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by Janice Sharp
JANUARY 15 – MARCH 31, 2013 at
Descanso Gardens in the Sturt Haaga Gallery
The WILD Flowers presents work by 17 contemporary artists who live and work in California. The show was conceived and curated to complement the exhibition When They Were Wild, which opens March 9, 2013, at the Huntington Library, Art Collections and Botanical Gardens.
Running concurrently with the WILD Flowers are works of contemporary botanical illustration provided by the Botanical Artists Guild of Southern California. This exhibit is presented in the Boddy House’s Heritage Gallery and features selected works by Suzanne Kuuskmae, Joan Keesey, Janice Sharp, Deborah Shaw, and Gilly Shaeffer.
Both exhibits are free with admission and open during regular business hours: the Sturt Haaga Gallery is open daily from 10 a.m. to 4 p.m., except Mondays.
by Diane Daly and Deb Shaw
The Chapman University exhibition and opening reception are coming together! Diane Daly was interviewed by Julie Bawden-Davis for the Old Towne Orange Plaza Review. Read the column “Botanical Art” in Garden Clippings.
Front side of Announcement/Invitation postcard for the “Drought Tolerant Beauty” exhibition at Chapman University.
The announcement postcards/opening reception invitation have been printed for “Drought Tolerant Beauty: Artists and Students Respond to California’s Changing Environment”.
The 5″ x 7″ postcards are available for BAGSC members to send to their mailing lists. Please let Deb know the quantity you would like to receive by Friday, 18 January. A BAGSC team will package them all up on the weekend and put them in the mail for you by Monday.
by Lesley Randall, posted by Deb Shaw
Botanical Visions, an exhibition of botanical art by ten members of the Botanical Artist Guild of Southern California (BAGSC), opens this weekend in the Ecke Building of the San Diego Botanic Garden. Guild members produce scientifically accurate as well as beautiful botanical pieces. The exhibit will feature paintings, drawings and prints in watercolor, pen and ink, graphite and colored pencil.
Come meet the artists at the opening reception, Saturday, January 12th, 2013, from 5:00 – 7:00 pm. The reception is free and open to the public.
The exhibit will be open during regular garden hours, January 13 – March 23, 2013.
Exhibiting members include: Estelle DeRidder, Linda Ericksen, Polly Jones, Joan Keesey, Lesley Randall, Gilly Shaeffer, Janice Sharp, Deborah Shaw, Mitsuko Schultz and Patricia Van Osterhoudt.
The garden is located at 230 Quail Gardens Drive, Encinitas, California. Exit off of the 5 freeway and head inland (up the hill). Turn left on Quail Gardens Drive. Go roughly 200 yards; the driveway is on the left (there is a big sign.)
by Janice Sharp, posted by Deb Shaw
As you know, BAGSC has produced the first round of the Arboretum Introduction card collection. To get a very good rate for the production of the cards we bought a relatively large number.
We would like to offer members the opportunity to buy copies of the cards, with envelopes and boxes at a price of:
$2.00 per card, in packs of 5 (5 different cards/pack), $10/pack; or,
in packs of 10 (2 cards each of the 5 different cards/pack) $20 per pack.
The cards are beautiful and include a description of the Arboretum, BAGSC, the image and artist on the back. This is a very good price for high quality cards (I know I cannot produce cards at this price). See the original article about the cards, with an image, at https://bagscblog.com/2012/12/13/update-on-the-arboretum-introductions-project/
If you would like to buy cards contact Janice Sharp with the number of cards you want to purchase.
We are continuing to print additional cards as members paint the LA Arboretum introductions. Please contact Janice with information about any paintings you are doing. A list of LA Arboretum introductions can be found on our blog at: https://bagscblog.com/2012/09/03/call-for-images-of-the-los-angeles-county-arboretum-and-botanical-garden-introductions/
A map of the introductions is at: https://bagscblog.com/2012/10/06/google-map-of-la-arboretum-plant-introductions/
by Deb Shaw
A quick summary on the statistics for our BAGSC News blog for 2012:
We had a total of 18,000 views of our blog in 2012, from 111 countries in the world.
The most visitors came from the United States, Canada and the United Kingdom, but we also had many visitors from Japan, Australia, the Netherlands, Vietnam, Korea, France, Germany, Turkey, Greece and even Slovakia, the United Arab Emirates, Syrian Arab Republic, and Mozambique among others.
The busiest day of the year was December 13th, when we had 206 views.
If you haven’t yet hit the “Follow” button to have the BAGSC News blog come to your mailbox, please do so. If you have any ideas for articles, or news you want to share, please let me know.
Happy New Year, and Happy Painting!
by Veronica Raymond, Bonnie Born Ash and Pat Mark, posted by Deb Shaw
Veronica, Bonnie and Pat all gave us a heads up about an upcoming exhibition at The Huntington Library, Art Collections, and Botanical Gardens, “When They Were Wild: Recapturing California’s Wildflower Heritage”.
The exhibition is a collaborative project of The Huntington, Rancho Santa Ana Botanic Garden, and the Theodore Payne Foundation for Wildflowers and Native Plants. “When They Were Wild” traces the unique diversity of California flora as depicted by artists, scientists, and horticulturalists for more than a century. Artwork by amateur naturalists, who were also talented artists, including Alice Brown Chittendon, Clara Mason Fox, and James Milford Zornes are complemented by herbarium (plant specimen) collections, publications, and ephemera.
This exhibition of more than 200 items tell the story of the botanical ecological and horticultural legacy of California plants, and how many of them migrated from wildflowers to domesticated garden plants.
The exhibition is in the MaryLou and George Boone Gallery at The Huntington Library, Art Collections, and Botanical Gardens from:
March 9 – June 10, 2013
The Huntington is located at 1151 Oxford Road, San Marino, California, 91108.
by Janice Sharp
The initial five-pack of LA Arboretum Introduction cards include cards by Cristina Baltayian, Akiko Enokido, and Janice Sharp. The cards are blank inside for messages; the back has text about the Los Angeles Arboretum, BAGSC, the plant, and the artist.
BAGSC has been asking its Members to “donate” the use of images they may have, or will create, to be included in an “Arboretum Introduction” card collection. So far we have put together a test run of five cards that are now on sale in the Los Angeles Arboretum Gift Store. The cards have been well received and we are moving forward with the project. If you have Introduction plants you have painted/drawn and would like to have them included in this project please contact Janice Sharp or Deborah Shaw.
For those who have painted plants and are not sure if they are “Introductions”, please contact Deborah to send a digital image, or mail a print to me and I will take them to the botanists at the Arboretum to get an opinion as to whether they are “Introduction” plants.
Read about the LA Arboretum Introduction project and see the Google map to the plants at the Arboretum on the BAGSC blog by clicking the links in this sentence.
For those who have found the Google map difficult to use to locate the Introductions contact Janice Sharp and she will arrange a tour of the Arboretum to find the Introductions.
by Deb Shaw
BAGSC is scheduling a full four quarterly meetings for 2013 plus the holiday party:
- February 2, (If “A Day of Art at Roger’s Gardens” is rained out, February 2 will be the alternate date. If that happens, BAGSC members will be notified and the meeting date will be moved — February 3 is a possibility)
- April 20,
- June 29,
- September 15,
- and the December 7 Holiday Party (no meeting included, just eating, drinking, and enjoying ourselves)
Would you like to host one of the meetings? Please contact Leslie. Also let us know of any workshops or presentations you would like to see at one of the meetings.
Keep your eyes peeled for blog and email announcements of classes, workshops, activities and exhibitions. Next year will start off with a lot happening in January, and lots more to come. It promises to be an exciting year!
by Deb Shaw
We’ve added several new categories to the blog: one of them is a Kudos! section, to announce great things that happen to our members.
Kudos to BAGSC members Margaret Best and Akiko Enokido: both were selected to exhibit in the 15th Annual International exhibition for the American Society of Botanical Artists at The Horticultural Society of New York. And both sold their paintings in the show! Congrats!
Do you have an announcement, or would like to say Kudos! to another BAGSC member? If so, send your information to Deb Shaw, and she’ll make sure it’s posted.
by Deb Shaw
ArtPlantae Display at Aurea Vista in Riverside, California, © 2012 Tania Marien
This weekend ArtPlantae will participate in the First Annual Holiday Party at Aurea Vista, Riverside’s newest shopping destination.
The holidays aren’t the only thing to celebrate this weekend, however.
ArtPlantae is celebrating the launch of a new plant-based education display featuring resources for children, parents and teachers. Dedicated specifically to botany and botanical art education, this section features curriculum by the National Gardening Association, children’s books about plants (in English and Spanish), instructional books about drawing and botanical art, plant identification guides, and the Colorful Edibles coloring book published by the American Society of Botanical Artists.
When visiting ArtPlantae at Aurea Vista, don’t miss the display area upstairs featuring books about contemporary botanical art and botanical art history.
Discover more this Saturday during the holiday party. The festivities begin at 4:00 pm and continue until 9:00 pm. Meet local artists and designers and finish your holiday shopping too. Visit ArtPlantae’s new area about plant-based education and receive a free gift. It is located downstairs across from the children’s boutique.
Stop by on your way to the Festival of Lights and the Artists Collective located just down the street on the Main Street Pedestrian Mall.
Free gifts available while supplies last.
A Little About Aurea Vista
Aurea Vista is located in a building in downtown Riverside, California whose life began in 1927 as a hotel built by architect G. Stanley Wilson. Today the building serves as an exciting new marketplace for local artisans, designers, importers, food sellers and craftspeople.
Visit Aurea Vista and discover many treasures such as delicious olive oils by Beyond the Olive, terrarium designs by Brenda Cook of Botanical Perspective, and yards of inspiration (and classes too!) at Raincross Fiber Arts.
Aurea Vista is located at 3498 University Avenue in Riverside on the corner of Lemon and University. Hours are Monday-Saturday (11-8), Sunday (11-5). Store hours are extended for Riverside’s monthly ArtsWalk and other special events.
Parking: Free customer parking is available across the street in the parking lot with the ballet mural. Aurea Vista customers can park in spaces #1-8 that face University Avenue. Street parking is free after 5 PM Monday-Friday. Street parking also is free on Saturday and Sunday.
by Margaret Best
Prosopis pubescens seed pod (Screwbean Mesquite, or Tornillo), watercolor and graphite on honey vellum, © 2012, Deborah Shaw, all rights reserved.
It is with great pleasure that we share the wonderful news that BAGSC member Deborah Shaw has had one of her recent graphite and watercolour works on vellum accepted into the Hunt Institute’s International Exhibition in 2013.
About 11 years ago, shortly after I met Deborah at a class in Arizona, she showed me a graphite study of a white phalaenopsis orchid. Having enjoyed teaching and using graphite myself for a number of years, I recognized that Deborah had exceptional skills in this medium. I was struck by her mastery of perhaps the best continuous tone I had ever seen! The ultimate control required in the smoothest of value changes was evident throughout the piece. The work also displayed a keen awareness of the finest of edges and tiniest of details. Needless to say, I gushed about it and I clearly never forgot it.
Business and family commitments, as well as generosity of heart to fellow artists, have been obstacles to Deborah being able to focus fully on her own art. More recently she has managed to carve out time for her botanical art. She has begun exploration of a surface uniquely suited to her touch and intense awareness of texture – vellum. Vellum has brought it all together for Deborah. What has been so exciting to witness is how she has achieved a marriage of skills in a truly magical way on a surface that challenges even the most experienced artists.
Everybody is very proud of your well-deserved selection in the next Hunt Institute exhibition!
by Deb Shaw and others
There are always new tempting art supplies available, but this year there seems to have been a cascade of new art products that make traveling with art supplies a breeze. Below are just a few of our current favorites. Disclaimer: I’ve included some links and prices where it’s easy and I know the resource. I haven’t done extensive research on who carries what, or who has the best prices. If you click on any of the links below, you’ll go to the exact product page for that website, rather than the home page.
Do you have some favorite new products? Write a review and let me know and we’ll put together another column in the future.
Derwent Carry-all
Closed Derwent Carry-all, image courtesy of the Ken Bromley website.
Not yet available in the US, this is the best portable art studio I’ve found! I can fit everything I need for pencil and watercolor artwork, all into one 10″ x 8″ x 4″ canvas satchel. Everything I need now lives permanently in my Carry-all, whether I’m working in the studio, or I’m on the road or in classes.
The Carry-all comes with three “leaves”, held in place by six small notebook-style snap rings. The leaves snap in and out, depending on your travel requirements, and have elastic straps to hold pencils, pens, brushes, etc.
Open Carry-all, image courtesy of the Ken Bromley website.
There’s a zippered mesh pocket on the inside front, and a strap on the inside back to hold an A5 sketchbook and other necessary items.
An external pocket, carry handles and a detachable shoulder strap complete the kit. The Derwent Carry-all is available at Ken Bromley Art Supplies (among other UK art suppliers), on sale now for about $26.00 (£15.99). Deb is putting together a BAGSC group order. Watch your email for an offer to participate!
Invisi Lightweight Display Easel
Invisi Lightweight Display Easel, image © Ken Bromley Art Supplies website.
This one is a Ken Bromley exclusive that I’ve tested extensively and will be ordering a lot more (BAGSC members watch for the email to participate).
Originally designed as portable display easel for art exhibitions, the Invisi Easel is made from white corrugated plastic (the same material out of which the Post Office constructs its boxes). Reusable, they lay flat for storage and transport, and snap together in one easy motion to set up.
In addition to using the Invisi Easel to set up an artwork display, I’ve also been using one as an easel in art classes. My neck and back no longer allow me to work hunched over a table, and I work sitting upright at an easel in my studio. The need for lightweight packing for airline travel, however, doesn’t allow me to drag my easel along for art classes.
I’ve been setting up my Invisi Easel, adhering it to the table with a bit of kneaded eraser or tape (so it won’t scoot away as I work). I have my paper (or vellum) on a piece of foam core as I usually do, and I’m ready to draw or paint. No, you can’t put a lot of pressure on the painting as you work, but I haven’t had a problem with painting or drawing. And my back and neck are grateful as well.
The Invisi Easel is about $9.11 each (£5.65), or approximately $40.24 for a 5 pack (£24.95), or approximately $72.50 (£44.95) for a 10 pack. If enough BAGSC members are interested, a pack of 50 is available for about $272.00 (£168.50).
Porcelain Tinting Saucer
Porcelain Tinting Saucer, courtesy of Ken Bromley website
This item comes from BAGSC members Elaine Searle and Pat Mark (who discovered it in Elaine’s class). Again, it’s another one of those things we don’t seem to be able to get here in the US yet. A small (only 3.3″ diameter) white porcelain saucer, it has four divisions for mixing paint and is easy to pack. It’s about $3.60 each from Ken Bromley (£2.25). This too will be on our order list for BAGSC member who want to participate, so watch your email.
Koh-I-Noor Watercolor Wheel Set
Koh-I-Noor Watercolor Wheel Set, image courtesy of the Dick Blick website
Thank you to Tania Marien for discovering this gem at the SCAD bookstore at the GNSI conference in Savannah, Georgia. These are available all over, including Dick Blick and my local art store (where I bought mine). Each wheel measures 3-1/4″ in diameter, and set comes with four wheels (trays) that stack and screw together. Each tray holds six colors (seven if you use the middle space, for a total of 24 – 32 colors. The transparent cover can be used for mixing, if you don’t mind mixing in plastic.
Koh-I-Noor Watercolor Wheel Set, courtesy of Dick Blick website
Be forewarned; it’s not easy to pry, soak and scrape the original colors out of the pans. Once you do, however, your own palette neatly and easily fills the spaces. I created labels with the paint names and information for the underside of each well. Two sets gave me enough space for my entire palette, plus extra spaces for that squirt of color that I didn’t know I needed from a friend in class.
Faber-Castell Clic & Go Water Pot
Faber-Castell Clic & Go Water Pot, courtesy of Dick Blick’s website
Expanded water pot, courtesy of Dick Blick’s website
Everyone seemed to discover this one at the same time! Easy to find everywhere (at Dick Blick for $3.86 — 26 percent off list), this ingenious water pot collapses for travel (or for a small amount of water) and then expands to hold at least double the amount. Easy to clean, and nicely designed scallops on the rim are the perfect holders for brushes.
I use two.
Caran d’Ache Pencils
Caran d’Ache Luminance 6901 Colored Pencils, courtesy of Dick Blick’s website
Thank you to Margaret Best for steering me to the Caran d’Ache Luminance Lightfast colored pencils and graphite.
The Colored Pencil Society of America (CPSA) worked with the American Society for Testing and Material to develop the ASTM D-6901 standards for lightfastness in colored pencils. After two years in development, the Swiss company Caran d’Ache released their Luminance 6901 Lightfast Pencil Sets: the only brand to offer 76 colors, 61 of which are in the most lightfast (Lightfastness I) category.
The chromatic range of the soft leads is very similar to the watercolor palettes used by botanical artists, and contains the highest level of pigments of any colored pencil. Additionally, the Luminance 6901 colored pencils have been awarded use of the FSC (Forest Stewardship Council) label, guaranteeing that the logging of the California cedar for the pencils is environmentally-friendly and socially and economically sustainable.
The colored pencils come in sets of 16, 38, and 76 from many sources in the US, including Dick Blick, Cheap Joe’s, Jerry’s Artarama, Rex Art, and more. Jerry’s Artarama is the only site I’ve seen in the US that also sells individual colored pencils, but there may be others.
Range of Caran d’Ache Grafwood Pencils, courtesy of Dick Blick’s website
Caran d’Ache also offers a spectacular line of graphite: their Grafwood pencils range from HB through 9B, as well as F, H, 2H, 3H, and 4H. They also carry water-soluble graphite (Caran d’Ache Technolo Water Soluble Graphite Pencils), Grafstone Woodless Graphite Pencils, Charcoal Pencils, and Grafcube Graphite Sticks. The pencils are “color-coded” the entire length of the pencil; the harder the pencil the lighter the silvery-gray color of the barrel.
The only adjectives I can come up with to describe these pencils are the same ones I would use to describe food: luscious, buttery, smooth, creamy, all come to mind. Warning: they’re not cheap. Take a deep breath before looking at the sticker price. As far as I’m concerned, however, they’re absolutely worth it.
by Diane Daly and Clara Josephs, posted by Deb Shaw
January’s coming up fast, and the Chapman University Leatherby Library Drought Tolerant Plant Exhibition will be upon us (along with all the other exhibition opportunities we have stacked up for the month — but more on those later!).
Students from Jennifer Funk‘s Ecology course currently are writing descriptions of the plants’ drought-tolerant traits now. We are planning to have at least one species that fits into each of the following seven categories:
- Drought-deciduousness (plants that lose their leaves during the dry season, or during periods of dryness)
- Small leaves (better adapted to dry soils and conditions)
- Deep taproot (a tap root that penetrates deep into the ground can access water when it is scarce during a drought or dry conditions, as well as store water in the root)
- Succulent leaves (thick, fleshy leaves and stems can store water)
- Pubescent leaves (pubescent, or furry leaves can slow the air flowing over the leaf to reduce water evaporation, hold water, reflect sunlight, and provide shade for the surface of the leaf)
- Evergreen, sclerophylous leaves (evergreen leaves, of course, stay on the plant year-round; sclerophylous leaves have a hard surface and are frequently spaced close together
- Annual life habit (one way to avoid dry periods is to quickly grow, bloom and develop seeds during the wet season, skipping the dry season altogether!)
Important Deadlines:
- Artist entry deadline: January 11 (BAGSC needs the list for handouts, Chapman University needs the list for labels and insurance)
- Set up show in Henley reading room: January 25
- Reception: February 7 , 7-9 pm
- Take down the show: February 25
All BAGSC members will receive an email with the official BAGSC “Call for Entries” packet. If you do not receive this email with the attachment by 30 November, please contact Deb.
Drought Tolerant Plant Choices for the Chapman Exhibition
The following are plants that BAGSC members are planning to submit. Botanical and common names, of course, will need to be reviewed and verified. Don’t worry if you have to change your mind, or if you’re already painting something that someone else is painting on the list below. This is a preliminary list and is not set in cement. Space allowing, species duplicates will be accepted (see the Call for Entries packet).
Arillyn Moran-Lawrence:
Dudleya Farinosa; Salvia Chamaedroyides, Electric blue sage; Desert Marigold, Baileya multiradiata; Echeveria graptoveria or Kalanchoe thyrsiflora
Bonnie Ash:
Agave Utahensis var. nevadensis; Pacific Mist Manzanita, Arctostaphylos uva-ursi
Linda Ericksen:
Prickly pear cactus, Opuntia
Joan Keesey:
California Buckeye Flower, Aesculus californica; Flannel Bush, Fremontodendron; California Poppy Eschscholzia californica; Foothill Penstemon, Penstemon heterophyllus; or Heart Leaf Penstemon, Keckiella cordiforlia; Toyon, Heteromeles arbutifolia; Bush Monkey Flower, Mimulus aurantiacus
Patricia VanOsterhoudt:
Crape Myrtle, Lagerstroemai indica; Columbine Aquilegia; Yucca
Sue Kuuskmae:
Fortnight Lily Dietus vegeta; Rock Rose Kalanchoe; Toyonberry; Matilija poppy, Romneya coulteri
Estelle DeRidder:
Coastal Prickly Pear, Opuntia littoralis; Baja Fairy Duster, Dalliandra eriophylla; California Live Oak, Quercus agrifolia; Chia, Salvia Columbriae
Clara Josephs:
Coffeeberry, Rhamnus californica; Topsy Turvy, Echeveria; Bladderpod, Isomeris arborea
Diane Daly:
Island Alum Root, Heuchera maxima; Seaside Daisy, Erigeron glaucus; Bird of Paradise, Caesalpinia pulcherrima
Carmen Lindsay:
Bladder Sage; Ocotillo; Buckwheat
Veronica Raymond:
Coffeeberry, Rhamnus californica; Bladderpod, Isomeris arborea; Nevins Barberry, Mahonia nevinii; Englemann Oak Quercus engelmannii
Cristina Baltayian:
Lemon, C. limon; Bougainvillea; Fig, Ficus carica L. (Brown turkey); Olives, Olea europaea; Cabernet grape vitis vinfera L.; Pomegranate, Punica granatum
Mitsuko Shultz:
Nevins Barberry, Berberis nevinii; California Sycamore, Platanus racemosa
Patricia Mark:
Manfreda masculosa; Aeonium
Deborah Shaw:
Dudleya pulverulenta, Chalk Dudleya; Dudleya viscida, Sticky Dudleya; Arctostaphylos glauca, Big Berry Manzanita
Add your name and plants to the list: contact Diane.
It’s shaping up to be a great show!!!
by Leslie Walker, posted by Deb Shaw
Here is another show opportunity for BAGSC members. Descanso Gardens has asked us to exhibit paintings of Wild Flowers from January through March — exact dates to come later.
Paintings for the exhibition must be originals, framed and matted, and can have been shown elsewhere.
Contact Leslie with information regarding which wild flowers you would like to exhibit, and how many paintings you might have for this show as soon as possible.
More information will be passed on to you as it is received.
by Janice Sharp, Leslie Walker and Deb Shaw
BAGSC members are invited, with their significant others, to join BAGSC for a night of eating, drinking and merrymaking(!) on:
Saturday, December 8th
Janice’s house
5:00 pm – whenever
Janice is sending out a paperless invitation via email (you should have already received it). R.S.V.P to Janice via the paperless invite by December 1st, or via email.
As always, our BAGSC holiday event will be a POTLUCK DINNER. Please indicate if you will bring an appetizer, side dish (to accompany ham and turkey) or dessert on your R.S.V.P.
We will hold a very brief meeting, and a silent auction of art materials and books (so bring money). If you have something you would like to contribute to the auction, please contact Leslie.
Please also bring any artwork (or any other creative endeavors) you’ve been working on for the past year to show in our “mini-sharing show” again — it was a lot of fun to see everyone’s work last year.
See you there!
BAGSC News 