by Lori Vreeke, posted by Deb Shaw

Beech Leaves, coloured pencil by Ann Swan. © 2013, all rights reserved.

Beech Leaves, coloured pencil by Ann Swan. © 2013, all rights reserved.

Ann Swan will come across the pond to teach a four-day coloured pencil workshop: Wednesday, September 25 – Saturday, September 28, 2013, in the Oak Room at the Los Angeles Arboretum. The class will meet from 9:30 am – 3:30 pm, and is limited to 16 students. The cost is $440.00.

This workshop will focus on techniques used in Botanical Art Illustrations working in Color Pencil. Workshop will include lecture, demonstrations, and one-on-one critiques. All skill levels are welcome, though some colored pencil experience is recommended as is drawing and sketching of botanicals.

Students need to bring their own materials (list will be supplied). Supplies also can be pre-ordered, and a limited number of supplies will be for sale at the workshop.

Complementary tea, coffee and light snacks will be available in the classroom; food is available in the Peacock Cafe for purchase.

Ann works primarily in graphite and coloured pencil and is well known for her exquisitely fine detail, vibrant colours and strong contemporary style She is passionate about coloured pencils, believing they are easy to master, forgiving and accessible so that even a complete beginner can quite quickly produce work of quality.

Ann’s many exhibitions include: The Royal Botanic Gardens at Kew, Hunt Institute’s 8th International Exhibition, Society of Botanical Artists, Chelsea and Hampton Court Flower Shows. Her work is represented in the prestigious Shirley Sherwood Collection and features in many private collections around the world.

  • RHS Silver Gilt Medal
  • RHS Gold Medal 4X
  • Silver Medal 14th World Orchid
  • SBA President’s Award
  • SBA Suzanne Lucas Memorial Award
  • UKCPS 3rd Best in Show
  • UKCPS People’s Choice Coloured Pencil
  • UKCPS People’s Choice Mixed Media (shared) for ‘Merlot’

A deposit of $150.00 holds a place in the class; the final amount is due by September 1, 2013. Questions? Contact Lori Vreeke via email.

Oriental Poppies, coloured pencil by Ann Swan, 36 x 75 cms. © 2013, all rights reserved.

Oriental Poppies, coloured pencil by Ann Swan, 36 x 75 cms. © 2013, all rights reserved.

by Tania Norris, posted by Deb Shaw

Akiko Enokido, Chrysanthemum morifolium "Kokka Seija

Akiko Enokido, Chrysanthemum morifolium “Kokka Seija”
© 2013
Watercolor, 11″ x 16″

Akiko Enokido is a long time member of the Botanical Artists organizations in America and Japan and has been accepted in major exhibitions. Her beautifully rendered paintings are known for their exquisite color, detailing and composition and are prized by their owners. Akiko has shown her work in the United States and Japan, including the ASBA/Horticultural Society of New York exhibitions, and the 13th Annual Exhibition of Botanical Art and Illustration from the Hunt Institute for Botanical Documentation.

In Akikoʼs words her class:

“will observe the shapes and shadows of leaves. You may be surprised to realize how often you are drawing from your own assumptions and not from how the object is actually expressing itself. I will demonstrate the approach of placing multiple layers of color, putting emphasis on capturing reflection of light and to show depth of the objectʼs dimensions.”

Classes will be held at Virginia Robinson Gardens, August 5, 6, and 7, 2013,  from 9.30 am – 3.30 pm daily.  A supplies list will be sent to all participants.

Coffee, tea and water will be provided, but please bring your own lunch. Fees for the three day session will be $375. for members and $450. for non-members. A deposit of $100. to hold space can be accepted but is non-refundable. Full payment must be made by August 1, 2013.

To make reservations, visit the Virginia Robinson Gardens website, or call (310) 550-2068.

Mail check to:
Friends of Robinson Gardens
1008 Elden Way, Beverly Hills, CA 90210

If you have any questions, please contact Tania Norris.

Variegated Camellia, by Akiko Enokido

Camellia japonica ‘Chandleri Elegans’, Variegated Camellia, by Akiko Enokido, watercolor on vellum, © 2012, all rights reserved.

by Deb Shaw

Coast Live Oak, Quercus agrifolia, Jan Clouse, © 2013, all rights reserved.

Coast Live Oak, Quercus agrifolia, Jan Clouse, © 2013, all rights reserved.

 

BAGSC member Jan Clouse has had two paintings accepted into the Palm Loft Gallery open invitation juried show, “Make Hay While the Sun Shines.”

The exhibition runs from June 22 through August 11, 2013. The Palm Loft Gallery focuses on original works of art by established and emerging artists, and is located at 410 Palm Avenue, Loft A-1, Carpinteria, California, 93013. The Gallery is open Friday to Sunday, 11 to 6, also by appointment by calling (805) 684-9700.

Rose Hips, Jan Clouse, © 2013, all rights reserved.

Rose Hips, Jan Clouse, © 2013, all rights reserved.

by Joan Keesey

Common Poppy, photo by John Keesey, © 2013

Common Poppy, photo by John Keesey, © 2013

Consider the “campi fiori,”
Arrayed in their natural glory.
Their existence is brief
Unless an artistic thief
Memorializes their story.

John Keesey, June 2013

Preci, Umbria, photo by John Keesey, © 2013

Preci, Umbria, photo by John Keesey, © 2013

 

John and I just returned from Umbria, Italy, where I took Elaine Searle’s Botanical Art Class. We stayed for eight days at a resort, Il Collaccio, in the mountains near the walled hill town of Preci and adjacent to the Monti Sibillini National Park. The views of the mountains and valleys were beautiful; the fields were filled with wildflowers: red poppies, small wild orchids, fringed hyacinths, buttercups, and many flowers that I had never seen before.

The Studio, photo J. Keesey, © 2013

The Studio, photo J. Keesey, © 2013

We were a group of 13 including Elaine: four Americans including Deborah Friedman and myself from BAGSC, six women from Britain, three ladies from Finland, Japan, and Trinidad respectively. We stayed in a lovely stone building in which the studio was also located.  Il Collaccio provided all of our meals. They were very good, especially the lunches which were interesting, varied and served outside if the weather permitted.

Lunch at Il Collaccio, photo by J. Keesey, © 2013

Lunch at Il Collaccio, photo by J. Keesey, © 2013

There was no assigned subject. We could paint wildflowers, vegetables from the local market, or roses growing on the wall of our building. I chose to paint the poppies and a small orchid called the Bee Orchid.

Elaine gave a demonstration every morning on one of the selected subjects. We worked from 9:30 am until 1:00 pm when lunch was served. After lunch Elaine was available in the studio if we wished to continue painting, or we could take the afternoon off for a hike in the hills or a visit to one of the many Umbrian hill towns.

On one of the days we had a group outing to Spello, another beautiful walled town, and Fabriano where we were given a tour of the Fabriano Museum. Fabriano not only makes high quality art paper, they also make the paper for the Euro. We were shown how paper was originally made by hand in the 16th century and their extensive collection of watermarks. At the end of the tour we all made a piece of paper.

Making Paper at the Fabriano Museum, photo by J. Keesey, © 2013

Making Paper at the Fabriano Museum, photo by J. Keesey, © 2013

It was a great trip—an opportunity to see a really beautiful part of Italy, to meet new and interesting people, and to concentrate on drawing and painting without the many distractions and obligations of daily life.

Bee Orchid, Ophrys apifera, watercolor by Joan Keesey, © 2013, all rights reserved.

Bee Orchid, Ophrys apifera, watercolor by Joan Keesey, © 2013, all rights reserved.

Common Poppy, Papaver rhoras, watercolor by Joan Keesey, © 2013, all rights reserved.

Common Poppy, Papaver rhoras, watercolor by Joan Keesey, © 2013, all rights reserved.

by Deb Shaw

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

Aristolochia gigantea, ink on paper, Lesley Randall, © 2013, all rights reserved

Lesley Randall’s Aristolochia gigantea has been accepted into the 14th annual exhibition for the Hunt Institute for Botanical Documentation.

Lesley became interested in botanical illustration while a landscape architecture student at Cornell University. Working at a botanical garden in Hawaii, she found the plants fascinating to draw, and started illustrating professionally after moving to Davis, California in 1986. Lesley won first prize in the 2007 Margaret Flockton Award for Excellence in Botanical Illustration from the Royal Botanic Garden in Sydney, Australia. The award was created to recognize excellence of botanical illustrations in scientific publications and commemorates the contributions Margaret Flockton made to Australian scientific botanical art.

The Hunt established the International Exhibition in 1964 with the hope of supporting and encouraging contemporary botanical artists. Every three years, the International Exhibition features the works of talented botanical artists from around the world. The Hunt Institute for Botanical Documentation will host the 14th International Exhibition of Botanical Art and Illustration in Fall 2013 in conjunction with the annual ASBA conference, September 26 – 28. The exhibition is open to all botanical fine artists and illustrators working in any medium on paper or vellum whose work has achieved a standard of excellence and who have not yet been represented in the Hunt Institute’s series of International Exhibitions.

by Deb Shaw

Elaine Searle, "Rhubarb" (Rheum rhabarbarum), watercolor, © 2013, all rights reserved

Elaine Searle, “Rhubarb” (Rheum rhabarbarum), watercolor, © 2013, all rights reserved

Elaine Searle‘s “Rhubarb” (Rheum rhabarbarum), and Joan Keesey‘s “Hummingbird Sage” (Salvia spathacea), were both accepted into the 16th Annual International American Society of Botanical Artists at The Horticultural Society of New York.

Congratulations to both of you!

 

Joan Keesey, "Hummingbird Sage" (Salvia spathacea), watercolor, © 2013, all rights reserved

Joan Keesey, “Hummingbird Sage” (Salvia spathacea), watercolor, © 2013, all rights reserved

by Deb Shaw

BAGSC members Akiko Enokido and Mitsuko Schultz have been accepted into the 16th Annual International American Society of Botanical Artists at The Horticultural Society of New York.  Congratulations to both of you!

Akiko Enokido, Chrysanthemum morifolium "Kokka Seija

Akiko Enokido, Chrysanthemum morifolium “Kokka Seija”
© 2013
Watercolor, 11″ x 16″

Akiko wrote about her painting:
Since ancient times, Cherry blossoms in Spring and Chrysanthemum in Fall are both loved by the Japanese people. The chrysanthemum enthusiasts put a lot of effort to make straight stems and big beautiful flowers on each of the stems.

Flower exhibitions are held all over Japan during the season. We not only enjoy them for viewing but also for their taste in salads or tea.

I found this particular one in my neighborhood. The flower is not good shaped to show in exhibitions, but I was fascinated by its energy to grow. This will be a memorable piece. My first painting in Japan.

 

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

Mitsuko wrote about her painting:
This is my first time to be accepted to the ASBA Horticulture show and I am so happy and excited. I have been studying watercolor with Akiko Enokido since July 2011 and she helped me immensely and has given me a lot of encouragement.

While painting this sycamore piece, Akiko continued to offer advice and encouragement even though she had returned to Japan. Thank goodness for email!

by Leslie Walker, posted by Deb Shaw

TAG 2013 California Open Exhibition: Call for Entries

TAG 2013 California Open Exhibition: Call for Entries

TAG Gallery has invited BAGSC members to enter the 2013 California Open Juried Exhibition. Deadline for submission is June 26, 2013.

Details:
2013 CALIFORNIA OPEN EXHIBITION
TAG Gallery Juried Exhibition
August 14-30, 2013
at Bergamot Station Arts Center in Santa Monica
Juror: Edward Goldman, Art Critic, National Public Radio and The Huffington Post

Open to U.S. artists 18+ working in drawing, mixed media, painting, photography, printmaking, computer art and sculpture. Maximum size 48″h x 36″w, sculptures maximum size 48″h x 20″w and maximum weight 40 lbs.

Cash awards. Fee: $40/1 to 2 entries, $10/each additional, 6 maximum. Online submissions.

Entry Deadline: June 26, 2013. The prospectus can be viewed here: CA Open Prospectus Brochure, or at: http://www.caopen.net. Questions: 310-829-9556 or e-mail.

Please visit the California Open Exhibition website for more information and additional copies of the Prospectus.

By Joan Keesey; Photography by John Keesey, posted by Deb Shaw

The Sunken Garden at Filoli. Photo by John Keesey.

The Sunken Garden at Filoli. Photo by John Keesey.

On Thursday, April 18th, John and I attended the Artist’s Reception at Filoli. We spent the morning checking out the exhibit and looking at the garden, always beautiful, but sensational in the spring. The garden is a series of  “garden rooms” similar to the Hidcote Gardens in England; each room is surrounded by a hedge of shrubs or trees and usually contains a fountain or pool. Each “garden room” has a color scheme. I spoke with one of the volunteer gardeners who said that the colors change with the seasons and from year to year, but each year there is a master plan. The first garden you see is the sunken garden. This year it is cobalt blue and white columbine, cerulean blue forget-me-nots, and hansa yellow tulips. The wisterias that climb up the brick walls of the Georgian style house were all in bloom and spectacular.

There were also many bushes with a very small, quinacridone red azalea that was quite stunning. It was a perfect day.

Quinacridone Red Azaleas at Filoli. Photo by John Keesey.

Quinacridone Red Azaleas at Filoli. Photo by John Keesey.

There were 64 works of botanical art by 50 artists including the two jurors, Carol Hamilton and Susan Fisher. The Botanical Artists Guild of Southern California (BAGSC) was very well represented with seven artworks by five artists—Alison Denning, Joan Keesey, Sue Kuuskmae, Mitsuko Schulz, and Deborah Shaw.

We went back for the Artists’ Reception at 5:00 pm. It is always very pleasant with wine, very nice appetizers, and the opportunity to meet other botanical artists. Carrie DiCostanzo won the 2013 Roth Award for distinction with an emphasis on traditional botanical art presentation with a beautiful picture of “Ponderosa Pine” (Pinus ponderosa).  Maria Cecilia Freeman won the Juror’s Award with an exquisite picture of “Tan Oak” (Notholithocarpus densiflorus), and Ingrid Finnan won the Horticulture Aware with a delicate picture of “Dandelion” (Taraxacum offivinale).

"Aesculus californica," California Buckeye, watercolor by Joan Keesey, © 2013, all rights reserved.

“Aesculus californica,” California Buckeye, watercolor by Joan Keesey, © 2013, all rights reserved.

 

"Aesculus californica," California Buckeye, Watercolor by Joan Keesey, © 2013, all rights reserved.

“Aesculus californica,” California Buckeye, Watercolor by Joan Keesey, © 2013, all rights reserved.

"Fragaria x ananassa 'Fragoo Pink'," Strawberry, watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Fragaria x ananassa ‘Fragoo Pink’,” Strawberry, watercolor by Mitsuko Schultz, © 2013, all rights reserved.

"Iris," Iris, watercolor by Alison L. Denning, © 2013, all rights reserved.

“Iris,” Iris, watercolor by Alison L. Denning, © 2013, all rights reserved.

"Castanospermum australe," Blackbean, or Moreton Bay Chestnut, seed pod and seeds, Graphite and Watercolor on Vellum by Deborah B. Shaw, © 2013, all rights reserved.

“Castanospermum australe,” Blackbean, or Moreton Bay Chestnut, seed pod and seeds, Graphite and Watercolor on Vellum by Deborah B. Shaw, © 2013, all rights reserved.

"Plantanus racemosa," California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

"Vitis vinifora," Grapes, watercolor by Suzanne C. Kuuskmae, © 2013, all rights reserved.

“Vitis vinifora,” Grapes, watercolor by Suzanne C. Kuuskmae, © 2013, all rights reserved.

by Deb Shaw

Alice Tangerini

Alice Tangerini

Alice Tangerini, botanical illustrator for the botany department at the Smithsonian National Museum of Natural History, will be exhibiting her work and giving two presentations at the Riverside Metropolitan Museum in Riverside, California as part of their “Smithsonian Week in Riverside.”

The free public programming is related to the “John Muir and the Personal Experience of Nature” exhibit at the Museum. In addition to a display of Alice’s work, the program includes:

“Treasures of Yosemite” Presentation
David Wimpfheimer, Natural History Study Leader, Smithsonian Journeys
Wednesday, April 24
3 pm – 5 pm

Botanical Illustration Demonstration
Alice Tangerini, Botany Staff Scientific Illustrator, Smithsonian National Museum of Natural History
Thursday, April 25
3 pm – 5 pm

“To Reach Perfection — the Challenge of Botanical Illustration” Presentation
Alice Tangerini, Botany Staff Scientific Illustrator, Smithsonian National Museum of Natural History
Thursday, April 25
7 pm – 8:30 pm

If you haven’t had the pleasure of meeting Alice or taking a class from her, you’re in for a rare treat. Alice has illustrated more than 1500 species of plants for the Smithsonian and is also the curator of the 4800 plant drawings currently in the Smithsonian inventory. She is a board member of the American Society of Botanical Artists (ASBA), and is the person to whom we send our information and images to when we want to post them to the Member’s Gallery on the ASBA website. Alice received the American Society of Botanical Artists Award for Excellence in Scientific Illustration in 2008, teaches scientific illustration, and provides educational outreach. She is also a member of the Guild of Natural Science Illustrators (GNSI). You can view Alice’s scientific illustrations from the Catalog of Botanical Illustrations, Department of Botany, Smithsonian Institution online.

More information about the Smithsonian Week at the Riverside Metropolitan Museum is on their website. The museum is located at 3580 Mission Inn Avenue, near Orange Street, right off the 91 Freeway. The phone number is (951) 826-5273.

As long as you’re in Riverside, you might want to plan to arrive early and visit ArtPlantae. Just two blocks away you’ll find ArtPlantae at Aurea Vista Marketplace, at 3498 University Avenue on the corner of Lemon and University. Tania Marien will (of course!) be at the Riverside Metropolitan Museum to see Alice’s presentations, but her two areas in Aurea Vista will be open, and there are lots of other shops to see in Aurea Vista and in the mall in the historic downtown Riverside.

Hope to see you there, and welcome to California, Alice!

by Deb Shaw

Image of Google's Doodle to Maria Sibylla Merian's 366th Birthday.

Image of Google’s Doodle to Maria Sibylla Merian’s 366th Birthday.

Thank you to Jody Williams, who sent me an email alert that was waiting in my inbox with my morning coffee. Google is celebrating Maria Siblylla Merian’s 366th birthday today with her own Google Doodle (screen shot shown here). Clicking on the Doodle brings up related posts and information. Maria’s Google Doodle will only be there today: http://www.google.com. Happy Birthday Maria!

by Sue Kuuskmae and Rita Hopper, posted by Deb Shaw

Invitation postcard from The Pastel Society of Southern California

Invitation postcard from The Pastel Society of Southern California

The Fourth Annual Pastel Exhibition at the Creative Arts Center, Manhattan Beach, will be held from April 6th – April 26th, 2013.

Everyone is invited to the opening reception on Saturday April 6, from 6:00 pm – 9:00 pm. There will be music, art, food, wine, and voting for your favorite painting. Come join the fun.

There will be a free demonstration by Richard McKinley, a well known pastelist and teacher on the following Saturday, April 13th at 10:00 am – noon. The juried entries will be judged for awards by Master Pastelist Richard McKinley.

BAGSC members Suzanne Kuuskmae and Rita Hopper have works in the show.

The Manhattan Beach Creative Arts Center is located at 1560 Manhattan Beach Blvd., Manhattan Beach, CA 90266. For more information about the gallery and hours, visit the web site, or call 310.802.5440.

For more information about the Pastel Society of Southern California, visit their website, or call 310.540.0724.

by Quench Trip Design, posted by Deb Shaw

Fisher's Loft Inn.

Fisher’s Loft Inn.

Few people visit Newfoundland without being touched by the warmth of its people, the depth of its history and the haunting beauty of its rugged coastline. This seven day workshop, September 30 – October 6, 2013, under the expert guidance of renowned teacher and botanical artist, Margaret Best, promises an ideal opportunity to work uninterrupted in an inspiring coastal setting: Fisher’s Loft Inn in Port Rexton, on Trinity Bay. The large airy studio has breathtaking views. The hotel is the top-ranked rural inn in Newfoundland. The award-winning kitchen draws from the nearby ocean, freshwater ponds, seaside meadows and an abundant kitchen garden in season.

Street with colorful houses in St. John's, Newfoundland, Canada.

Street with colorful houses in St. John’s, Newfoundland, Canada.

In early October, the meadows and woodlands will be turning to their autumn colours – blueberry bushes turning rich claret, wild rhododendron, sheep’s laurel, lichens in a subtle spectrum, partridge berries, cloud berries, tall sedges bleaching to every shade of blonde. This is a landscape of miniature set against vast vistas of sea and sky. Accessible trails make this a hikers’ paradise.

Make the short jump from the ASBA conference in Pittsburgh (ending September 28) to Newfoundland to extend your botanical painting for the Fall.

Highlights

  • Personalized instruction by Margaret Best, tailored to your individual medium and needs.
  • Both coloured pencil – exciting new techniques with the latest materials – as well as watercolour instruction focusing on earth tones best suited to fall colours – fallen leaves, seed pods, berries, rose hips and late harvest vegetables.
  • Workshop participation limited to insure best possible learning experience.
  • Exclusive use of beautiful studio space and opportunity to work in the garden or farther afield.
  • Six nights in a dramatically beautiful setting, with charming top-ranked accommodations at Fisher’s Loft Inn, a collection of traditional buildings set on a hillside overlooking the ocean. Friendly gracious local staff will make you feel so at home you won’t want to leave.
  • Chartered boat tour. Learn about the fascinating history of the Newfoundland fishery and outports.
  • Walking tour of historic Trinity.
  • Guided hike around Skerwink Trail.
  • Six delicious full menu breakfasts, two three-course dinners at Fisher’s Loft restaurant, and two lunches.

NOTE:  To participate in the this trip, you must be able to walk up and down the hill between the studio and the various other buildings on the site.

Included

  • Transfer from a central location in St. John’s to your hotel in Port Rexton
  • Transfer to St. John’s and the airport
  • 6 nights accommodation at Fisher’s Loft Inn
  • 6 full breakfasts
  • 3 course Welcome dinner, with wine
  • 3 course Farewell dinner, with wine
  • 2 lunches
  • Boat tour to visit outports
  • Walking tour of historic Trinity
  • Guided hike of Skerwink Trail
  • Gratuities for wait staff for meals on the programme, drivers and Trinity guide.

Not included

  • Flights in and out of St. John’s
  • Meals not mentioned in the programme
  • Tips for housekeeping staff
  • Drinks, except where specified

Cost: $2,995 CAD

*Price per person based on double occupancy. Single supplement $420 per person.
*All bookings may be subject to HST and subject to availability.
Whale flute.

Whale flute.

PLEASE NOTE: Bookings will be taken on a first come, first served basis. We will do our best to accommodate single travelers who are willing to share twin rooms. If you are traveling with a non-artist partner, please ask us about a non-participant rate.

Get more information about this new adventure on Quench Trip Design’s destination page for Canada.

by Tania Norris, posted by Deb Shaw

Just a reminder for those that have not signed up, that there are still a few spots available in Jenny Phillips class at the Virginia Robinson Gardens (VRG).

Jenny’s classes are always fun and rewarding and this time the three day class is drawing in preparation for the watercolor class the following week. So if possible, please take both segments as they are really one class. For those unable to take the drawing section, it will mean that you won’t be able (probably) to finish the painting in one week.

Jenny suggested roses as the subject but as most gardens have been pruned am not sure of availability so we may have a different subject and if so, one that can be included in the Florilegium. Or we may have a choice of subject.

For those that took Anne-Marie’s classes and painted wisteria and/or coral tree, we are hoping that while Jenny is here that they will be judged and the best two added to the Florilegium.

Please bring your finished paintings to VRG by April 8th. Please have them in a protective cover, unsigned if possible but clearly marked on  the back of the painting with your name and phone number. Please remember that if your painting wins, you keep the copyright but you are giving the painting to Virginia Robinson Gardens and they will have the right to reproduce the painting for cards, prints, folio or anything else that flower paintings can used and that any monies from the sales of the reproductions belongs to VRG. The paintings will be aded to the permanent collection at the Gardens.

roses

 

The following is the information for Jenny’s class:

April 10, 11 and 12, 2013
Drawing beautiful botanically correct roses in graphite

April 15 – 19, 2013
Focusing on a florileguim quality painting in watercolor of a rose

Jenny Phillips is one of the most renowned botanical artists in the world and one of the most popular and experienced teachers. She has her own Botanical Art School in Melbourne, Australia, and has her paintings in many notable collections, including that of H.R.H. Prince Charles. Jenny’s teaching always includes effective ways to achieve maximum effect with ease and her wit is always evident.

Classes will be held at Virginia Robinson Gardens from 9 – 3:30 on each of the days listed above.

A supplies list will be sent to all participants. Coffee, tea and water will be provided, but please bring your own lunch. Painting subject may change due to availability of garden roses in April.

Fees for the three day session are $375 for VRG and BAGSC members; $450 for non-members. The five day session is $595 for VRG and BAGSC members; $650 for non-members. A deposit of $100 per class to hold the space can be accepted, but is non-refundable.

To make reservations, visit the Virginia Robinson Gardens online; call 310.550.2068; or mail a check to: Friends of Robinson Gardens, 1008 Elden Way, Beverly Hills, CA 90210. Questions? Contact Tania Norris.

by Jill Berry, posted by Deb Shaw

The Los Angeles County Arboretum and Botanic Gardens will be offering a weekly evening Botanical Art and Illustration class in addition to their Tuesday morning classes.

We are trying to set a day that will be convenient to most people, so if you are interested, let us know which day you would prefer, from Monday to Thursday. Class participation is limited to a minimum of five students and a maximum of 12.

Cristina Baltayian will be the instructor, and we will be exploring colored pencil, graphite, pen and ink, and watercolor on various papers, vellum and other surfaces. The emphasis will be on plant observation, drawing, composition, color theory and matching, and medium techniques.

This year we have started a very exciting project, in which, in conjunction with BAGSC, we will be studying and portraying the many Arboretum introductions collected over a period of almost 50 years, to build a collection of paintings that will celebrate and document the invaluable contribution of the Los Angeles Arboretum to the state of California. [Search the BAGSC Blog for related articles about the Arboretum introductions project, and BAGSC members’ special purchase package. If you’re at the LA Arboretum, be sure to stop off in the gift store to buy the first edition of the cards.]

For more information, please contact Jill Berry, Education Manager at the Los Angeles Arboretum.

We look forward to hear from you!

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