by Deb Shaw

Cover art: American Botanical Paintings: Native Plants of the Mid Atlantic.

Cover art: American Botanical Paintings: Native Plants of the Mid Atlantic.

The Botanical Artists for Education and the Environment (BAEE) is pleased to announce that their book, American Botanical Paintings: Native Plants of the Mid Atlantic is now available to pre-order.

The book, which was more than three years in the making, contains 60 reproductions of original paintings and drawings of plants and 40 original paintings of butterflies, moths, and other pollinators. Each plant is briefly described with its habitat, and includes relevant information about the plant family and ways in which Native Americans or early settlers used the plants. For plants unsuitable for home gardens, their environmental importance is mentioned, such as food and habitat for birds and animals.

Proceeds from the sale of the book will be used to support native plant education, conservation, and horticulture.  Publication costs are covered by donations, including a grant from the American Society of Botanical Artists (ASBA), for which BAEE is most grateful. For additional information about BAEE, please visit the website at www.baeecorp.org.

Pre-Sale Special Offer – Free Shipping. Scheduled for release February 2014. A limited number will be published, selling for only $39.95 plus shipping. Shipping is free on orders received by December 31, 2013 (US only). ORDER your copy today at  www.starbooks.biz

An exhibition of the artwork will be held at the U.S. Botanic Garden in Washington, D.C., February 15 through June 15, 2014. Learn more from the USBG website: www.usbg.gov. See the BAEE website for complete details about the project at www.baeecorp.org

Geared toward a broad audience, the book has been well received, and is endorsed by respected authorities in the fields of both art and science, including the following:

This is a delightfully illustrated book, beautifully designed and with lots of variety in the choice of plant subjects. I admired the standard of painting and the fresh, appealing studies that will be attractive to both naturalists and gardeners.
Dr. Shirley Sherwood, OBE, Botanical art collector

The U.S. Botanic Garden was thrilled to be a part of this book as it embodies what we know to be vital—our world is better and richer with fine botanical art, and the plants in our backyards, in our woods, and along the roadsides are amazing!
— Holly H. Shimizu, Executive Director, U.S. Botanic Garden

Like the exquisitely illustrated floras from past centuries, this volume carries on a rich tradition of detailed and deftly created botanical artistry. Each painting portrays the abundance and diverse beauty of the natural world around us, from early spring ephemerals to the towering monarchs of our deciduous forests.
— Peggy Cornett, Curator of Plants at Monticello

Botanical Artists for Education and the Environment (BAEE) is an incorporated 501(c)(3) Federal tax-exempt nonprofit in Virginia. The book is funded solely through donations. Any profits generated by the sale of the book will benefit nonprofit organizations that support native plant education and conservation.

If you have questions, please contact Judy Rodgers.

by Deb Shaw

Begonia, watercolor by Gloria Whea-Fun Teng, © 2013

Begonia, snapshot of watercolor by Gloria Whea-Fun Teng, © 2013

BAGSC member Gloria Whea-Fun Teng has an exhibition at the Long Beach Main Library from November 1, 2013 through December 22, 2013.

Gloria has started painting in oils, and has still life paintings and landscape watercolors on display in addition to her botanical art and Chinese brush paintings.

The Long Beach Main Library is located at 101 Pacific Avenue, Long Beach, California 90822. Hours are Tuesday, 12:00 noon – 8:00 pm; Wednesday, 12:00 noon – 6:00 pm; Thursday, 12:00 noon – 7:00 pm; and Friday and Saturday, 10:00 am – 5:00 pm. The Library is closed Sunday and Monday.

Congratulations Gloria!

Snapshot of Chinese Brush Painting by Gloria Whea-Fun Teng, © 2013

Snapshot of Chinese Brush Painting by Gloria Whea-Fun Teng, © 2013

by Deb Shaw and Leslie Walker

"One Truth, Many Lies: A New View of Art and Natural History Collections," Artist Residency Program, California Academy of Sciences.

“One Truth, Many Lies: A New View of Art and Natural History Collections,” Artist Residency Program, California Academy of Sciences.

One Truth, Many Lies: A New View of Art & Natural History Collections [click on the title to view web page application information] is a new Artist Residency Program being offered to West Coast visual artists by The California Academy of Sciences in Golden Gate Park, San Francisco.

The deadline is coming up soon: proposals are due December 13, 2013, by email by 5:00 pm.

The Academy will select a total of four Artists for the program, to take place during the Spring/Summer of 2014. Artists will receive an honorarium and compensation for travel, lodging, meals and incidentals for three days and two nights in San Francisco, California.

Selected artists will be require to present two programs during their residency, at least one of which will be a public educational program consisting of a lecture or demonstration for the general public. A “hands-on” workshop or other class taught by the Artists in Residence will be offered free of charge to the public.

Artists will have at least one day to work with researchers at the Academy and with the collections housed in the Academy’s Institute for Biodiversity Science and Sustainability.

Questions? Contact Diane T. Sands, Collection Development Librarian, California Academy of Sciences by email, or phone, (415) 379-5489. Additional application information and information about the Artist Residency Program can be found on the website. This Residency is made possible in part by a generous grant from the Institute for Museum and Library Services.

by Deb Shaw

BAGSC member Tania Norris has generously donated 41 rare books from her personal collection to The Getty Research Institute (GRI)

Tania has been collecting these books individually for the past 13 years from booksellers in the United States, the United Kingdom, Europe and Australia. The collection provides the opportunity to study and compare the contributions of natural science and the visual display of scientific and botanical illustration from the sixteenth through the nineteenth centuries.

"Chrysanth," Crispijn van de Passe, 1614 From Crispijn van de Passe, Hortus floridus (Arnhem, 1614) The Getty Research Institute, 2898-803 Donated by Tania Norris

“Chrysanth,” Crispijn van de Passe, 1614
From Crispijn van de Passe, Hortus floridus (Arnhem, 1614)
The Getty Research Institute, 2898-803
Donated by Tania Norris

Two important works include Crispin Van de Passe’s Hortus Floridus, published in 1614, and Johann Christoph Volkamer’s Nürnbergische Hesperides, published in 1708. The  Hortus Floridus is believed to be the first illustrated book to illustrate plants using magnifying lenses. Johann Christoph Volkamer’s Nürnbergische Hesperides is a fascinating documentation of the introduction of Italian citrus to Germany, as well as the revolution in urban planning and the design of parks.

The collection also includes a copy of Maria Sibylla Merian’s Derde en laatste deel der Rupsen Begin (Birth of the Butterfly), published in 1717, the first book to depict insect metamorphosis. The volume is believed to be one of the few surviving copies that was hand-colored by Merian’s daughter. Tania’s donation will have a companion in the GRI vaults: Merian’s stunning Metamorphosis of the Insects of Surinam (1719), the self-published book which documented the her explorations and documentation of the wildlife of the South American jungles. BAGSC members will remember the Metamorphosis fondly, as it was featured prominently in the Getty Museum’s exhibition, Merian and Daughters in 2008, which celebrated the extraordinary contributions of Maria Sibylla Merian and her daughters.

“The Getty Research Institute is deeply honored to receive the donation of the Tania Norris Collection of Rare Botanical Books from one of the founding members of our GRI Council. This gift promises to open novel paths to explore the complex historical intersections between science and art,” said Marcia Reed chief curator at the Getty Research Institute. “Tania’s passionate interests and her collecting instincts have created a very generous gift which has also served to raise the profile of an important subject with strong relevance for researchers who use our special collections.”

David Brafman, curator of rare books at the GRI, said “The Norris Collection offers inestimable rewards for scholars researching global botanical trade and the ensuing stimulus of cultural exchange to the trend of collecting curiosities spawned in Renaissance and Baroque European culture. Other books in the collection document the codependent progress of technologies in the history of medicine, pharmacology, and the color and textile industries from the sixteenth to nineteenth centuries. No less important are the opportunities to study the complex artistic relationship between physiognomy and ‘naturalism’ in visual representation, as well as developments in urban planning and landscape architecture. Ms. Norris’ generous donation enhances significantly GRI’s existing collections in such subjects and promises to transform the way art historians examine the past in the future.”

The Norris Collection will also provide insights in ongoing research in landscape- and still-life painting, as well as recipes and global trade in color and pigments.

Tania was a founding member of the Getty Research Institute Collections Council, and also serves on the J. Paul Getty Museum Disegno Drawing Council and Paintings Conservation Council. “It was one of the proudest moments of my life when the Getty Research Institute accepted my books for their library. I never collected expecting anyone else to think my books of interest, “ she said. “But now at the GRI, anyone can view them; some have been or will soon be in exhibitions and programs. More importantly, they will be preserved for generations to come.” She added, “You don’t need much money, just passion to collect and you just never know what treasures you may have.”

by Deb Shaw

BAGSC member Akiko Enokido is returning in December, 2013, and will teach two, three-day watercolor classes. BAGSC is experimenting with having the same teacher in two different locations for added convenience. Sign up for one or for both!

The first three-day session will be at the Los Angeles Arboretum:
Tuesday, December 10 – Thursday, December 12
9:30 am – 3 pm
Subject: Forced Bulbs
Cost: $200.00 BAGSC members
$225.00 non-members

Start forcing your choice of bulbs in November or sooner to bring to class, or you can even bring sprouting garlic or onions from the pantry; your subject matter is your choice. If you would like to have your drawing already prepared before class, that would be wonderful.

A $50.00 non-refundable deposit can be sent to Leslie, check made out to BAGSC, with “Akiko, Arboretum” in the memo line. Maximum class size is 16 people, first come, first served. The total amount is due by Friday, November 8. You can also send the total amount and skip the deposit step. Your check won’t be deposited until the start of class in December.

Bring your usual supplies for drawing and watercolor painting. If any special art supplies are needed, a supply list will be sent to participants upon registration.

Bring your own lunch, or you may purchase it at the Peacock Café at the Arboretum.

Quercus agrifolia, Coast Live Oak, watercolor by Akiko Enokido, © 2010, all rights reserved.

Quercus agrifolia, Coast Live Oak, watercolor by Akiko Enokido, © 2010, all rights reserved.

The second three-day session will be at the Santiago Creek Wildlife & Watershed Center, Santiago Park Nature Reserve, Santa Ana, right across from Main Street Plaza: Monday, December 16 – Wednesday, December 18
9:30 am – 3 pm
Subject: Acorns and Oak Leaves
Cost: $200.00 BAGSC members
$225.00 non-members

California native acorns and oak leaves will be provided; if you have other acorns and oak leaves you’ve collected and would like to paint, please feel free to bring them. If you have lots you want to share, please bring those as well! A $50.00 non-refundable deposit can be sent to Leslie, check made out to BAGSC, with “Akiko, Santiago” in the memo line.

Maximum class size is 16 people, first come, first served. The total amount is due by, Friday, November 8. You can also send the total amount and skip the deposit step. Your check won’t be deposited until the start of class in December.

Bring your usual supplies for drawing and watercolor painting. If any special art supplies are needed, a supply list will be sent to participants upon registration.

Detailed directions will be provided to class registrants. The Santiago Park Nature Reserve is not hard to find, and is easily accessible from the 5 and the 22 Freeways. It is highly recommended you bring your own lunch; There are large shopping centers across the street in two directions, but the lunch places are busy with business people, and it would take quite a bit of time away from class.

See you there!

by Cristina Baltayian, posted by Deb Shaw

Thumbnail of colored pencil artwork by Cristina Baltayian, © 2013, all rights reserved.

Thumbnail of colored pencil artwork by Cristina Baltayian, © 2013, all rights reserved.

Cristina Baltayian will teach a five-day class in colored pencil techniques with botanical art, including colored pencil washes, layering colors, burnishing, blending, the basics of color mixing, and more. Drawing and composition skills will be emphasized, and students will do some quick sketching to capture the characteristics and rhythm of the plant.

The class will be held at the Virginia Robinson Gardens in the Pool Pavilion
1008 Elden Way, Beverly Hills, California 90210

Monday, October 28 – Friday, November 1
10 am – 3 pm

Cost is $400 for Friends of Robinson Gardens members; $475 for non-members. Register online, or by phone, 310.550.2068, or by mail at the address above: Friends of Robinson Gardens, memo “October Botanical.”

Cristina has a background in drawing (graphite, charcoal, pen and ink), two-dimensional design, watercolor and colored pencils. Her work has been exhibited at Filoli, the Los Angeles County Arboretum & Botanic Garden, Chapman University Leatherby Libraries, and the Robinson Gardens Florileguim. She is a member of the American Society of Botanical Artists, the Colored Pencil Society of America and the Botanical Artists Guild of Southern California. Cristina also currently teaches botanical illustration classes at the Los Angeles  Arboretum.

by Sue Kuuskmae, posted by Deb Shaw

Destination: Art LogoBAGSC member Sue Kuuskmae, along with other artists and art organizations from the South Bay area are grouping together to create a Studios/Gallery called Destination: Art. View a three-minute video about the concept by clicking here.

They are in the process of finding a permanent location, but will debut in San Pedro at the Fall Fine Art Fest at CRAFTED at the PORT of LA:

October 18, 19, 20
11:00 am to 6:00 pm each day

Come meet the artists and see the demos. Destination: Art has a website, and a facebook page. They can also be contacted by email.

by Deb Shaw

If you’re a fan of RadioLab, you may have heard the last episode about “Colors.” If you haven’t heard it, you’re in for a treat. You can listen, stream, or download the RadioLab Episode on “Colors”  (Episode 13) by clicking here.

The piece jumps into all kinds of subjects about color, including interview snippets with Victoria Finlay, who wrote the book by the name of Color. From Issac Newton and Homer; to how we see (as opposed to dogs, birds, butterflies, and mantis shrimp); to our language about color; to how Gamboge is made — it’s a great show with a fun soundtrack.

If you haven’t listened to RadioLab before, be sure to stick with it. Their station identification pieces are a little longer than most, and I do know people who have thought the program was over, when it was really just getting started.

Enjoy!

by Deb Shaw

Even with budget cuts and sequestering, many of our nation’s National Parks offer Artist-in-Residence programs for all different types of artists, including botanical artists.

Applications are open for one such program: the Artist-in-Residence Program at Acadia National Park, SCHOODIC District, in Winter Harbor, Maine. This program offers artists housing for two-week to four-week periods so they can pursue their art while surrounded by the inspiring landscape of the park. The program is open in the spring and fall. No additional stipend is available.

In return, participating artists are asked to donate a piece of work representative of their style and their stay to the park collection. The park collection artworks are displayed to the public on a rotating schedule. Artists are also asked to participate in one public program per week of their residency, based on their preference for educational outreach. These may include demonstrations, talks, or workshops, and are only for a few hours of your stay.

Applications for the Arcadia artist-in-residence program must be received by October 28, 2013.

There are many such programs across the United States, with different applications and due dates. Most applications will need to include at least a few samples of your artwork. Be sure to read about the accommodations in each park before you apply. Some are quite nice; others extremely rustic, but all are available for a botanical adventure.

by Leslie Walker, posted by Deb Shaw

Consider adding a pollinator to your artwork. Enlargement of Salvia apiana image, with friendly bee. © Deborah Shaw, 2012, all rights reserved.

Consider adding a pollinator to your artwork. Enlargement of Salvia apiana image, with friendly bee. © Deborah Shaw, 2012, all rights reserved.

We received an Invitation from the Theodore Payne Foundation (TPF) for a BAGSC Show in 2014, which will require us to work in “Fast Track Mode.” This wonderful new opportunity will showcase our California native artwork, and be titled:

“Botanical Artists Guild of Southern California, the Art and Science of Native Plants”

The juried show will open on January 11, 2014, and go into March 2014. (Exact closing date to be determined.)

Entry deadline is November 30, 2013 when entry forms and scans or photos are due. (Instructions on where and how to send entries will be sent out later.)

Details are being worked out, but there is not a lot of time between now and the entry deadline, so we should be painting now. Each artist will be allowed a maximum of two works, no larger than 16″ w x 20″ l, featuring California natives and their pollinators (if you would like to include them).

The BAGSC entry fee will be $25.00, due prior to November 30, 2013.

All submissions must have the correct scientific binomial identification, which will be verified by Lily Singer at the Theodore Payne Foundation (TPF). All California natives and their pollinators are welcome, but, if you need specimens, you may go to TPF in Sun Valley to find plants to draw on their grounds, or purchase in their nursery. You can also speak to Lily if you need a cutting, which they may be able to provide.

Questions? Please email me.

By Leslie Walker, posted by Deb Shaw

Trichostema by Lee McCaffree, © 2013, all rights reserved.

Trichostema by Lee McCaffree, © 2013, all rights reserved.

BAGSC is bringing Lee McCaffree to Southern California to teach this November. The subject of this class will be textures.  We will explore patterns, textures, and other plant surfaces through color, light and shadow, and negative space. The balance between texture and form will be continually evaluated.

All  media are welcome. Graphite will be used to establish a reference subject. Watercolor dry brush techniques will provide a method to represent many different surfaces while maintaining the subject’s form. Colored pencil techniques can be used the same way, but students using colored pencils will be responsible for their own color mixing. This class will develop artist’s confidence to attempt more complex subjects.

The class will be Saturday, November 9 and Sunday, November 10 from 9:30 am – 4:00 pm with a half hour to eat lunch in the classroom. Participants will bring their own lunch; coffee and tea will be provided and will be available all day. The cost for this 2-day class for BAGSC members is $200.00; the cost for non-members is $250.00.

A $50.00 non-refundable, down-payment is required to hold your place, with the final payment due October 12, 2013. All payments should be made by check, made out to BAGSC, with “McCaffree Class” noted in the memo line. Checks should be sent to Janice Sharp (email Janice if you need her address).

The class will be held in the LEED Platinum certified learning center at the Environmental Nature Center, (ENC), 1601 East 16th Street, Newport Beach, CA 92663. The beautiful ENC learning center has plenty of on site and street parking, and is nestled in a 3.5 acre landscape featuring 15 California native plant communities, wildlife habitats, and walking trails. For the past 40 years, the ENC has been a hidden gem in Orange County.

Lee McCaffree is a botanical artist specializing in watercolor. She has studied in London with Christabel King and Capel Manor Environmental College. She has received medals for  her “Pinus” and “Plants in Peril” paintings at the Royal Horticultural Society exhibitions in London. Her work is included in the permanent collections of Kew Gardens, the Hunt Institute for Botanical Documentation and in the Filoli Florilegium, in addition to private collections. Previous exhibitions include: Longwood Gardens, the Horticultural Society of New York, the Denver Botanic Gardens, Strybing Arboretum, the New York State Museum, Oakland Museum, Filoli, and other venues. She teaches botanical art at Filoli and to private groups. She also has served on the Board of Directors for the American Society of Botanical Artists.

by Deb Shaw

Getty signage and flyer announcing the "Artist-at-Work Demonstration: Botanical Drawing," © 2013 J. Paul Getty.

Getty signage and flyer announcing the “Artist-at-Work Demonstration: Botanical Drawing,” © 2013 J. Paul Getty. Used with permission.

BAGSC members will be participating in a wonderful opportunity at the Getty this summer. To complement the Getty‘s “Gardens of the Renaissance,” BAGSC members will be demonstrating botanical art in a variety of media at the Artist-at-Work Demonstration: Botanical Drawing.

Join us in the Central Garden as we demonstrate the materials and techniques used to render plants and flowers. Learn about the botany of fruits, vegetables, and spices, and how explorations in the New World changed dinner tables around Europe. See the “Gardens of the Renaissance” exhibition, and explore Renaissance gardens and their stories (from scandalous to virtuous) in this beautiful exhibition of illuminated manuscripts. Meet botanical artists, ask questions, and get close to the action as you learn about materials and techniques seen in works of art on display at the Getty Center.

This is a free, drop-in program:
Sunday, July 7 & 21, and
August 4 & 11, 2013

12:30–2:30 p.m.

Participating BAGSC artists (on various days) include: Tania Marien, Deborah Shaw, Linda Erickson, Cristina Baltayian, Patty Van Ousterhoudt, Suzanne Kuuskmae, Jan Clouse, Arillyn Moran-Lawrence, Akiko Enokido, Lori Vreeke, Estelle DeRidder, Tania Norris, Alyse Ochniak, Leslie Walker, and Patricia Mark.

by Deb Shaw

Insect, Tulip, Caterpillar, Spider, Pear, Joris Hoefnagel, Illuminator; Georg Bocskay, scribe. From the "Gardens of the Renaissance" exhibition. © 2013, The J. Paul Getty Museum, Los Angeles.

Insect, Tulip, Caterpillar, Spider, Pear, Joris Hoefnagel, Illuminator; Georg Bocskay, scribe. From the “Gardens of the Renaissance” exhibition. © 2013, The J. Paul Getty Museum, Los Angeles.

BAGSC members Tania Marien and Deborah Shaw will be teaching an introductory botanical art class, in conjunction with the current exhibition, Gardens of the Renaissance, Wednesday, July 24, 2013 from 10:30 a.m.–5:00 p.m at the Getty Center, in the Museum studios and galleries.

Explore techniques of botanical illustration in this daylong drawing workshop. Learn how paintings and drawings of plants and gardens during the Renaissance contributed to scientific understanding and captured the beauty, luxury, and status of flowers. The class includes a trip and lecture in the gallery to see the exhibition, and drawing from live specimens in the Getty studio classroom.

Course fee of $125 includes materials, lunch, and parking. Open to 23 participants. Complements the exhibition Gardens of the Renaissance. Register for the class on the Getty website: use the “Get Tickets” button at the class description on the web page.

by Deb Shaw

Beginning Photoshop for Botanical Artists (or other artists) at Filoli. Composite image © Deborah Shaw, 2012.

Beginning Photoshop for Botanical Artists (or other artists) at Filoli. Composite image © Deborah Shaw, 2012.

BAGSC member Deb Shaw will teach a beginning Photoshop class for botanical artists at Filoli, Friday August 2 and Saturday, August 3, 2013, from 9:30 am to 3:30 pm each day.

Explore using Photoshop or Photoshop Elements to improve your botanical art in this hands-on class. A combination of quick lecture segments and hands-on tutorials will cover: how the software thinks about botanical art; how to keep the digital world from destroying your beautiful gradations; resolution, scanning, resizing, and layers; and using the computer as a tool for composition and feedback. Learn how to scan and reproduce your artwork for submission to exhibitions, printing, and uploading to the web. Detailed handouts and “cheat sheets” will be provided.

Images will be supplied for class exercises; feel free to bring your digital images for additional exploration.

Class participants can subscribe to a free, 30-day trial of Photoshop, Photoshop Elements, or the entire Adobe Suite of programs. If you have an iPad (or similar tablet), you may also want to take a look at Photoshop Touch. It’s a great app, and we’ll cover it in class.

Fee: $245 for members; $295 for non–members

  • Register on the Filoli website, or download a registration form from the same web page.
  • Prerequisite/requirements: Participants must bring a laptop (either Mac or Windows) with Photoshop CS5 or higher (preferred) or Photoshop Elements 9 or higher installed and running. A 30–day free trial is available (see above). Please contact the instructor, Deborah Shaw, for more information and to get assistance with the download. Class time will not be spent on loading software. Participants must have basic knowledge of their computer, including how to save and find files on their hard drive.
  • Enrollees in the Filoli Certificate Program will earn 8 hours of credit for this class.
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