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by Deb Shaw

The American Society of Botanical Artist’s (ASBA) contemporary botanical art show, entitled “Weird, Wild, & Wonderful” will open on Wednesday, April 16, 2014 in the Arthur and Janet Ross Gallery at The New York Botanical Garden (NYBG). The exhibition will be on display to the public from April 19 – September 21, 2014, and admission is included in any all-garden pass.

The Second New York Botanical Garden Triennial invited artists to seek visually unusual plants and create works of art that celebrate the bizarre, yet beautiful flora of the world.

Jurors Lugene Bruno, Curator of Art, Hunt Institute; Jean Emmons, Botanical Artist; and Marc Hachadourian, Manager of the Nolen Greenhouses, NYBG, pored over the 240 entries, selecting 46 artworks by 45 artists from the United States, Australia, Canada, India, Japan and the United Kingdom. Shirley Sherwood, D. Phil, Caroline A. Wamsler, Ph.D., and Jean Emmons form the Awards Jury, which will meet on April 16 to select recipients of The New York Botanical Garden Gold, Silver, and Bronze Medals. Recipients of The New York Botanical Garden Medals will be presented by NYBG CEO Gregory Long at the opening reception.

More information about the exhibition, including the complete list of accepted artists can be found on the ASBA website. The exhibition catalog is available in The New York Botanical Garden’s shop in the garden, or online from ArtPlantae. ASBA members receive a discount on the catalog.

Five BAGSC members had works accepted into the “Weird, Wild, & Wonderful” exhibition: Margaret Best, Akiko Enokio, Joan Keesey, Lisa Pompelli, and Deborah Shaw.

 

Margaret Best had her watercolor of Tillandsia bulbosa accepted. Margaret wrote that she wanted to send thanks to Leslie Walker, Debbie Friedman and Deborah Shaw for helping her access Jeffrey Kent’s incredible Bromeliad collection near San Diego, where she discovered this remarkable specimen. This was one of the few paintings of Margaret’s that was not destroyed in the Calgary flood last June, which makes the painting as weird, wild, and wonderful as the subject matter.

 

 

 

 

 

 

 

 

Akiko Enokido, Tacca chantrieri, watercolor. © 2014, all rights reserved.

Akiko Enokido, Tacca chantrieri, watercolor. © 2014, all rights reserved.

 

Akiko Enokido painted Tacca chantrieri, also known as “Cat Whiskers” or the “Bat Flower” in watercolor. She writes that it is named after the long bracts that emanate from the flower scape. This flowering plant is part of the yam family, Dioscoreaceae, which grows in the tropical forest of Yunnan Province, China, India, and East Asia. In such places, the roots are used as food. She found this mysterious plant at The Kyoto Uji-city Botanical Garden in Japan, blooming inside the green house in mid-June. She says, “I was just fascinated by the shape and the process in which the “cat” developed.”

 

 

 

 

 

 

Joan Keesey, Sarcodes sanguinea, watercolor. © 2014, all rights reserved.

Joan Keesey, Sarcodes sanguinea, watercolor. © 2014, all rights reserved.

 

Joan Keesey painted a watercolor of Sarcodes sanguinea, the Snow Plant. The Snow Plant, native to Western North America, and found from Oregon through California into Baja California, and is one of the first plants to appear in the Sierra Nevada in early spring just after the snow has melted. Because the landscape is still wintery and bleak, the Snow Plant is a real treat to find. The brilliant red color is quite shocking and unexpected. The botanical name, Sarcodes sanguinea, means bloody flesh. A really good fresh plant can look almost manufactured like a toy made out of bright red, red-orange, or rose-colored plastic.

Joan writes that the Snow Plant is a member of the Heath Family (Ericaceae) and a mycotrophic (fungus eating) plant. It is unable to photosynthesize and is a parasitic plant that derives sustenance from mycorrhizal fungi that attach to the roots of trees. The Snow Plant does not, however, kill the fungi. They have a symbiotic relationship; the Snow Plant provides fixed carbon to the fungus, and in return the fungus provides mineral nutrients, water, and protection from pathogens. The Snow Plant takes advantage of this mutualism by tapping into the network and stealing sugars from the tree, the photosynthetic partner, by way of the fungus.

Lisa Pompelli, Scadoxus puniceus, watercolor, © 2014, all rights reserved.

Lisa Pompelli, Scadoxus puniceus, watercolor, © 2014, all rights reserved.

 

Lisa Pompelli painted Scadoxus puniceus, an African Blood Lily, in watercolor. She stated, “I look forward to seeing this strange flower appear in my garden each year and I hope to get seeds from it someday.  This is the first time I have entered one of my botanicals in an ASBA show, and I am thrilled to be included.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Deborah Shaw, Pisolithus tinctorius, watercolor. © 2014, all rights reserved.

Deborah Shaw, Pisolithus tinctorius, watercolor. © 2014, all rights reserved.

 

 

 

Deborah Shaw painted a watercolor of Pisolithus tinctorius, also know as the Dog Turd Fungus, Dead Man’s Foot, or Dyemaker’s Puffball. Pisolithus tinctorius is frequently described in the literature as the least attractive of all fungi. P. tinctorius starts out as a ball shape when young, but then grows into bizarre monstrous shapes like stumps or giant molars. It is an ectomycorrhizal fungus that gets its nutrition in a mutualistic association with tree roots—an association that helps trees access scarce nutrients such as nitrogen and phosphate. It inhabits poor and disturbed soils, can withstand drought, high temperatures in the summer, acidic soils and soils contaminated with heavy metals and mine tailings. It is so beneficial to tree growth it is widely used in reforestation projects.

 

Congratulations to all! Weird, Wild & Wonderful promises to be an exciting show!

by Deb Shaw

Pinus ponderosa, Ponderosa Pine by Carrie DiConstanzo. Winner of the 2013 Roth Award for distinction with an emphasis on traditional botanical art presentation. © 2014, all rights reserved.

Pinus ponderosa, Ponderosa Pine by Carrie DiConstanzo. Winner of the 2013 Roth Award for distinction with an emphasis on traditional botanical art presentation. © 2014, all rights reserved.

BAGSC members Nina Antze, Joan Keesey, Patricia Mark, Mitsuko Schultz, Gilly Shaeffer, and Deborah Shaw have been accepted into the 16th Annual Botanical Art Exhibition at Folili in Woodside, California. There were 167 entries submitted this year from 68 artists and the jurors selected 65 for this exhibition.

The Exhibit will be on display from Tuesday, April 8 through Sunday, June 8, 2014. In addition to the 65 contemporary works displayed in the Visitor and Education Center, select pieces from Filoli’s three major florilegia collections, the Filoli, the Banks’ and the Highgrove will be on display in the historic House during the same period.

The Artists’ Reception is scheduled for Thursday, April 10 from 5:00 p.m. – 7:00 p.m. Artists will be on hand to share their expertise and experiences. Prints, matted originals and note cards will be for sale. An after-hours Garden visit will be available that evening as well. The reception is free, but reservations are required by Friday, April 4. Register online or by calling Member Services at 650-364-8300 x 508.

Additionally, a lecture titled Plant Portraits: The California Legacy of A.R. Valentein will be presented Thursday, April 10, 2014, 3:00 pm–4:30 pm by Margaret Dykens, Director of Research at the San Diego Natural History Museum. A nominal fee of $25.00 for Filoli members; $30.00 for non-members will be charged. A book sale of the 212-page catalog by the same name and book signing will follow the presentation.

Register online for the lecture, or for both the lecture and the reception, or by calling Member Services at 650-364-8300 x 508.

Congratulations to all! From the list of participating artists and works, it promises to be a wonderful exhibition.

Many botanical artists come to their craft from the applied arts: textiles, jewelry, ceramics and more. BAGSC member Deb Shaw will be teaching two botanical art workshops at Bowers Museum in Santa Ana, California, in conjunction with the exhibition “A Quest for Beauty: The Art of Van Cleef & Arpels.” The workshops will be held on February 4 and February 11, 2014 and will explore using graphite, colored pencil and watercolor techniques. Classes will draw from live specimens, using the original drawings of flowers and jewelry on display in the Nature Gallery of the Van Cleef & Arpels exhibition as inspiration.

Enhance your experience by attending the optional 1 PM Gallery Talk and tour of the exhibition, led by Bowers Museum staff (20 minutes) and is free with class registration. Original drawings and paintings for designs are on display in addition to the spectacular jewelry, including many paintings with botanical themes.

Session I | February 4: Graphite and Colored Pencil

Session II | February 11: Graphite and Watercolor

Fee: Individual class: Members: $15, Non-Members: $25
Series: Members $25, Non-Members: $35

One time “materials fee”, payable to instructor: $15

There are a few spots still available. For reservations: e-mail education@bowers.org or call the Education Department at 714.567.3677.

“A Quest for Beauty: The Art of Van Cleef & Arpels” is a heritage exhibition spanning more than 100 years of history. The exhibition displays jewelry, watches, and precious accessories, as well as archive drawings and documents of the Place Vendôme High Jewelry Maison. More than 200 pieces from the private collections of Van Cleef & Arpels are  on display. The exhibition is built around four themes that continue to inspire the Maison: Nature, Elegance, Exoticism and Femininity. The exhibition ends on February 15, 2014.

Bowers Museum is located near the intersection of the 5 and the 22 Freeways, at: 2002 North Main Street, Santa Ana, CA 92706.

by Deb Shaw

Insect, Tulip, Caterpillar, Spider, Pear, Joris Hoefnagel, Illuminator; Georg Bocskay, scribe. From the "Gardens of the Renaissance" exhibition. © 2013, The J. Paul Getty Museum, Los Angeles.

Insect, Tulip, Caterpillar, Spider, Pear, Joris Hoefnagel, Illuminator; Georg Bocskay, scribe. From the “Gardens of the Renaissance” exhibition. © 2013, The J. Paul Getty Museum, Los Angeles.

BAGSC members Tania Marien and Deborah Shaw will be teaching an introductory botanical art class, in conjunction with the current exhibition, Gardens of the Renaissance, Wednesday, July 24, 2013 from 10:30 a.m.–5:00 p.m at the Getty Center, in the Museum studios and galleries.

Explore techniques of botanical illustration in this daylong drawing workshop. Learn how paintings and drawings of plants and gardens during the Renaissance contributed to scientific understanding and captured the beauty, luxury, and status of flowers. The class includes a trip and lecture in the gallery to see the exhibition, and drawing from live specimens in the Getty studio classroom.

Course fee of $125 includes materials, lunch, and parking. Open to 23 participants. Complements the exhibition Gardens of the Renaissance. Register for the class on the Getty website: use the “Get Tickets” button at the class description on the web page.

By Joan Keesey; Photography by John Keesey, posted by Deb Shaw

The Sunken Garden at Filoli. Photo by John Keesey.

The Sunken Garden at Filoli. Photo by John Keesey.

On Thursday, April 18th, John and I attended the Artist’s Reception at Filoli. We spent the morning checking out the exhibit and looking at the garden, always beautiful, but sensational in the spring. The garden is a series of  “garden rooms” similar to the Hidcote Gardens in England; each room is surrounded by a hedge of shrubs or trees and usually contains a fountain or pool. Each “garden room” has a color scheme. I spoke with one of the volunteer gardeners who said that the colors change with the seasons and from year to year, but each year there is a master plan. The first garden you see is the sunken garden. This year it is cobalt blue and white columbine, cerulean blue forget-me-nots, and hansa yellow tulips. The wisterias that climb up the brick walls of the Georgian style house were all in bloom and spectacular.

There were also many bushes with a very small, quinacridone red azalea that was quite stunning. It was a perfect day.

Quinacridone Red Azaleas at Filoli. Photo by John Keesey.

Quinacridone Red Azaleas at Filoli. Photo by John Keesey.

There were 64 works of botanical art by 50 artists including the two jurors, Carol Hamilton and Susan Fisher. The Botanical Artists Guild of Southern California (BAGSC) was very well represented with seven artworks by five artists—Alison Denning, Joan Keesey, Sue Kuuskmae, Mitsuko Schulz, and Deborah Shaw.

We went back for the Artists’ Reception at 5:00 pm. It is always very pleasant with wine, very nice appetizers, and the opportunity to meet other botanical artists. Carrie DiCostanzo won the 2013 Roth Award for distinction with an emphasis on traditional botanical art presentation with a beautiful picture of “Ponderosa Pine” (Pinus ponderosa).  Maria Cecilia Freeman won the Juror’s Award with an exquisite picture of “Tan Oak” (Notholithocarpus densiflorus), and Ingrid Finnan won the Horticulture Aware with a delicate picture of “Dandelion” (Taraxacum offivinale).

"Aesculus californica," California Buckeye, watercolor by Joan Keesey, © 2013, all rights reserved.

“Aesculus californica,” California Buckeye, watercolor by Joan Keesey, © 2013, all rights reserved.

 

"Aesculus californica," California Buckeye, Watercolor by Joan Keesey, © 2013, all rights reserved.

“Aesculus californica,” California Buckeye, Watercolor by Joan Keesey, © 2013, all rights reserved.

"Fragaria x ananassa 'Fragoo Pink'," Strawberry, watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Fragaria x ananassa ‘Fragoo Pink’,” Strawberry, watercolor by Mitsuko Schultz, © 2013, all rights reserved.

"Iris," Iris, watercolor by Alison L. Denning, © 2013, all rights reserved.

“Iris,” Iris, watercolor by Alison L. Denning, © 2013, all rights reserved.

"Castanospermum australe," Blackbean, or Moreton Bay Chestnut, seed pod and seeds, Graphite and Watercolor on Vellum by Deborah B. Shaw, © 2013, all rights reserved.

“Castanospermum australe,” Blackbean, or Moreton Bay Chestnut, seed pod and seeds, Graphite and Watercolor on Vellum by Deborah B. Shaw, © 2013, all rights reserved.

"Plantanus racemosa," California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

“Plantanus racemosa,” California Sycamore, Watercolor by Mitsuko Schultz, © 2013, all rights reserved.

"Vitis vinifora," Grapes, watercolor by Suzanne C. Kuuskmae, © 2013, all rights reserved.

“Vitis vinifora,” Grapes, watercolor by Suzanne C. Kuuskmae, © 2013, all rights reserved.

by Deb Shaw

Janice Sharp (left) and Pat Mark (right) demonstrating and staffing the BAGSC Botanical Art Information Table.

Janice Sharp (left) and Pat Mark (right) demonstrating and staffing the BAGSC Botanical Art Information Table. photo by Peter Conlon

On Saturday, February 2, 2013, BAGSC participated in Roger’s Garden’s first “Day of Art” in Newport Beach. Fifty artists, using different media participated in a full day of drawing and painting demonstrations and workshops. The “Day of Art” was free to the public and for all ages.

Pat Mark talking with visitors to the BAGSC Botanical Art Information Table. The Information Table also displayed books, originals and prints of contemporary and historical botanical art and scientific illustration. Photo by Peter Conlon.

Pat Mark talking with visitors to the BAGSC Botanical Art Information Table. The Information Table also displayed books, originals and prints of contemporary and historical botanical art and scientific illustration. Photo by Peter Conlon.

Additionally, BAGSC had an interactive table where visitors could explore the botany (and some unusual) fruits and vegetables, and make stamp prints with them. BAGSC also had a botanical art information table, with a display of originals, prints and books of all kinds of botanical art, from scientific illustration to plant portraits, historical and current.

Tania Marien at the BAGSC Interactive Table, photo by Deb Shaw.

Tania Marien at the BAGSC Interactive Table, photo by Deb Shaw.

BAGSC artists participating included: Diane Daly, Clara Josephs, Arillyn Moran-Lawrence, Sue Kuuskmae, Alyse Ochniak, Tania Marien, Deborah Shaw, Pat Mark, and Janice Sharp.

Tania Marien and Deb Shaw gave a two-hour workshop in the afternoon in the outdoor amphitheater on drawing flowers and leaves in pencil, with drawing boards, drawing paper and pencils provided by Roger’s. A watercolor and pastel workshop was offered in the morning by plein aire artists David Damm and Gill Dillinger,  and a gourmet food truck, “Bite Me Foods” provided lunch for those who were hungry.

Tania Marien and visitors to the BAGSC Interactive Table. Kids of all ages used fruits and vegetables to create stamp art.

Tania Marien and visitors to the BAGSC Interactive Table. Kids of all ages used fruits and vegetables to create stamp art.

The event had been postponed from the previous Saturday due to rain. The weather held out this Saturday, and the event was packed with enthusiastic participants, even with the change in schedule. People and their dogs strolled the grounds, bought plants and took in the art.

Attendees were eager to watch the demonstrations, and BAGSC members spent the day talking about botanical art, different media and techniques to interested customers. Many inquired about botanical art classes and were complimentary about the day’s events. Roger’s reported overwhelmingly positive comments from their guests.

Thank you to all who participated, and to Roger’s for hosting the event. We hope there will be more in the future!

Deb Shaw (left) and Tania Marien (right) teaching a workshop about how to draw flowers and leaves in pencil. Photo by Peter Conlon.

Deb Shaw (left) and Tania Marien (right) teaching a workshop about how to draw flowers and leaves in pencil. Photo by Peter Conlon.

Deb Shaw expressively describing the morphology of a banana inflorescence to Theresa Marino from Roger's Gardens. Photo by Peter Conlon.

Deb Shaw expressively describing the morphology of a banana inflorescence to Theresa Marino from Roger’s Gardens. Photo by Peter Conlon.

Sue Kuuskmae chose to draw in the shade section of the nursery, near a fountain. Photo by Deb Shaw.

Sue Kuuskmae chose to draw in the shade section of the nursery, near a fountain. Photo by Deb Shaw.

Clara Josephs (left) and Diane Daly (right) discuss botanical art and painting with visitors.

Clara Josephs (left) and Diane Daly (right) discuss botanical art and painting with visitors.

Alyse Ochniak demonstrating in the garden, photo by Deb Shaw.

Alyse Ochniak demonstrating in the garden, photo by Deb Shaw.

Arillyn Moran-Lawrence demonstrating in the garden (in the luxurious outdoor furniture section). Photo by Deb Shaw.

Arillyn Moran-Lawrence demonstrating in the garden (in the luxurious outdoor furniture section). Photo by Deb Shaw.

by Deb Shaw

(left to right) Leslie Walker, Joan Keesey and Lesley Randall hang and straighten artwork.

(left to right) Leslie Walker, Joan Keesey and Lesley Randall hang and straighten artwork, photo by John Keesey.

Botanical Visions, an exhibition of botanical art by the Botanical Artist Guild of Southern California opened on January 12th in the Ecke Building of the San Diego Botanic Garden.

The exhibit features paintings, drawings and prints in watercolor, pen and ink, graphite and colored pencil. BAGSC member Lesley Randall organized this wonderful exhibition of ten BAGSC artists: Estelle DeRidder, Linda Ericksen, Polly Jones, Joan Keesey, Lesley Randall, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Mitsuko Schultz and Patricia Van Osterhoudt.

(left to right) Janice Sharp and Mitsuko Schultz hanging artwork.

(left to right) Janice Sharp and Mitsuko Schultz hanging artwork, photo by John Keesey.

(left to right) Mitsuko Schultz and Patty Van Osterhoudt.

(left to right) Mitsuko Schultz and Patty Van Osterhoudt, photo by Deborah Shaw.

The artwork was hung the day of the opening artists’ reception in the Ecke Building. The light-filled, open-beamed room is used as a classroom, so the artwork will have lots of exposure for the duration of the show, from January 13 – March 23, 2013.

(left to right) Joan Keesey and Janice Sharp share a laugh before the Artists' Reception.

(left to right) Joan Keesey and Janice Sharp share a laugh before the Artists’ Reception, photo by Deborah Shaw.

Lesley Randall, Leslie Walker, Estelle DeRidder, Joan Keesey (and BAGSC helper John), Polly Jones (and husband), Patty Van Osterhoudt (and BAGSC helper Chris), Janice Sharp, Mitsuko Schultz and I were all on hand to hang the show. Linda Ericksen joined us for the reception.

(right to left) Polly Jones, Polly's husband and Estelle DeRidder place artwork labels.

(right to left) Polly Jones, Polly’s husband and Estelle DeRidder place artwork labels, photo by Deborah Shaw.

Formerly called “Quail Gardens”, the San Diego Botanic Gardens are absolutely beautiful, and this is a wonderful time of year to see them. Although the gardens are extensive, with different sections devoted to plants from different parts of the world, each section feels like an intimate treasure, with delightful surprises around each bend of the path.

A few attendees at the Artists' Reception, photo by John Keesey.

A few attendees at the Artists’ Reception, photo by John Keesey.

A statue in the garden, San Diego Botanic Gardens, photo by John Keesey.

A statue in the garden, San Diego Botanic Gardens, photo by John Keesey.

The exhibit will be open during regular garden hours January 13 – March 23, 2013.

Thank you Lesley!

by Joan Keesey; photography by John Keesey, posted by Deb Shaw

Joan Keesey in Fern Canyon at Descanso Gardens with Coast Live Oaks

Joan Keesey in Fern Canyon at Descanso Gardens with Coast Live Oaks

Yesterday John and I visited Descanso Gardens to check out the two art exhibitions currently on display there. In the Sturt Haaga Gallery the exhibit, “The WILD Flowers”, is a collection of works by seventeen contemporary California artists. Concurrently, contemporary botanical illustrations are being presented in the Boddy House; these paintings are provided by five members of the Botanical Artists Guild of Southern California (BAGSC): Joan Keesey, Sue Kuuskmae, Gilly Shaeffer, Janice Sharp, and Deborah Shaw.

It was a beautiful clear and crisp day, and although it is still winter, Descanso Gardens was very lovely; the magnificent Coast Live Oaks (Quercus agrifolia) provide the perfect canopy for the garden’s remarkable collection of Camellias, many of which were blooming.

Penelope Gottlieb, "Flowers Gone WILD"

Penelope Gottlieb, “Flowers Gone WILD”

I hadn’t really expected to like the exhibit, “The WILD Flowers”. I couldn’t conceive of how an artist could invent flowers that were more wild and astonishing than real flowers, but the pictures were very imaginative, technically accomplished, and fun. Many of them, like Potentilia multijuja by Penelope Gottlieb, included recognizable flowers and plants. I was told that Ms. Gottlieb always includes a flower that is no longer in existence.

Gary Brewer, "Flowers Gone WILD"

Gary Brewer, “Flowers Gone WILD”

Maura Bendett, "Flowers Gone WILD"

Maura Bendett, “Flowers Gone WILD”

There was one video that had bubble-gum and aqua colored slime dripping from slowly opening lilies—not sure what that was all about.

Sue Kuuskmae in the Gunroom.

Sue Kuuskmae in the Gunroom.

The botanical paintings by BAGSC members were very thoughtfully displayed and illuminated in the Hall and the Gunroom of the Boddy House. Without knowing that I was involved the docent was very enthusiastic about and complementary of our

More Action in the Gunroom -- Gilly Shaeffer & Janice Sharp.

More Action in the Gunroom — Gilly Shaeffer & Janice Sharp.

pictures. Several visitors took pictures of our pictures. I am impressed and proud that BAGSC has been able to provide quality paintings for the three concurrently running botanical exhibitions in Southern California: “Botanical Visions” at the San Diego Botanical Garden, “Drought Tolerant Beauty” at Chapman University, and “Contemporary Botanical Illustrations” at Descanso Gardens.

Sue Kuuskmae, Deborah Shaw & Joan Keesey in the Hallway.

Sue Kuuskmae, Deborah Shaw & Joan Keesey in the Hallway.

by Janice Sharp

JANUARY 15 – MARCH 31, 2013 at
Descanso Gardens in the Sturt Haaga Gallery

The WILD Flowers, Nature ReimaginedThe WILD Flowers presents work by 17 contemporary artists who live and work in California.  The show was conceived and curated to complement the exhibition When They Were Wild, which opens March 9, 2013, at the Huntington Library, Art Collections and Botanical Gardens.  

Running concurrently with the WILD Flowers are works of contemporary botanical illustration provided by the Botanical Artists Guild of Southern California.  This exhibit is presented in the Boddy House’s Heritage Gallery and features selected works by Suzanne Kuuskmae, Joan Keesey, Janice Sharp, Deborah Shaw, and Gilly Shaeffer.

Both exhibits are free with admission and open during regular business hours: the Sturt Haaga Gallery is open daily from 10 a.m. to 4 p.m., except Mondays.

by Lesley Randall, posted by Deb Shaw

Botanical Visions, an exhibition of botanical art by ten members of the Botanical Artist Guild of Southern California (BAGSC), opens this weekend in the Ecke Building of the San Diego Botanic Garden. Guild members produce scientifically accurate as well as beautiful botanical pieces. The exhibit will feature paintings, drawings and prints in watercolor, pen and ink, graphite and colored pencil.

Come meet the artists at the opening reception, Saturday, January 12th, 2013, from 5:00 – 7:00 pm. The reception is free and open to the public.

The exhibit will be open during regular garden hours, January 13 – March 23, 2013.

Exhibiting members include: Estelle DeRidder, Linda Ericksen, Polly Jones, Joan Keesey, Lesley Randall, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Mitsuko Schultz and Patricia Van Osterhoudt.

The garden is located at 230 Quail Gardens Drive, Encinitas, California. Exit off of the 5 freeway and head inland (up the hill). Turn left on Quail Gardens Drive. Go roughly 200 yards; the driveway is on the left (there is a big sign.)

by Margaret Best

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.

It is with great pleasure that we share the wonderful news that BAGSC member Deborah Shaw has had one of her recent graphite and watercolour works on vellum accepted into the Hunt Institute’s International Exhibition in 2013.

About 11 years ago, shortly after I met Deborah at a class in Arizona, she showed me a graphite study of a white phalaenopsis orchid. Having enjoyed teaching and using graphite myself for a number of years, I recognized that Deborah had exceptional skills in this medium. I was struck by her mastery of perhaps the best continuous tone I had ever seen! The ultimate control required in the smoothest of value changes was evident throughout the piece. The work also displayed a keen awareness of the finest of edges and tiniest of details. Needless to say, I gushed about it and I clearly never forgot it.

Business and family commitments, as well as generosity of heart to fellow artists, have been obstacles to Deborah being able to focus fully on her own art. More recently she has managed to carve out time for her botanical art. She has begun exploration of a surface uniquely suited to her touch and intense awareness of texture – vellum. Vellum has brought it all together for Deborah. What has been so exciting to witness is how she has achieved a marriage of skills in a truly magical way on a surface that challenges even the most experienced artists.

Everybody is very proud of your well-deserved selection in the next Hunt Institute exhibition!

By Janice Sharp and Deborah Shaw

Akiko Enokido painted this Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved

Akiko Enokido painted this watercolor of Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved.

Starting in 1957 and continuing to the present, The Arboretum has been responsible for the introduction of plants to Southern California from around the world  (click here to download a list of the plants: LaArboretumPlantIntros). Many of these plants are now indispensible elements in our Southern California Gardens.

Recently, BAGSC members donated cards to make boxed collections for Richard Schulhof  (Arboretum CEO) to take as gifts for officials he met on a trip to South Korea. Most of the images used on these cards were of Arboretum Introductions. At the end of the trip a few remaining boxes were placed in the Arboretum Gift Shop for sale. The Gift Shop, Arboretum staff and Foundation Board members, as well as the general public, are very interested in having “Arboretum Plant” note cards stocked in the Gift Shop.

The Arboretum is a good friend of BAGSC, providing class space at very reasonable rates and access to a huge selection of plants. As a result, our members have already painted many plants on the Introduction list or will paint them in the future.

BAGSC is asking its Members to “donate” the use of images they may have, or will create, to be included in an “Arboretum Introduction” card collection. Deborah Shaw is setting up a project area for BAGSC members to upload their high-resolution images, or they can be mailed to her on disc. Each finished card will include:

  • the Name of the Artist with the appropriate copyright notice;
  • the plant name and the year it was introduced;
  • a description of the Arboretum;
  • and a description of BAGSC.

Images “donated” will be used ONLY for the purpose of this “Arboretum Introduction” card collection. BAGSC will produce and box the cards. They will be sold to the Arboretum Gift Shop at a modest markup over our costs of production. The profit will go to BAGSC’s general funds.

In addition, the Arboretum Library is to undergo an extensive facelift in the near future. When the work is completed we hope to have an art show featuring the Arboretum Introduction artwork.

If you are interested in participating in this project contact Janice Sharp or Deborah Shaw. Deb will email instructions for uploading images to the web project area.

by Clara Joseph, posted by Deb Shaw

Filoli grounds

Filoli grounds, image © 2012, Clara Josephs

The Artist Reception at Woodside’s Filoli Estates 14th Annual Botanical Art Exhibition was held the evening of March 29.  The 56 pieces by 36 artists filled the Visitor and Education Center. BAGSC was well represented this year by the works of five members: Akiko Enokido, Clara Josephs, Deb Shaw, Mitsuko Schultz, and Patty Van Osterhoudt.

Artists and their guests were treated to a dusk stroll through the magnificent gardens prior to the reception. Tulips, camellias, and magnolias were at the height of their blooming display. The reception was a wonderful time for the artists to meet each other and share the excitement. The show was juried by Jean Emmons, botanical artist, and Dr. Peggy Fiedler, botanist and Director of the University of California Natural Reserve System.

This year’s Juror’s award went to Catherine Watters for  distinction in botanical art presentation. The Bourn Award for distinction with an emphasis on horticultural presentation went to Pria Graves for her life sized portrait of Kentucky Wonder pole beans and Regina Gardner Milan received the Roth Award for distinction with an emphasis on Traditional botanical art presentation. The show will be on display until June 24. Don’t miss it!

Patty Van Osterhoudt with her painting, image © 2012

Patty Van Osterhoudt with her painting, image © 2012

Mitsuko Schultz (L) and Clara Josephs (R) at the Filoli Artist Reception, image © 2012, Jerry Josephs

Mitsuko Schultz (L) and Clara Josephs (R) at the Filoli Artist Reception, image © 2012, Jerry Josephs

by Deb Shaw

Abutilon, Flowering Maple (Rosy Dewdrops) by Mitsuko Schultz, watercolor, © 2012, all rights reserved.

Abutilon, Flowering Maple (Rosy Dewdrops) by Mitsuko Schultz, watercolor, © 2012, all rights reserved.

The following BAGSC members have been accepted into the 14th Annual Botanical Art Exhibition at Filoli, in Woodside, California.

Akiko Enokido, Passion bloom – hybrid “incense”, Passiflora – incarnata x cincinnata, Watercolor on Vellum

Clara Josephs, Slipper Orchid “Raisin Pie”, Paphiopedilum, Watercolor

Mitsuko Schultz, Flowering Maple (Rosy Dewdrops), Abutilon, Watercolor

Deborah B. Shaw, Southern California black walnut (nuts and husk), Juglans californica S. Watson, Watercolor and graphite on Kelmscott vellum

Patty Van Osterhoudt, Our Lord’s Candle (yucca), Hesperoyucca whipplei, Watercolor on paper

There were 138 entries submitted this year and the jurors selected 56 works. The exhibit reception is scheduled for Thursday, March 29 from 5:00 p.m. – 7:00 p.m. and the show runs through May 13, 2012. Although the reception is free, reservations are required, however, and can be made by online at the Filoli Exhibits page, or by phone to Member Services at 650-364-8300, extension 508.

Congratulations to all who entered, and to all who were accepted to the show!

By Joan Keesey

Thread-leaved Brodiaea, Second Place by Deborah Shaw

Thread-leaved Brodiaea, Second Place, by Deborah Shaw, watercolor on Kelmscott Vellum © 2012

It was very gratifying to see the Botanical Artists Guild of Southern California (BAGSC) so well represented at the Botanical Art Exhibit at the CNPS Conservation Conference 2012 in San Diego at the Town and Country Resort. There were thirteen pictures by seven BAGSC members: Diane Daly, Estelle DeRidder, Clara Josephs, Joan Keesey, Janice Sharp, Deborah Shaw, and Dorthea Yellot. Members of our group won some prizes as well: Deborah Shaw received a second place ribbon for her watercolor on vellum of Thread-leaved Brodiaea; Joan Keesey won a third place ribbon for her watercolor of Snake Lilies and Elegant Madia; Estelle DeRidder won an honorable mention for her colored pencil of Hummingbird Sage.

Snake Lily & Elegant Madia, Third Place, by Joan Keesey, watercolor © 2012

Snake Lily & Elegant Madia, Third Place, by Joan Keesey, watercolor © 2012

My husband and I visited the exhibit twice—once on Thursday evening and again on Saturday afternoon. On both visits there were 12-15 enthusiastic conference attendees who had taken the trouble to make the trip to the ninth floor of the Regency Towers to see the botanical art and photography.  Generally the conference attendees were biologists, botanists, geologists, environmentalists and land managers—a different crowd from the usual botanical art group. The focus at most botanical art exhibits is on the artistic aspects of a work—composition, values, and technique. While this group was very appreciative of the skill displayed in the compositions, they were equally if not more interested in and enthusiastic about the actual subject matter. You overheard people say things like: “Oh, that is my favorite plant”;  “Have you ever seen that beautiful sage.”; or “This is such and interesting plant. I saw it for the first time on that hike along the Merced.”

Hummingbird Sage, Honorable Mention, by Estelle DeRidder, colored pencil © 2012

Hummingbird Sage, Honorable Mention, by Estelle DeRidder, colored pencil © 2012

This is the second CNPS exhibit that I have participated in, and I thought that the pictures were better displayed and of a higher quality. I am particularly interested in California Native Plants, so I find a show like this a real treat. I also like botanical exhibits where there is a focus or theme. I find the juxtaposition of “Turnips & Tulips”, “Corn and Camellias”, “Radishes & Roses”, jarring and difficult to evaluate.   I hope BAGSC will consider sponsoring exhibits that are more focused—a plant family such as the mustard, pea, rose or lily family, plants of a particular region, trees, succulents, etc. The options are endless, but I think it makes a more interesting and informative exhibit.

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