by Diane Daly, posted by Deb Shaw

Treasurers' student working on a beautiful watercolor. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

Treasurers’ student working on a beautiful watercolor of a sunflower. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

The James Irvine Foundation generously provides grants to the Bowers Museum Treasures Program. Bowers, in turn, uses the grants to reach out to the senior community. One way to engage older adults who may be feeling isolated is through art. The Treasures program reaches out to senior centers, community centers, libraries, social service agencies and residential communities by offering lectures, films, classes and tours.

The Council on Aging of Orange County is one of those agencies that works with the Bowers Treasures program. Since 1973, their mission has been to promote independence, health and dignity of older adults through compassion, education and advocacy. I have had the most rewarding experience and opportunity to teach a botanical drawing and painting class to the seniors at the Council on Aging. They provide translators since some of the seniors speak minimal English. I went home after the first class and brushed up on my Spanish and learned a greeting in Korean. The language differences seem to disappear when we are all involved in the art process of observing and drawing a fruit or plant. For eight sessions, we had a variety of specimens, starting with an apple and pear, a single tulip, a zinnia, a variety of peppers and chilis, a rose and finishing with a sunflower. It was pure joy to see the delight on their faces as they walked in and saw what the subject would be for the day.

Students who were completely blind (but formerly sighted) were able to produce beautiful drawings. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

Students who are completely blind (but formerly sighted) were able to produce beautiful drawings. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

At first, when I was briefed on what the class should entail, I was told that there would be a few adults who were totally blind or had some sight impairment. Now, after all these years of trying to get as much detail in a botanical painting, I was truly baffled on how a blind person would be able to draw and how would I be able to teach them anything about drawing a flower. But, I was the one to learn a few things about drawing. They were able to feel the fruit or flower with their hands, emboss the paper with firm pressure on the pencil, use circle templates for guidance, and feel where to fill in the shape with color, with the aid of an assistant. I was amazed at the results. It is not botanical art as we know it, but is art that helps bring people together and give them pleasure and satisfaction. I made simple portfolios for them to take their drawings and paintings home on the last day.

Treasures' student drawing a radish in graphite. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

Treasures’ student drawing a radish in graphite. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

I had another opportunity through the Treasures program to teach a class on painting Asian flowers on parasols. Since there were 90 adults coming to this program, we used markers instead of paint. With 90 parasols opened and everyone drawing flowers on them, it was quite a challenge to move around to all the tables. Once again, I was delighted at the results; beautiful, original designs on all the parasols. The parasols were used for a display in the museum that weekend for a cultural event. They were able to take home the parasols, as well as all the other art projects that they created.

Diane Daly giving feedback to Treasures' student. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

Diane Daly giving feedback to Treasures’ student. Photo courtesy of Bowers Museum/Council on Aging Orange County © 2014.

by Deb Shaw

Astragalus trichopodus with Glaucopsyche lygdamus palosverdesensis, Common names: Locoweed with Palos Verdes Blue Butterfly. Watercolor by Estelle De Ridder, © 2014, all rights reserved.

Astragalus trichopodus with Glaucopsyche lygdamus palosverdesensis, Common names: Locoweed with Palos Verdes Blue Butterfly. Estelle De Ridder, © 2014, all rights reserved.

In 2012, BAGSC member Estelle DeRidder was awarded an education grant from the American Society of Botanical Artists (ASBA) to assist with creating sets of reusable plant identification cards featuring native plant illustrations from the Madrona Marsh Preserve in Torrence, California.

The Madrona Marsh Preserve, in collaboration with the ASBA has announced the opening of an exhibition of Estelle’s completed artwork, “The Flora of the Madrona Marsh” on Sunday, December 7, 2014, from 2 pm to 5 pm.

The exhibition will run from November 19, 2014 – January 9, 2015. Estelle also will make two presentations at the Madrona Marsh Preserve, one on Saturday, December 6, 2014 and another on Sunday, December 14, 2014, discussing botanical illustration and its importance in our world.

Information about Estelle’s project will be presented at the ASBA Annual Meeting and Conference in Denver, Colorado during the ASBA Grant Presentations on Friday evening, October 17, 2014 from 4:30 pm to 6:30 pm.

The exhibition will then travel to the La Crescenta Public Library in La Crescenta, California from January 24 – February 28, 2015.

The Nature Center at the Madrona Marsh Preserve is located at: 3201 Plaza del Amo, Torrance, CA 90505. Phone: (310) 32-MARSH. The Madrona March is open Tuesday – Sunday, 10 am – 5 pm.

Congratulations Estelle!

Quercus Agrifolia, Coast Live Oak, by Estelle De Ridder, © 2014, all rights reserved.

Quercus Agrifolia, Coast Live Oak, by Estelle De Ridder, © 2014, all rights reserved.

Invitation to "The Flora of the Madrona Marsh," original artwork by Estelle De Ridder.

Invitation to “The Flora of the Madrona Marsh,” original artwork by Estelle De Ridder.

by Cynthia Jackson, posted by Deb Shaw

“WORLD WIDE ART Los Angeles,” is an International Art show which will be held at the Los Angeles Convention Center, from 16-19 October, 2014. Scheduled at the beginning of the international art fair season, WORLD WIDE ART Los Angeles will unveil a powerfully diverse collection of contemporary international art. More about WORLD WIDE ART Los Angeles can be found on their website.

WORLD WIDE ART Los Angeles has invited students of art schools, members of art associations and art related groups to visit the show for  free. To get your free tickets, click on this link to go to their VIP EventBrite site.

Are you interested in exhibiting in 2015? If so, click this link to view their criteria and application for next year.

An opening night premiere party will be held Thursday, October 16, 2014 from 5 pm to 10 pm, sponsored by the Chinese Chamber of Commerce, Los Angeles. Show dates are Friday, October 17 and Saturday, October 18, from 10 am to 7 pm each day. Sunday, October 19 hours are 10 am to 5 pm.

WORLD WIDE ART Los Angeles will be held at the:
Los Angeles Convention Center | West Hall A
1201 South Figueroa Street, Los Angeles, CA 90015

by Deb Shaw

Back to Natives Restoration is hosting a workshop focused on the preparation of immune-boosting teas and rejuvenating foot soaks from locally native plants. The workshop will be held on:

Saturday, October 25, 2014, 1 – 3 pm
at the Back to Natives nursery
Cost: $15.00 per person, your own cup required

Craig Torres, a Native American Tongva descendant, will teach participants how to use native plants in teas and soaks. For thousands of years the Tongva of the Los Angeles basin relied on native plants for food, clothing, shelter and medicine. This reciprocal relationship between plants, animals and humans has continued throughout the generations.

Craig will talk about the uses of different native plant teas, including White Sage (and other sages), Wild Rose (Petals, Blossoms, and Hips), Elderberry (Blossoms and Berries), Yerba Santa, Yerba Buena, and California Juniper. Come prepared to sample (be sure to bring a cup). Craig will discuss proper protocol and etiquette for harvesting as well as growing natives in your own landscape. Native plants will be available for sale if you would like to purchase any.

Fee: $15/person. Proceeds go directly to habitat restoration projects. Prepayment is required. RSVP and pay at backtonatives.org

The workshop will be held at the Back to Natives nursery in Santa Ana, California. Once you know how to get there, it’s easy to find, but can be difficult until you do. The nursery is located in the Santiago Park Nature Reserve, close to the intersection of the 5 and 22 Freeways, near the Main Place shopping mall. The closest address to the nursery is 600 East Memory Lane, Santa Ana California, 92705. If you use your GPS and go to this address, however, you will get lost!

The Google links are more precise:  https://goo.gl/maps/rdjIC
Google Link (from the 5 fwy): https://goo.gl/maps/9MIzC
Google Link (from the 22 fwy): https://goo.gl/maps/M0Shb

Once you are on Memory Lane, turn in at the Santiago Nature Reserve Sign, drive past the Nature Center and park at the overpass. As always, carpooling is recommended.

Santiago Park Nature Reserve Sign

Look for the sign to the Santiago Park Nature Reserve to turn in from Memory Lane

by Deb Shaw

Joan Keesey, Heteromeles arbutifolia, California Holly, Watercolor on Paper. © 2013, all rights reserved.

Joan Keesey, Heteromeles arbutifolia, California Holly, Watercolor on Paper. © 2013, all rights reserved.

The 17th Annual International American Society of Botanical Artists opened on September 17, 2014 at The Horticultural Society of New York. The exhibition will run from September 17 – November 26, 2014.

Jurors Patricia Jonas, Marco Polo Stufano, and Catherine Watters selected 42 artworks out of 215 submissions from around the world. The exhibition includes works by artists from the United States, Australia, Canada, France, Israel, Japan, and the United Kingdom. BAGSC members Joan Keesey, Lesley Randall, and Deborah Shaw have artwork in the exhibition. A full-color catalog with all of the artwork is available at ArtPlantae for $20, plus shipping.

Lesley Randall, Ma’o hau hele, Hibiscus brackenridgei, pen and ink on board. © 2014, all rights reserved.

Lesley Randall, Ma’o hau hele, Hibiscus brackenridgei, pen and ink on board. © 2014, all rights reserved.

The ASBA has posted the artwork and the artists’ stories behind each piece. Click on the artists’ names in this posting and on the ASBA website to see the artwork and read the artists’ stories.

Congratulations to all of the artists in the exhibition and to the following artists who received awards at the opening reception:

The Horticultural Society of New York Best in Show: Annie Patterson

Eleanor Wunderlich Award for Excellence: milly acharya (Purple Passionflower)

Helen Gray Garber Award: Constance Scanlon

Susan Frei Nathan Fine Works on Paper, LLC Award: Asuka Hishiki

Brooklyn Botanic Garden Award for Drawing & Prints: Lesley Randall

Honorable Mentions: Ingrid Finnan (Yellow Dahlia), Haruyo Kawashima, Carrie DiConstanzo,  and Tomoko Ogawa

Deborah B. Shaw, Cucurbita maxima, Buttercup Squashes and Section, watercolor on paper. © 2013, all rights reserved.

Deborah B. Shaw, Cucurbita maxima, Buttercup Squashes and Section, watercolor on paper. © 2013, all rights reserved.

Botanical art workshops are being held in conjunction with the exhibition, and a “Last Look” reception with featured artists and jurors will be held on Wednesday, November 19, 2014 from 6-8 pm.

The Hort is free and open to the public Monday through Friday, 10:00 am to 6:00 pm. For further information, please contact Chris Murtha at The Hort, 212-757-0915 (x121) or cmurtha@thehort.org, or Carol Woodin, Director of Exhibitions, ASBA, exhibitions@asba-art.org, 866-691-9080.

by Quench Travel, posted by Deb Shaw

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Quench has put together a new eight-night botanical painting workshop with Margaret Best in Puglia, April 12 – 20, 2015.

Puglia is absolutely dreamy, in part because somehow it remains relatively undiscovered. Its staggeringly rugged coastline stretches along the Adriatic Sea with deserted beaches, rocky coves and crystal water. White-washed towns dot the shores with a smattering of colourful marinas and the bustle of fishing boat  traffic. The landscape rolls up from the water in waves of green; centuries-old olive groves as far as the eye can see are interrupted occasionally by world-class vineyards and in April, a blanket of poppies. Flowering fruit and almond trees scent the air with a heavenly aroma. Join renowned artist and teacher Margaret Best here in this idyllic setting for an 8-day Botanical Painting Workshop. Under her expert guidance you can make meticulous study the local flora, spending your days painting in the airy garden studio that overlooks the sea. Visit the nearby Baroque towns and feel a part of this warm and welcoming Puglian culture.

An overview of the itinerary:

April 12: Arrive into Monopoli and check-in at Palazzo Indelli in the historical centre. Welcome cocktail and dinner in the evening.

April 13: Morning visit to the Botanical Gardens in Monopoli with picnic lunch. Transfer to Masseria Montenapoleone and explore gardens. Afternoon to pick your specimen and set up in studio. Welcome dinner at the Masseria.

April 14: Full day in studio. Light lunch in studio. Return shuttle to Polignano a Mare for dinner at leisure.

April 15: Full day in studio. Light lunch in studio. Return shuttle to Ostuni for dinner at leisure.

April 16: Morning visit to the private Giardini Pomona with the owner. Lunch at leisure in Locorotondo followed by a half day in studio. Dinner at the Masseria.

April 17: Explore the local markets before visiting a local home and enjoying a Cooking class and lunch. Return for studio time in the afternoon. Dinner independently at Masseria.

April 18: Full day in studio. Light lunch in studio. Return shuttle to Cisternino for dinner at leisure.

April 19: Full day in studio. Light lunch in studio. Gala evening exhibition with buffet meal.

April 20: Independent departures.

Costs start from €3,555. There is an early booking discount of €125 for bookings confirmed before October 10, 2014.

Margaret Best is an internationally recognized botanical artist and teacher offering tuition in graphite, colour pencil and watercolour. She has taught workshops to all levels of experience from rank beginners, intermediates to advanced levels in Canada, UK, Italy, USA and Bermuda. These workshop venues include respected botanical gardens and institutions such as Huntington Gardens, Pasadena; Santa Barbara Botanical Gardens; San Diego Natural History Museum; Filoli near San Francisco; Dow Learning Center in Zoo Conservatory, Calgary; Bermuda Art Center, Hamilton Bermuda. Margaret’s watercolours have been widely exhibited – New York; Weisman Museum, Minneapolis; Hunt institute of Botanical Documentation, Carnegie Mellon University, Pittsburgh; Los Angeles, Denver, Bermuda, Toronto, San Francisco and her work is found in numerous private and corporate collections around the globe. Margaret has designed six coins with botanical themes for the Royal Canadian Mint, with 2 to be released in 2015. For the past 6 years Margaret has painted regularly with her mentor Pandora Sellars who is widely regarded by experts as the leading contemporary botanical artist of our time. A professionally qualified art teacher, Margaret is known for her nurturing style and her ability to readily identify student skill level in order to steer advancement.

Download the PDF flyer Quench_Itinerary_Puglia to read more about the trip, or contact Quench at 416.366.2777 or email tripdesign@quenchtravel.com.

By Arillyn Moran-Lawrence, posted by Deb Shaw

Arillyn Moran-Lawrence, "Elegant Syrah,"  pen and ink on paper. © 2014, all rights reserved.

Arillyn Moran-Lawrence, “Elegant Syrah,” pen and ink on paper. © 2014, all rights reserved.

BAGSC member Arilyn Moran-Lawrence’s pen and ink drawing titled “Elegant Syrah” has been juried into the Lloyd Library and Museum fall exhibition.  The Lloyd Library and Museum is one of the premier botanical libraries in the United States.  The exhibition is titled “If Wine is Sublime.”  The show runs from September 13, 2014 to December 12, 2014.

Can’t make it to the show? View the artworks online. The exhibition includes works in diverse media, including watercolor, oil, hand-woven tapestries, video, lithography and cast aluminum tile. Many of the participants are ASBA members.

The Lloyd Library and Museum is located at: 917 Plum Street, Cincinnati OH 45202. If you would like further information about the Lloyd Library and Museum, please contact Anna Heran, Exhibit Curator, 513 721 3707, or curator@lloydlibrary.org.

Congrats Arillyn!

by Lesley Randall, posted by Deb Shaw

Watercolor by Clara Josephs, © 2014, all rights reserved.

Watercolor by Clara Josephs, © 2014, all rights reserved.

The San Diego Botanic Garden and the Botanical Artists Guild of Southern California (BAGSC) will be holding an exhibition titled, Artists’ Favorites. These beautiful and unbelievably detailed works of art depict different plant species—several of which are found in the San Diego Botanic Garden. Forty-three works representing 18 different artists were carefully selected for this juried show. Each of the plants and paintings hold a special place in each artist’s heart.

Artists include: Cristina Baltayian, Melanie Campbell-Carter, Diane Daly, Estelle DeRidder, Linda Ericksen, Cynthia Jackson, Susan Jackson, Clara Josephs, Joan Keesey, Suzanne Kuuskmae, Lesley Randall, Kirsten Rindal, Mitsuko Schultz, Gilly Shaeffer, Deb Shaw, Janice Sharp, Gayle Uyehara, and Leslie Walker.

The exhibit will run from:
September 21, 2014 – November 16, 2014
at the San Diego Botanic Garden
in the Ecke Building

The exhibition is open for viewing daily, 9 am – 5 pm
Cost: Free with paid admission or membership

An Artists’ Reception will be held
Sunday, September 21, 2014
San Diego Botanic Garden, Ecke Building
4:30 pm – 7 pm

The Artists’ Reception is free, and is open to the public. Members, friends and family are welcome. Come and meet some of the BAGSC artists at the reception.

The San Diego Botanic Garden is located at 230 Quail Gardens Drive, Encinitas, California 92024. The phone number is 760.436.3036.

by Deb Shaw

The Greenhouse Complex at the Denver Botanic Gardens. Photography © Scott Dressel-Martin

The Greenhouse Complex at the Denver Botanic Gardens. Photography © Scott Dressel-Martin

If you haven’t registered for the 2014 ASBA Annual Conference in Denver, Colorado yet, there’s still time. The last day of registration is September 12, 2014. After the 12th, registration will be closed, and no registrations will be accepted.

The Rocky Mountain Society of Botanical Artists is hosting the ASBA’s 20th Annual Meeting and Conference this year. The Conference will be held at the Westin Denver Downtown. Book your room directly with the Westin (information is on the “Lodging” page). If you would like a roommate, email Marilyn Garber.

The Westin is located one block from the famous 16th Street Mall, and within walking distance of the Denver Art Museum, the American Museum of Western Art – The Anschutz Collection, the Clyfford Still Museum, the Museum of Contemporary Art Denver, the Molly Brown House Museum, Denver Public Library’s Western History and Genealogy Department, the historic Brown Palace Hotel and shopping destination Larimer Square.

In addition to the three-day core conference, there are pre- and post-conference workshops.  Conference activities will be held at the Westin Hotel and the Denver Botanic Garden.

The ASBA Silent Auction
If you would like to support the ASBA’s “Artist & Education Grants,” publication of The Botanical Artist journal, and ASBA exhibitions, consider donating to the Silent Auction/Market Place to be held the last night of the conference. Money raised during the Silent Auction directly supports these efforts.

The volunteers for the Silent Auction are always on the lookout for unique items with some sort of botanical theme. You can find donation ideas listed in the Request for Donations in the June issue of The Botanical Artist journal. Bidding starts at 50 percent of the value of the item in
the Silent Auction. This year the ASBA is adding a Market Place component for less expensive items. No bidding is required in the Market Place. You want it? Just simply purchase it.

Donation information is required by September 27. Shipped items must be received by October 13. If you’re going to the conference, you may bring your Silent Auction/Market Place items with you.

Donation information may be submitted on the ASBA Web Site Annual Meeting – Denver 2014, or emailed to Lynne Railsback.

If you’re going to Denver…
Please let other BAGSC members know so we can try to coordinate transportation, shuttles, and other activities. Email Deb Shaw, and let her know when you’ll be arriving and leaving.

Need supplies?
If you need to buy supplies before you go, consider going to the ASBA’s “Shop > Sponsors” page first, and clicking on the link to Dick Blick from there. The ASBA will receive a portion of your purchase price.

Some more important information
Denver’s altitude is 5,280 feet, one mile above sea level. While in Denver, drinking plenty of water is the number one way to adjust to the higher altitude. October temperatures average 37 to 65 degrees F.

If you’re planning to leave the conference on Sunday, October 19, please note that there will be a marathon run in the morning and it may be more difficult to get from the hotel to the airport. Various streets will be closed for the run, and you may need to allow extra time.

See information about the conference, instructors, pre- and post-conference workshops, lodging and more on the ASBA website!

by Janice Sharp, posted by Deb Shaw

Variegated Camellia, by Akiko Enokido

Camellia japonica ‘Chandleri Elegans’, Variegated Camellia, by Akiko Enokido, watercolor on vellum, © 2012, all rights reserved.

BAGSC is planning a Camellia Art Show in conjunction with the Camellia Society Camellia Show at Descanso Gardens in January, 2015. The show would be for two days and it is hoped that it will coincide with Descanso’s Camellia Week. It is possible we may be able to move the show to the Boddy House for a longer period of time.

I would like to get an idea of the number of people who would have paintings they would like to enter into the show. I would suggest that we hang original art in BAGSC’s standard light wood frames. Please email me (by clicking on the word “email”) the number of paintings you think you would like to submit by August 29, 2014. Space is limited in the hall in which the Camellia Show will be held, so we may have to limit the number of entries if we get too many.

If you missed the Spring-blooming Camellias, you’re still in luck—there are many Camellias which bloom in the Fall. The seed pods for Camellias which bloomed during the Spring are just now maturing, in case you want to include them in your work.

Watch the blog and your email for more information about the show as it develops.

by Deb Shaw

The California Native Plant Society (CNPS) has announced registration is now open for the 2015 Conservation Conference. Held every three years, this conference coincides with the 50th anniversary of CNPS. The conference will be held from January 15 – 17, 2015 at the Double Tree by Hilton, in San Jose, California. Those registering by October 31, 2014 will enjoy early registration savings on the conference, workshops, and field trips.

Thread-leaved Brodiaea, Second Place by Deborah Shaw

Thread-leaved Brodiaea, Second Place, by Deborah Shaw, watercolor on Kelmscott Vellum © 2012

Call for Entries

The last CNPS Conference was held in San Diego, California in 2012. BAGSC artists were well represented in the exhibition at that conference, and Deborah Shaw, Joan Keesey and Estelle DeRidder won second place, third place and an honorable mention. Read Joan Keesey’s BAGSC Blog review of the 2012 conference and exhibition.

The CNPS will host a juried Botanical Art Exhibition in association with the 2015 conference and has issued a call for entries to the exhibition. One of the goals of the botanical art exhibition is to encourage a greater understanding and appreciation of California’s unique flora.

Artists are invited to enter original artwork of California flora in any two-dimensional medium that is botanically accurate and reflects the beauty and uniqueness of California’s native flora.

Prizes will be awarded, and all winning artwork will be published in Fremontia, a CNPS publication. The first place prize is $500; second place is $300; third place is $200. A “Conference Choice” prize will also be awarded, based on votes by conference attendees.

 

Snake Lily & Elegant Madia, Third Place, by Joan Keesey, watercolor © 2012

Snake Lily & Elegant Madia, Third Place, by Joan Keesey, watercolor © 2012

Botanical Art Exhibition Details

The deadline for submission is November 1, 2014. Submitting artists must complete this entry form: cnps2015_art-entry. [The Botanical Art Exhibition entry form is also available for download on the conference website: http://www.cnps.org/cnps/conservation/conference/2015/art.php%5D The maximum framed size for each piece is 20″ x 24″; the minimum framed size is 9″ x 12″. Work outside these limits will not be accepted.

Each artist may include up to three (3) digital jpg images for submission, at least 300 dpi, emailed as attachments for a $35.00 entry fee. Artists who are registered to attend the conference may pay $25.00 for up to three entries.

All artwork must be of California native plants. Digital image submissions should be of the highest quality so that judges will be able to fully appreciate the details of the artwork. Each digital file name should include the artist’s name and the title of the entry. Digital image jpgs should be emailed to Josie Crawford, CNPS Education Program.

Hummingbird Sage, Honorable Mention, by Estelle DeRidder, colored pencil © 2012

Hummingbird Sage, Honorable Mention, by Estelle DeRidder, colored pencil © 2012

Artists will be notified by November 30, 2014 as to whether their work has been selected. The show will be hung for the duration of the conference and security will be provided. The public will be able to view the exhibition on Saturday, January 17, 2015. Prize winners will be posted on Saturday, January 17 as well.

Detailed information about artwork submission and guidelines is available on the CNPS Conference Registration website in the Call for Entries document: cnps2015_art-call_entries.

Sale of Prints and Note Cards

CNPS will invite artists whose work has been accepted to submit prints and packets of note cards to be sold at the conference store. Artists interested in sales should complete the Prints and Note Card section of the entry form. CNPS will handle all sales; 30 percent of sales will be donated to CNPS. Space in the retail area may be limited, and it may not be possible to accept sales items from all accepted artists. More information about sales is available on the CNPS Conference Registration website in the Call for Entries document: cnps2015_art-call_entries.

Judges

The CNPS Botanical Art Exhibition will have three judges:

Kristin Jakob, Botanical Illustrator
Kristin has dedicated much of her life to the study, cultivation, and depiction of plants — in particular, her beloved California native species. Born and raised in Mill Valley, Marin County, she began drawing plants at the age of 12, when she joined CNPS. Essentially self-taught, Kristin has also studied in England, where in 1981 she received an M.A. from the Royal College of Art in London. Since returning to California, her botanical art has graced a wide array of books and periodicals, package designs, posters, prints and cards, and numerous groups and solo exhibitions. Commissions include two major projects for CNPS: the poster “Wildflowers of the Sierra Nevada,” and the set of four grass poster/placemats.

Lee McCaffree, Botanical Illustrator
Lee McCaffree teaches botanical illustration classes and workshops and helped develop the Botanical Art Certificate Program at Filoli Gardens in Woodside, California. She received medals for her “Pinus” series and “Plants in Peril” series at the Royal Horticultural Society exhibitions in London. She serves on the Board of the American Society of Botanical Artists, and worked with the plant sale propagation team for EBCNPS. Lee’s publications include the posters for the EBCNPS Plant Sale, and illustrations in “Today’s Botanical Artists” and “Curtis’s Botanical Magazine”, Kew Gardens, England.

Geri Hulse-Stevens, Botanical Illustrator and Botanist
Geri Hulse-Steens graduated from the University of California, Santa Barbara with a minor in art and entered into the world of scientific illustration through classes taught by Chuck Stasek at the Point Reyes Field Seminars. Her work was first publishe in “Fremontia” in 1982 in an article she wrote and illustrated. Her illustrations have appeared in books, government publications and articles since. She is a botanical consultant living in Mendocino County and has played an active role in the Sanhedrin Chapter of CNPS for more than 25 years.

by Jill Berry, posted by Deb Shaw

Looking up into the canopy of Platanus racemosa, or Western Sycamore. Photo by Deborah Shaw, 2014.

Looking up into the canopy of Platanus racemosa, or Western Sycamore. Photo by Deborah Shaw, 2014.

Don’t forget Matt Ritter’s class on trees on Saturday, September 6 at 9:30 am at the LA Arboretum. Matt’s previous class in June, The Botany of Trees, was enthusiastically attended and filled with accolades at the completion! This will be the second of three workshops with Matt:

Tree Diversity and Natural History, with Dr. Matt Ritter
Workshops for Homeowners, Landscape Professionals and Plant Lovers at the Arboretum

Discussion will focus on the remarkable tree diversity in Southern California (including natives), how to identify trees, and how to appreciate them.
Saturday, September 6, 2014
9:30 am – 12:30 pm
301 North Baldwin Ave., Arcadia 91007

$25 Arboretum members per class; $30 non-members per class (includes Arboretum admission)
Please call the Class Registration Line at 626.821.4623 to register, or you may register at the door.

Be sure to save the date for Matt’s third (and final) lecture in the tree series:

Saturday, October 11: Trees for the 21st Century in Southern California
The focus in this class will be on the most appropriate trees for both small yards and for Southern California’s climate, in addition to undeservedly rare trees for this region and how to find them.

Matt Ritter has a bachelor’s degree in microbiology and a Ph.D. in plant biology. He has authored numerous scientific papers and botanical treatments, including the second edition of the Jepson Manual, the Flora of North America Project, and a natural history guide to San Luis Obispo plants. He is a professor in the Biology Department at Cal Poly, San Luis Obispo, and director of the plant conservatory there. He holds a Kenan Fellowship at the National Tropical Botanical Gardens, is the chair of the City of San Luis Obispo Tree Committee, and editor-in-chief of Madroño, the journal of the California Botanical Society.  http://www.baobabbotanical.com/Ritter

by Deb Shaw

Bud of the quickly-growing Amorphophallus titanum, (Titan Arum, or Corpse Flower). Courtesy of The Huntington.

Bud of the quickly-growing Amorphophallus titanum, (Titan Arum, or Corpse Flower). Courtesy of The Huntington.

The Huntington Library, Art Collections and Botanical Gardens is hosting their fifth bloom of Amorphophallus titanum, the Titan Arum, or “Corpse Flower.” Renowned for its magnificent size and exceptionally foul odor, the Amorphophallus titanum flower can grow to be more than six feet tall, with a diameter of three to four feet.

The Huntington’s first “Big Stinky” bloomed in 1999; since then, they have had three more blooms, in 2002, 2009, and 2010. Native to Sumatra, the flowering of a Amorphophallas titanum is unpredictable and rare; the plant can go for years without blooming. Once the bud opens, the blossom is fleeting, lasting only one to three days.

Experts are now predicting the flower will open sometime around August 20 – 23. (The inflorescence grew 3.5 inches yesterday alone!)

Follow the flower’s progress and learn more about it on The Huntington’s website page, “Stinky 5: Return of the Corpse Flower,” or on The Huntington’s Instagram or Twitter. A video of the original blooming in 1999, narrated by Jim Folsom, is now on Tumblr and YouTube.

A prior bloom of Amorphophallus titanum. The inflorescence can grow to be more than 6 ft tall, with a diameter of 3 - 4 ft across. Photo courtesy of The Huntington.

A prior bloom of Amorphophallus titanum. The inflorescence can grow to be more than 6 ft tall, with a diameter of 3 – 4 ft across. Photo courtesy of The Huntington.

by Deb Shaw

The San Diego Botanic Garden will be hosting a BAGSC exhibition of botanical art titled Artist’s Favorites. This juried show will feature botanical works near and dear to each artist’s heart. A work might be a favorite because of a particular plant specimen, because of a specific technique, or because it evokes a treasured memory of a place or time.

This exhibition is not only “artists’ choice” for artwork, but “artist’s choice” for framing too! If you would like to stick to the ASBA standards of a light wood, simple, L-shape frame, feel free to do so. If you have artwork framed in other styles, this is your chance to submit them in the frames you’ve chosen.

  • Submission deadline:  August 15, 2014
  • Exhibition Dates:  September 21, 2014 – mid-November 2014
Consider volunteering to help with the "Artist's Favorite" SDBG exhibition—we have a good time. Photo of BAGSC members Joan Keesey (left) and Janice Sharp (right) enjoying a laugh during the hanging of the 2013 BAGSC exhibition at the SDBG.

Consider volunteering to help with the “Artist’s Favorite” SDBG exhibition—we have a good time. Photo of BAGSC members Joan Keesey (left) and Janice Sharp (right) enjoying a laugh during the hanging of the 2013 BAGSC exhibition at the SDBG.

Some of the nitty gritty details:

All BAGSC members in good standing (dues paid) are eligible to enter up to 4 (four) pieces, which may consist of original, two-dimensional botanical art and illustration in any media, or archival giclée prints of original artwork. No photography or digital art. Work may have been shown in previous BAGSC, ASBA, Filoli or other exhibitions. THIS IS A JURIED SHOW. It is possible that multiple entries may not be accepted, depending on space availability and the number of submissions. Artwork or prints may be for sale if desired. The San Diego Botanic Garden will take a commission of ten percent of all sales.

A submission fee of $35.00 must be made out to BAGSC and sent with the submission form to BAGSC Treasurer and Exhibit Chair, Lesley Randall. Please write “Artist’s Favorite” on the subject line of your check. Your check must be received by Lesley Randall on or before August 15, 2014. If you would like to bring your submission check (and CD) to the BAGSC Pen and Ink class on August 9 and 10, 2014, OR to the July 20, 2014 BAGCS Quarterly meeting, please bring them then.

Files should be labeled with your name and artwork title. You can email your digital artwork with the entry form to Lesley Randall or mail it on a CD with a hard copy of the entry form. Your artwork, entry form and check must also be accompanied by a digital file with a written description of why each painting you’ve submitted is a “favorite.”

An email blast also will be sent out to BAGSC members with the submission form and additional information. Details about artwork delivery and pick-up will be sent out to all accepted artists at a later date.

Volunteering:
BAGSC members are needed to help set up and break down the exhibition.

Volunteers also are needed:

  • for hanging the exhibition;
  • at the opening reception to talk with guests and answer questions;
  • for signing in and signing out the artwork for the exhibition;
  • for breaking down the exhibition;
  • for collection and transport of artwork to and/or from SDBG;
  • and other show-related activities as needed.

To volunteer for the activities above (or any other help you can provide) please contact Lesley Randall.

Important Dates:

  • August 15, 2014: Entry deadline
  • September 2: Acceptance Notification
  • September 21: Installation of exhibit
  • September 21: Reception
  • Mid-November: Show Closes And Paintings Removed

Questions about the show?
Please contact Lesley Randall.

Happy painting!

by Deb Shaw

Lupinus succulentus, or Foothill Lupine, watercolor by Joan Keesey, © 2013.

Lupinus succulentus, or Foothill Lupine, watercolor by Joan Keesey, © 2013.

The Irvine Fine Arts Center is holding an opening reception for “Paper Farm: Works on Paper” this Saturday, June 14, from 1–3 pm. Admission is free.

The exhibition runs from Saturday, June 14 through July 12, 2014, and features 47 artists’ works in ink, paint, pencil and watercolor of Southern California farm life and regional plants and animals.

BAGSC members Diane Daly, Clara Josephs, Joan Keesey, Terri Munroe, Mitsuko Schultz, Janice Sharp, and Deborah Shaw have artwork in the exhibition. Joan Keesey’s painting of Lupinus succulentus (Foothill Lupine) was used for the promotional materials for the show.

The Irvine Fine Arts Center is located at:
Heritage Park
14321 Yale Avenue
Irvine, CA 92604

Hours are Monday – Thursday, 10 am – 9 pm, Friday from 10 am – 5 pm, and Saturday from 9 am – 5 pm. The Center is closed on Sundays. Admission and parking are free to the public.

For more information, visit the website by clicking on the link above, or call 949-724-6880.

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