckeye, Watercolor by Joan Keesey, © 2013, all rights reserved.
“Fragaria x ananassa ‘Fragoo Pink’,” Strawberry, watercolor by Mitsuko Schultz, © 2013, all rights reserved.
“Iris,” Iris, watercolor by Alison L. Denning, © 2013, all rights reserved.
“Castanospermum australe,” Blackbean, or Moreton Bay Chestnut, seed pod and seeds, Graphite and Watercolor on Vellum by Deborah B. Shaw, © 2013, all rights reserved.
“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.
“Vitis vinifora,” Grapes, watercolor by Suzanne C. Kuuskmae, © 2013, all rights reserved.
by Deb Shaw
The online, local newsletter, the “Newport Beach-Corona del Mar Patch” posted a great article about the “Day of Art” at Roger’s Gardens. Written by Rayna Jensen, “Art Blooms at Roger’s Gardens” has a quote from Tania Marien and photos of the drawing workshop taught by Tania and Deb Shaw.
Be sure to click on the accompanying photo to view all of the photos of the event that are included with the article, and their captions. Included in the photo album: Janice Sharp’s silverpoint demo drawing, photos of participants drawing in Tania and Deb’s workshop, and the brilliant colors of the fruit and vegetables on BAGSC’s interactive table.
by Deb Shaw
Janice Sharp (left) and Pat Mark (right) demonstrating and staffing the BAGSC Botanical Art Information Table. photo by Peter Conlon
On Saturday, February 2, 2013, BAGSC participated in Roger’s Garden’s first “Day of Art” in Newport Beach. Fifty artists, using different media participated in a full day of drawing and painting demonstrations and workshops. The “Day of Art” was free to the public and for all ages.
Pat Mark talking with visitors to the BAGSC Botanical Art Information Table. The Information Table also displayed books, originals and prints of contemporary and historical botanical art and scientific illustration. Photo by Peter Conlon.
Additionally, BAGSC had an interactive table where visitors could explore the botany (and some unusual) fruits and vegetables, and make stamp prints with them. BAGSC also had a botanical art information table, with a display of originals, prints and books of all kinds of botanical art, from scientific illustration to plant portraits, historical and current.
Tania Marien at the BAGSC Interactive Table, photo by Deb Shaw.
BAGSC artists participating included: Diane Daly, Clara Josephs, Arillyn Moran-Lawrence, Sue Kuuskmae, Alyse Ochniak, Tania Marien, Deborah Shaw, Pat Mark, and Janice Sharp.
Tania Marien and Deb Shaw gave a two-hour workshop in the afternoon in the outdoor amphitheater on drawing flowers and leaves in pencil, with drawing boards, drawing paper and pencils provided by Roger’s. A watercolor and pastel workshop was offered in the morning by plein aire artists David Damm and Gill Dillinger, and a gourmet food truck, “Bite Me Foods” provided lunch for those who were hungry.
Tania Marien and visitors to the BAGSC Interactive Table. Kids of all ages used fruits and vegetables to create stamp art.
The event had been postponed from the previous Saturday due to rain. The weather held out this Saturday, and the event was packed with enthusiastic participants, even with the change in schedule. People and their dogs strolled the grounds, bought plants and took in the art.
Attendees were eager to watch the demonstrations, and BAGSC members spent the day talking about botanical art, different media and techniques to interested customers. Many inquired about botanical art classes and were complimentary about the day’s events. Roger’s reported overwhelmingly positive comments from their guests.
Thank you to all who participated, and to Roger’s for hosting the event. We hope there will be more in the future!
Deb Shaw (left) and Tania Marien (right) teaching a workshop about how to draw flowers and leaves in pencil. Photo by Peter Conlon.
Deb Shaw expressively describing the morphology of a banana inflorescence to Theresa Marino from Roger’s Gardens. Photo by Peter Conlon.
Sue Kuuskmae chose to draw in the shade section of the nursery, near a fountain. Photo by Deb Shaw.
Clara Josephs (left) and Diane Daly (right) discuss botanical art and painting with visitors.
Alyse Ochniak demonstrating in the garden, photo by Deb Shaw.
Arillyn Moran-Lawrence demonstrating in the garden (in the luxurious outdoor furniture section). Photo by Deb Shaw.
by Deb Shaw
(left to right) Leslie Walker, Joan Keesey and Lesley Randall hang and straighten artwork, photo by John Keesey.
Botanical Visions, an exhibition of botanical art by the Botanical Artist Guild of Southern California opened on January 12th in the Ecke Building of the San Diego Botanic Garden.
The exhibit features paintings, drawings and prints in watercolor, pen and ink, graphite and colored pencil. BAGSC member Lesley Randall organized this wonderful exhibition of ten BAGSC artists: Estelle DeRidder, Linda Ericksen, Polly Jones, Joan Keesey, Lesley Randall, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Mitsuko Schultz and Patricia Van Osterhoudt.
(left to right) Janice Sharp and Mitsuko Schultz hanging artwork, photo by John Keesey.
(left to right) Mitsuko Schultz and Patty Van Osterhoudt, photo by Deborah Shaw.
The artwork was hung the day of the opening artists’ reception in the Ecke Building. The light-filled, open-beamed room is used as a classroom, so the artwork will have lots of exposure for the duration of the show, from January 13 – March 23, 2013.
(left to right) Joan Keesey and Janice Sharp share a laugh before the Artists’ Reception, photo by Deborah Shaw.
Lesley Randall, Leslie Walker, Estelle DeRidder, Joan Keesey (and BAGSC helper John), Polly Jones (and husband), Patty Van Osterhoudt (and BAGSC helper Chris), Janice Sharp, Mitsuko Schultz and I were all on hand to hang the show. Linda Ericksen joined us for the reception.
(right to left) Polly Jones, Polly’s husband and Estelle DeRidder place artwork labels, photo by Deborah Shaw.
Formerly called “Quail Gardens”, the San Diego Botanic Gardens are absolutely beautiful, and this is a wonderful time of year to see them. Although the gardens are extensive, with different sections devoted to plants from different parts of the world, each section feels like an intimate treasure, with delightful surprises around each bend of the path.
A few attendees at the Artists’ Reception, photo by John Keesey.
A statue in the garden, San Diego Botanic Gardens, photo by John Keesey.
The exhibit will be open during regular garden hours January 13 – March 23, 2013.
Thank you Lesley!
by Deb Shaw
Sunflower, pen and ink by Tania Norris, © 2012, all rights reserved.
In October, 2012, when we posted the “Stipple, then Tipple” article about Anita Walsmit Sachs’ BAGSC class, we also posted a request for additional artwork as students completed their drawings. (See https://dbshaw.wordpress.com/wp-admin/post.php?post=1448&action=edit for the original article.)
Joan Keesey emailed Tania Norris’ pen and ink beautiful Sunflower from the class. Thank you Joan and Tania for sharing a wonderful drawing!
by Deb Shaw
The first “Day of Art” at Roger’s Gardens, originally planned for January 26 was postponed due to rain. It will be held, however, this Saturday, February 2, from 9 am – 4:30 pm.
Fifty artists will be painting and demonstrating in the gardens, including BAGSC members Bonnie Born Ash, Diane Daly, Clara Josephs, Suzanne Kuuskmae, Tania Marien, Pat Mark, Arillyn Moran-Lawrence, Alyse Ochniak, Janice Sharp and Deb Shaw.
BAGSC will have a table about botanical art, as well as an interactive table to explore plants, fruits and vegetables. Tania Marien and Deb Shaw will teach a workshop to the public on drawing flowers and leaves in pencil.
Plein aire painters will also be painting and demonstrating in the garden, as well as leading workshops. The event is free, open to the public, and can be enjoyed by all ages.
Roger’s Gardens is located at 2301 San Joaquin Hills Rd., Corona Del Mar, CA 92625, 949.640.5800. “Bite Me Foods” food truck will be parked at the Victory Garden in the back parking lot from approximately 11 am to 2 pm.
And, of course, the beautiful selection of plants in the nursery will be open.
Bring friends and family and see you there!
by Clara Josephs, posted by Deb Shaw
Before: The BAGSC crew arrives and unpacks artwork. Thank you to all the BAGSC members (and supporters) who came to help!
The Chapman show, “Drought Tolerant Beauty”, is up and it is stunning! There are 59 pieces by 18 of our members. The art is arranged through the gallery areas by drought tolerant mechanisms. Dr. Jennifer Funk’s students have written wonderful commentaries to accompany the groupings.
Our Artist Reception is Thursday evening, February 7 from 7 – 9 pm.
In addition to the tasty hors d’oeuvres and adult libations, Dr. Funk will talk briefly about her involvement with restoration ecology and drought tolerant plants.
Sorting artwork into drought-tolerant categories.
Plan to attend with your family and friends. Even if you don’t have a piece in the show, you will enjoy seeing this collection of works by our members. You will see work that was inspired by Anita Walsmit Sachs’ workshop, works in a variety of media, and some very unique ways of composing challenging subjects.
Take time to notice the framing. Almost all the paintings were framed to ASBA show specifications, using a blonde L profile frame. Many of the frames are the Dick Blick renewable bamboo frame we recommended. Several frames are “look-alikes” that blend perfectly with the Dick Blick frame. Do you like the standardized framing look? Proponents say it helps focus attention on the art, and give the art a more professional, less “décor” appearance. Let us know what you think!
Pausing to admire the beautiful art.
If you would like to demonstrate during the reception, please call or email Diane Daly. If you weren’t able to paint for the show, demonstrating during the reception is another great way to participate!
Don’t forget to WEAR YOUR BAGSC NAME TAG! If you don’t have one, please let Deb Shaw know and she will bring one for you.
Looking forward to seeing everyone on the evening of February 7.
Dr. Jennifer Funk, ecologist with Chapman University, helps categorize the art.
Laurie Gates Cussalli, Chapman University, demonstrates the hanging wire system.
The “Succulent Leaves” Category is up on the wall, waiting for signage and labels.
The exhibition continues on the other side.
by Joan Keesey; photography by John Keesey, posted by Deb Shaw
Joan Keesey in Fern Canyon at Descanso Gardens with Coast Live Oaks
Yesterday John and I visited Descanso Gardens to check out the two art exhibitions currently on display there. In the Sturt Haaga Gallery the exhibit, “The WILD Flowers”, is a collection of works by seventeen contemporary California artists. Concurrently, contemporary botanical illustrations are being presented in the Boddy House; these paintings are provided by five members of the Botanical Artists Guild of Southern California (BAGSC): Joan Keesey, Sue Kuuskmae, Gilly Shaeffer, Janice Sharp, and Deborah Shaw.
It was a beautiful clear and crisp day, and although it is still winter, Descanso Gardens was very lovely; the magnificent Coast Live Oaks (Quercus agrifolia) provide the perfect canopy for the garden’s remarkable collection of Camellias, many of which were blooming.
Penelope Gottlieb, “Flowers Gone WILD”
I hadn’t really expected to like the exhibit, “The WILD Flowers”. I couldn’t conceive of how an artist could invent flowers that were more wild and astonishing than real flowers, but the pictures were very imaginative, technically accomplished, and fun. Many of them, like Potentilia multijuja by Penelope Gottlieb, included recognizable flowers and plants. I was told that Ms. Gottlieb always includes a flower that is no longer in existence.
Gary Brewer, “Flowers Gone WILD”
Maura Bendett, “Flowers Gone WILD”
There was one video that had bubble-gum and aqua colored slime dripping from slowly opening lilies—not sure what that was all about.
Sue Kuuskmae in the Gunroom.
The botanical paintings by BAGSC members were very thoughtfully displayed and illuminated in the Hall and the Gunroom of the Boddy House. Without knowing that I was involved the docent was very enthusiastic about and complementary of our
More Action in the Gunroom — Gilly Shaeffer & Janice Sharp.
pictures. Several visitors took pictures of our pictures. I am impressed and proud that BAGSC has been able to provide quality paintings for the three concurrently running botanical exhibitions in Southern California: “Botanical Visions” at the San Diego Botanical Garden, “Drought Tolerant Beauty” at Chapman University, and “Contemporary Botanical Illustrations” at Descanso Gardens.
Sue Kuuskmae, Deborah Shaw & Joan Keesey in the Hallway.
by Janice Sharp
JANUARY 15 – MARCH 31, 2013 at
Descanso Gardens in the Sturt Haaga Gallery
The WILD Flowers presents work by 17 contemporary artists who live and work in California. The show was conceived and curated to complement the exhibition When They Were Wild, which opens March 9, 2013, at the Huntington Library, Art Collections and Botanical Gardens.
Running concurrently with the WILD Flowers are works of contemporary botanical illustration provided by the Botanical Artists Guild of Southern California. This exhibit is presented in the Boddy House’s Heritage Gallery and features selected works by Suzanne Kuuskmae, Joan Keesey, Janice Sharp, Deborah Shaw, and Gilly Shaeffer.
Both exhibits are free with admission and open during regular business hours: the Sturt Haaga Gallery is open daily from 10 a.m. to 4 p.m., except Mondays.
BAGSC News 