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by Deb Shaw
Leucospermum cordifolium, Pincushion protea, colored pencil by Estelle DeRidder, © 2015, all rights reserved.
BAGSC member Estelle DeRidder has been accepted into the 18th Annual International Show of the American Society of Botanical Artists (ASBA) at The Horticultural Society of New York too. Her work, Leucospermum cordifolium, Pincushion Protea, was done in colored pencil.
Congratulations Estelle!
by Beth Stone
The call for entries has been sent (see email from Deb Shaw dated 5/5/15) for BAGSC ‘s very own adjunct exhibition to “Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition, Botanical Illustrations of Remarkable Plants” coming to The Huntington’s Brody Botanical Center.
BAGSC members of all experience levels are encouraged to enter at least one artwork (limit is 3 artworks per member). To date we have a list of nearly 50 subjects from 25 artists, we’re expecting many more.
Botanical oddities and curiosities could be those found locally, in natural surroundings or a botanical garden. If you’re looking for more inspiration, Dick Rauh, PhD offered ideas to artists on potentially pertinent plants: http://asba-art.org/article/weird-wild-and-wonderful-suggested-subjects. We’d like to include as many different species as possible.
So…what visually unusual, bizarre, beautiful (or not) subject have you chosen?
We have an important deadline, here’s how you can help:
Please email the complete botanical name of your choices ASAP but no later than Wednesday, May 27, 2015 to Beth Stone. Don’t worry, this does not obligate you to submit those works.
The cut-off date is when we will submit our “list of plant subjects” as best we know it to The Huntington so they can start planning on signage, related plants from the Garden, microscopes and more, linking our artworks to The Huntington’s vast plant collection in creative, and no doubt “wonderful”, ways.
by Deb Shaw
BAGSC members Margaret Best and Melanie Campbell-Carter have been accepted into the 18th Annual International American Society of Botanical Artists at The Horticultural Society of New York.
Margaret Best, Echinacea purpurea or purple cone flower, © 2015, All rights reserved.
Margaret’s 8.5 x 11 watercolour on paper is of a Canadian native Echinacea. She writes, “There are two Echinacea natives species in Canada. The one shown is Echinacea purpurea or purple cone flower—the species widely harvested for medicinal use. It has also become popular as a cultivated flower in Canadian gardens, as it brings a final splash of colour at the end of summer and into the fall. The specimens I used came from my daughter’s beautiful front garden that she inherited from the previous green-fingered owner of their new home in Ontario, Canada.”
Melanie Campbell-Carter, colored pencil, Pseudobombax ellipticum, shaving brush tree, © 2015, all rights reserved.
Melanie submitted a Pseudobombax ellipticum, also known as the shaving brush tree. She writes, “The tree was in its full blooming glory this past March on the island of Kauai. Depicting the sturdy strength of its stems and buds, and the delicate profusion of vivid pink stamens, was not only an enormous challenge but also a fantastic and joyful process. As we spent our days and weeks together, I developed a great affection for my ‘shaving brush.’ I am so thrilled to have been able to translate a gorgeous, living thing to paper in such a way that it continues to speak to others!”
Congrats to both of you!
Are there any more BAGSC artists who have been accepted? If so, please send me an email with an image.
A Little About the International ASBA/Hort Exibition
Each fall, the Annual International American Society of Botanical Artists at The Horticultural Society of New York exhibition is held at the Hort in mid-town Manhattan. It is the ASBA’s longest running collaboration. Past exhibitions are posted on the ASBA’s website; this year’s exhibition will be posted as well.
The Hort’s Gallery encourages gardeners and artists alike to appreciate the creative intersection between art and nature. Exhibitions showcase emerging and established contemporary artists inspired by horticulture, botany, landscape, and the environment.
by Beth Stone and Deb Shaw
Solanum lycopersicum, Heirloom Tomato, Watercolor on paper, © Asuka Hishiki
BAGSC will be holding an adjunct exhibition to “Weird, Wild & Wonderful: The New York Botanical Garden Second Triennial Exhibition, Botanical Illustrations of Remarkable Plants” in Banta Hall at The Huntington’s Brody Botanical Center.
The theme of this exhibition will focus on botanical specimens of plants compatible with the theme of the New York exhibition, “Weird, Wild & Wonderful.” Curated by the ASBA and originally opening in New York in 2014, “Weird, Wild & Wonderful” will open June 13 and continue through August 23 in The Huntington’s Brody Botanical Center, Flori-Legium Room, San Marino, California. The exhibition will be open to the public Saturdays and Sundays during the summer, plus additional times during workshops and the Symposium. The exhibition also will be open to the public August 1 – 9 along with the BAGSC “Weird, Wild & Wonderful” adjunct exhibition.
BAGSC artists are invited to seek visually unusual plants and create works of art that celebrate the bizarre, yet beautiful flora of the world. Botanical oddities and curiosities could be those found locally, in natural surroundings or a botanical garden. Dick Rauh, PhD offered ideas to artists on potentially pertinent plants: http://asba-art.org/article/weird-wild-and-wonderful-suggested-subjects.
The “Call for Entries” packet will be sent out via email blast to members soon. Members will be able to enter up to three works. It is our hope to include at least one art work from each and every BAGSC member. So whether you are an experienced exhibitor or you have not yet entered a show, please read the call for entries when you receive it and get to work on your entry now! Framing will be “artists’ choice.”
Some deadlines to mark on your calendar:
- ASAP: We will be coordinating with BAGSC artists and The Huntington to include as many different species as possible. Please let us know what you have, are painting, or are considering painting. Please email the complete botanical name of your choices ASAP to Beth Stone. Don’t worry, this does not obligate you to submit those works.
- Wednesday, May 27, 2015: This date is the absolute deadline for getting your list emailed to Beth Stone of what you have, are painting, or are considering painting. We will submit our “list of plant subjects” as best we know it to The Huntington so they can start planning on signage, related plants from the Garden, microscopes and more to go with our exhibition.
- Wednesday, July 1, 2015: July 1 is the deadline for digital submissions, entry fee and complete entry forms.
Questions about the exhibition? Contact Bonnie Born Ash or Beth Stone.
Need some Weird, Wild & Wonderful inspiration?
Kathy Musial, The Huntington’s curator of living collections, and Huntington horticultural staff will give BAGSC members a private tour of the greenhouses and gardens to talk about their own favorite weird, wild and wonderful plants. This is a great opportunity to get ideas and ask a botanist questions about plants you are painting.
May 8, 2015
10 am; The tour begins at 10 am sharp, so please plan to arrive earlier so you are ready. The tour will leave whether or not you are there.
The Huntington
You must RSVP with Beth Stone to attend. The Huntington will have stickers for us, so there will be no entry fee. The new café is open at The Huntington if you would like to purchase lunch after the plant tour. Details about where, when to meet up and more will be sent out later. You are welcome to spend the day at The Huntington.
Happy painting!
by Deb Shaw
Exhibition catalog cover, “Following in the Bartrams’ Footsteps”
ASBA’s traveling exhibition, Following in the Bartrams’ Footsteps has arrived at its final venue in Northern California, in the beautifully restored Julia Morgan-designed Girton Hall at the University of California Botanical Garden at Berkeley. The exhibition will be on display from December 15, 2014 – February 15, 2015. Consisting of 44 original works shows the native plant discoveries made by father and son, John and William Bartram throughout the Eastern United States from the 1730s through the 1790s. This exhibition at UC Botanical Garden at Berkeley is the only West Coast showing.
View the artwork on the website and see a list of the artists and artwork in the exhibition. The Garden is also offering three notecards from the exhibition in mixed packages of six or individually, sold in their Garden Shop. All proceeds benefit the Garden.
Three lectures are being offered as part of the outreach around the exhibition: Carol Woodin, ASBA Exhibitions Director, is giving a lecture today, December 19 about The Legacy of the Bartrams. Dr. Peggy Fiedler will present Fathers & Sons: A Journey with the Bartrams, Hookers and other Famous Families in Western Botanical Science, Art and Exploration on Saturday, January 31, 2015 from 1 pm – 3pm. The third lecture, titled Maria Sybilla Merian: A Passion for Plants & Insects will be given on Thursday, February 5, 2015. To register, and for more information, visit Bartrams events page on the garden website. Additionally, Catherine Watters will teach An Introduction to Botanical Art with graphite, colored pencil and watercolor on Thursday, January 22 and Friday, January 23 from 10 am – 4 pm each day. All levels are welcome. Registration for this workshop is also located on the Bartrams events page.
Catherine Watters, ASBA Director, developed a fundraising campaign that enabled the exhibition to come to California. A catalog of the exhibition may be purchased from ASBA’s website through ArtPlantae.
Exhibition hours for Following in the Bartrams’ Footsteps are 10 am – 4pm daily during days when the garden is open. Driving directions, admissions information and other information are available on the garden’s website. The University of California Botanical Garden at Berkeley is located at 200 Centennial Drive, Berkeley, CA 94720-5045. Phone: 510-643-2755.
While you’re visiting the Bartrams’ exhibition, be sure to stop in and see Plants Illustrated: Following the Garden’s Path, the 6th Annual exhibition of botanical art, featuring work by the Northern California Society of Botanical Artists. This year’s exhibition focuses specifically on plants in the Garden’s collection. The exhibition will be on display January 7 – February 15, from 10 am – 4 pm. There is an opening reception on Saturday, January 24 from 4:30 pm – 6:30 pm where you can sip wine, meet the artists, and see the show. Registration is required, and can also be found on the Bartrams events page on the garden website.
by ASBA, posted by Deb Shaw
Susan Sapanara, Hydrangea quercifolia, Crimson Collar, watercolor on paper, © 2014, all rights reserved.
The Horticultural Society of New York and the American Society of Botanical Artists will be having a “Last Look Walkthrough” of the 17th Annual International Exhibition, with exhibition artists and juror on:
Wednesday, November 19, 2014
6:00 – 8:00 pm
Free for NY Hort and ASBA members
$5.00 for non-members
Join ASBA and The Hort, meet some of the artists and enjoy a seasonal cocktail during this reception and walkthrough of the annual exhibition. Each year ASBA’s Annual International presents the genre’s most established artists alongside emerging talents from around the world. Chris Murtha, Curator at The Hort calls botanical art “…a genre that is pushing well beyond scientific illustration and coming into its own.”
Artists Carrie Di Costanzo, Ingrid Finnan, and Monika deVries Gohlke will share their personal stories behind their work and offer a unique perspective on the work of their peers. They will be joined by exhibition juror Patricia Jonas, who will provide insight into the artwork selection process.
Registration for the “Last Look Walkthrough” can be found on Eventbrite.
Catalog cover image: Annie Patterson, Cynara cardunculus, Cardoon, watercolor on paper, © 2014, all rights reserved.
Catalogs for the exhibition can be purchased for $20.00 through ArtPlantae.
The New York Horticultural Society is located at 148 West 37th Street, 13th Floor, New York, New York. The 17th Annual International is on display through November 26, 2014.
Jurors Patricia Jonas, Marco Polo Stufano, and Catherine Watters selected 42 artworks out of 215 submissions from around the world. BAGSC members Joan Keesey, Lesley Randall, and Deborah Shaw have artwork in the exhibition, and Lesley Randall won the Brooklyn Botanic Garden Award for Drawing & Prints. The ASBA has posted the artwork and the artists’ stories behind each piece. Click on the links and on the ASBA website to see the artwork and read the artists’ stories.
by Gayle Uyehara, posted by Deb Shaw
Carol Govan delivered a fast-paced, exciting lecture about botany. Photo by Gayle Uyehara.
Carol Govan’s Thursday “Wow, Botany Is Exciting” workshop really was that, WOW!
Carol contacted the class participants a few weeks earlier and sent us a very informative email and handout with all the technical terms we would learn so we wouldn’t have to stop and look them up during class. She also told us to relax but hang on tight because the workshop was structured from her 8-week course at Wellesley College Botanic Gardens. In three hours we learned the parts of a plant and their function in a humorous, informative manner that only Carol can deliver.
After we learned the names of the plant parts, we quickly sketched the specimen before us and labeled them. “Quick” being the emphasis and it was amazing how many things we had captured in our short observation. What a treat this class was!
Learning the plant parts. Photo by Gayle Uyehara.
Carol’s botany workshop built on this newbie’s vocabulary in a manner that will allow me to pick up a book and know what to look for in the field. She pointed out several older reference books because of their descriptive words of the plant rather than their non-visual clues like DNA and chemical properties.
Toward the end of class, Carol demonstrated how she uses sketch paper, hard pencil and grid frame to capture a quick but accurate gesture composition of a plant; keeping in mind the negative spaces she creates. The grid was only a few marks on paper and frame but gave her a visual clue about placement on the paper. From there she does a quick contour drawing which she will work with the rest of the time—while making any corrections to her gesture drawing. The color she adds as part of her sketch is made from a three-color palette made up of the primaries. She mixes up her watercolor swatch on a white plate to include the shadow and highlights.
Carol finished up this delightful workshop by telling us how she uses her sketches to create a composition and showed us examples of her finished pieces.
Let me mention again what a treat this class was!
I am sure that I will think of her many times as I continue on my botanical art journey. Thank you Carol!
by Beth Stone, posted by Deb Shaw
Laurence Pierson demonstrating her beautiful egg tempera technique. The camera/light in the foreground is the one mentioned in the article. Photo by Beth Stone.
At the Denver Botanic Gardens, Laurence Pierson demonstrated egg tempera on gesso panel. She mixes dry pigment with water using a colour shaper, adds a bit of alcohol if the particular pigment requires it to dissolve, and mixes in a bit of egg yolk.
Laurence’s background is in painting icons, typically on wood panel prepared with gesso and often including gold leaf. She applies her skill with tempera to botanical subjects with beautiful results!
The camera used in this photo seemed particularly effective for teaching, see the Ladibug DC192 on http://www.lumens.com.tw/product_1.php?big_id=1
Ladibug lamp detail. Photo by Beth Stone.
Iris painting in egg tempera by Laurence Peirson. Photo by Beth Stone.
Laurence Pierson’s palette looks like a jewel box. Photo by Beth Stone.
Laurence Peirson mixing egg tempera. Photo by Beth Stone.
by Deb Shaw
Some of our BAGSC members are lucky to stay for the post-conference workshops, but many of the rest of us have gotten home. We had a great response to our “Live from the Conference” postings; many sent emails letting us know how much they enjoyed the posts. I’m sorry I was struggling with a technology meltdown and couldn’t get all of them up sooner. I believe I now have the technology (mostly) behaving, and will get things posted as quickly as possible.
![[Brush holder] The Rocky Mountain Chapter made (yes, HANDMADE) pine brush holders for each of the conference attendees. Photo is of my new brush holder, happily ensconced in its new home on my work table. Photo by Deb Shaw.](https://bagscblog.com/wp-content/uploads/2014/10/brushholderfront.jpg)
[Brush holder] The Rocky Mountain Chapter made (yes, HANDMADE) pine brush holders for each of the conference attendees. Photo is of my new brush holder, happily ensconced in its new home on my work table. Photo by Deb Shaw.
Thank you to the Rocky Mountain Society of Botanical Artists and ASBA for all your hard work. And thank you to the roving BAGSC reporters who sent in stories and photos. If you have any more, keep ’em coming and I’ll get them posted. For readers; lots more to come.
See you next year at the Weird, Wild & Wonderful Symposium at the Huntington in the Summer, and at the ASBA Annual Meeting and Conference in Miami in October.
Happy painting!
![[Brush holder back] Susan Fisher explained that the wood came from pine trees harvested after being killed by Mountain Pine Beetles (Dendroctonus ponderosae), native to the forests of western North America. The blue color of the wood is the result of staining from the beetle infestation. Libby Kyer designed the logo on the back, which was also on the water bottles donated by Libby and her husband. Photo by Deb Shaw.](https://bagscblog.com/wp-content/uploads/2014/10/brushholderback.jpg)
[Brush holder back] Susan Fisher explained that the wood came from pine trees harvested after being killed by Mountain Pine Beetles (Dendroctonus ponderosae), native to the forests of western North America. The blue color of the wood is the result of staining from the beetle infestation. Libby Kyer designed the logo on the back, which was also on the water bottles donated by Libby and her husband. Photo by Deb Shaw.
by Deb Shaw
Tania Marien’s James White Award
The ASBA announced their annual awards last night at the closing banquet. Tania Marien was presented with the James White Service Award for her dedication to botanical art, in recognition of her distinguished support of botanical art.
Lesley Randall’s ASBA Award for Scientific Botanical Illustration
Lesley Randall was presented with the ASBA Scientific Illustrator Award for Excellence in Scientific Botanical Art, in recognition of her outstanding achievements as a scientific illustrator.
George Olsen was presented with the ASBA Diane Bouchier Artist Award for Excellence in Botanical Art, in recognition of his outstanding acheivements as a botanical artist.
Unfortunately, the three award winners were not present to receive their awards in person. When Tania and Lesley’s names were announced, however, the BAGSC table cheered loud enought to hear back in Southern California. Congratulations to the award winners for richly deserved recognition!!
by Deb Shaw
The American Society of Botanical Artists (ASBA), The Botanical Artists Guild of Southern California (BAGSC) and The Huntington Botanical Gardens present:
A Weird, Wild & Wonderful Symposium
July 23 (Thursday) – 26 (Sunday), 2015
in conjunction with
Weird, Wild & Wonderful
The Second New York Botanical Garden Triennial Exhibition of 46 captivating paintings and illustrations of exotic specimens by invited members of the American Society of Botanical Artists at
The Huntington Library, Art Collections and Botanical Garden
San Marino, California
Solanum lycopersicum, Heirloom Tomato, Watercolor on paper, © Asuka Hishiki
Information about the Symposium is available on the ASBA website, and registration opens in May, 2015. Save the dates and watch this blog for exciting learning and volunteering opportunities.
About Weird, Wild & Wonderful:
Botanical art has traditionally depicted conventionally beautiful plants, such as sunflowers, irises, and roses. Weird, Wild, & Wonderful features plants not always thought of as beautiful but rather strange, eccentric, intriguing, and mysterious. Join us in Southern California as we explore the plants and their depictions during a special Weird, Wild & Wonderful Symposium on July 23 – 26, 2015, with additional classes, workshops, displays and lectures throughout the summer.
Only 46 works were selected from nearly 240 entries, hailing from the United States, Australia, Canada, India, Japan, and the United Kingdom. The selection jury consisted of Lugene Bruno, Curator of Art at the Hunt Institute for Botanical Documentation; Jean Emmons, award-winning botanical artist; and Marc Hachadourian, Manager of the Nolen Greenhouses for Living Collections at The NewYork Botanical Garden.
About The Huntington Library, Art Collections and Botanical Garden:
The Huntington Library, Art Collections, and Botanical Gardens is a collections-based research and educational institution established in 1919 by Henry E. and Arabella Huntington. Henry Huntington was a man of vision—with a special interest in books, art, and gardens. During his lifetime, he amassed the core of one of the finest research libraries in the world, established a splendid art collection, and created an array of botanical gardens with plants from a geographic range spanning the globe.These three distinct facets ofThe Huntington are linked by a devotion to research, education, and beauty. For more information, visit: http://www.huntington.org
About American Society of Botanical Artists (ASBA):
ASBA is a nonprofit organization dedicated to promoting public awareness of contemporary botanical art, to honoring its traditions and to furthering its development. In its 20th year, ASBA has 1,300 members from more than 20 countries around the world. For more information, visit: ASBA-art.org.
About The Botanical Artists Guild of Southern California (BAGSC):
A chapter of the American Society of Botanical Artists, BAGSC members actively promote development and awareness of this artistic tradition. Guild members are committed to improving their artistry and technical abilities.The Guild supports and sponsors workshops with local experts and visiting lecturers in areas such as drawing and painting botanical subjects, botany, resources, and botanical art history. For more information, visit: bagscblog.com.
by Deb Shaw
Astragalus trichopodus with Glaucopsyche lygdamus palosverdesensis, Common names: Locoweed with Palos Verdes Blue Butterfly. Estelle De Ridder, © 2014, all rights reserved.
In 2012, BAGSC member Estelle DeRidder was awarded an education grant from the American Society of Botanical Artists (ASBA) to assist with creating sets of reusable plant identification cards featuring native plant illustrations from the Madrona Marsh Preserve in Torrence, California.
The Madrona Marsh Preserve, in collaboration with the ASBA has announced the opening of an exhibition of Estelle’s completed artwork, “The Flora of the Madrona Marsh” on Sunday, December 7, 2014, from 2 pm to 5 pm.
The exhibition will run from November 19, 2014 – January 9, 2015. Estelle also will make two presentations at the Madrona Marsh Preserve, one on Saturday, December 6, 2014 and another on Sunday, December 14, 2014, discussing botanical illustration and its importance in our world.
Information about Estelle’s project will be presented at the ASBA Annual Meeting and Conference in Denver, Colorado during the ASBA Grant Presentations on Friday evening, October 17, 2014 from 4:30 pm to 6:30 pm.
The exhibition will then travel to the La Crescenta Public Library in La Crescenta, California from January 24 – February 28, 2015.
The Nature Center at the Madrona Marsh Preserve is located at: 3201 Plaza del Amo, Torrance, CA 90505. Phone: (310) 32-MARSH. The Madrona March is open Tuesday – Sunday, 10 am – 5 pm.
Congratulations Estelle!
Quercus Agrifolia, Coast Live Oak, by Estelle De Ridder, © 2014, all rights reserved.
Invitation to “The Flora of the Madrona Marsh,” original artwork by Estelle De Ridder.
by Deb Shaw
Joan Keesey, Heteromeles arbutifolia, California Holly, Watercolor on Paper. © 2013, all rights reserved.
The 17th Annual International American Society of Botanical Artists opened on September 17, 2014 at The Horticultural Society of New York. The exhibition will run from September 17 – November 26, 2014.
Jurors Patricia Jonas, Marco Polo Stufano, and Catherine Watters selected 42 artworks out of 215 submissions from around the world. The exhibition includes works by artists from the United States, Australia, Canada, France, Israel, Japan, and the United Kingdom. BAGSC members Joan Keesey, Lesley Randall, and Deborah Shaw have artwork in the exhibition. A full-color catalog with all of the artwork is available at ArtPlantae for $20, plus shipping.
Lesley Randall, Ma’o hau hele, Hibiscus brackenridgei, pen and ink on board. © 2014, all rights reserved.
The ASBA has posted the artwork and the artists’ stories behind each piece. Click on the artists’ names in this posting and on the ASBA website to see the artwork and read the artists’ stories.
Congratulations to all of the artists in the exhibition and to the following artists who received awards at the opening reception:
The Horticultural Society of New York Best in Show: Annie Patterson
Eleanor Wunderlich Award for Excellence: milly acharya (Purple Passionflower)
Helen Gray Garber Award: Constance Scanlon
Susan Frei Nathan Fine Works on Paper, LLC Award: Asuka Hishiki
Brooklyn Botanic Garden Award for Drawing & Prints: Lesley Randall
Honorable Mentions: Ingrid Finnan (Yellow Dahlia), Haruyo Kawashima, Carrie DiConstanzo, and Tomoko Ogawa
Deborah B. Shaw, Cucurbita maxima, Buttercup Squashes and Section, watercolor on paper. © 2013, all rights reserved.
Botanical art workshops are being held in conjunction with the exhibition, and a “Last Look” reception with featured artists and jurors will be held on Wednesday, November 19, 2014 from 6-8 pm.
The Hort is free and open to the public Monday through Friday, 10:00 am to 6:00 pm. For further information, please contact Chris Murtha at The Hort, 212-757-0915 (x121) or cmurtha@thehort.org, or Carol Woodin, Director of Exhibitions, ASBA, exhibitions@asba-art.org, 866-691-9080.
by Deb Shaw
The Greenhouse Complex at the Denver Botanic Gardens. Photography © Scott Dressel-Martin
If you haven’t registered for the 2014 ASBA Annual Conference in Denver, Colorado yet, there’s still time. The last day of registration is September 12, 2014. After the 12th, registration will be closed, and no registrations will be accepted.
The Rocky Mountain Society of Botanical Artists is hosting the ASBA’s 20th Annual Meeting and Conference this year. The Conference will be held at the Westin Denver Downtown. Book your room directly with the Westin (information is on the “Lodging” page). If you would like a roommate, email Marilyn Garber.
The Westin is located one block from the famous 16th Street Mall, and within walking distance of the Denver Art Museum, the American Museum of Western Art – The Anschutz Collection, the Clyfford Still Museum, the Museum of Contemporary Art Denver, the Molly Brown House Museum, Denver Public Library’s Western History and Genealogy Department, the historic Brown Palace Hotel and shopping destination Larimer Square.
In addition to the three-day core conference, there are pre- and post-conference workshops. Conference activities will be held at the Westin Hotel and the Denver Botanic Garden.
The ASBA Silent Auction
If you would like to support the ASBA’s “Artist & Education Grants,” publication of The Botanical Artist journal, and ASBA exhibitions, consider donating to the Silent Auction/Market Place to be held the last night of the conference. Money raised during the Silent Auction directly supports these efforts.
The volunteers for the Silent Auction are always on the lookout for unique items with some sort of botanical theme. You can find donation ideas listed in the Request for Donations in the June issue of The Botanical Artist journal. Bidding starts at 50 percent of the value of the item in
the Silent Auction. This year the ASBA is adding a Market Place component for less expensive items. No bidding is required in the Market Place. You want it? Just simply purchase it.
Donation information is required by September 27. Shipped items must be received by October 13. If you’re going to the conference, you may bring your Silent Auction/Market Place items with you.
Donation information may be submitted on the ASBA Web Site Annual Meeting – Denver 2014, or emailed to Lynne Railsback.
If you’re going to Denver…
Please let other BAGSC members know so we can try to coordinate transportation, shuttles, and other activities. Email Deb Shaw, and let her know when you’ll be arriving and leaving.
Need supplies?
If you need to buy supplies before you go, consider going to the ASBA’s “Shop > Sponsors” page first, and clicking on the link to Dick Blick from there. The ASBA will receive a portion of your purchase price.
Some more important information
Denver’s altitude is 5,280 feet, one mile above sea level. While in Denver, drinking plenty of water is the number one way to adjust to the higher altitude. October temperatures average 37 to 65 degrees F.
If you’re planning to leave the conference on Sunday, October 19, please note that there will be a marathon run in the morning and it may be more difficult to get from the hotel to the airport. Various streets will be closed for the run, and you may need to allow extra time.
See information about the conference, instructors, pre- and post-conference workshops, lodging and more on the ASBA website!
BAGSC News 