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by John Keesey, posted by Deb Shaw
Sally’s beautiful studio space was all set up when we arrived, with handouts and gifts from Anita.
For three lovely days in mid-October twelve eager botanical artists enjoyed the warm personality and dazzling expertise of Anita Walsmit Sachs from the Netherlands. They met each morning in the pleasant downstairs classroom of Sally Jacobs’ Studio near LACMA to learn botanical line drawing from Anita, the head of the Art Department of the Nationaal Herbarium Nederland of the University of Leiden in the Netherlands. She brought many examples of the beautifully composed line drawings she creates for scientific articles, complete with ink stippling to suggest shading and shape. She has also contributed exquisite watercolors of Acer and Syinga to the Florilegium of the Prince of Wales’ Estate at Highgrove, and has won two gold medals from the Royal Horticultural Society of England.
Mimulus ‘Dave’, by John Keesey, pen and ink, © 2012
We brought our own plant to draw, first in pencil to show the “habit” or repeating part of the plant, then details of structure often viewed under a dissecting microscope and drawn over graph paper. These pencil drawings were cut out and taped into a suitable composition, which was perhaps the most challenging aspect of the project. This was then transferred via tracing paper and a light box to a paper with a vellum finish suitable for inking, which was done using Rotring or Staedler pens of several sizes to indicate the light source and overlapping. Finally graduated stippling with these pens to indicate shading and shape was discovered to be an excellent form of meditation!
Salvia ‘Hot Salsa’ by Joan Keesey, pen and ink, © 2012
Botanical artists who attended these sessions included Sally Jacobs, Leslie Walker, Deborah Shaw, Tania Norris, Norma Sarkin, Janice Sharp, Bonnie Born Ash, Joan Keesey, Tania Marien, Mitsuko Schultz, Alyse Ochniak and Estelle DeRidder. Also present was Yours Truly, John Keesey.
Part of a Western Sycamore by Estelle DeRidder, pen and ink, © 2012
Note to all who attended the class: Please email a photo of your drawing and/or sketches to Deb, so she can post them to the blog.
Anita discusses inking techniques with the class.
by Janice Sharp, posted by Deb Shaw
When you first click on the link in the story to the Google map of the locations of Arboretum introductions, this is what you’ll see; a list of all the plants with their locations as dots on the map. Click on “Satellite” view in the upper right corner of the map to see the information displayed over a photographic map.
For all of us who are painting the plants introduced by the Los Angeles Arboretum (or even those of us who want to find those plants from the list), we have a link to a Google map of the locations of Arboretum introductions throughout the grounds (thank you Frank!).
This this data is about five years old, so some plants from our list may be missing from the map, but it’s a great start. When you open the site, click on “satellite” view and zoom in. Then you’ll be able to see the paths and roads in the Arboretum, which will make it easier to find things and find your way around.
Questions? Contact Janice Sharp.
Happy painting!
In the “Satellite” view, zoom in to see the roads, paths and familiar landmarks of the Arboretum grounds.
Click on the red pin marker next to a plant name you’re interested in, and the plant information will pop up on the map where the plant is located. Or, click on any red marker pin on the map, and the plant information will pop up there, too.
by Diane Daly, posted by Deb Shaw
Finally, we have the dates for our Chapman show on drought tolerant plants. We will have the Leatherby Library Henley Reading Room and the Clarke wall just like we used in the Brush with Nature exhibit.
We will set up and hang the exhibit on January 25, 2013. We will have an evening reception on February 7, and we will take down the paintings on February 25.
The botanist, Jennifer Funk will have her students write descriptions of drought tolerant plant groups with explanations of how the plants retain moisture and survive the heat.
Reminder, all paintings should be framed in the Dick Blick bamboo frame, white mat, and plexiglass. Use the same label on the back as we do for other exhibits. All members can submit up to four paintings. Paintings can be delivered to Diane Daly’s house the week before Jan 25 or brought to Chapman on that date at 10 am to be hung.
More details will be coming. Questions? Contact Diane Daly or Clara Josephs.
A plant selections list follows below. This list is just a “ working list” to let everyone know what other artists are working on. We hope this will inspire other members to paint for this exhibit. Don’t worry if you’re interested in painting something that is already listed below. Duplicates are not automatically excluded. Feel free to add, delete or change, depending on how your paintings are going. Let Diane Daly know. We’ll continue to publish updated lists.
Arillyn Moran-Lawrence
Dudleya Farinosa
Salvia Chamaedroyides, Electric blue sage
Desert Marigold, Baileya multiradiata
Echeveria graptoveria or Kalanchoe thyrsiflora
Bonnie Ash
Agave Utahensis var. nevadensis
Pacific Mist Manzanita Arctostaphylos uva-ursi
Linda Ericksen
Prickly pear cactus, Opuntia
Joan Keesey
California Buckeye Flower, Aesculus californica
Flannel Bush Fremontodendron
California Poppy Eschscholzia californica
Foothill Penstemon Penstemon heterophyllus
Or
Heart Leaf Penstemon Keckiella cordiforlia
Toyon Heteromeles arbutifolia
Bush Monkey Flower Mimulus aurantiacus
Patricia VanOsterhoudt
Crape Myrtle, Lagerstroemai indica
Columbine Aquilegia
Mountain Phlox
Yucca (another view)
Sue Kuuskmae
Fortnight Lily, Dietus vegeta
Rock Rose, Kalanchoe
Toyonberry
Matilija poppy, Romneya coulteri
Estelle DeRidder
Coastal Prickly Pear, Opuntia littoralis
Baja Fairy Duster, Dalliandra eriophylla
California Live Oak, Quercus agrifolia
Chia Salvia, Columbriae
Clara Josephs
Coffeeberry, Rhamnus californica
Diane Daly
Island Alum Root, Heuchera maxima
Seaside Daisy Erigeron glaucus
Carmen Lindsay
Bladder Sage
Ocotillo
Buckwheat
Veronica Raymond
Coffeeberry, Rhamnus californica
Bladderpod, Isomeris arborea
Nevins Barberry, Mahonia nevinii
Englemann Oak Quercus engelmannii
Deborah Shaw
Fuschia Flowered Gooseberry, Ribes speciosum
Blue-eyed Grass, Sisyrinchium bellum
Chalk Dudleya, Dudleya pulverulenta
White sage, Salvia apiana
Mitsuko Schultz
Nevin’s Barberry, Berberis nevinii
California Sycamore, Platanus racemosa
by Akiko Enokido, posted by Deb Shaw
Mieko Ishikawa with her watercolor, “Amorphophallus titanum”. © 2012, all rights reserved.
I was lucky to be able to attend the exhibition of Mieko Ishikawa’s work, 9/1 to 9/9/2012 at Keio Plaza Hotel, Shinjuku, Tokyo. Approximately 60 pieces of her work from the past ten years were exhibited. Included in the exhibits were the cherry blossoms series that received the gold medal at RHS, the plants of Borneo, and Conifers.
On the weekend, Mieko had a special event with lectures and photos from her trip to Borneo. From her fascinating lectures, we learned how she found and sketched the plants in the wild rain forest.
Her most recent work is this huge flowering plant Amorphophallus titanum. This originally grows in the rainforests of western Sumatra, Indonesia. The bloom normally reaches up to 8 to 9 ft tall there.
Mieko drew this particular piece at Koishikawa, Botanical Gardens, Graduate School of Science, the University of Tokyo. Since the one there was only about 6ft tall, she decided to paint it in its actual size. The flower died in two to three days. While she was sketching it, she couldn’t help but notice the terrible smell of the blooming plant. When I visited her studio last March, she was working on 6.5 x 3.2 ft stretched Arches paper. The final work was so beautiful it was hard to imagine that it could give out a terrible odor as she described.
Mieko Ishikawa presentation about painting the plants in the wild rain forest of Borneo.
Mieko has visited Borneo more than ten times. In the rainforest, you can’t take any specimens to confirm the specific plant species. But she became good friends with the guide, and one day he gave her one dead pitcher with a plant. And another time, when the director of the national park gifted her a huge acorn from the herbarium, she trembled with joy as if she was presented with a diamond.
Mieko Ishikawa with painting at Exhibition at Keio Plaza Hotel, Shinjuku, Tokyo.
We generally are not able to go to the rain-forest; we just have knowledge through photos and videos. The plants in Mieko’s works are drawn actual size and look so lively, it makes you feel as if they are going to move right in front of your eyes. She also taught botanical painting to the people who work at the national park, but the papers were so moistened due to wet weather. She said it was extremely difficult to paint. Mieko hopes that botanical art will spread throughout their country. Her works are valuable records of the precious species in Malaysia. Mieko wants to be even more active in drawing Borneo plants, presenting their ecology and fascinating morphology in order to protect the nature in Borneo for many more years to come.
by Deb Shaw
Acer saccharum, Sugar Maple, by Margaret Best, watercolor on paper, © 2012, all rights reserved.
BAGSC members Margaret Best and Akiko Enokido were selected to exhibit in the 15th Annual International exhibition for the American Society of Botanical Artists at The Horticultural Society of New York. The show is comprised of forty-three artworks by thirty-nine different artists from the US, Australia, Brazil, Canada, Japan and the UK.
Jurors Patricia Jonas, Kathie Miranda and Derek Norman had the difficult task of selecting from 192 entries. The artwork in the show can be viewed in the exhibition section on the new ASBA website. Be sure to read interviews with Margaret and Akiko about their work in the show on the website as well.
Camellia japonica ‘Chandleri Elegans’, Variegated Camellia, by Akiko Enokido, watercolor on vellum, © 2012, all rights reserved.
Want a catalog of the exhibition? Order from ArtPlantae for $20.
The exhibition will be on display from September 14 – November 21, 2012 at The Horticultural Society of New York, 148 W. 37th Street, 13th Floor, New York, New York, 10018. Gallery hours are Monday – Friday, 10 am to 6 pm.
Congratulations to all!
by Tania Norris, posted by Deb Shaw
Anne-Marie Evans reviewing students’ work.
Anne-Marie Evans is one of the most prominent botanical art teachers in the world. She is returning this autumn to the Robinson Gardens to teach DEVELOPING OBSERVATIONAL AND DRAWING SKILLS. Anne-Marie welcomes novice to experienced artists into her classroom. Her unique way of teaching with a gentle prodding for higher standards leaves each student at the end of the session with a sense of accomplishment.
Course Description: The class will focus on the process of drawing rather than the final finished drawing. As well as seeking to develop observational skills, it offers a methodical and analytical method of approach to a complex subject – the pineapple… Relevant exercises will be included throughout the course.
Dates: October 22 – 26, 2012 (10 am through 3 pm)
Monday 10/22/12 Robinson Gardens Florilegium volunteer day. Tuesday through Friday botanical art class.
Location: Robinson Gardens Pool Pavilion
Cost: $595 for Friends of Robinson Gardens, Robinson Gardens Society and BAGSC members and $675 for non-members.
Non-members may purchase a Robinson Gardens Society membership for $55, save $25 on this workshop’s tuition, and benefit from the many attractions at the Gardens for a whole year.
Deposit: A non-refundable $75 deposit is requested ASAP in order to secure a student’s reservation, due to limited space for this class.
Class Material:
A pineapple
Scissors
Eraser
Pencils HB,*B,2H
Tracing paper
Paper glue
HP watercolor paper
Good quality velum
An empty bottle
A fork
For more information please contact the Friends of Robinson Gardens office at info@robinsongardens.org. There are only a few spaces left.
By Janice Sharp and Deborah Shaw
Akiko Enokido painted this watercolor of Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved.
Starting in 1957 and continuing to the present, The Arboretum has been responsible for the introduction of plants to Southern California from around the world (click here to download a list of the plants: LaArboretumPlantIntros). Many of these plants are now indispensible elements in our Southern California Gardens.
Recently, BAGSC members donated cards to make boxed collections for Richard Schulhof (Arboretum CEO) to take as gifts for officials he met on a trip to South Korea. Most of the images used on these cards were of Arboretum Introductions. At the end of the trip a few remaining boxes were placed in the Arboretum Gift Shop for sale. The Gift Shop, Arboretum staff and Foundation Board members, as well as the general public, are very interested in having “Arboretum Plant” note cards stocked in the Gift Shop.
The Arboretum is a good friend of BAGSC, providing class space at very reasonable rates and access to a huge selection of plants. As a result, our members have already painted many plants on the Introduction list or will paint them in the future.
BAGSC is asking its Members to “donate” the use of images they may have, or will create, to be included in an “Arboretum Introduction” card collection. Deborah Shaw is setting up a project area for BAGSC members to upload their high-resolution images, or they can be mailed to her on disc. Each finished card will include:
- the Name of the Artist with the appropriate copyright notice;
- the plant name and the year it was introduced;
- a description of the Arboretum;
- and a description of BAGSC.
Images “donated” will be used ONLY for the purpose of this “Arboretum Introduction” card collection. BAGSC will produce and box the cards. They will be sold to the Arboretum Gift Shop at a modest markup over our costs of production. The profit will go to BAGSC’s general funds.
In addition, the Arboretum Library is to undergo an extensive facelift in the near future. When the work is completed we hope to have an art show featuring the Arboretum Introduction artwork.
If you are interested in participating in this project contact Janice Sharp or Deborah Shaw. Deb will email instructions for uploading images to the web project area.
by Janice Sharp, posted by Deb Shaw
It’s the end of Summer, but it’s still hot here in Southern California. By popular demand, we’re posting Janice’s easy frozen treats:
1/3 cup maple syrup
1/3 cup plant-based milk (almond, soy or rice)
1/3 cup cocoa powder
2 teaspoons vanilla
2 ripe bananas
2 cups oatmeal (old fashioned)
Grape-Nuts
1. Puree maple syrup, milk, vanilla, cocoa powder, and bananas. Transfer to a mixing bowl. Add oatmeal and mix well.
2. Place a thin layer of Grape-Nuts in ice-cube trays (about 1.5 trays). Place the mixture in the trays and add another layer of Grape-Nuts on the top.
3. Freeze. After the treats are frozen pop them out of the trays and place them in a container. Store in the freezer.
Enjoy while taking a break from painting!
by Jill Berry, posted by Deb Shaw
Magnolia, by Cristina Baltayian, colored pencil, © 2011, all rights reserved
Cristina Baltayian’s popular Colored Pencil classes are now also being held on Saturday, and she is now offering a Colored Pencil class for children, so plan on coming to the Arboretum and enjoying a beautiful day!!! Jill
USING COLORED PENCILS in Botanical Art (Adults)
Cristina Baltayian, Instructor
At the Arboretum, 301 North Baldwin Ave., Arcadia, CA 91007
Held in the Conference Room in the main administration building
Saturdays, 2012 from 10am – 4pm (includes lunch break)
August 18
September 15
October 13
(No class in Nov.)
December 15
This class will explore flowers, fruits, vegetables and more, using colored pencils techniques to get beautiful, painterly results.
$ 95 Arboretum members per Saturday
$115 Non-members per Saturday
Pre-registration required; please call 626.821.4623 or email Jill.
Cristina Baltayian has a background in drawing (graphite, charcoal, pen and ink), two-dimensional design, watercolor, and colored pencils. Her work has been shown at Filoli, the Los Angeles County Arboretum, and Chapman University. She is a member of the American Society of Botanical Artists, and the Botanical Artists Guild of Southern California.
- A supply list will be provided upon registration.
- You may bring your lunch or purchase it at the Peacock Café.
DRAWING WITH COLORED PENCIL for Children
Cristina Baltayian, Instructor
This class for children ages 9-13 will use pencils to develop observation and fine motor skills, focusing on color mixing and drawing techniques while using objects from nature and everyday life.
4 Thursdays:
September 6, 13, 20, 27
October 4, 11, 18, 25
3:30pm – 5:30pm
Minimum 5 children, Maximum 10
10% discount for siblings
$145 Arboretum members per month
$160 Non-members per month
Please call the Class Registration number at 626.821.4623 to register.
In addition to the art background described above, Cristina has taught art classes in private schools to elementary and high school students.
posted by Deb Shaw
BAGSC member Margaret Best will be teaching classes in various parts of the globe for the remainder of 2012, and into 2013. See below for descriptions and links to more information:
Mixing Natural Green and Painting Leaves (SOLD OUT!)
September 26-28, 2012. Filoli, San Francisco.
Three-Day Weekend Workshops (and more) – October 12-14, 2012, and November 23-25, 2012
These intensive 3-day workshops involve assigned subjects or specific technical aspects aimed at assisting participants in the creation of traditional botanical art studies. The selected subjects range from introductory level to advanced study.
The locations of the 3-day Weekend Workshops will be in and around Calgary and will be indicated in the description of each individual workshop as it is confirmed. Please bring your own lunch and refreshments other than coffee and tea, which will be provided. More information, costs and payment by credit card or PayPal can be made on the Traditional Botanicals website. Various evening botanical workshops and Saturday workshops are available in Calgary as well. See the Traditional Botanicals website for details.
Fabulous Foliage – Watercolor
November 2-5, 2012
Bermuda Society of Arts, Hamilton, Bermuda
A 4-day intensive workshop using the incredible variety of shapes and colors of tropical and subtropical leaves of Bermuda, capturing natural green colors, and achieving realistic surface texture, venation, leaf curl, and foreshortening. If you have always wanted to master the art of painting leaves, this is a class not to be missed. For more information, costs and payment, contact the Bermuda Society of the Arts.
Painting in Morocco (including lectures by Ethnobotanist Gary Martin) – April 22-30, 2013.
BAGSC member Jan Clouse at Margaret Best’s Quench Trip Design Tuscany Workshop, 2012.
This incredible botanical art opportunity has been arranged in conjunction with Quench Trip Design. Gary Martin, renowned ethnobotanist and the author of Ethnobotany: A Methods Manual will give lectures. Enjoy five nights in luxury accommodations, three nights in a mountain retreat, meals prepared by gourmet chefs and highly personalized instruction from Margaret Best. More information, costs, and itinerary can be found at the Traditional Botanicals website (click on the “Blog” link for information) and at Quench Trip Design.
by Elaine Searle, posted by Deb Shaw
BAGSC member Elaine Searle is a botanical artist and experienced instructor from the UK who has taught extensively in the USA. By popular demand she has extended her 2013 Italian painting holiday to 10 days. A day excursion to medieval Fabriano to learn how to make paper is included. Previous visits have attracted students of all levels from UK, USA, Europe, the Caribbean and Japan.
Non-painters are also most welcome as the national park setting is perfect for nature walks, independent sightseeing with a hire car or simply lazing by the pool with a good book.
10 Day Botanical Painting Holiday in Umbria, Italy
May 29-June 8, 2013
1,380 Euros per painter sharing, 980 Euros per non painter sharing, 150 Euros single room supplement.
Includes 10 nights in a family owned ‘agriturismo’ hotel, all meals, wine with evening meal, daily tuition, 24-hr access to the studio and a full day excursion to Fabriano. Paint local flora (even native orchids) or vibrant veggies with guidance. Or for those who would like more specific drawing and watercolor technique instruction choose one of Elaine’s mini-projects with full color handouts (ideal for less experienced). Elaine is on hand to demonstrate and assist.
The hotel is situated in breathtaking countryside and is noted for its hospitality and good food. You can paint as much or as little as you wish.
Download the ESearle_2013Umbria brochure to see details about the 10 Day Botanical Painting Holiday in Umbria, Italy.
More information and booking, go to http://www.ilcollaccio.com
by Leslie Walker, posted by Deb Shaw
Anita Walsmit Sachs in her studio. © Anita Walsmit Sachs
Anita is an experienced Scientific Illustrator and teacher who is coming from the Netherlands to teach this very special class on October 12, 13, and 14. For a complete biography and an opportunity to see her work, visit her website.
Each student will select and bring to class a plant they wish to draw and get to know intimately.
The first day you will get to know the plant by study, making dissections, using a microscope and drawing.
The second day will be spent making a composition and deciding the technique you wish to work in. This can be in pencil, watercolor or pen and ink which will make it a scientific piece.
The last day we will try to finish our drawing or painting.
The teaching will be individual. Some experience would be nice.
The cost of this three day class on October 12, 13 and 14, will be $300. The cost for non-members is $350. Space will be held upon receipt of a $50.00 non-refundable deposit. Final payment is due to Leslie by September 28. A list of materials and a suggested reading list will be sent by email, upon payment of deposit. Checks should be made out to “BAGSC” and sent to Janice. Questions? Contact Leslie until August 31 or Janice after August 31.
The class will be held October 12, 13 & 14, from 9:30 to 3:30 each day at Sally Jacobs’ Studio.
You don’t want to miss this wonderful opportunity. Class size is limited, so register as soon as you can.
by Leslie Walker and Bonnie Born Ash, posted by Deb Shaw
The next BAGSC Quarterly Meeting will be on Saturday, August 25 at Pat’s home. Please join us for the meeting and special program that follows. Members are encouraged to form car pools!
Coffee will be ready at 9:30 a.m. and the meeting begins promptly at 10:00 a.m. There will be updates on our exhibition at Chapman University as well as news of upcoming classes. Lunch will be potluck style, so please let Pat or Leslie know what you are bringing. You are encouraged to bring your latest work to share – we’re always interested to see what everyone is working on!
RSVP to Pat or to Leslie by August 20. Directions will be sent out via email blast. We hope to see you on August 25!
AGENDA
Coffee at 9:30
I. President’s Report – Leslie Walker
- Rancho Los Alamitos, May 30 Sales Visit
II. Secretary’s Report – Bonnie Ash
III. Treasurer’s Report – Janice Sharp
IV. Membership Report – Joan Keesey
V. Old Business
- Chapman University Exhibition
- Margaret Best Class
- Akiko Enokido Farewell Party
- Fabriano 5 Paper for Sale!!!
VI. New Business
- Anita Walsmit Sachs Class: October 12, 13, 14, “Scientific Drawing in Pen and Watercolor”
- Nominating Committee for Election of Vice President and Secretary
Program
- Deb Shaw: Demonstration and mini-Workshop on water-soluble graphite techniques (Note: Please bring any old/inexpensive brushes you may have that you are willing to ‘sacrifice’ to graphite. Deb will bring other supplies.)
- Estelle DeRidder: Sketching and development drawings.
Open Session for Members to share recent work, new techniques, etc.
Potluck lunch.
See you there!
by Deb Shaw
Two important dates for your calendars!
1) The next BAGCS meeting will be at Pat’s on Saturday, August 25. Agenda, mini-workshop/demo topic and directions to come soon.
2) Anita Walsmit Sachs will be coming from the Netherlands to teach a BAGSC-sponsored class October 11, 12 and 13. Details and cost to come. Be sure to come to this exciting class.
by Jan Clouse
Jesselyn Cyr, Norma Sarkin and Leslie Walker in Margaret’s class at the Huntington.
Sometimes a perfect composition presents itself like a gift from heaven, but more often than not it is like Jacob wrestling with the angel—a struggle for a blessing. In her three-day workshop at the Huntington Garden, Margaret Best repeatedly returned to fundamental principles of composition, guiding the class through basic do’s and don’t’s. Each morning began with a slide show, lecture, and discussion that both guided and inspired us to create a pleasing and dramatic painting.
As always, Margaret dispels the notion right away that we will walk out the door with a “finished painting.” Rather her aim is that each student will have a thoughtfully composed finished drawing ready for color. Many of us had done our homework: we had selected appropriate specimens; most had done preliminary sketches, and some had transferred the sketches to paper. Yet under her tutelage we all drew or rearranged our sketches to improve the placement of the focal point. First consideration was the “rule of thirds” or Margaret’s magic grid.
We also looked at examples from traditional to contemporary painters who in various ways illustrated the basics of planning, focal points, cropping, color placement, contrast, and the use of positive and negative space. Yet Margaret always sent us back to consider our own works.
Speaking for myself, the process of looking at a variety of paintings and discussing them with nine other keen-eyed artists who all offered perceptive comments sharpened my eyes to assess the potential strengths and pitfalls in my own composition. I appreciated the fact that Margaret drew on the skills and talents of her students: individuals offered plant information to others, and Christina Baltayian even did a spontaneous colored pencil demonstration. Margaret is an exceptional artist, but she is also a masterful teacher notable for her ability to create an atmosphere where knowledge is readily shared.
I will admit that painting at the Huntington was an inspiration in itself, and indeed I gathered a couple of fallen bits from an oak just outside the Botanical Building, which turned out to be compositional gifts from heaven.
BAGSC News 