by Jill Berry, posted by Deb Shaw

Looking up into the canopy of Platanus racemosa, or Western Sycamore. Photo by Deborah Shaw, 2014.

Looking up into the canopy of Platanus racemosa, or Western Sycamore. Photo by Deborah Shaw, 2014.

The Los Angeles Arboretum is offering an opportunity to learn about the botany of trees in a series of workshops:

ALL ABOUT TREES with Dr. Matt Ritter
Workshops for Homeowners, Landscape Professionals & Plant Lovers

Each workshop will be held from 9:30 am – 12:30 pm.
$25 Arboretum members per class; $30 non-members per class (includes Arboretum admission).
Please call the Class Registration Line at 626.821.4623 to register, or you may register at the door.

Saturday, June 21:  The Botany of Trees
This workshop is specially designed for homeowners as well as landscape professionals, and will teach you everything you need to know about how to pick, plant, grow and understand trees.

Saturday, September 6: Tree Diversity and Natural History
Learn about the remarkable tree diversity in Southern California, including natives, how to identify trees, and how to appreciate them.

Saturday, October 11: Trees for the 21st Century in So. California
The focus in this class will be on the most appropriate trees for both small yards and for Southern California’s climate…in addition to undeservedly rare trees for this region and how to find them.

The Los Angeles Arboretum is located at 301 North Baldwin Avenue in Arcadia, California 91007.

Matt Ritter has a bachelor’s degree in microbiology and a Ph.D. in plant biology. He has authored numerous scientific papers and botanical treatments, including the second edition of the Jepson Manual, the Flora of North America Project, and a natural history guide to San Luis Obispo plants. He is a professor in the Biology Department at Cal Poly, San Luis Obispo, and director of the plant conservatory there. He holds a Kenan Fellowship at the National Tropical Botanical Gardens, is the chair of the City of San Luis Obispo Tree Committee, and editor-in-chief of Madroño, the journal of the California Botanical Society.  http://www.baobabbotanical.com/Ritter

by Cristina Baltayian and Jill Berry, posted by Deb Shaw

Thumbnail of colored pencil artwork by Cristina Baltayian, © 2013, all rights reserved.

Thumbnail of colored pencil artwork by Cristina Baltayian, © 2013, all rights reserved.

BAGSC member Cristina Baltayian will be teaching two classes in June at the Los Angeles Arboretum, as well as classes in her studio:

JUNE CLASSES AT THE LOS ANGELES ARBORETUM:

Fruits
Tuesdays, June 3, 10, 17, 24
10am-2pm (includes break for bring you own lunch or at Peacock Café); Oak Room
$255 members; $275 non-members

Introduction to Botanical Illustration: A 4-day Workshop
This introductory workshop on botanical drawing covers the  fundamental skill of drawing in botanical art. In this intensive workshop, participants will learn skills and techniques of graphite pencil and its range of beautiful tones from light silver to rich black, ideally suited to botanical drawing. In these four days, students will learn how to start and finish a botanical portrait, as well as:

  • Hone observation skills
  • Be guided through sketching and line drawing exercises
  • Discover how to arrange shapes on a page and make a pleasing composition
  • Translate a 3-dimensional subject onto a 2-dimensional surface

Additional botanical art instruction is provided in the on-going Tuesday Botanical Illustration classes from 10 am – 2 pm.

Four Day Workshop:
Wednesday, June 25
Thursday, June 26
Friday, June 27
Saturday, June 28
10 am – 3 pm (includes lunch break)

$325 Arboretum members for all four days
$345 Non-members for all four days (Includes Arboretum Admission)

You may bring your lunch or purchase it at the Peacock Café. Plants for drawing subjects, will be provided by the Arboretum.

Pre-registration required: please call 626.821.4623.

CLASSES AT CRISTINA BALTAYIAN’S STUDIO:

Cristina also teaches classes at her studio on Wednesdays and Thursdays, from 1 pm to 4 pm. For more information, please email her.

Cristina Baltayian has a background in drawing (graphite, charcoal, pen and ink), two-dimensional design,  watercolor, and colored pencils. Her work has been shown at Filoli, Los Angeles County Arboretum and Botanic Garden, Chapman University, and Virginia Robinson Gardens. She is a member of the American Society of  Botanical Artists and The Botanical Guild of Southern California.

by Deb Shaw

Deborah Shaw, pen sketch of branch of Nicotania glauca  Graham (Tree tobacco), an invasive species in California. © 2014, Deborah B. Shaw

Deborah Shaw, pen sketch of branch of Nicotania glauca
Graham (Tree tobacco), an invasive species in California. © 2014, Deborah B. Shaw

BAGSC member Deborah Shaw will be teaching “Journaling in your Garden” workshops during the month of June at the J. Paul Getty and Bowers Museum.

At The Getty Center:
On Sundays, June 1 and June 15, 2014, 3:30 – 5:30 pm, Deb will be teaching “Drawing from the Masters: Creating a Garden and Wildflower Journal.” These workshops are part of the Getty’s tradition of sketching from original works of art every first and third Sundays of the month. “Creating a Garden and Wildflower Journal” will focus on the value of journaling, what to look for, and how to draw leaves and flowers. The workshop is free, and all experience levels are welcome. Participants are encouraged to bring sketchpads. Sign-up begins at 2:30 pm the day of the workshop at the main information desk, no preregistration required.

The Getty Center is located at 1200 Getty Center Drive, Los Angeles, CA 90049. Admission is always free; parking is $15.00.

At Bowers Museum:
Deborah also will be teaching a two-part series on Tuesdays, June 10 and June 17, 2014, 1:00 pm – 4:00 pm in the John M. Lee Court at Bowers Musuem. Drawing and Painting Wildflowers and Flowers from your Garden will cover what to look for when looking at flowers and leaves, perspective tips, and graphite and color techniques to quickly capture plants and wildflowers in your journal.

Costs for individual classes are $15.00 for Bowers members, and $25.00 for non-members. Both workshops are available for Bowers members for $25.00, and $35.00 for non-members. A $15.00 materials fee is payable at the time of the class. Advance reservations required to enable the accurate purchase of supplies: e-mail or call the Education Department at 714.567.3677.

These workshops complement lectures at the Bowers on Renaissance Gardens (June 7) and Wildflowers (June 21). Bryan C. Keene, assistant curator of manuscripts at the J. Paul Getty Museum will be giving the lecture about Renaissance Gardens. BAGSC members who participated in last Summer’s demonstrations at The Getty in conjunction with their “Gardens of the Renaissance” show will remember Bryan’s wonderful exhibition. Bryan will discuss the design, function, and meanings behind the many types of gardens planted in Europe between 1400-1600. Delve into illuminated manuscripts to discover how art, science, religion, myth, diet, and world travel shaped the evolving Renaissance garden.

The “Wildflowers” lecture and book signing will be given by Robert L. Allen. His recent publications, “Wildflowers of Orange County and the Santa Ana Mountains” can be purchased at the Bowers Gallery Store.

Bowers Museum is located in Santa Ana, CA, at 2002 North Main Street, 92706. Directions are included in the link above to Bowers Museum.

Enjoy the tradition of sketching from original works of art every first and third Sundays of the month at the Getty Center. In June, discover the practice of garden and wildflower journaling with botanical artist Deborah Shaw. Learn the value of journaling, what to look for, and how to draw leaves and flowers. All experience levels welcome. Participants are encouraged to bring sketchpads. This is a free program. Sign-up begins at 2:30 pm at the Information Desk. – See more at: http://getty.edu/visit/cal/courses/#sthash.ZK5yoRze.dpuf
Enjoy the tradition of sketching from original works of art every first and third Sundays of the month at the Getty Center. In June, discover the practice of garden and wildflower journaling with botanical artist Deborah Shaw. Learn the value of journaling, what to look for, and how to draw leaves and flowers. All experience levels welcome. Participants are encouraged to bring sketchpads. This is a free program. Sign-up begins at 2:30 pm at the Information Desk. – See more at: http://getty.edu/visit/cal/courses/#sthash.ZK5yoRze.dpuf
Enjoy the tradition of sketching from original works of art every first and third Sundays of the month at the Getty Center. In June, discover the practice of garden and wildflower journaling with botanical artist Deborah Shaw. Learn the value of journaling, what to look for, and how to draw leaves and flowers. All experience levels welcome. Participants are encouraged to bring sketchpads. This is a free program. Sign-up begins at 2:30 pm at the Information Desk. – See more at: http://getty.edu/visit/cal/courses/#sthash.ZK5yoRze.dpuf

by Lesley Randall/Leslie Walker, posted by Deb Shaw

Asclepias speciosa, Lesley Randall, pen and ink on illustration board, © 2014.

Asclepias speciosa, Lesley Randall, pen and ink on illustration board, © 2014.

BAGSC member Lesley Randal will be teaching a two-day workshop on Pen and Ink for Botanical Illustration at the San Diego Botanic Garden:

Saturday & Sunday, August 9  and 10, 9:30 am – 4:00 pm
San Diego Botanic Garden
Ecke Building

230 Quail Gardens Drive, Encinitas, California 92024

Pen and ink is an elegant art form and the traditional method used in botanical illustration. This class will cover the different techniques used to convey shading, the importance of using different line weights and choosing the appropriate paper.

The class will focus on the legume family with a short lecture of the diagnostic characters given by instructor Lesley Randall. Students are not required to draw a plant from this family, however. Students must provide their own plant specimen to draw, with flower, fruit or seed pod if possible. Students are encouraged to have some pencil sketches completed of their subject to bring to the class. This will allow maximum time for working in pen and ink. All levels of experience are welcome.

Coffee, tea and water will be provided, but please bring your lunch. A materials list will be provided upon registration. There is ample parking at the SDBG, but of course, we always encourage carpooling.

The class is presented by San Diego Botanic Garden and the Botanical Artists Guild of Southern California. Registration is on a first come, first served basis, maximum class size is 20 people. Please register online (the online registration will be available starting June 9) at the garden’s website, or mail checks “Payable to San Diego Botanic Garden” to:
Sam Beukema
San Diego Botanic Garden
PO Box 230005
Encinitas, California 92023

Cost: SDBG and BAGSC members $200, non-members $220. A materials list will be sent upon registration.

Questions? Email Lesley Randall.

Lesley began her career in Davis California where she prepared illustrations for scientific publications. Her work has appeared in numerous journals as well as a few floras, including the Jepson Manual and An Illustrated Flora of Yosemite National Park. In recent years she has exhibited her work in international juried botanical art shows in the United States, Australia and the United Kingdom. While she works primarily in pen and ink, Lesley also enjoys working in color pencil and graphite. In addition to botanical art, Lesley makes leather masks and mosaics out of glass. She is currently employed at San Diego Botanic Garden as curator of plant collections where she finds many different plants to draw.

by Deb Shaw

Poster for the GNSI 2014 Conference, © 2014, GNSI

Poster for the GNSI 2014 Conference, © 2014, GNSI

Many BAGSC and ASBA members also belong to The Guild of Natural Science Illustrators (GNSI). If you’ve wanted to attend a GNSI Conference, or learn more about this wonderful organization, this is a great year to do so. The GNSI Conference will be held in Boulder, Colorado this year in July and will include a field trip to the Denver Botanical Gardens, as well as presentations, workshops and field trips important to botanical artists.

GNSI 2014 Conference Registration Is Open and Early Bird Discounts go until the end of May!

Join the GNSI in Boulder, where the mountains meet the plains!

Come and enjoy a one of a kind experience and enjoy the camaraderie of fellow illustrators in a beautiful setting. The Conference is filled with presentations, workshops and field trips designed to inspire. Some concentrate on technique, with experts in drawing, painting, scratchboard, block printing, Photoshop, Illustrator, and digital devices sharing their expertise. Others focus on the gritty details of making a living in this challenging, but exciting career. With so many choices, participants can customize their learning experience under the inspirational setting of Boulder’s Flatirons and modern Colorado University campus.

Register before May 30th and SAVE $50 on Full Registration!

Review the offerings on the conference website:

WORKSHOPS and MINI-WORKSHOPS

  • Live Animal Drawing
  • Building Backgrounds for Animal Subjects
  • Sculpting Insects in Polymer and Wire
  • Beginning Photoshop
  • Make Your Own Sketchbook, Then Use It!
  • Sketch A Storybook
  • Discovering Scratchboard Techniques
  • Colored Pencil Possibilities
  • Painting Small Animals
  • Osteology Sketching
  • From Sketch to Print
  • Intermediate Photoshop
  • Modeling in 3DS Max
  • Adobe Illustrator for Science Illust: Symbols
  • Sculpting Fossils, 2-day workshop
  • Watercolor, 2-day workshop
  • Social Media for Artists
  • Personal productivity with your iPad
  • Contract and Copyright

FIELD TRIPS

  • Shanahan Ridge
  • Dinosaur Ridge
  • Eldorado/Fowler Hike
  • CU Extravaganza
  • Wild Animal Sanctuary
  • NOAA Tour
  • Celestial/Dushanbe Teahouse
  • Avery Brew Pub
  • Denver Botanic Gardens/Natural History Museum
  • Rocky Mountain National Park, 2-day trip

PRESENTATIONS

  • Birth of the Beehive’s Mesoamerica Resiste Illustration
  • Create Your Own Jobs and Get Paid to Travel
  • Using illustration to Teach ‘Critical Looking’ in a Zoology Lab
  • Making Photos and Art Press Ready
  • Hand-Painted Linoleum Block Prints
  • (Not Always) Funny Pages: Science Through Sequential Art
  • Marvelous Mucus: Learning about the Little-Known World of Land Snails
  • Tactile Graphics: Images for the Blind
  • Gyotaku -What your Third Grade Art teacher didn’t tell you
  • Japan and its Fish Markets – a look at the fish art and culture of Japan
  • Saving a Tropical Jewel in the Heart of Vancouver
  • Nature Based Sculpture
  • iPad Tips and Tricks
  • How to Work Faster Photoshop: Shortcuts and File Setups
  • Ready, Set, Sell! Proactive Marketing Strategies
  • Teaching Illustration as a Biology Course
  • The case of the Missing Beak: Kati the Kea
  • Saving the Kakapo from extinction–Expedition to New Zealand
  • Creating backgrounds combining traditional and digital techniques
  • Art Creation From the Client’s Point of View
  • Lighting and Textures: Optimizing Your Renders
  • Botanical Illustration–Then and Now
  • Illustrating Nature: Stylized Realism for Children’s Books
  • An Exploration in Public Health Communication

Hope to see you in Boulder in July!

by Tania Norris, posted by Deb Shaw

Multi-petalled flower, watercolor work in progress. © 2014, Akiko Enokido.

Multi-petalled flower, watercolor work in progress. © 2014, Akiko Enokido.

Akiko Enokido will be coming to the Virginia Robinson Gardens to teach us how to work on multi-petalled flowers and how to shade. Plus, students can also bring unfinished work to finish.

For those who have taken a class from Akiko before, you know that she not only brings her wonderful artist’s talent to share but also a teacher’s understanding of how to help those of us who aspire to be better artists.

I look forward to seeing you, and if you have any questions please email me and I will try to to help.

VIRGINIA ROBINSON GARDENS
BOTANICAL ART CLASS with Master Teacher AKIKO ENOKIDO

JUNE 24 AND 25, 2014, 9.30 – 3.30 daily

Classes will be held in the Pool Pavilion, Virginia Robinson Gardens, 1008 Elden Way, Beverly Hills.

Fee for the two day session is $200 for Friends of Robinson Gardens and $225 for non-members. A non-refundable deposit of $100 to hold space can be accepted but full payment must be received by June 20.

To make reservations visit http://www.RobinsonGarens.org or call Bianca at (310) 550-2068.

Mail check, made payable to:
FRIENDS OF ROBINSON GARDEN
1008 Elden Way, Beverly Hills, Ca 90210

A supplies list will be sent to all participants upon registration. Coffee, tea and water will be provided, but please bring your own lunch.

Akiko Enokido is a long time award winning member of Botanical Artists organizations in America and Japan and and has been accepted in the most important exhibitions in both countries. Her beautifully rendered paintings are known for their exquisite color, detailing and composition and are prized by their owners including the Hunt Institution, curators of the most important modern botanical collection in America.

by Deb Shaw

A. Boogert manuscript image, reposted from www.thisiscolossal.com

A. Boogert manuscript image, reposted from http://www.thisiscolossal.com. High resolution, zoomable image can be viewed on e-corpus.org from link in this article.

On April 30, 2014, Medieval scholar Erik Kwakkel posted about a book from 1692 he had come across in a French database about mixing colors in watercolor. Known only as A. Boogert, the artist/author hand-wrote and hand-painted a comprehensive guide in Dutch of more than 700 pages, describing how to make watercolor paints, how to mix  colors, and how to change the tone by adding “one, two or three portions of water.”

Titled Klaer lightende Spiegel der Verfkonst, or Traité des couleurs servant à la peinture à l’eau, the manuscript is a visual feast of color and calligraphy. Luckily, every page is available to view online in high resolution, zoomable images on e-corpus.org. The original volume resides in the archives of the Bibliothèque Méjanes in Aix-en-Provence, France. The bibliography for the book contains references to the Dutch East India Company, European textile export to India, and Indian textile export to Europe. Erik Kwakkel has translated part of the introduction; the book was intended to be an education guide to color.

Erik’s original blog post was quickly reposted by Colossal,  Gizmodo, and greg.org, and from there has quickly spread across the web. If you read Dutch and find anything interesting while looking through the volume, feel free to comment on any of the blog sites.

In the meantime, enjoy!

A. Boogert manuscript image, reposted from http://erikkwakkel.tumblr.com/. High resolution, zoomable image can be viewed on e-corpus.org from link in this article.A. Boogert manuscript image, reposted from http://erikkwakkel.tumblr.com/. High resolution, zoomable image can be viewed on e-corpus.org from link in this article.

by Leslie Walker

Come to this informative class to learn an important skill needed by all good botanical artists. Plant material will be provided, but if you have a subject that is presenting you with a problem, bring it with you so Lee can help you solve it.

Dates: Saturday, June 21 and Sunday June 22
Times: 9:30 am − 3:30 pm
Cost: $210 for BAGSC members, $235 for non-members
Bring your lunch

Send your check to Leslie Walker. Please include your preferred email address with your check, so Leslie can email you the materials list. The materials list will be emailed upon receipt of your payment. Registration is limited, based on receipt of payment.

Questions? Email Leslie.

The workshop will be held in Newport Beach at the Environmental Nature Center (The ENC). The ENC is located at 1601 East 16th Street, Newport Beach, CA 92663. (Click on the address for directions.) There is ample, easy parking at the ENC, and the classroom space and surroundings are beautiful. Hopefully, the butterfly house still will be open at that time too!

by Deb Shaw

The Environmental Nature Center (ENC) in Newport Beach is having their Spring Faire and Butterfly House Opening on
May 4, 2014; 10:00 AM – 3:00 PM
1601 E. 16th Street, Newport Beach, CA 92663

Come and join the fun at the 9th Annual Spring Faire and Butterfly House Opening! View the Children’s Art Show, “Wildlife of the OC”.  Enjoy delicious food from local restaurants in the “Taste of OC”. Visit Orange County’s only butterfly house, purchase native plants and attract butterflies and birds to your own yard. Play nature games, or purchase a re-usable ENC canvas bag for $5 — your “ticket” to make awesome crafts! Decorate your body with face paint or henna. Get a massage from the nice folks from Greet the Day!

Hang out at the Fire Circle Stage for a live performance by the Youth Singers of Orange County, “Story Time” presented by Community Roots Academy, see a live Bird of Prey presentation from the OC Bird of Prey Center, and watch a presentation with real wolves from Wolf Totem Ambassadors.

by Jill Berry, posted by Deb Shaw

DSCN6512-685x240SpringTopia is at the Arboretum, Celebrating a World of Plants!
Saturday, May 3 & Sunday, May 4
10 am—3:30 pm

SpringTopia features guest speakers, walking tours with experts, music, children’s activities and entertainment, botanical art and mosaic demonstrations, Gift Shop specials, delicious food at the Peacock Café, free tram tickets for Arboretum members, and colorful blooms at Wildflowering L.A.

A full schedule of activities are on the Arboretum’s website.

BAGSC members Cristina Baltayian and Marilyn Parrino, along with Nancy Beckham will be demonstrating Botanical Art:

  • Saturday, May 3, 10am-1pm, demonstrations by Cristina Baltayian
  • Sunday, May 4, 11am-3pm, demonstrations by Cristina Baltayian, Nancy Beckham and Marilyn Parrino
  • Location:  Oak Room Patio near Peacock Fountain

by Sue Kuuskmae, posted by Deb Shaw

The Pastel Society of Southern California, Fifth Annual Members Show

The Pastel Society of Southern California, Fifth Annual Members Show

The Pastel Society of Southern California is exhibiting its Fifth Annual Members Show at the Manhattan Beach Creative Arts Center, April 26th – May 16th, 2014.

BAGSC members Suzanne Kuuskmae and Rita Hopper both have works in the show; Sue has two pieces, and Rita one.

This year The Pastel Society has a new designation called “Miniatures” with smaller paintings no bigger than 80 square inches. The opening reception for the public is Saturday, May 3, 2014, from 6 – 9 pm. A pastel demonstration will be held on Saturday, May 17th, from 10 am – noon.

Gallery hours for the show are: Tuesdays and Thursdays, 2 – 6 pm; Wednesdays, 4 – 8 pm; and Saturday, 1 – 5 pm. The gallery is closed Fridays and Sundays. The Manhattan Beach Creative Arts Center is located at 1560 Manhattan Beach Blvd., Manhattan Beach, CA 90266.

Be sure to come by and take a look.

by Deb Shaw

The Paper Farm exhibition has been seen by more than 1,800 first grade students in Orange County including schools from Buena Park, Garden Grove, Irvine, Newport-Mesa, Santa Ana, and Tustin Unified. Both students and teachers have been inspired by the artwork and installation.

Unfortunately, The Great Park had to cancel the opening reception on Sunday, May 4, due to maintenance repairs in the Artists Studios. The building will continue to stay closed to the public until May 31, 2014.

After several days of brainstorming, the staff was able to schedule and move the Paper Farm exhibition to the Irvine Fine Arts Center. The Paper Farm exhibition will be featured in the main gallery from June 14 until July 12, 2014 with a special opening reception on Saturday, June 14 from 1-3pm. The Great Park is reprinting marketing collateral and will post updated information to the website soon, but here are the basics:

Exhibition: Paper Farm: Works on Paper
Exhibition Dates: Saturday, June 14 – Saturday, July 12, 2014
Opening Reception: Saturday, June 14, 1-3pm

Venue: Irvine Fine Arts Center, 14321 Yale Ave, Irvine, CA 92604
Hours:
Monday – Thursday, 10am-9pm
Friday, 10am-5pm
Saturday, 9am-5pm
Sunday, closed

The Irvine Fine Arts Center has extended hours and a wonderful space. The Great Park would like to apologize if these changes have caused any inconvenience.

by Deb Shaw

Joan and John Keesey took the Great Park Hot Air Balloon Ride the day they dropped off Joan's artwork. This is their report and picture from the Hot Air Balloon. Honorary BAGSC member John wrote, "The art galleries are just above the balloon shadow with the palms in between. I think your show is going to be in the one closest to the balloon shadow, but what do I know."

Joan and John Keesey took the Great Park Hot Air Balloon Ride the day they dropped off Joan’s artwork. This is their report and picture from the Hot Air Balloon. Honorary BAGSC member John wrote, “The art galleries are just above the balloon shadow with the palms in between. I think your show is going to be in the one closest to the balloon shadow, but what do I know?”

The Orange County Great Park is pleased to announce the opening reception for “Paper Farm: Works on Paper” to be held:

Sunday, May 4, 2014
12:00pm—3:00pm
Great Park Artists Studios

The exhibition will continue from May 4 until June 8, 2014.

ARTISTS STUDIOS HOURS
Saturdays & Sundays
10:00am—4:00pm

“Paper Farm: Works on Paper” is an exhibition illustrating Southern California farm life and detailing regional plants and animals using ink, paint, pencil, and watercolor. BAGSC members Diane Daly, Clara Josephs, Joan Keesey, Terri Munroe, Mitsuko Schultz, Janice Sharp, and Deborah Shaw have artwork in the exhibition.

A lot will be happening at The Great Park on that same day, May 4, including The Groves Antique Market and the Certified Farmers Market.

The Groves Antique Market has antiques, fine art and collectibles for sale, and is located on the runways behind the Great Park.

The Certified Farmers Market features fresh, locally grown fruits and vegetables, handcrafted artisan products, live music and entertainment, car shows, and a selection of gourmet food trucks. You can also explore the Farm + Food Lab and talk to UCCE Master Gardeners about home gardening tips. The Farmers Market will be open early May 4, at 8 am, and is dog and pet-friendly, too.

The Living Room Talks program will also take place in the Gallery at 1:00pm on that Sunday. The Living Room Talks at the Great Park Gallery provide a community gathering place for engaging conversations with local artists. Sunday’s artists include Bianca Barragan, a writer and one of five co-founders of the LA Zine Fest, and Yumi Sakugawa, a comic book artist.

Field trips for 1st grade students have been ongoing since March, and have included the art exhibition. The students have enjoyed the show and are inspired by the creativity.

Directions can be found on the website, and on each of the linked pages listed above. Parking and admission are free. And yes, there will be balloon rides, soaring 400 feet above the park. Availability to fly is on a first-come, first-serve basis and dependent on wind and weather conditions. Prices for balloon rides are: Adults (19 and older), $10.00; Children (18 and younger with paid adult), free; Children (12 – 18 years old, without paid adult), $5.00.

by Deb Shaw

Asuka Hishiki, WasabiThe New York Botanical Garden/ASBA Second Triennial Exhibition entitled “Weird, Wild & Wonderful” announced the medal winners for the show. The Gold medal went to Asuka Hishiki for her watercolor of Eutrema japonica (Wasabi Root); silver was awarded to Beverly Allen for Taca integrifolia (White Bat Flower); and Julia Trickey took the bronze for her Polystichum sp. (Fern Crozier).

Beverly Allen, White BatflowerJulia Trickey, Shield FernThe awards jury included: Shirley Sherwood, D. Phil, Caroline A. Wamsler, Ph.D., and Jean Emmons, who met on April 16 to select the medal recipients.

See the ASBA website and The New York Botanical Garden website for more about the exhibition. Catalogs can be ordered through ArtPlantae. Be sure to include your ASBA member discount code at checkout.

Congratulations to all!

by Deb Shaw

The American Society of Botanical Artist’s (ASBA) contemporary botanical art show, entitled “Weird, Wild, & Wonderful” will open on Wednesday, April 16, 2014 in the Arthur and Janet Ross Gallery at The New York Botanical Garden (NYBG). The exhibition will be on display to the public from April 19 – September 21, 2014, and admission is included in any all-garden pass.

The Second New York Botanical Garden Triennial invited artists to seek visually unusual plants and create works of art that celebrate the bizarre, yet beautiful flora of the world.

Jurors Lugene Bruno, Curator of Art, Hunt Institute; Jean Emmons, Botanical Artist; and Marc Hachadourian, Manager of the Nolen Greenhouses, NYBG, pored over the 240 entries, selecting 46 artworks by 45 artists from the United States, Australia, Canada, India, Japan and the United Kingdom. Shirley Sherwood, D. Phil, Caroline A. Wamsler, Ph.D., and Jean Emmons form the Awards Jury, which will meet on April 16 to select recipients of The New York Botanical Garden Gold, Silver, and Bronze Medals. Recipients of The New York Botanical Garden Medals will be presented by NYBG CEO Gregory Long at the opening reception.

More information about the exhibition, including the complete list of accepted artists can be found on the ASBA website. The exhibition catalog is available in The New York Botanical Garden’s shop in the garden, or online from ArtPlantae. ASBA members receive a discount on the catalog.

Five BAGSC members had works accepted into the “Weird, Wild, & Wonderful” exhibition: Margaret Best, Akiko Enokio, Joan Keesey, Lisa Pompelli, and Deborah Shaw.

 

Margaret Best had her watercolor of Tillandsia bulbosa accepted. Margaret wrote that she wanted to send thanks to Leslie Walker, Debbie Friedman and Deborah Shaw for helping her access Jeffrey Kent’s incredible Bromeliad collection near San Diego, where she discovered this remarkable specimen. This was one of the few paintings of Margaret’s that was not destroyed in the Calgary flood last June, which makes the painting as weird, wild, and wonderful as the subject matter.

 

 

 

 

 

 

 

 

Akiko Enokido, Tacca chantrieri, watercolor. © 2014, all rights reserved.

Akiko Enokido, Tacca chantrieri, watercolor. © 2014, all rights reserved.

 

Akiko Enokido painted Tacca chantrieri, also known as “Cat Whiskers” or the “Bat Flower” in watercolor. She writes that it is named after the long bracts that emanate from the flower scape. This flowering plant is part of the yam family, Dioscoreaceae, which grows in the tropical forest of Yunnan Province, China, India, and East Asia. In such places, the roots are used as food. She found this mysterious plant at The Kyoto Uji-city Botanical Garden in Japan, blooming inside the green house in mid-June. She says, “I was just fascinated by the shape and the process in which the “cat” developed.”

 

 

 

 

 

 

Joan Keesey, Sarcodes sanguinea, watercolor. © 2014, all rights reserved.

Joan Keesey, Sarcodes sanguinea, watercolor. © 2014, all rights reserved.

 

Joan Keesey painted a watercolor of Sarcodes sanguinea, the Snow Plant. The Snow Plant, native to Western North America, and found from Oregon through California into Baja California, and is one of the first plants to appear in the Sierra Nevada in early spring just after the snow has melted. Because the landscape is still wintery and bleak, the Snow Plant is a real treat to find. The brilliant red color is quite shocking and unexpected. The botanical name, Sarcodes sanguinea, means bloody flesh. A really good fresh plant can look almost manufactured like a toy made out of bright red, red-orange, or rose-colored plastic.

Joan writes that the Snow Plant is a member of the Heath Family (Ericaceae) and a mycotrophic (fungus eating) plant. It is unable to photosynthesize and is a parasitic plant that derives sustenance from mycorrhizal fungi that attach to the roots of trees. The Snow Plant does not, however, kill the fungi. They have a symbiotic relationship; the Snow Plant provides fixed carbon to the fungus, and in return the fungus provides mineral nutrients, water, and protection from pathogens. The Snow Plant takes advantage of this mutualism by tapping into the network and stealing sugars from the tree, the photosynthetic partner, by way of the fungus.

Lisa Pompelli, Scadoxus puniceus, watercolor, © 2014, all rights reserved.

Lisa Pompelli, Scadoxus puniceus, watercolor, © 2014, all rights reserved.

 

Lisa Pompelli painted Scadoxus puniceus, an African Blood Lily, in watercolor. She stated, “I look forward to seeing this strange flower appear in my garden each year and I hope to get seeds from it someday.  This is the first time I have entered one of my botanicals in an ASBA show, and I am thrilled to be included.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Deborah Shaw, Pisolithus tinctorius, watercolor. © 2014, all rights reserved.

Deborah Shaw, Pisolithus tinctorius, watercolor. © 2014, all rights reserved.

 

 

 

Deborah Shaw painted a watercolor of Pisolithus tinctorius, also know as the Dog Turd Fungus, Dead Man’s Foot, or Dyemaker’s Puffball. Pisolithus tinctorius is frequently described in the literature as the least attractive of all fungi. P. tinctorius starts out as a ball shape when young, but then grows into bizarre monstrous shapes like stumps or giant molars. It is an ectomycorrhizal fungus that gets its nutrition in a mutualistic association with tree roots—an association that helps trees access scarce nutrients such as nitrogen and phosphate. It inhabits poor and disturbed soils, can withstand drought, high temperatures in the summer, acidic soils and soils contaminated with heavy metals and mine tailings. It is so beneficial to tree growth it is widely used in reforestation projects.

 

Congratulations to all! Weird, Wild & Wonderful promises to be an exciting show!

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