By Janice Sharp and Deborah Shaw

Akiko Enokido painted this Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved

Akiko Enokido painted this watercolor of Chorisia speciosa, Floss Silk Tree, at the Los Angeles County Arboretum. The LA Arboretum has introduced four varieties of Chorisia speciosa. © Akiko Enokido, 2009, all rights reserved.

Starting in 1957 and continuing to the present, The Arboretum has been responsible for the introduction of plants to Southern California from around the world  (click here to download a list of the plants: LaArboretumPlantIntros). Many of these plants are now indispensible elements in our Southern California Gardens.

Recently, BAGSC members donated cards to make boxed collections for Richard Schulhof  (Arboretum CEO) to take as gifts for officials he met on a trip to South Korea. Most of the images used on these cards were of Arboretum Introductions. At the end of the trip a few remaining boxes were placed in the Arboretum Gift Shop for sale. The Gift Shop, Arboretum staff and Foundation Board members, as well as the general public, are very interested in having “Arboretum Plant” note cards stocked in the Gift Shop.

The Arboretum is a good friend of BAGSC, providing class space at very reasonable rates and access to a huge selection of plants. As a result, our members have already painted many plants on the Introduction list or will paint them in the future.

BAGSC is asking its Members to “donate” the use of images they may have, or will create, to be included in an “Arboretum Introduction” card collection. Deborah Shaw is setting up a project area for BAGSC members to upload their high-resolution images, or they can be mailed to her on disc. Each finished card will include:

  • the Name of the Artist with the appropriate copyright notice;
  • the plant name and the year it was introduced;
  • a description of the Arboretum;
  • and a description of BAGSC.

Images “donated” will be used ONLY for the purpose of this “Arboretum Introduction” card collection. BAGSC will produce and box the cards. They will be sold to the Arboretum Gift Shop at a modest markup over our costs of production. The profit will go to BAGSC’s general funds.

In addition, the Arboretum Library is to undergo an extensive facelift in the near future. When the work is completed we hope to have an art show featuring the Arboretum Introduction artwork.

If you are interested in participating in this project contact Janice Sharp or Deborah Shaw. Deb will email instructions for uploading images to the web project area.

by Janice Sharp, posted by Deb Shaw

It’s the end of Summer, but it’s still hot here in Southern California. By popular demand, we’re posting Janice’s easy frozen treats:

1/3 cup maple syrup
1/3 cup plant-based milk (almond, soy or rice)
1/3 cup cocoa powder
2 teaspoons vanilla
2 ripe bananas
2 cups oatmeal (old fashioned)
Grape-Nuts

1. Puree maple syrup, milk, vanilla, cocoa powder, and bananas. Transfer to a mixing bowl. Add oatmeal and mix well.
2. Place a thin layer of Grape-Nuts in ice-cube trays (about 1.5 trays). Place the mixture in the trays and add another layer of Grape-Nuts on the top.
3. Freeze. After the treats are frozen pop them out of the trays and place them in a container. Store in the freezer.

Enjoy while taking a break from painting!

by Jill Berry, posted by Deb Shaw

Magnolia, by Cristina Baltayian, colored pencil, © 2011, all rights reserved

Magnolia, by Cristina Baltayian, colored pencil, © 2011, all rights reserved

Cristina Baltayian’s popular Colored Pencil classes are now also being held on Saturday, and she is now offering a Colored Pencil class for children, so plan on coming to the Arboretum and enjoying a beautiful day!!! Jill

USING COLORED PENCILS in Botanical Art (Adults)
Cristina Baltayian, Instructor
At the Arboretum, 301 North Baldwin Ave., Arcadia, CA 91007
Held in the Conference Room in the main administration building

Saturdays, 2012 from 10am – 4pm (includes lunch break)

August 18
September 15
October 13
(No class in Nov.)
December 15

This class will explore flowers, fruits, vegetables and more, using colored pencils techniques to get beautiful, painterly results.

$  95  Arboretum members per Saturday
$115  Non-members per Saturday
Pre-registration required; please call 626.821.4623 or email Jill.

Cristina  Baltayian has a background in drawing (graphite, charcoal, pen and ink), two-dimensional design, watercolor, and colored pencils. Her work has been shown at Filoli, the Los Angeles County Arboretum, and Chapman University. She is a member of the American Society of Botanical Artists, and the Botanical Artists Guild of Southern California.

  • A supply list will be provided upon registration.
  • You may bring your lunch or purchase it at the Peacock Café.

DRAWING WITH COLORED PENCIL for Children
Cristina Baltayian, Instructor
This class for children ages 9-13 will use pencils to develop observation and fine motor skills, focusing on color mixing and drawing techniques while using objects from nature and everyday life.

4  Thursdays:
September 6, 13, 20, 27
October 4, 11, 18, 25
3:30pm  –  5:30pm

Minimum 5 children, Maximum 10
10% discount for siblings

$145  Arboretum members per month
$160 Non-members per month
Please call the Class Registration number at 626.821.4623 to register.

In addition to the art background described above, Cristina has taught art classes in private schools to elementary and high school students.

posted by Deb Shaw

BAGSC member Margaret Best will be teaching classes in various parts of the globe for the remainder of 2012, and into 2013. See below for descriptions and links to more information:

Mixing Natural Green and Painting Leaves (SOLD OUT!)
September 26-28, 2012. Filoli, San Francisco.

Three-Day Weekend Workshops (and more) – October 12-14, 2012, and November 23-25, 2012
These intensive 3-day workshops involve assigned subjects or specific technical aspects aimed at assisting participants in the creation of traditional botanical art studies. The selected subjects range from introductory level to advanced study.

The locations of the 3-day Weekend Workshops will be in and around Calgary and will be indicated in the description of each individual workshop as it is confirmed. Please bring your own lunch and refreshments other than coffee and tea, which will be provided. More information, costs and payment by credit card or PayPal can be made on the Traditional Botanicals website. Various evening botanical workshops and Saturday workshops are available in Calgary as well. See the Traditional Botanicals website for details.

Fabulous Foliage – Watercolor
November 2-5, 2012
Bermuda Society of Arts, Hamilton, Bermuda
A 4-day intensive workshop using the incredible variety of shapes and colors of tropical and subtropical leaves of Bermuda, capturing natural green colors, and achieving realistic surface texture, venation, leaf curl, and foreshortening. If you have always wanted to master the art of painting leaves, this is a class not to be missed. For more information, costs and payment, contact the Bermuda Society of the Arts.


Painting in Morocco (including lectures by Ethnobotanist Gary Martin)
– April 22-30, 2013.

BAGSC member Jan Clouse at Margaret Best's Tuscany Workshop, from Quench Trip Design.

BAGSC member Jan Clouse at Margaret Best’s Quench Trip Design Tuscany Workshop, 2012.

This incredible botanical art opportunity has been arranged in conjunction with Quench Trip Design. Gary Martin, renowned ethnobotanist and the author of Ethnobotany: A Methods Manual will give lectures. Enjoy five nights in luxury accommodations, three nights in a mountain retreat, meals prepared by gourmet chefs and highly personalized instruction from Margaret Best. More information, costs, and itinerary can be found at the Traditional Botanicals website (click on the “Blog” link for information)  and at Quench Trip Design.

by Elaine Searle, posted by Deb Shaw

BAGSC member Elaine Searle is a botanical artist and experienced instructor from the UK who has taught extensively in the USA.  By popular demand she has extended her 2013 Italian painting holiday to 10 days. A day excursion to medieval Fabriano to learn how to make paper is included. Previous visits have attracted students of all levels from UK, USA, Europe, the Caribbean and Japan.

Non-painters are also most welcome as the national park setting is perfect for nature walks, independent sightseeing with a hire car or simply lazing by the pool with a good book.

10 Day Botanical Painting Holiday in Umbria, Italy
May 29-June 8, 2013
1,380 Euros per painter sharing, 980 Euros per non painter sharing, 150 Euros single room supplement.

Includes 10 nights in a family owned ‘agriturismo’ hotel, all meals, wine with evening meal, daily tuition, 24-hr access to the studio and a full day excursion to Fabriano. Paint local flora (even native orchids) or vibrant veggies with guidance. Or for those who would like more specific drawing and watercolor technique instruction choose one of Elaine’s mini-projects with full color handouts (ideal for less experienced). Elaine is on hand to demonstrate and assist.

The hotel is situated in breathtaking countryside and is noted for its hospitality and good food. You can paint as much or as little as you wish.

Download the ESearle_2013Umbria brochure to see details about the 10 Day Botanical Painting Holiday in Umbria, Italy.

More information and booking, go to http://www.ilcollaccio.com

by Suzanne Kuuskmae, posted by Deb Shaw

Sala Tree Flower, by Suzanne Kuuskmae, © 2012 all rights reserved

Sala Tree Flower, by Suzanne Kuuskmae,

Iris, by Suzanne Kuuskmae, © 2012 all rights reserved
Iris, by Suzanne Kuuskmae, © 2012 all rights reserved

© 2012 all rights reserved

Two botanical paintings by Suzanne Kuuskmae, Iris, and Sala Tree Flower,  were selected for the upcoming Exhibition at the Palos Verdes Art Center at the Peninsula Center, Silver Spur Drive, Palos Verdes. The Gallery is open every day from 9:30 to 4:00 p.m. Selections were made for the Small Treasures Show at the same address and I was thrilled to see that yet another botanical of Hibiscus showing various parts of the flower was selected along with a pastel landscape of Lake Bled, Slovenia. If you get a chance, come on up to see this show that has drawn from a very varied array of art pieces. The reception was held Friday, August 31, from 6 – 8.

by Leslie Walker, posted by Deb Shaw

Anita Walsmit Sachs in her studio. © Anita Walsmit Sachs

Anita Walsmit Sachs in her studio. © Anita Walsmit Sachs

Anita is an experienced Scientific Illustrator and teacher who is coming from the Netherlands to teach this very special class on October 12, 13, and 14. For a complete biography and an opportunity to see her work, visit her website.

Each student will select and bring to class a plant they wish to draw and get to know intimately.

The first day you will get to know the plant by study, making dissections, using a microscope and drawing.

The second day will be spent making a composition and deciding the technique you wish to work in.  This can be in pencil, watercolor or pen and ink which will make it  a scientific piece.

The last day we will try to finish our drawing or painting.

The teaching will be individual. Some experience would be nice.

The cost of this three day class on October 12, 13 and 14,  will be $300. The cost for non-members is $350. Space will be held upon receipt of a $50.00 non-refundable deposit. Final payment is due to Leslie by September 28. A list of materials and a suggested reading list will be sent by email, upon payment of deposit. Checks should be made out to “BAGSC” and sent to Janice. Questions? Contact Leslie until August 31 or Janice after August 31.

The class will be held October 12, 13 & 14, from 9:30 to 3:30 each day at Sally Jacobs’ Studio.

You don’t want to miss this wonderful opportunity. Class size is limited, so register as soon as you can.

by Leslie Walker and Bonnie Born Ash, posted by Deb Shaw

The next BAGSC Quarterly Meeting will be on Saturday, August 25 at Pat’s home. Please join us for the meeting and special program that follows. Members are encouraged to form car pools!

Coffee will be ready at 9:30 a.m. and the meeting begins promptly at 10:00 a.m. There will be updates on our exhibition at Chapman University as well as news of upcoming classes. Lunch will be potluck style, so please let Pat or Leslie know what you are bringing. You are encouraged to bring your latest work to share – we’re always interested to see what everyone is working on!

RSVP to Pat or to Leslie by August 20. Directions will be sent out via email blast. We hope to see you on August 25!

AGENDA
Coffee at 9:30

I. President’s Report – Leslie Walker

  • Rancho Los Alamitos, May 30 Sales Visit

II. Secretary’s Report – Bonnie Ash

III. Treasurer’s Report – Janice Sharp

IV. Membership Report – Joan Keesey

V. Old Business

  • Chapman University Exhibition
  • Margaret Best Class
  • Akiko Enokido Farewell Party
  • Fabriano 5 Paper for Sale!!!

VI. New Business

  • Anita Walsmit Sachs Class: October 12, 13, 14, “Scientific Drawing in Pen and Watercolor”
  • Nominating Committee for Election of Vice President and Secretary

Program

  • Deb Shaw: Demonstration and mini-Workshop on water-soluble graphite techniques (Note: Please bring any old/inexpensive brushes you may have that you are willing to ‘sacrifice’ to graphite. Deb will bring other supplies.)
  • Estelle DeRidder: Sketching and development drawings.

Open Session for Members to share recent work, new techniques, etc.

Potluck lunch.

See you there!

by Deb Shaw

Two important dates for your calendars!

1) The next BAGCS meeting will be at Pat’s on Saturday, August 25. Agenda, mini-workshop/demo topic and directions to come soon.

2) Anita Walsmit Sachs will be coming from the Netherlands to teach a BAGSC-sponsored class October 11, 12 and 13. Details and cost to come. Be sure to come to this exciting class.

by Jan Clouse

Jesselyn Cyr, Norma Sarkin and Leslie Walker in Margaret's class at the Huntington.

Jesselyn Cyr, Norma Sarkin and Leslie Walker in Margaret’s class at the Huntington.

Sometimes a perfect composition presents itself like a gift from heaven, but more often than not it is like Jacob wrestling with the angel—a struggle for a blessing. In her three-day workshop at the Huntington Garden, Margaret Best repeatedly returned to fundamental principles of composition, guiding the class through basic do’s and don’t’s. Each morning began with a slide show, lecture, and discussion that both guided and inspired us to create a pleasing and dramatic painting.

As always, Margaret dispels the notion right away that we will walk out the door with a “finished painting.” Rather her aim is that each student will have a thoughtfully composed finished drawing ready for color. Many of us had done our homework: we had selected appropriate specimens; most had done preliminary sketches, and some had transferred the sketches to paper. Yet under her tutelage we all drew or rearranged our sketches to improve the placement of the focal point. First consideration was the “rule of thirds” or Margaret’s magic grid.

We also looked at examples from traditional to contemporary painters who in various ways illustrated the basics of planning, focal points, cropping, color placement, contrast, and the use of positive and negative space. Yet Margaret always sent us back to consider our own works.

Speaking for myself, the process of looking at a variety of paintings and discussing them with nine other keen-eyed artists who all offered perceptive comments sharpened my eyes to assess the potential strengths and pitfalls in my own composition. I appreciated the fact that Margaret drew on the skills and talents of her students: individuals offered plant information to others, and Christina Baltayian even did a spontaneous colored pencil demonstration. Margaret is an exceptional artist, but she is also a masterful teacher notable for her ability to create an atmosphere where knowledge is readily shared.

I will admit that painting at the Huntington was an inspiration in itself, and indeed I gathered a couple of fallen bits from an oak just outside the Botanical Building, which turned out to be compositional gifts from heaven.

by Deb Shaw

Color test chart by X-Rite

Color test chart by X-Rite

The X-Rite site has a new, nifty Hue Test they’ve developed. They report that 1 out of 255 women and 1 out of 12 men have some form of color vision deficiency. Their online color challenge, based on the official FM100 Hue Test is a fun way to see how well you see hue and value across the spectrum. Rearrange the squares in order of hue and then click on the “score test” button to see how well you do! Zero is a perfect score.

by Deb Shaw

BAGSC Member Estelle DeRidder participated in the illustration of “Denver’s Canopy – The Nature of Deciduous Trees.” Released by the Denver Botanic Gardens, the publication is a tribute to Dr. Moras Shubert, in celebration of his 100th birthday and his service to the Denver Botanic Gardens and the Denver community. The deciduous trees of the Denver area have been a life-long passion of Dr. Shubert, who had the vision for this lavishly visual, limited edition book (225 copies).

The call for entries went out during the first week of February 2012 with a submission deadline of February 29, 2012. Artists had less than 4 weeks to create their illustrations!

Honey Locust, by Estelle DeRidder, colored pencil, © 2012, all rights reserved

Honey Locust, by Estelle DeRidder, colored pencil, © 2012, all rights reserved

Estelle submitted two illustrations: a Liquid Amber, and a Honey Locust.

The senior author of “Denver’s Canopy” is Sonia John; contributing authors are Panayoti Kelaidis and Martin F. Quigley. The 86 pages feature photographs and more than 30 botanical illustrations by Estelle DeRidder, Jan Boyd Haring, Marjorie Leggitt, Katherine McCrery, Randy Raak, Heidi Snyder and Amy Weinstein. Illustrations were done in a wide variety of media, including graphite, colored pencil, watercolor and pen and ink.

Congratulations to the Denver Botanic Gardens and illustrators for a wonderful project! And a very Happy Birthday to Dr. Shubert!

Liquid Amber, by Estelle DeRidder, colored pencil, © 2012, all rights reserved

Liquid Amber, by Estelle DeRidder, colored pencil, © 2012, all rights reserved

By Leslie Walker, posted by Deb Shaw

If you’re thinking about taking Margaret Best’s 3-day workshop at the Huntington Gardens on July 26, 27, 28, now is the time to reserve your space, and send in your deposit and/or your full class fee.

Participants will bring their own specimens (your choice!) and Margaret will focus on meaningful compositional choices for your personal art, or for creating potential entries into the BAGSC Drought Tolerant Plant Exhibition at Chapman University Library next year (intent to submit to the Exhibition is not a requirement of this class). All mediums are welcome in this workshop. This open medium instruction will be a first for BAGSC. Margaret suggests you bring your usual supplies, that includes your own preferred paper and paints/colored pencils, but she is happy to provide her own color palette choices for both mediums upon request. She can be reached via her website with any questions in regards to supplies.

There are still a few spaces available, and you can read more about this class on the prior post for the BAGSC blog.

So, if you had been contemplating attending, now’s the time to both register and find your subject. The cost for this class will be $300. Hold your space with a $50. non-refundable deposit, check made out to BAGSC and sent to Leslie Walker. Final $250. payment due July 1, 2012. Fabriano 5 paper (only available in Europe) will be available for purchase from the BAGSC inventory at class, three half-sheets for $7.00.

Participants should be selecting plants (for drought-tolerant help call Deborah Shaw or Leslie Walker), and starting sketches, color matching, and composition ideas. The more preparation you do ahead of the class the more you will get out of the class.

by Clara Josephs, posted by Deb Shaw

As we firm up the dates for the Chapman show, now is the time for you to make final decisions about which plants you will portray.

Please email Diane with the names of your selections. As we receive names of plants, the list will be posted monthly on the blog. By checking the blog list, you can make informed decisions as you progress with your paintings for the show.

Several people have asked about duplicate subject matter. We don’t expect a problem with that issue. At the first Chapman show we reserved the right to exclude duplicate subjects if we had too many paintings for the available display space. We had no problem displaying 70 + paintings and probably could have displayed more. This would be our policy again, but this time we would refer to our “Intent” list and give preference to the earliest declarer.

As you know, the exhibit is not only about the plants, but about the artistry in presenting the plant. Certainly, several artists can successful portray the same plant in dramatically different compositions. So don’t let the fact that another artist has declared for a plant stop you from painting a subject you are passionate about. But, do be aware that there is a small chance that if space is tight, some duplicates could be excluded

We hope to announce the exhibit dates very soon. Email Diane as you make your choices. We expect to be able to hang four paintings per member.

By Leslie Walker, posted by Deb Shaw

Preparing for an exhibition submission can be an exciting project yet sometimes, also a little daunting. What subject should I pick? Where do I find it? How do I create that particular texture? What type of composition will show the specimen off to its best advantage both in terms of its unique characteristics as well as offer an  aesthetically appealing result? You will be able to get help with all of these elements by signing up for Margaret Best’s 3-day workshop at the Huntington Gardens on July 26, 27, 28.

Margaret will be steering participants towards meaningful compositional choices to kick-start a direction for creating potential entries into the BAGSC Drought Tolerant Plant Exhibition at Chapman University Library next year. Not only has Margaret developed a new format for her workshops, already proven in Bermuda, Canada and recently in Italy, she is also experienced in teaching graphite, watercolor and colored pencil and will be therefore welcoming all mediums in this workshop. This open medium instruction will be a first for BAGSC. Margaret suggests you bring your usual supplies, that include your own preferred paper and paints/colored pencils, but she is happy to provide her own color palette choices for both mediums upon request. She can be reached via her website with any questions in regards to supplies.

What you are required to bring with you is your own specimen. For those of you who love to depict colorful flowers, there are many options in this category too, but you should also be aware that the purpose of the exhibition is to bring a focus on the unique structures of drought tolerant and drought resistant plants as well. And the choice is not restricted to purely Californian natives. Once you have made your selection, it is suggested that you familiarize yourself with the plant by completing preliminary sketches and doing some research into the ways that the plant structures you will be depicting, assist in its toughness to survive in regions that are often subjected to periods of time without water. This pre-workshop preparation time is not a pre-requisite to attend (nor is there a pressure to exhibit if you do not wish to do so) but it will help you progress more efficiently with a compositional direction and give you more time for color application and technical assistance.

So the time to both register and start looking for a subject is right away. Don’t miss this opportunity to be a part of this wonderful exhibition but also to be able to prepare for it with Margaret Best.

The cost for this class will be $300. Hold your space with a $50. non-refundable deposit, check made out to BAGSC and sent to Leslie Walker. Final $250. payment due July 1, 2012. Fabriano 5 paper (only available in Europe) will be available for purchase from the BAGSC inventory at class, three half-sheets for $7.00.

Participants should be selecting plants (for help call Deborah Shaw or Leslie Walker) now, and starting sketches, color matching, & composition ideas. The more preparation you do ahead of the class the more you will get out of the class.

See you there!

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