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Posted by Deb Shaw
Denver Botanic Gardens
The Denver Botanic Gardens has announced that applications are open for their 2016 artist in residency program. The Summer2016 residency provides an opportunity for the selected illustrator/artist to get involved in a variety of activities at the Denver Botanic Gardens, including open studios, demonstrations and educational projects in the classroom or the Science Pyramid, to online documentation and educational outreach. Last year’s artist in residence was Ikumi Kayama, who you might have met at the “Weird, Wild & Wonderful” Symposium at The Huntington last summer.
There are two residency opportunities, each for a period of six weeks:
June 13 – July 22 OR
August 8 – September 22
Read more about the application process, deliverables, copyright ownership, and funding on the Denver Botanic Garden’s website.
The closing date for submissions for the Denver Botanic Gardens artist in residency program is February 29, 2016. The selection process will be completed by March 4, 2016.
The Denver Botanic Gardens are located at: 1007 York Street, Denver, CA 80206.
Artist-at-Sea Program
It’s not botanical art, but if you’re dreaming of getting away from it all, the Schmidt Ocean Institute is looking for artists of broad disciplines to work with scientists and the ship’s crew aboard the Falkor. In February, the Falkor will sail out of Tahiti to study the underexplored submarine vents off the Society Islands in the South Pacific Ocean.
View all the details on the Schmidt Ocean website. Bookmark the website to view other opportunities as they arise.
The application deadline is January 10, 2016.
by Estelle DeRidder, Clara Josephs and Deb Shaw
Estelle DeRidder with her artwork in the exhibition. Photo by Clara Josephs, © 2015, all rights reserved.
As previously posted here in the BAGSC Blog, Estelle DeRidder held an exhibition of twelve more paintings of California Native species, as an extension of her ‘Flashcard Project’, started through a grant from the ASBA to illustrate the plants of the Madrona Marsh in Torrance, California.
The exhibit was open to the public until December 3, 2015.
A selection of Estelle DeRidder’s cards at the exhibition. Photo by Clara Joseph, © 2015 all rights reserved.
Estelle also conducted an ornament-making session at Madrona Marsh in December, with botanical art and pollinators as the theme. There were 45 participants, who industriously produced 120 ornaments in three hours! Birds and creepy-crawlies were the pollinator species of choice this time around.
Participants busy making holiday ornaments. Photo by Estelle DeRidder, © 2015, all rights reserved.
Estelle will teach a Spring ornament-making workshop too. Spring will include flowers, trees and shrubs, butterflies and bees, and probably some birds as well (they’re popular). Interested? Email Estelle.
by Cristina Baltayian, posted by Deb Shaw
Grapes and vine, Cristina Baltayian, © 2015, all rights reserved.
Cristina Baltayian will be resuming her popular series of Botanical Art and Illustration classes at the LA County Arboretum and Botanic Gardens on January 5, 2016.
The classes are held on the first four Tuesdays of each month, 10 am – 2 pm, in the Oak Room. Cristina’s first six-week unit will be Aerial (atmospheric) Perspective. Create “flat-free” paintings! Students will explore depth of composition, showing distinct foreground, middle ground, and background with a variety of techniques.
Enrollment is open to the public through the Education Department at the Arboretum, 301 N Baldwin Ave, Arcadia CA 91007. Tuition is discounted for Arboretum members. Call the Arboretum at 626-821-3222 or email Cristina for more information.
P.S. from Deb Shaw: Apologies to all for the late posting on this. It was emailed to me while I was on the road, and I wasn’t able to post it on short notice. If you are interested in Cristina’s classes, please contact the LA Arboretum with the information above, or click on Cristina’s name to email her.
by Gilly Shaeffer, posted by Deb Shaw
Gilly Shaeffer, “Camellia,” watercolor on paper, 2015, all rights reserved.
Gilly Shaeffer, long time member of BAGSC, will be holding four Wednesday morning classes in January, 2016 at her home studio in “Botanical Drawing and Watercolor Basics.” This is a great opportunity for beginners and intermediates to perfect their drawing skills and also a preparation for doing botanical watercolor painting. It is perfect for those who like a small group experience with a lot of individualized attention. It will consist of a cumulative series of exercises to improve observational and drawing skills, as well as, preparing students to create three dimensional form through light to dark shading. Those who complete the drawing exercises with Gilly will move on to the study of botanical watercolor painting. The understanding and skills gained through these classes can be applied when doing all types of drawing and painting.
Visit Gilly Shaeffer’s website to see samples of her work and read her “Bio” to learn about her educational background, teaching experiences and accomplishments in botanical art.
Four Wednesdays in January, 2016: January 6, 13, 20, 27
10:00 a.m. to 1:00 p.m.
Fee:$160
Locations: Gilly’s Home Studio
For address, directions, and answers to any questions, please Gilly’s email address.
by Diane Daly and Deb Shaw
The Opuntia cactus in the courtyard at the entrance to Bowers Museum. Another beautiful Fall day in Southern California. Photo © Deborah Shaw, 2015.
BAGSC members Diane Daly, Deb Shaw, and new BAGSC member Linda Carpenter spent a gorgeous Fall day at the Bowers Museum on November 22, demonstrating botanical art and talking with visitors to the Museum. BAGSC members are demonstrating in conjunction with the Bowers exhibition “The Red that Colored the World,” on display through February 21, 2016.
Cochineal (Dactylopius coccus) is a scale insect that lives on Opuntia cacti. The insect produces carminic acid, from which carmine dye is derived. The females and their nymphs secrete a waxy, white web to protect them from the sun and predators. Photo © Deborah Shaw, 2015.
There is a huge Optuntia (Prickly Pear) growing in the courtyard at the entrance to the Bowers, serendipitously covered with Cochineal. We were lucky to have a large pad that had fallen to the ground, and, in addition to botanical art, we were able to show visitors the Cochineal scale insect, the color, and even some Mealybug Ladybird (ladybug) larvae who were feasting on the Cochineal. It was a whole world on one cactus pad. Visitors to the museum were fascinated (as were we!).
Live Cochineal (under the white on the Opuntia cactus paddle); dried Cochineal; and paint from the crushed insects. Photo by Diane Daly, © 2015, all rights reserved.
Diane Daly teaches at the Bowers Museum Treasures Program, which reaches out to senior centers, community centers, libraries, social service agencies and residential communities, engaging older adults who may be feeling isolated through art. The Thursday program focused on Cochineal as well, complete with demonstrations of crushing the bugs and using them to make paint. The seniors then painted an Aztec design using the paint. They could add lemon juice to some of the paint, which made it a lighter, warmer red.
Deborah Shaw will be teaching a a two-day color mixing class, “What’s Cool (and Warm) about Red” (with paint from the art supply store) on Saturday, December 12 and Sunday, December 13 at Bowers. Registration is through the Bowers website.
Additional BAGSC demonstration days in conjunction with the exhibition will be held in January and February. Come join us and learn about a color that changed the history of the world, that’s still in use today. (You’ll be amazed at how much Cochineal is still used in food, make-up and clothing dyes.) Email Deb to sign up!
by Melanie Campbell-Carter, posted by Deb Shaw
It’s time to renew your membership in ASBA and BAGSC!
Member Renewals
An email reminder will be distributed at the first of the year, but the sooner the better for renewing your membership! All renewals are handled through the ASBA website, and the Membership Chair is notified of renewals only after they are processed by the ASBA. Therefore, it is conceivable that some delay may occur between a member’s online transaction and BAGSC’s awareness of that renewal. Please notify the ASBA or Melanie (BAGSC Membership Chair) if you feel your renewal may have gotten “lost” in cyberspace.
How to Renew:
The ASBA website renewal has been revised, and it’s much clearer and easier!
- Go to the ASBA Home Page
- Click on Membership, then
- Join/Renew Now (or simply click “Join/Renew Now on this line and get taken directly there)
- (Make membership selections)
Most of us will go through the following drill:
Select:
- Myself >
- Renewing >
- United States >
- Join a chapter >
- BAGSC
- Checkout – $100 for one US membership plus BAGSC; international membership is $125 (US) for one US membership plus BAGSC
Once you go through the process, you will be given the opportunity to join multiple chapters if you would like, and make donations to ASBA and to the chapters you join.
In case of confusion or problems:
- If you joined ASBA but forgot to join BAGSC, it is easy to fix. From the Home Page, go through Membership to Join/Renew Now. Toward the bottom, there is a link for those who have already paid their 2016 ASBA dues but failed to join a chapter. Click there and proceed.
- If you have difficulty with the website, please email Melanie or contact ASBA directly. Help is available!
BAGSC had seventeen renewals for 2016 in November. These “early birds” are setting a great example for us all. Please get your renewal done as soon as you can. We have a great calendar for 2016 with lots of great member events and opportunities!
by Suzanne Kuuskmae, posted by Deb Shaw
Red Lilies, watercolor on paper, © 2015, Suzanne Kuuskmae, all rights reserved.
Currently I have two botanical paintings out and about. One got into the Palos Verdes Art Center Show and is called “Red Lilies” and the other is in the Torrance Museum South Bay Focus Show and is called: “Camellias Next Door.” I think because no one around here is doing that kind of art, it attracts quite a bit of attention. I also sold two botanical this past few months: “Purple Iris,” and “Morning Glories.”
We are going to have a few openings in the gallery portion of our Destination: Art co-op so it might be that some other botanical artists might be interested in joining us? The cost is $60 a month for a 6 foot space.
Camellia #3, watercolor on paper, © 2015, Suzanne Kuuskmae, all rights reserved.
Our co-op did a Holiday Tree for the Torrance Memorial Hospital which took us all of October and November to put together as we hand-made all the ornaments. One group of ornaments was small 8 x 6 canvases on which we painted some of the old masters but with a Christmas touch, such as: Mona Lisa with a Santa’s hat. They turned out really well as one of our imaginative artists built frames for each one, and then we painted and put ribbon around each. He also cut out Christmas trees that we painted and decorated with shiny gems; a very labor intensive undertaking. Our tree sold right away at the Festival so we were able to make quite a nice sum for the Hospital plus make a name for our art group.
by Clara Josephs, posted by Deb Shaw
University of California, Riverside, Botanic Garden. Photo by Tania Marien, © 2015, all rights reserved.
Mark your calendars: the first BAGSC Quarterly meeting of 2016 will be Sunday, March 6, 2016, at 9:30 am at the University of California, Riverside Botanic Gardens.
A guided tour of the Gardens begins promptly at 9:45 am.
Sack lunch and quarterly meeting immediately following at 11 in the conference room.
Cost: $8 for tour (payable at the meeting) plus parking fee.
Tania Marien has arranged a guided tour just for BAGSC members of the spectacular botanic garden at UC Riverside. This world renowned garden and research facility has a unique collection of plants and trees from all over the world, including rare and bizarre plants from Baja, California and unique specimens from the Sierra Foothills. Ongoing research projects include the development of dwarf, low winter-chill lilacs and a breeding project focused on developing heat resistance in Cantua (Magic Flower of the Incas).
The tour will last approximately 1-1/4 hours. There is bench seating along the route. Please bring $8 to cover the cost of the guided tour, money for parking, a sack lunch and drink. Our quarterly meeting and lunch will begin at 11. You will want to bring your camera or sketchbook! Plan to arrive in the parking lot by 9:30. Restroom facilities are at the entry to the garden. We plan to begin the tour promptly at 9:45 am.
Carpool meeting locations will be established in various Southern California locations to make travel to Riverside easier. More to come later on carpooling. Please note that parking in lots other than the small lot at the botanic garden is subject to University parking fees. Carpooling is encouraged.
Visit the UCR Botanic Gardens online. You’ll be impressed by what you see!
BAGSC Meeting Dates for 2016
- March 6
- June 4
- September 11
- December 3
Parking Information for UC Riverside Botanic Gardens
Weekend parking at the botanic gardens is .25¢/hour. Parking is limited. Weekend parking in UCR Lot 10 is $1.25/hour, 2-hour maximum.
posted by Deb Shaw
Photo courtesy of https://pigment.tokyo/concept/
For those who follow the online award-winning blog “Colossal,” you make have seen the post “A New Japanese Painting Supply Store Lines its Walls With 4,200 Different Pigments“. A spectacular store design by architect Kengo Kuma uses bamboo to create beautiful open, airy spaces that display a stunning array of art supplies and tools like museum pieces.
Photo courtesy of https://pigment.tokyo/concept/
One wall contains thousands of vials of every imaginable color (more than 4200 pigments), lending the name, Pigment, to the art supply store and laboratory, just opened in Tokyo. Pigment provides the latest colors, along with hard-to-find, rare pigments and tools used in art preservation, as well as brushes, special glues and binders, papers, canvas, wood frames and more.
Photo courtesy of https://pigment.tokyo/concept/
Supplies are available online.
Photo courtesy of https://pigment.tokyo/concept/
by Alyse Ochniak, posted by Deb Shaw
Leaves of the Quercus ruber (English Oak) outside the Botanical Ed Center. Photo credit: © 2015 Alyse Ochniak, all rights reserved.
On October 24, 2015, BAGSC members enjoyed an informative class taught by Dr. Jim Folsom, Telleen/Jorgensen Director of the Botanical Gardens at The Huntington Library, Art Collections and Botanical Gardens.
The class focused on the growth and structure of trees. Students looked at branches from the Quercus ruber (English Oak), from outside the Botanical Ed Center, studying leaves and growth buds. Dissection and compound microscopes were used to bring tiny cell structures of oak leaves and bark into focus.
After studying the different cells and structures students enjoyed a walk with Jim looking at different growth habits, bark, leaves and acorns of different oak trees in the gardens.
Quercus suber, Cork oak tree, from looking at trees with Jim Folsom. Photo credit: © 2015, Alyse Ochniak, all rights reserved.
The class ended with refreshments and discussion of the next workshop on January 17, 2016.
Hurry space is limited, if you want to sign up for the next workshop! The January 17, 2016 workshop is limited to 20 students, and will be held in the Engemann Applied Tech Lab, from 8:30 am – 12:00 pm. Cost is $10.00, payable at the workshop. Reservations are required, however; please RSVP to Alyse Ochniak. Reservations are first come, first served.
For more information about the New York Botanical Garden Triennial “Out of the Woods, Celebrating Trees in Public Places” visit the ASBA website.
Quercus suber, Cork oak tree, close up of bark. Photo credit: © 2015, Alyse Ochniak, all rights reserved.
The Huntington is located at: 1151 Oxford Road, San Marino, California, 91108.
About the instructor:
Jim Folsom, PhD., rides the demographic peak of baby boomers, having been born in southeastern Alabama in 1950. His lifelong love of plants is reflected in a BS in Botany from Auburn University, an MA in Biology from Vanderbilt University, and a PhD in research botany from The University of Texas at Austin. Though his research has centered on the orchid family, with much of the research time spent in Tropical America (including a year in Colombia on a Fulbright Pre-Doctoral Fellowship), Jim’s botanical interests are wide-ranging. As Curator of the Botanical Gardens at The Huntington in San Marino, CA, he dedicates much of his effort to educational programs that increase public interest and understanding of the science, culture, and history of plants and gardens. He lives at The Huntington with his wife, Debra (also a botanist) and children Molly and Jimmy. Jim was recognized as a Friend of the Cactus and Succulent Society of America in 1996, a Member-at-Large of the Garden Club of America in 1998, and presented a Professional Citation by the American Association of Botanical Gardens and Arboreta in 1999. The Garden Club of America awarded him their Medal of Honor in 2007.
by Gilly Shaeffer, posted by Deb Shaw
Heteromeles arbutifolia, Toyon by Gilly Shaeffer, © 2015, all rights reserved.
BAGSC members are invited to this Art Show and Sale at Gilly Shaeffer’s home, studio and garden this Sunday, November 22nd.
It will go from 9:30 to 5:00 p.m. Gilly’s show is part of the Arroyo Arts Collective Tour which takes place around northeast Los Angeles area every year. Gilly will have many years of her botanical painting work on display. Robert Layport-landscape oil painter, Cecile Decigaran-jewelry designer, Carol Yin and Kylie Ruan- potters will also be showing their work at Gilly’s during this event.
If you would like to buy a ticket to attend other art sites on this tour, you can do so online at http://arroyoartscollective.org. You do not need a ticket to come to Gilly’s—all BAGSC members are welcome!
The show is located at Gilly’s: 825 Elyria Dr., Los Angeles, California 90065
by Maureen Horn, Librarian, Massachusetts Horticulture Society, via email from Danielle Rudeen, The Huntington, posted by Deb Shaw
“Cereus lemoinei,” by Mrs. William Duffield, 1892. Massachusetts Horticultural Society Library, Box 9, Repros (shelf locator). Gift of Mrs. Fiske Warren, March, 1943. Permalink: http://ark.digitalcommonwealth.org/ark:/50959/0p097c160 This work is licensed for use under a Creative Commons Attribution Non-Commercial No Derivatives License (CC BY-NC-ND).
The Massachusetts Horticulture Society has announced that its botanical print collection has been digitized at the Boston Public Library and is ready to be viewed online.
The digitizing and posting of the collection is the culmination of three months of collaboration between the Massachusetts Horticultural Society, the Boston Public Library, and Digital Commonwealth. More than 1,000 rare images from the oldest horticultural library in the nation are now available for viewing and use by members, scholars, historians, artists and the general public.
Mass Hort’s Botanical Print Collection contains more than three centuries of botanical illustration, dating from 1620 to 1969, offering an invaluable resource. Artists and the public can explore images that until now have been seen only by experts.
Tom Blake, Digital Projects Manager, Boston Public Library, commented that “Digital Commonwealth enables Massachusetts cultural institutions to develop a virtual presence, enhancing education and research by creating a community of support, offering professional advice, and facilitating collaboration. The Digital Commonwealth portal facilitates worldwide access to the cultural heritage of Massachusetts. Our repository provides an affordable option to organizations that are unable to host one locally.”
The Horticultural Library at Massachusetts Horticultural Society was the first in the United States. It was established soon after the Society was founded in 1829 to share horticulture knowledge and beauty through its prints, books, extensive collection of seed catalogs, and other rare materials.
Noticing an interest in botanical prints, the Society mounted its first major exhibit in 1968. It continued with another exhibition in 1969, when a group of lily prints was shown to the North American Lily Society at its annual meeting.
Today, digitization and online access to special collections is an important strategy for any cultural heritage organization. With the help of Digital Commonwealth, Mass Hort’s Library will meet the 21st Century digital needs of students, researchers, authors and the public.
Massachusetts Horticultural Society’s botanical prints are available online at the Digital Commonwealth repository at https://www.digitalcommonwealth.org/collections/commonwealth:k930hm897 . These images are available for the purposes of viewing and studying and not for commercial use.
Massachusetts Horticultural Society’s Library collection includes more than 20,000 volumes at their library in the Education Center of the Elm Bank horticulture center and gardens. Additionally, the Society maintains 5,000 rare books, manuscripts, prints, seed catalogs, glass slides, and early transactions of horticultural institutions at a separate archival storage facility.
Many of the books transferred to the Chicago Botanical Garden’s Lenhardt Library Rare Book Collection in the early 2000’s by Mass Hort are now available online through the Illinois Digital Archives at http://www.idaillinois.org/cdm/landingpage/collection/ncbglib01; search on “Massachusetts Horticultural Society.”
by Deb Shaw
Image Credit: Detail, Sebastian Lopez de Arteaga, St. Michael and the Bull, c. 1650. Denver Art Museum Collection: Collection of Frederick and Jan Mayer, 1994.27.
BAGSC member Deborah Shaw will be teaching a two-part introductory workshop at Bowers Museum in Santa Ana, California, Saturday, December 12 and Sunday, December 13, 2015, 11:30 am – 1:30 pm, “What’s Cool (and Warm) about Red: Color Mixing in Watercolor.”
Taught in conjunction with the exhibition “The Red that Colored the World,” this consecutive two-day workshop will use the flowers and fruits of the season as the basis for learning to mix a full spectrum of reds, both warm and cool. Delve into warm, fiery reds the first day, and cool, velvety reds the next. Explore transparency, undercolor painting and palette mixing. Suitable for beginners to advanced artists.
Location: John M. Lee Court in Bowers Museum
Price: Member $24 | General $30 | Students $20 with valid I.D.
Materials provided with a $15.00 materials fee payable to the instructor the day of class, and/or feel free to bring your own favorite materials.
Proceeds benefit Bowers Museum Education Programs. Tickets are non-refundable, may be purchased online or onsite. Questions? Contact Bowers by email or by calling 714.567.3677.
The exhibition, “The Red that Colored the World,” traces the history of cochineal and the seductive visual nature of red. It explores the quest for the perfect, vibrant red, which culminated in the Aztec marketplace of 16th-century Mexico, where Spanish explorers first encountered the American cochineal bug. More than 100 objects, which have all been tested to ensure they contain cochineal, come from all over the globe, and include textiles, sculpture, paintings, manuscripts, decorative arts, clothing and more. The exhibition was organized by the Museum of International Folk Art, Santa Fe, New Mexico, USA, and made possible by the generous support of the National Endowment for the Humanities and circulating through GuestCurator Traveling Exhibitions. Articles about the exhibition can be found on the Bowers Museum site, including coverage by the PBS NewsHour.
Bowers Museum is located at: 2002 North Main Street, Santa Ana, California 92706, 714.567.3600.
http://www.bowers.org
Deborah Shaw has a degree in fine art from Pomona College, The Claremont Colleges, where she also studied botany and native California flora. Ms. Shaw is an active member of the American Society of Botanical Artists, the Botanical Artists Guild of Southern California, and the Guild of Natural Science Illustrators, and has taught art and botanical art at numerous venues, including The Getty, Virginia Robinson Gardens and Bowers Museum.
Deborah’s work has been displayed in juried and non-juried exhibitions, and is in private collections. Her work is in the permanent collection at the Hunt Institute for Botanical Documentation at Carnegie Mellon University and other institutions. She has received numerous awards for art, illustration, design, product design and advertising. Her preferred media include graphite, watercolor, colored pencil, scratchboard, Illustrator and Photoshop.
by Clara Josephs and Deb Shaw
BAGSC members should have received an email blast with the election information and details about the BAGSC annual holiday party and annual meeting, coming up on December 5, 2015 at Janice’s lovely home. Festivities begin at 5pm. Spouses, family members, and friends are welcome! Please RSVP to Janice’s, and let her know what you will be bringing to add to the groaning table!
Results of the election of board members and known workshops and exhibitions for next year will be announced during the brief business portion of the evening. Please carpool if possible.
BAGSC fund-raiser
As usual, we will be having a silent auction to raise money for BAGSC and the wonderful events on the horizon for next year. Bring extra books, catalogues, art supplies and other fun or silly items you think BAGSC members might enjoy bidding on and taking home.
Email Kat, with what you would like to bring, so we can have the correct number of forms on hand. If you want to list your item(s) and a base value to start the bidding, that’s fine too, but not required. If you find items at the last minute, go ahead and bring those too. We’ll have some extra forms available for those last minute discoveries as we’re all cleaning up for the holidays.
Bring your artwork too
We love looking at what everyone has been working on. Bring your artwork to share.
Make it a weekend?
Extend the celebration by staying overnight in Pasadena and avoid driving home in the dark. There’s a lot to do on Sunday in Pasadena:
- The Norton Simon opens at 11 am. Adult admission is $12.
- Vroman’s, Southern California’s oldest and largest independent book store, opens at 10 am.
- From downtown Pasadena, it’s about 15 minutes to Descanso Gardens.
- And, of course, there’s the LA Arboretum and The Huntington and more.
Where to stay Saturday night?
Don’t want to drive home late?
The Saga Motor Hotel hosted our guests for the Weird, Wild & Wonderful Symposium at The Huntington, and they have a special BASGC rate for Saturday night of $69 for single occupancy, or share a room with a buddy for $76 double occupancy. Rooms are limited. Be sure to ask for the BAGSC rate. Call them at 626 795-0431.
The Westin Hotel—just opposite City Hall—is quoting rates of $159 for a traditional-sized room with king bed. Better rates may be available through Expedia.
The Langham Hotel in San Marino has patio king rooms available for $390 inclusive of tax, which includes breakfast and valet parking.
These rates can change or become unavailable when rooms fill, so it’s best to book as soon as possible.
Why not consider sharing a room with a BAGSC buddy?
Looking forward to seeing everyone on December 5!
Arillyn Moran-Lawrence, posted by Deb Shaw
“Elegant Syrah,” © 2015, Arillyn Moran-Lawrence. Pen and ink, 13-1/2″ x 19″. All rights reserved.
“Elegant Syrah” is a pen and ink drawing of grapes from a Temecula vineyard. I found this interesting group of grapes on the vine at the Callaway Winery. I liked the way the grapes were embraced by the leaves. I sketched and photographed them and made some color swatches as I hadn’t decided which media I would use.
Francesca Anderson’s pen and ink work has always fascinated me so I decided that I would use pen and ink. I began with stippling on the grapes and had to decide to make each grape unique in some very small way so that I could happily reach the end of my work.
I entered “Elegant Syrah” In the 119th Annual Juried Exhibition of the Catharine Lorillard Wolfe Art Club. I worked for 10 years to finally qualify to be a full member of the club and have now been a member of the group for many years.
The Exhibition at the historic landmark National Arts Club in Manhattan”s Gramercy Park is the club’s major event. $8,000.00 in awards are given. A Metropolitan curator also serves on the jury of awards.
A Preview Reception benefits a travel fund for curators from the Metropolitan to research collections across the country.
Catharine Lorillard Wolfe was a philanthropist and art collector who was the only woman in the group of men who founded the Metropolitan Museum of Art. Catharine Lorillard Wolfe was the first woman to be on the board of of the Metropolitan Museum of Art. The Art Club with her name was established in 1896, to aid women and to counsel and help them exhibit their art. Now the club reflects the members’ professional standing and interests. For more information on the Catharine Lorillard Wolfe Art Club, please see their website.
The National Arts Club is an historic private club in Gramercy Park, Manhattan. It is a National Historic Landmark.
BAGSC News 