by Lori Vreeke/Diane Daly/Deb Shaw

The jurors for the BAGSC exhibition at the Santa Barbara Zoological Gardens, “Zoo in Bloom” have been announced: Olga Eysymontt, Ann Swan, and Chris Briggs.

Their bios are as follows:

Olga Eysymontt:
Olga is one of the founding members of BAGSC, and has taught botanical illustration classes for the Los Angeles County Arboretum and Botanic Garden since 1997. She is a former instructor at Otis College of Art, and a graduate of Rochester Institute of Technology in Fine Arts. Olga is passionate about teaching and the thrill of bringing out each student’s vision. In addition to botanical illustration, she enjoys landscape and macro photography.

Ann Swan:
Based in Wiltshire, UK, Ann works primarily in graphite and coloured pencil. She is well known for her exquisitely fine detail, vibrant colours and strong contemporary style. Ann champions the underdogs of the plant kingdom—drawing attention to Brussels sprouts or beetroots and demonstrating through her art that they are just as beautiful as the iris or tulip. She is equally passionate about coloured pencils, believing they are easy to master, forgiving and accessible, enabling even a complete beginner to produce quality artwork.

Ann began exhibiting in 1990 and now shows her work worldwide. Exhibitions include The Royal Botanic Gardens at Kew in 1994 and the Hunt Institute’s 8th International Exhibition in Pittsburgh. Ann is a member of the RHS Picture Committee and exhibits with the Society of Botanical Artists on a regular basis. She has exhibited numerous times at the Chelsea and Hampton Court Flower Shows. Her work is represented in the prestigious Shirley Sherwood Collection and is in many private collections around the world.

Chris Briggs:
Following six years in the Navy and a seven year hiatus in Hawaii, Chris Briggs returned to the mainland to attend the University of Oregon in Political Science and Environmental Studies, and then the University of Florida for a degree in Photojournalism. He came to California in 1992 to attend Brooks Institute for a degree in Commercial Photography. Chris is currently the Director of Safety and Security at the Santa Barbara Zoo and personally hangs all the exhibitions at the Zoo. He continues to photograph nature and landscapes with an emphasis on Southern California.

Chris has spent the past 20+ years chasing, photographing, and identifying spring wildflowers. In his spare time he is an active gardener, or at least he was before the drought!

A warm welcome to our jurors.

More plants!

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Thank you to Diane and a very patient Jack Daly for more plant images. We’ve included Lori’s images in the slide show as well. They are the same as those published in the previous Santa Barbara “Zoo in Bloom” article, but are single images and larger here, so they may be easier to see.

As the exhibition title suggests, artwork of plants at the Zoo in flower fits the theme perfectly. Additionally, any plant species that grows at the zoo is eligible for entry even if it is not currently blooming.

Submission Deadline is September 5, 2015. Questions? Contact Lori Vreeke.

by Deb Shaw

For those BAGSC members still wondering about which plants to paint for the upcoming “Zoo in Bloom” exhibition, a big thank you to BAGSC member Melanie-Campbell Carter for finding an online article featuring more plants at the Santa Barbara Zoological Gardens. Melanie sent a link to Gerhard Bock’s delightful blog and article: “Succulents and More (Embrace Spikiness!)” Santa Barbara Zoo.

Mostly Gerhard’s beautiful photographs, the article shows a range of the plant life at the Zoo. Although, as the blog title suggests, succulents are affectionately featured, there are images of palms, bamboo, a California native Sphaeralcea ambigua (Desert mallow) and more.

Happy painting!

by Tania Norris, posted by Deb Shaw

Hybrid Bearded Flag Iris, watercolor on vellum and in the artist's private collection. © 2015 Jenny Phillips, all rights reserved.

Hybrid Bearded Flag Iris, watercolor on vellum and in the artist’s private collection. © 2015 Jenny Phillips, all rights reserved.

Jenny Phillips, internationally renowned botanical artist and teacher, is returning to Southern California to teach watercolor. Sponsored by the Virginia Robinson Gardens, Jenny will be teaching two workshops in two locations: one at the Virginia Robinson Gardens in Beverly Hills; the other at The Huntington Library, Art Collections and Botanical Gardens in San Marino. Participants may sign up for one or the other, or both.

Jenny runs the Jenny Phillips School for Botanical Art in Melbourne, Australia, and has taught in America, Europe and Africa. Jenny is known for her attention to detail and in her teaching, shares her expertise in helping everyone — from beginning to advanced students. She furthers understanding of the art of botanical painting by giving demonstrations of her methods, tips and the benefits of her experience. Her magic with a paintbrush, her techniques for correcting “mistakes” are well known and her enthusiasm is contagious. All who take her classes come away with a renewed energy and thrill of painting nature.

“Water color techniques and tips for all artists, with an emphasis on botanical art”

Session I: September 21 – 25,  The Huntington, Frances The Frances Lasker Brody Botanical Center
1151 Oxford Road San Marino, CA 91108
Monday through Friday, 9:30am – 3:30pm
For more information, contact Tania Norris.

Session II: September 28 – October 2, Virginia Robinson Gardens
1008 Elden Way, Beverly Hills, Ca 90210
Monday through Friday, 9:30am – 3:30pm
For more information contact, Friends of Robinson Gardens

Jenny Phillips discussing techniques at Virginia Robinson Gardens.

Jenny Phillips discussing techniques at Virginia Robinson Gardens.

Fee PER WEEK $595. for Virginia Robinson Garden and Botanical Artists Guild of Southern California members.
Non-members $625. per week. A $100 non-refundable deposit or payment in full will reserve a seat in the class. Remainder payable in full, one week before scheduled class.

A supplies list will be sent to all registered participants. Coffee, tea and water will be provided, but please bring your own lunch. Lunch at The Huntington may be purchased from the Café or coffee shop.

To make reservations for the class held at Virginia Robinson Gardens, visit the Virginia Robinson Gardens online; call 310.550.2068; or mail a check to: Friends of Robinson Gardens, 1008 Elden Way, Beverly Hills, CA 90210.

Jenny Phillips demonstrating techniques at the Virginia Robinson Gardens.

Jenny Phillips demonstrating techniques at the Virginia Robinson Gardens.

To make reservations for the class held at The Huntington, please mail a check made out to Tania Norris: 137 N. Larchmont Boulevard, Los Angeles, Ca 90004.

For more information about either session, please contact Tania Norris.

About the instructor:
Jenny Phillips, a Gold Medalist from The Australian National Print Awards 1998, The Royal Horticultural Society, London 1993, and recipient of the Celia Rosser Award, has focused her drawing, watercolour skills, and love of gardening on botanical art since 1971. She is a renowned botanical artist and one of the most popular and experienced teachers. She has her own Botanical Art School in Melbourne, Australia, and has her paintings in many notable collections, including that of H.R.H. Prince Charles. Jenny’s teaching always includes effective ways to achieve maximum effect with ease and her wit is always evident.

by Janice Sharp and Bonnie Born Ash, posted by Deb Shaw

People's Choice first place award went to Estelle DeRidder’s, Fuller’s Teasel, Dipsacus fullonum, colored pencil on paper, © 2015 Estelle DeRidder, all rights reserved.

People’s Choice first place award went to Estelle DeRidder’s, Fuller’s Teasel, Dipsacus fullonum, colored pencil on paper, © 2015 Estelle DeRidder, all rights reserved.

During the opening reception for the adjunct exhibition by the Botanical Artists Guild of Southern California (BAGSC), friends, family and the public were able to vote for their personal favorites. The votes are in and the ribbons have been hung for the last three days of the show, Friday, 7 August – Sunday, 9 August.

People's Choice second place award went to Lori Vreeke's, Field Pumpkin, Cucurbita pepo var.  ovifera, colored pencil on paper, © 2015 Lori Vreeke, all rights reserved.

People’s Choice second place award went to Lori Vreeke’s, Field Pumpkin, Cucurbita pepo var. ovifera, colored pencil on paper, © 2015 Lori Vreeke, all rights reserved.

First prize went to Estelle DeRidder’s Fuller’s Teasel with 16 votes. Second prize went to Lori Vreeke’s Field Pumpkin with 12 votes and third prize to Asuka Hishika’s Black Daikon Radish with 11 votes.

There were a surprisingly large number of votes cast (191) and the votes were distributed throughout all the artworks in the show. It is clear that there are many different themes and media that appeal to different viewers, but everyone agrees that the chosen works are fabulous!

People's Choice third place award went to Asuka Hishiki's, Black Daikon Radish (Kuromaru Daikon), Raphanus sativus, watercolor on paper, © 2015 Asuka Hishiki, all rights reserved.

People’s Choice third place award went to Asuka Hishiki’s, Black Daikon Radish (Kuromaru Daikon), Raphanus sativus, watercolor on paper, © 2015 Asuka Hishiki, all rights reserved.

by Deb Shaw

Close on the heels of the “Weird, Wild & Wonderful” Symposium at The Huntington Library, Art Collections and Botanical Gardens, the Botanical Artists Guild of Southern California (BAGSC), opened their supplemental exhibition of botanical oddities, in the Brody Botanical Center’s Banta Hall at The Huntington.

The reception for the BAGSC adjunct exhibition was packed with family, friends, colleagues and the public. Weird, Wild & Wonderful Second New York Botanical Garden Triennial Exhibition was also open for viewing and enthusiastically received. Photo © Gayle Uyehara, 2015.

The reception for the BAGSC adjunct exhibition was packed with family, friends, colleagues and the public. Weird, Wild & Wonderful Second New York Botanical Garden Triennial Exhibition was also open for viewing and enthusiastically received. Photo © Gayle Uyehara, 2015.

The opening reception on Saturday, 1 August was well-attended and great fun. BAGSC members have been rotating shifts, providing botanical art demonstrations and talking with the public all week, including:

  • Bonnie Born Ash
  • Cristina Baltayian, colored pencil
  • Nancy Beckham, colored pencil
  • Melanie Campbell-Carter, colored pencil and watercolor
  • Jan Clouse
  • Diane Daly, watercolor
  • Estelle DeRidder
  • Kate Gaman
  • Cynthia Jackson
  • Susan Jackson
  • Clara Josephs, watercolor
  • Suzanne Kuuskmae
  • Tania Marien
  • Patricia Mark
  • Terri Munroe, graphite and watercolor
  • Kathy Morgan, watercolor
  • Marilyn Parrino
  • Lesley Randall
  • Gilly Shaeffer, watercolor
  • Mitsuko Schultz, watercolor
  • Janice Sharp, metal point and colored pencil
  • Deborah Shaw, graphite on vellum
  • Beth Stone
  • Leslie Walker
  • Jude Wiesenfeld

The BAGSC adjunct exhibition features 72 artworks by 37 members, including: Bonnie Born Ash, Cristina Baltayian, Nancy Beckham, Melanie Campbell-Carter, Jan Clouse, Diane Daly, Estelle DeRidder, Nancy Grubb, Asuka Hishiki, Cynthia Jackson, Susan Jackson, Clara Josephs, Joan Keesey, Suzanne Kuuskmae, Teri Kuwahara, Patricia Mark, Lee McCaffree, Arillyn Moran-Lawrence, Kathy Morgan, Terri Munroe, Alyse Ochniak, Marilyn Parrino, Dolores Pope, Kathlyn  Powell, Lesley Randall, Veronica Raymond, Robyn Reilman, Norma Sarkin, Mitsuko Schultz, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Beth Stone, Gayle Uyehara, Lori Vreeke, Leslie Walker, Jude Wiesenfeld.

An exhibition of Botanical Oddities, illustrations by the Botanical Artists Guild of Southern California will continue each day through Sunday, August 9, 2015, 10:30 am – 4:30 pm in The Frances Lasker Brody Botanical Center at The Huntington.

The Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition exhibition also will be open each day, Friday – Sunday, August 7 – 9, plus will continue to be open on weekends only until August 23.

Exhibition information and hours posted at huntington.org

Join us before the BAGSC paintings are whisked away!

by Janice Sharp, posted by Deb Shaw

Exploring stencil leaf rubbings in graphite and colored pencil at The Huntington.

Exploring stencil leaf rubbings in graphite and colored pencil at The Huntington. BAGSC artists are demonstrating for the public August 1 – 9 in conjunction with our group show of botanical oddities by the Botanical Artists Guild of Southern California. “Weird, Wild & Wonderful,” The New York Botanical Garden Second Triennial Exhibition, will be open each day through August 9, and then weekends only through August 23. Photo © Janice Sharp, 2015.

Today was a great family day at The Huntington Library, Art Collections and Botanical Gardens. All afternoon groups of children were attracted to the stencils, pencils and paper we had set out to try their hand at preparing botanical themed rubbings.

Children had fun creating leaf and flower rubbings from stencil templates. They explored the different graphite pencil hardnesses and the effect that could be achieved with light and hard pressure on the pencils. Some ventured into color pencils choosing a favorite color to create shapes or writing their name to claim ownership of their creations. One adventurous artist started with graphite to define outlines then filled in with color.

While most of the budding artists were very young, there were also older “children” who wanted to create a work of art.

I had a fun afternoon giving basic instructions on how to do a rubbing, although most of my time seemed to be spent handing out fresh pieces of paper and sharpening pencils.

Exploring stencil leaf rubbings in graphite and colored pencil at The Huntington. Photo © Janice Sharp, 2015.

Exploring stencil leaf rubbings in graphite and colored pencil at The Huntington. Photo © Janice Sharp, 2015.

A number of parents had to use all their persuasive powers to convince their children that The Huntington offered activities other than rubbings and they should explore them before the close of day.

by Lori Vreeke, posted by Deb Shaw

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

BAGSC will be holding a juried exhibition at the Santa Barbara Zoological Gardens, entitled “Zoo in Bloom”.

All current BAGSC members in good standing are eligible to enter up to two (2) original works of art of botanical flowering specimens grown at the zoo (no prints).  Artwork must depict plants that grow at the Zoo, but does not have to be drawn there. There is no size limitation, and works may have been shown in previous BAGSC, ASBA, Filoli or other exhibitions.

The exhibition will continue through the end of the 2015 and will be open every day to visitors of the zoo. Due to space constraints, this will be a juried show with approximately 30 pieces of art hung. Jurors will be a zoo representative, a local Southern California juror and a juror from the UK. All original artwork must be for sale, prints not allowed.

Submission Deadline is September 5, 2015. Questions? Contact Lori Vreeke.

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

A plant list and the Call for Entries packet will be emailed to BAGSC members.

The opening reception for this wonderful opportunity will be in conjunction with the gala celebrating Santa Barbara Zoo Members Day, running from 9:00am – 5:00pm on Saturday, October 3, 2015. BAGSC artists will be  demonstrating throughout the day in the gardens and an information table will be set up to answer any questions about our exhibit and BAGSC. Sign-up requests to follow.

The Santa Barbara zoo is home to over 600 animals on 30 acres of lush gardens overlooking the Pacific Ocean.  The property was originally  home to a private residence and was gifted to the city as a park. In 1963, the zoo opened to the public featuring formal gardens and lawns, native plants and trees, cacti and succulents, ornamentals and exotic species throughout the park to recreate natural habitat.

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

Flower images photographed by Lori Vreeke at the Santa Barbara Zoo, © 2015, all rights reserved.

by Leslie Walker and Carol Woodin, posted by Deb Shaw

California Islands SymposiaThe 9th Annual California Islands Symposium is holding a juried show in conjunction with the National Park Service Centennial Celebration.

Exhibition dates:
October 3-7, 2016, Ventura Beach Marriott, Ventura, California

With special showing
October 9 – November 6, 2016, Santa Barbara Botanic Garden, Santa Barbara, California

Accepting Submissions: April 1, 2016 – July 1, 2016

Details for submission can be found at http://www.californiaislands.net/island-art-exhibition/

Artists are invited to enter original artwork in any two-dimensional medium that reflects the beauty and uniqueness of the California islands. All entries must depict the flora, fauna, or landscapes of the California islands. The show will be hung for the duration of the conference. A special showing at the Santa Barbara Botanic Garden will follow. Cash prize awards.

The California Islands Symposium and National Park Service believe that including the arts in the international symposium is a critical component in cultivating a greater appreciation of the unique California islands.

Prizes
First Place $500
Second Place $300
Third Place $200

All winning entries and the Conference Choice entry will be published on the California Islands, Channel Islands National Park, and Santa Barbara Botanical Garden websites.

2016 Exhibition Calendar

  • April 1, 2016: Accepting entry forms and digital images
  • July 6: Deadline for receipt of images
  • August 3: Selection results mailed
  • September 26: Deadline for shipped artwork to be received
  • September 28: Deadline for hand-carried artwork
  • October 3: Exhibition opens to California Islands Symposium attendees and the public
  • October 7: Exhibition closes at 1:00 pm
  • October 9: Exhibition opens at Santa Barbara Botanical Garden
  • November 6: Exhibition closes at 3:00 pm. Pick-up until 5:00 pm
  • November 8: Artwork shipped back to artists

Eligibility
Open to all artists. Artists are invited to enter original artwork in any two-dimensional medium that reflects the beauty and uniqueness of the flora, fauna, and landscapes of the California Islands.

Digital Image Procedure
Entries may include up to three digital images. Artists will pay one entry fee for three images. All work must be .jpg file at least 300 dpi. It is crucial that all images be on the highest quality so our judges can fully appreciate and scrutinize your entry.

Entry Fees
$35 for each entry.

Jury Procedure
All artwork will be juried by digital image. Criteria for acceptance will include artistic presentation and technical use of medium, represented by a high-quality digital image. Artists whose work has been accepted will be notified by email by July 30, 2016. Winners will be selected by judges; final choices will be confirmed in person at the conference. The Conference Choice winner will be chosen by attendee votes at the conference.

Further Information
For further information, please check the California Islands Symposium website, http://www.californiaislands.net/symposium or contact Paula Power, (805)658-5784.

Judges:

Bruce Everett, Professor Emeritus, California State University Northridge, is a renowned landscape painter with over 50 years of experience teaching at the college level as Professor of Painting, Drawing and Design. His work is represented in museum and corporate collections, public commissions, and has been shown in numerous solo and group exhibitions. Everett’s work appears in many publications including L.A.Rising: SoCal Artists Before 1980.

http://www.bruceeverett.net

Hank Pitcher, painter of California culture and the coastal landscape, is a Senior Lecturer SOE of the College of Creative Studies at the University of California, Santa Barbara, where he has been part of the core faculty since 1971. A cross-disciplinarian active in conservation, Pitcher is a member of the Advisory Committee of the University of California Natural Reserve System, the Oak Group, and supporter of numerous local and national conservation organizations. He is represented by Sullivan Goss, An American Gallery, Santa Barbara.

http://www.hankpitcher.com

Karen Kitchel is intrigued by concepts of native vs. invasive, and landscapes that contain stories of human exploration, occupation, and change. The resulting paintings combine meticulous craftsmanship with a conceptual point of view and aggressive, minimalist presentation.

Kitchel’s oil paintings have been featured in exhibitions throughout the U.S., and are in numerous private and public collections worldwide, including the Denver Art Museum, the Palm Springs Art Museum, and the U.S. State Department, among others.

Karen Kitchel was born in Battle Creek, Michigan and graduated from Kalamazoo College and Claremont Graduate University. She has exhibited professionally for over thirty years, and is represented by Robischon Gallery of Denver, CO, and Gerald Peters Gallery of Santa Fe, NM and New York, NY.

www.karenkitchel.com

alert sent by GNSI member Miste Caulder, posted by Deb Shaw

Orange County Creatives in Laguna Beach, CA has a call for entries out for their 2015 exhibition, “Flora and Fauna.” Entry deadline is August 15, 2015; the entry fee for one – five artworks is $35.00, with a media fee to place the image on the website (per sample over minimum) of $5.00.

The exhibition is juried, and celebrates all the plants and animals of all regions and times, from artists around the world. Information about the exhibition and the link to the exhibition application can be found on the website.

Orange County Creatives is located at:
761 S Coast Highway, Laguna Beach, CA 92651
978-473-9658
Hours: M-W 1 to 5 F 1 to 5, Sat and Sun 11 to 5
First Thursday of the month 6 to 9

by Clara Josephs, posted by Deb Shaw

Here is some helpful information regarding the cost of Olga’s Sunday class at the LA Arboretum. The base cost of the class (through Otis) for noncredit is $435 plus the required amount of $39 for insurance and registration fees. You may deduct up to two $50 ($100 total!) discounts as they apply to you.

Choose from any two of the following:

  • Senior, 60 and over: subtract $50
  • KCRW member with valid card in your name: subtract $50
  • Early bird registration until August 23: subtract $50
  • Alumni discount: subtract $50

Take two discounts and the cost of the class is $374 for 8 full days of instruction!

For convenience, here is the basic information posted in a previous BAGSC Blog post:
Graphite for Botanical Illustration. Classes will held for 8 Sundays, from September 13 through November 1, 9:30–4:30 and is appropriate for all skill levels. Register through Otis College 310 665 6950 class # XILU3556. This class is not yet up on the website, but will fill quickly. If you are interested, register soon by phone.

by Clara Josephs, posted by Deb Shaw

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

Passion Flower study, Olga Eysymontt, © 2008, all rights reserved.

Olga Eysymontt, one of the founding members of BAGSC and the first botanical art teacher to many of us, is returning to the Los Angeles Arboretum to teach her iconic class, Graphite for Botanical Illustration. If you have not had the opportunity to study with Olga, now is your chance. Classes will held for 8 Sundays, from September 13 through November 1, 9:30–4:30 and is appropriate for all skill levels. Register through Otis College 310 665 6950 class # XILU3556. This class is not yet up on the website, but will fill quickly. If you are interested, register soon by phone.

This hands-on drawing course enables teaches students to observe and draw plants with accuracy, develop perceptual acuity, analyze the role of light on form, and use tonal value skills that are essential in drawing any subject. Classes will be held at the LA Arboretum. This course is suitable not only for beginners but also for those students with extensive drawing experience. Course includes demonstration, class discussion, and critique.

First class materials: 14″ x 17” Strathmore Drawing Pad Series 400, Medium (no sketch or recycled paper; you can use another brand), 14” x 17” Medium Weight Tracing Paper (any brand), 3 Drafting Pencil Holders and 1 Sharpener, Leads: 2H, HB and 2B leads (at least 2 each), Eraser Stick, Erasing Shield, Drafting Brush, Mars Drafting Dots (masking tape), Portable Task Light (Ott-Lite). Vis a Vis wet erase fine point marker, Clip, 8″ x 10″ Plexi and 8″ x 10″ format supplied by teacher for $10.00.

by Deb Shaw

Invitation to BAGSC adjunct exhibition.

Invitation to BAGSC adjunct exhibition.

In conjunction with “Weird, Wild, and Wonderful” The New York Botanical Garden Second Triennial Exhibition, the Botanical Artists Guild of Southern California (BAGSC) will present a supplemental exhibition from August 1–9, in the Brody Botanical Center’s Banta Hall at The Huntington, featuring free public demonstrations, lectures about botanical art, and specimens of botanical curiosities. The BAGSC adjunct exhibition features 72 artworks by 37 members.

An exhibition of Botanical Oddities…
illustrations by the
Botanical Artists Guild of Southern California
in The Frances Lasker Brody Botanical Center
At The Huntington Library, Art Collections and Botanical Gardens

August 1–9, 2015 (closed Tuesday)
10:30 am – 4:30 pm

We will have a reception for BAGSC members, our guests, and Huntington VIPs and staff at:
10:00 am this Saturday, August 1, 2015
before The Huntington opens to the public.

The “Weird, Wild & Wonderful” New York Triennial exhibition also will be open the entire time the BAGSC exhibition is up, August 1 – 9, except on Tuesday, when The Huntington is closed.
Weird, Wild & Wonderful exhibition dates:
June 13 – August 23
Exhibition open to the public weekends only and each day August 1–9
Additional exhibition information: asba-art.org/exhibitions/weird-wild-wonderful
Exhibition information and hours posted at huntington.org

Artists in the BAGSC exhibition include:
Bonnie Born Ash, Cristina Baltayian, Nancy Beckham, Melanie Campbell-Carter, Jan Clouse, Diane Daly, Estelle DeRidder, Nancy Grubb, Asuka Hishiki, Cynthia Jackson, Susan Jackson, Clara Josephs, Joan Keesey, Suzanne Kuuskmae, Teri Kuwahara, Patricia Mark, Lee McCaffree, Arillyn Moran-Lawrence, Kathy Morgan, Terri Munroe, Alyse Ochniak, Marilyn Parrino, Dolores Pope, Kathlyn  Powell, Lesley Randall, Veronica Raymond, Robyn Reilman, Norma Sarkin, Mitsuko Schultz, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Beth Stone, Gayle Uyehara, Lori Vreeke, Leslie Walker, Jude Wiesenfeld.

Download the full invitation here: bagscExhibitionInviteF

by Beth Stone

It’s pre-dawn on Friday and we’ve loaded our sleepy selves into The Huntington van with Jim Folsom at the wheel. We’re off to see the flowers, the wonderful flowers of the LA Flower Mart!

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Peonies, Clematis and Lilies oh my!

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We could while away the hours, conversing with the flowers…

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and it’s back to The Huntington with The Wizard!

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by Melanie Campbell-Carter

Nepenthes! The very epitome of Weird, Wild, and Wonderful was the subject of a three-day pre-symposium workshop led by Mieko Ishikawa, a featured artist in the Weird, Wild & Wonderful exhibit currently on view at the Brody Botanical Center at The Huntington and also a Keynote Speaker at our symposium.

Mieko Ishikawa graciously traveled across the Pacific to join us here in Southern California. Her first event of the Symposium was her three-day workshop on Nepenthes. The Huntington botanical gardens staff kindly cultivated and provided living Nepenthes plants for the workshop, and Mieko provided Reindeer Vellum for her students’ paintings.

Meiko Ishikawa and Akiko Enokido unroll Reindeer Vellum to show the class what a whole skin looks like.

Meiko Ishikawa and Akiko Enokido unroll Reindeer Vellum to show the class what a whole skin looks like.

First Mieko treated us to a wonderful presentation about her adventures finding and painting the very special plants of Borneo. We then enjoyed a behind-the-scenes tour of The Huntington greenhouse where the Nepenthes were grown. Robert Hori of The Huntington and BAGSC’s very talented Akiko Enokido provided interpretive skills for the workshop.

Meiko demonstrating her techniques.

Meiko demonstrating her techniques.

After three days of intense study, graphite drawing on our vellum, and very careful application of watercolor on our drawings with extremely tiny brushes, we all had a much greater understanding of the stunning talent and achievements of Mieko Ishikawa. Her mastery of the structure of the plants, as well as her breathtaking artistic talent, gave all of us an enormous dose of inspiration to continue learning and painting!

Many, many thanks to everyone who made the workshop possible – including The Huntington gardens’ staff, the ASBA, the amazing BAGSC women who organized the symposium, and especially our tireless and patient instructor, Mieko Ishikawa.

Workshop participants with their Nepenthes paintings.

Workshop participants with their Nepenthes paintings.

by Beth Stone

photographs by Gayle Uyehara

An enthusiastic group of artists enjoyed three days with Elaine Searle for her class entitled “Liquid Shine…Sculpting Form with Light and Color”. This was one of two Weird, Wild & Wonderful pre-symposium classes held at The Huntington this week. Gilly Shaeffer searched everywhere until finally her artist’s eye found beautiful Italian peppers for our studies. The class explored the differences between Sheen, Shine and Liquid Shine learning a host of indispensable techniques and tips.

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Elaine Searle (back of room) made good use of the projection system in The Engemann Applied Tech Lab for demonstrations. Even Jim Folsom stepped in to help by printing personal photographic pepper portraits (see sample in foreground).

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Terri Monroe thoughtfully applying finishing touches to her pepper.

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The class joins in a group status check mid way through the third and final day.

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Elaine Searle (far left) treated the class to an overview of just a few samples of her beautiful artwork.

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