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by Deb Shaw
We’ve added several new categories to the blog: one of them is a Kudos! section, to announce great things that happen to our members.
Kudos to BAGSC members Margaret Best and Akiko Enokido: both were selected to exhibit in the 15th Annual International exhibition for the American Society of Botanical Artists at The Horticultural Society of New York. And both sold their paintings in the show! Congrats!
Do you have an announcement, or would like to say Kudos! to another BAGSC member? If so, send your information to Deb Shaw, and she’ll make sure it’s posted.
by Deb Shaw
ArtPlantae Display at Aurea Vista in Riverside, California, © 2012 Tania Marien
This weekend ArtPlantae will participate in the First Annual Holiday Party at Aurea Vista, Riverside’s newest shopping destination.
The holidays aren’t the only thing to celebrate this weekend, however.
ArtPlantae is celebrating the launch of a new plant-based education display featuring resources for children, parents and teachers. Dedicated specifically to botany and botanical art education, this section features curriculum by the National Gardening Association, children’s books about plants (in English and Spanish), instructional books about drawing and botanical art, plant identification guides, and the Colorful Edibles coloring book published by the American Society of Botanical Artists.
When visiting ArtPlantae at Aurea Vista, don’t miss the display area upstairs featuring books about contemporary botanical art and botanical art history.
Discover more this Saturday during the holiday party. The festivities begin at 4:00 pm and continue until 9:00 pm. Meet local artists and designers and finish your holiday shopping too. Visit ArtPlantae’s new area about plant-based education and receive a free gift. It is located downstairs across from the children’s boutique.
Stop by on your way to the Festival of Lights and the Artists Collective located just down the street on the Main Street Pedestrian Mall.
Free gifts available while supplies last.
A Little About Aurea Vista
Aurea Vista is located in a building in downtown Riverside, California whose life began in 1927 as a hotel built by architect G. Stanley Wilson. Today the building serves as an exciting new marketplace for local artisans, designers, importers, food sellers and craftspeople.
Visit Aurea Vista and discover many treasures such as delicious olive oils by Beyond the Olive, terrarium designs by Brenda Cook of Botanical Perspective, and yards of inspiration (and classes too!) at Raincross Fiber Arts.
Aurea Vista is located at 3498 University Avenue in Riverside on the corner of Lemon and University. Hours are Monday-Saturday (11-8), Sunday (11-5). Store hours are extended for Riverside’s monthly ArtsWalk and other special events.
Parking: Free customer parking is available across the street in the parking lot with the ballet mural. Aurea Vista customers can park in spaces #1-8 that face University Avenue. Street parking is free after 5 PM Monday-Friday. Street parking also is free on Saturday and Sunday.
by Margaret Best
Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.
It is with great pleasure that we share the wonderful news that BAGSC member Deborah Shaw has had one of her recent graphite and watercolour works on vellum accepted into the Hunt Institute’s International Exhibition in 2013.
About 11 years ago, shortly after I met Deborah at a class in Arizona, she showed me a graphite study of a white phalaenopsis orchid. Having enjoyed teaching and using graphite myself for a number of years, I recognized that Deborah had exceptional skills in this medium. I was struck by her mastery of perhaps the best continuous tone I had ever seen! The ultimate control required in the smoothest of value changes was evident throughout the piece. The work also displayed a keen awareness of the finest of edges and tiniest of details. Needless to say, I gushed about it and I clearly never forgot it.
Business and family commitments, as well as generosity of heart to fellow artists, have been obstacles to Deborah being able to focus fully on her own art. More recently she has managed to carve out time for her botanical art. She has begun exploration of a surface uniquely suited to her touch and intense awareness of texture – vellum. Vellum has brought it all together for Deborah. What has been so exciting to witness is how she has achieved a marriage of skills in a truly magical way on a surface that challenges even the most experienced artists.
Everybody is very proud of your well-deserved selection in the next Hunt Institute exhibition!
by Diane Daly and Clara Josephs, posted by Deb Shaw
January’s coming up fast, and the Chapman University Leatherby Library Drought Tolerant Plant Exhibition will be upon us (along with all the other exhibition opportunities we have stacked up for the month — but more on those later!).
Students from Jennifer Funk‘s Ecology course currently are writing descriptions of the plants’ drought-tolerant traits now. We are planning to have at least one species that fits into each of the following seven categories:
- Drought-deciduousness (plants that lose their leaves during the dry season, or during periods of dryness)
- Small leaves (better adapted to dry soils and conditions)
- Deep taproot (a tap root that penetrates deep into the ground can access water when it is scarce during a drought or dry conditions, as well as store water in the root)
- Succulent leaves (thick, fleshy leaves and stems can store water)
- Pubescent leaves (pubescent, or furry leaves can slow the air flowing over the leaf to reduce water evaporation, hold water, reflect sunlight, and provide shade for the surface of the leaf)
- Evergreen, sclerophylous leaves (evergreen leaves, of course, stay on the plant year-round; sclerophylous leaves have a hard surface and are frequently spaced close together
- Annual life habit (one way to avoid dry periods is to quickly grow, bloom and develop seeds during the wet season, skipping the dry season altogether!)
Important Deadlines:
- Artist entry deadline: January 11 (BAGSC needs the list for handouts, Chapman University needs the list for labels and insurance)
- Set up show in Henley reading room: January 25
- Reception: February 7 , 7-9 pm
- Take down the show: February 25
All BAGSC members will receive an email with the official BAGSC “Call for Entries” packet. If you do not receive this email with the attachment by 30 November, please contact Deb.
Drought Tolerant Plant Choices for the Chapman Exhibition
The following are plants that BAGSC members are planning to submit. Botanical and common names, of course, will need to be reviewed and verified. Don’t worry if you have to change your mind, or if you’re already painting something that someone else is painting on the list below. This is a preliminary list and is not set in cement. Space allowing, species duplicates will be accepted (see the Call for Entries packet).
Arillyn Moran-Lawrence:
Dudleya Farinosa; Salvia Chamaedroyides, Electric blue sage; Desert Marigold, Baileya multiradiata; Echeveria graptoveria or Kalanchoe thyrsiflora
Bonnie Ash:
Agave Utahensis var. nevadensis; Pacific Mist Manzanita, Arctostaphylos uva-ursi
Linda Ericksen:
Prickly pear cactus, Opuntia
Joan Keesey:
California Buckeye Flower, Aesculus californica; Flannel Bush, Fremontodendron; California Poppy Eschscholzia californica; Foothill Penstemon, Penstemon heterophyllus; or Heart Leaf Penstemon, Keckiella cordiforlia; Toyon, Heteromeles arbutifolia; Bush Monkey Flower, Mimulus aurantiacus
Patricia VanOsterhoudt:
Crape Myrtle, Lagerstroemai indica; Columbine Aquilegia; Yucca
Sue Kuuskmae:
Fortnight Lily Dietus vegeta; Rock Rose Kalanchoe; Toyonberry; Matilija poppy, Romneya coulteri
Estelle DeRidder:
Coastal Prickly Pear, Opuntia littoralis; Baja Fairy Duster, Dalliandra eriophylla; California Live Oak, Quercus agrifolia; Chia, Salvia Columbriae
Clara Josephs:
Coffeeberry, Rhamnus californica; Topsy Turvy, Echeveria; Bladderpod, Isomeris arborea
Diane Daly:
Island Alum Root, Heuchera maxima; Seaside Daisy, Erigeron glaucus; Bird of Paradise, Caesalpinia pulcherrima
Carmen Lindsay:
Bladder Sage; Ocotillo; Buckwheat
Veronica Raymond:
Coffeeberry, Rhamnus californica; Bladderpod, Isomeris arborea; Nevins Barberry, Mahonia nevinii; Englemann Oak Quercus engelmannii
Cristina Baltayian:
Lemon, C. limon; Bougainvillea; Fig, Ficus carica L. (Brown turkey); Olives, Olea europaea; Cabernet grape vitis vinfera L.; Pomegranate, Punica granatum
Mitsuko Shultz:
Nevins Barberry, Berberis nevinii; California Sycamore, Platanus racemosa
Patricia Mark:
Manfreda masculosa; Aeonium
Deborah Shaw:
Dudleya pulverulenta, Chalk Dudleya; Dudleya viscida, Sticky Dudleya; Arctostaphylos glauca, Big Berry Manzanita
Add your name and plants to the list: contact Diane.
It’s shaping up to be a great show!!!
by Leslie Walker, posted by Deb Shaw
Here is another show opportunity for BAGSC members. Descanso Gardens has asked us to exhibit paintings of Wild Flowers from January through March — exact dates to come later.
Paintings for the exhibition must be originals, framed and matted, and can have been shown elsewhere.
Contact Leslie with information regarding which wild flowers you would like to exhibit, and how many paintings you might have for this show as soon as possible.
More information will be passed on to you as it is received.
by John Keesey, posted by Deb Shaw
Sally’s beautiful studio space was all set up when we arrived, with handouts and gifts from Anita.
For three lovely days in mid-October twelve eager botanical artists enjoyed the warm personality and dazzling expertise of Anita Walsmit Sachs from the Netherlands. They met each morning in the pleasant downstairs classroom of Sally Jacobs’ Studio near LACMA to learn botanical line drawing from Anita, the head of the Art Department of the Nationaal Herbarium Nederland of the University of Leiden in the Netherlands. She brought many examples of the beautifully composed line drawings she creates for scientific articles, complete with ink stippling to suggest shading and shape. She has also contributed exquisite watercolors of Acer and Syinga to the Florilegium of the Prince of Wales’ Estate at Highgrove, and has won two gold medals from the Royal Horticultural Society of England.
Mimulus ‘Dave’, by John Keesey, pen and ink, © 2012
We brought our own plant to draw, first in pencil to show the “habit” or repeating part of the plant, then details of structure often viewed under a dissecting microscope and drawn over graph paper. These pencil drawings were cut out and taped into a suitable composition, which was perhaps the most challenging aspect of the project. This was then transferred via tracing paper and a light box to a paper with a vellum finish suitable for inking, which was done using Rotring or Staedler pens of several sizes to indicate the light source and overlapping. Finally graduated stippling with these pens to indicate shading and shape was discovered to be an excellent form of meditation!
Salvia ‘Hot Salsa’ by Joan Keesey, pen and ink, © 2012
Botanical artists who attended these sessions included Sally Jacobs, Leslie Walker, Deborah Shaw, Tania Norris, Norma Sarkin, Janice Sharp, Bonnie Born Ash, Joan Keesey, Tania Marien, Mitsuko Schultz, Alyse Ochniak and Estelle DeRidder. Also present was Yours Truly, John Keesey.
Part of a Western Sycamore by Estelle DeRidder, pen and ink, © 2012
Note to all who attended the class: Please email a photo of your drawing and/or sketches to Deb, so she can post them to the blog.
Anita discusses inking techniques with the class.
by Janice Sharp, posted by Deb Shaw
When you first click on the link in the story to the Google map of the locations of Arboretum introductions, this is what you’ll see; a list of all the plants with their locations as dots on the map. Click on “Satellite” view in the upper right corner of the map to see the information displayed over a photographic map.
For all of us who are painting the plants introduced by the Los Angeles Arboretum (or even those of us who want to find those plants from the list), we have a link to a Google map of the locations of Arboretum introductions throughout the grounds (thank you Frank!).
This this data is about five years old, so some plants from our list may be missing from the map, but it’s a great start. When you open the site, click on “satellite” view and zoom in. Then you’ll be able to see the paths and roads in the Arboretum, which will make it easier to find things and find your way around.
Questions? Contact Janice Sharp.
Happy painting!
In the “Satellite” view, zoom in to see the roads, paths and familiar landmarks of the Arboretum grounds.
Click on the red pin marker next to a plant name you’re interested in, and the plant information will pop up on the map where the plant is located. Or, click on any red marker pin on the map, and the plant information will pop up there, too.
by Diane Daly, posted by Deb Shaw
Finally, we have the dates for our Chapman show on drought tolerant plants. We will have the Leatherby Library Henley Reading Room and the Clarke wall just like we used in the Brush with Nature exhibit.
We will set up and hang the exhibit on January 25, 2013. We will have an evening reception on February 7, and we will take down the paintings on February 25.
The botanist, Jennifer Funk will have her students write descriptions of drought tolerant plant groups with explanations of how the plants retain moisture and survive the heat.
Reminder, all paintings should be framed in the Dick Blick bamboo frame, white mat, and plexiglass. Use the same label on the back as we do for other exhibits. All members can submit up to four paintings. Paintings can be delivered to Diane Daly’s house the week before Jan 25 or brought to Chapman on that date at 10 am to be hung.
More details will be coming. Questions? Contact Diane Daly or Clara Josephs.
A plant selections list follows below. This list is just a “ working list” to let everyone know what other artists are working on. We hope this will inspire other members to paint for this exhibit. Don’t worry if you’re interested in painting something that is already listed below. Duplicates are not automatically excluded. Feel free to add, delete or change, depending on how your paintings are going. Let Diane Daly know. We’ll continue to publish updated lists.
Arillyn Moran-Lawrence
Dudleya Farinosa
Salvia Chamaedroyides, Electric blue sage
Desert Marigold, Baileya multiradiata
Echeveria graptoveria or Kalanchoe thyrsiflora
Bonnie Ash
Agave Utahensis var. nevadensis
Pacific Mist Manzanita Arctostaphylos uva-ursi
Linda Ericksen
Prickly pear cactus, Opuntia
Joan Keesey
California Buckeye Flower, Aesculus californica
Flannel Bush Fremontodendron
California Poppy Eschscholzia californica
Foothill Penstemon Penstemon heterophyllus
Or
Heart Leaf Penstemon Keckiella cordiforlia
Toyon Heteromeles arbutifolia
Bush Monkey Flower Mimulus aurantiacus
Patricia VanOsterhoudt
Crape Myrtle, Lagerstroemai indica
Columbine Aquilegia
Mountain Phlox
Yucca (another view)
Sue Kuuskmae
Fortnight Lily, Dietus vegeta
Rock Rose, Kalanchoe
Toyonberry
Matilija poppy, Romneya coulteri
Estelle DeRidder
Coastal Prickly Pear, Opuntia littoralis
Baja Fairy Duster, Dalliandra eriophylla
California Live Oak, Quercus agrifolia
Chia Salvia, Columbriae
Clara Josephs
Coffeeberry, Rhamnus californica
Diane Daly
Island Alum Root, Heuchera maxima
Seaside Daisy Erigeron glaucus
Carmen Lindsay
Bladder Sage
Ocotillo
Buckwheat
Veronica Raymond
Coffeeberry, Rhamnus californica
Bladderpod, Isomeris arborea
Nevins Barberry, Mahonia nevinii
Englemann Oak Quercus engelmannii
Deborah Shaw
Fuschia Flowered Gooseberry, Ribes speciosum
Blue-eyed Grass, Sisyrinchium bellum
Chalk Dudleya, Dudleya pulverulenta
White sage, Salvia apiana
Mitsuko Schultz
Nevin’s Barberry, Berberis nevinii
California Sycamore, Platanus racemosa
by Akiko Enokido, posted by Deb Shaw
Mieko Ishikawa with her watercolor, “Amorphophallus titanum”. © 2012, all rights reserved.
I was lucky to be able to attend the exhibition of Mieko Ishikawa’s work, 9/1 to 9/9/2012 at Keio Plaza Hotel, Shinjuku, Tokyo. Approximately 60 pieces of her work from the past ten years were exhibited. Included in the exhibits were the cherry blossoms series that received the gold medal at RHS, the plants of Borneo, and Conifers.
On the weekend, Mieko had a special event with lectures and photos from her trip to Borneo. From her fascinating lectures, we learned how she found and sketched the plants in the wild rain forest.
Her most recent work is this huge flowering plant Amorphophallus titanum. This originally grows in the rainforests of western Sumatra, Indonesia. The bloom normally reaches up to 8 to 9 ft tall there.
Mieko drew this particular piece at Koishikawa, Botanical Gardens, Graduate School of Science, the University of Tokyo. Since the one there was only about 6ft tall, she decided to paint it in its actual size. The flower died in two to three days. While she was sketching it, she couldn’t help but notice the terrible smell of the blooming plant. When I visited her studio last March, she was working on 6.5 x 3.2 ft stretched Arches paper. The final work was so beautiful it was hard to imagine that it could give out a terrible odor as she described.
Mieko Ishikawa presentation about painting the plants in the wild rain forest of Borneo.
Mieko has visited Borneo more than ten times. In the rainforest, you can’t take any specimens to confirm the specific plant species. But she became good friends with the guide, and one day he gave her one dead pitcher with a plant. And another time, when the director of the national park gifted her a huge acorn from the herbarium, she trembled with joy as if she was presented with a diamond.
Mieko Ishikawa with painting at Exhibition at Keio Plaza Hotel, Shinjuku, Tokyo.
We generally are not able to go to the rain-forest; we just have knowledge through photos and videos. The plants in Mieko’s works are drawn actual size and look so lively, it makes you feel as if they are going to move right in front of your eyes. She also taught botanical painting to the people who work at the national park, but the papers were so moistened due to wet weather. She said it was extremely difficult to paint. Mieko hopes that botanical art will spread throughout their country. Her works are valuable records of the precious species in Malaysia. Mieko wants to be even more active in drawing Borneo plants, presenting their ecology and fascinating morphology in order to protect the nature in Borneo for many more years to come.
by Deb Shaw
Acer saccharum, Sugar Maple, by Margaret Best, watercolor on paper, © 2012, all rights reserved.
BAGSC members Margaret Best and Akiko Enokido were selected to exhibit in the 15th Annual International exhibition for the American Society of Botanical Artists at The Horticultural Society of New York. The show is comprised of forty-three artworks by thirty-nine different artists from the US, Australia, Brazil, Canada, Japan and the UK.
Jurors Patricia Jonas, Kathie Miranda and Derek Norman had the difficult task of selecting from 192 entries. The artwork in the show can be viewed in the exhibition section on the new ASBA website. Be sure to read interviews with Margaret and Akiko about their work in the show on the website as well.
Camellia japonica ‘Chandleri Elegans’, Variegated Camellia, by Akiko Enokido, watercolor on vellum, © 2012, all rights reserved.
Want a catalog of the exhibition? Order from ArtPlantae for $20.
The exhibition will be on display from September 14 – November 21, 2012 at The Horticultural Society of New York, 148 W. 37th Street, 13th Floor, New York, New York, 10018. Gallery hours are Monday – Friday, 10 am to 6 pm.
Congratulations to all!
by Tania Norris, posted by Deb Shaw
Anne-Marie Evans reviewing students’ work.
Anne-Marie Evans is one of the most prominent botanical art teachers in the world. She is returning this autumn to the Robinson Gardens to teach DEVELOPING OBSERVATIONAL AND DRAWING SKILLS. Anne-Marie welcomes novice to experienced artists into her classroom. Her unique way of teaching with a gentle prodding for higher standards leaves each student at the end of the session with a sense of accomplishment.
Course Description: The class will focus on the process of drawing rather than the final finished drawing. As well as seeking to develop observational skills, it offers a methodical and analytical method of approach to a complex subject – the pineapple… Relevant exercises will be included throughout the course.
Dates: October 22 – 26, 2012 (10 am through 3 pm)
Monday 10/22/12 Robinson Gardens Florilegium volunteer day. Tuesday through Friday botanical art class.
Location: Robinson Gardens Pool Pavilion
Cost: $595 for Friends of Robinson Gardens, Robinson Gardens Society and BAGSC members and $675 for non-members.
Non-members may purchase a Robinson Gardens Society membership for $55, save $25 on this workshop’s tuition, and benefit from the many attractions at the Gardens for a whole year.
Deposit: A non-refundable $75 deposit is requested ASAP in order to secure a student’s reservation, due to limited space for this class.
Class Material:
A pineapple
Scissors
Eraser
Pencils HB,*B,2H
Tracing paper
Paper glue
HP watercolor paper
Good quality velum
An empty bottle
A fork
For more information please contact the Friends of Robinson Gardens office at info@robinsongardens.org. There are only a few spaces left.
By Janice Sharp and Deborah Shaw
Akiko Enokido painted this watercolor of Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved.
Starting in 1957 and continuing to the present, The Arboretum has been responsible for the introduction of plants to Southern California from around the world (click here to download a list of the plants: LaArboretumPlantIntros). Many of these plants are now indispensible elements in our Southern California Gardens.
Recently, BAGSC members donated cards to make boxed collections for Richard Schulhof (Arboretum CEO) to take as gifts for officials he met on a trip to South Korea. Most of the images used on these cards were of Arboretum Introductions. At the end of the trip a few remaining boxes were placed in the Arboretum Gift Shop for sale. The Gift Shop, Arboretum staff and Foundation Board members, as well as the general public, are very interested in having “Arboretum Plant” note cards stocked in the Gift Shop.
The Arboretum is a good friend of BAGSC, providing class space at very reasonable rates and access to a huge selection of plants. As a result, our members have already painted many plants on the Introduction list or will paint them in the future.
BAGSC is asking its Members to “donate” the use of images they may have, or will create, to be included in an “Arboretum Introduction” card collection. Deborah Shaw is setting up a project area for BAGSC members to upload their high-resolution images, or they can be mailed to her on disc. Each finished card will include:
- the Name of the Artist with the appropriate copyright notice;
- the plant name and the year it was introduced;
- a description of the Arboretum;
- and a description of BAGSC.
Images “donated” will be used ONLY for the purpose of this “Arboretum Introduction” card collection. BAGSC will produce and box the cards. They will be sold to the Arboretum Gift Shop at a modest markup over our costs of production. The profit will go to BAGSC’s general funds.
In addition, the Arboretum Library is to undergo an extensive facelift in the near future. When the work is completed we hope to have an art show featuring the Arboretum Introduction artwork.
If you are interested in participating in this project contact Janice Sharp or Deborah Shaw. Deb will email instructions for uploading images to the web project area.
by Deb Shaw
BAGSC Member Estelle DeRidder participated in the illustration of “Denver’s Canopy – The Nature of Deciduous Trees.” Released by the Denver Botanic Gardens, the publication is a tribute to Dr. Moras Shubert, in celebration of his 100th birthday and his service to the Denver Botanic Gardens and the Denver community. The deciduous trees of the Denver area have been a life-long passion of Dr. Shubert, who had the vision for this lavishly visual, limited edition book (225 copies).
The call for entries went out during the first week of February 2012 with a submission deadline of February 29, 2012. Artists had less than 4 weeks to create their illustrations!
Honey Locust, by Estelle DeRidder, colored pencil, © 2012, all rights reserved
Estelle submitted two illustrations: a Liquid Amber, and a Honey Locust.
The senior author of “Denver’s Canopy” is Sonia John; contributing authors are Panayoti Kelaidis and Martin F. Quigley. The 86 pages feature photographs and more than 30 botanical illustrations by Estelle DeRidder, Jan Boyd Haring, Marjorie Leggitt, Katherine McCrery, Randy Raak, Heidi Snyder and Amy Weinstein. Illustrations were done in a wide variety of media, including graphite, colored pencil, watercolor and pen and ink.
Congratulations to the Denver Botanic Gardens and illustrators for a wonderful project! And a very Happy Birthday to Dr. Shubert!
Liquid Amber, by Estelle DeRidder, colored pencil, © 2012, all rights reserved
by Clara Josephs, posted by Deb Shaw
As we firm up the dates for the Chapman show, now is the time for you to make final decisions about which plants you will portray.
Please email Diane with the names of your selections. As we receive names of plants, the list will be posted monthly on the blog. By checking the blog list, you can make informed decisions as you progress with your paintings for the show.
Several people have asked about duplicate subject matter. We don’t expect a problem with that issue. At the first Chapman show we reserved the right to exclude duplicate subjects if we had too many paintings for the available display space. We had no problem displaying 70 + paintings and probably could have displayed more. This would be our policy again, but this time we would refer to our “Intent” list and give preference to the earliest declarer.
As you know, the exhibit is not only about the plants, but about the artistry in presenting the plant. Certainly, several artists can successful portray the same plant in dramatically different compositions. So don’t let the fact that another artist has declared for a plant stop you from painting a subject you are passionate about. But, do be aware that there is a small chance that if space is tight, some duplicates could be excluded
We hope to announce the exhibit dates very soon. Email Diane as you make your choices. We expect to be able to hang four paintings per member.
by Lori Vreeke/Deb Shaw
New BAGSC member Lori Vreeke went to the “Grow! A Garden Festival at the LA Arboretum today, met Leslie Walker, Estelle De Ridder and Janice Sharp and took some great pictures. See them on her blog.
Welcome Lori!
BAGSC News 